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Gender inequality and sexual assault
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Neoliberal Law and Sexual Violence
The film “An Invisible War” by Kirby Dick delineates the struggles of victims of sexual violence within the US military to seek compensation for their discharge, and often the expenses caused by the resulting trauma, within existing neoliberal legal framework. Lise Gotell’s article is a critical review of dominant neoliberal policies and discourses, and their manifestation within a series of gang rapes that began inside the middle-class Edmonton neighbourhood of Garneau in 2008. Existing neoliberal policies serve to obstruct the recognition of sexual violence as a systemic issue, as evidenced by the bureaucracy and law enforcement agents faced by the women in both of the aforementioned pieces.
Sexual violence is one of the ways femininity is subjugated, it also serves as a means to “masculinize” the perpetrator and “feminize” the victim. It is an idea rooted within the fabric of heteronormative familial structures which seek to exploit the labour product of “feminized” bodies without meaningful compensation. This exploitation can be carried further to the idea of a woman's sexuality, which is also exploited and leads to a culture of rape. Furthermore, the law merely acts after a crime has occurred and all preventatory insights
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it offers are tailored to individuals, and how they can (read: must) practise respectable citizenship to avoid being the target of a crime. These tactics fall within a larger description of risk management technologies. This preoccupation with a universalized victim obscures the larger factors in place and successfully degenders, and deraces a victim. When the law does come into effect for sexual violence victims it serves to universalize their experience with other victims who require a generic service as someone who has been targeted by crime; interestingly neoliberal policies of law must carefully maneuver the binary of the individual citizen with the possibility of victimhood, and the universalized victim. It is this very binary that makes it hard for victims to use the law as a way to address sexual violence. The law will often blame a victim for their own crime because as individuals they must all part take in risk management procedures to minimize the possibility of acquired victimhood, this is demonstrated in both pieces. In the Edmonton serial rapes, as women who were targeted for being alone in dark areas or failing to properly secure possible entryways into their houses. In invisible war one of the victims is chided for “allowing herself to be alone” with hundreds of drunk men. these tactics of victim blaming further derail the narrative from not only the larger dogma which frames rapability as a part of a feminized subject but also from the perpetrator who embodies these beliefs, it reduces rape to an act that can be managed- if not controlled, by practising corrective pre-sanctioned behaviour against a faceless and ubiquitous threat. As mentioned earlier this response to sexual assault serves to obscure overarching sociological issues within these institutions that allow rape to occur. Within the military survivors have said socialization plays a factor in these incidences (and even their tendency to be underreported); one went so far as to say “When a gunnery sergeant tells you to take off your clothes, you better take off your clothes. You don't ask questions”1. By deflecting blame to individuals, the possible examination of a culture based on and steeped in violence is overlooked. The idea of victim blaming is not simply a central discursive part of neoliberal law and policies, it is further enacted upon every representation of neoliberal law.
It plays a pivotal role in the training provided for law enforcers. They are taught to approach all cases of reported sexual assault as false accusations. This concept is demonstrated by the incredulity of a commanding officer, and his further repudiation of three female soldiers who reported sexual assaults to him in the film. These reactions cannot be attributed to individuals but rather the law as Police Officers in Edmonton expressed similar disbelief when two sexual assaults were reported within the same house and in a narrow
time-frame. Prevalent neoliberal discourse seeks to relegate the responsibility of sexual assaults to victims, by correlating crimes with a failed self regulation. The serves to conceal dominant ideas used to justify and proliferate the subjugation of femininity. Therefore, use of law as a means to address sexual violence will always serve as a hinderance to the large scale societal action required to enact meaningful changes on the issues presented.
From the mothers and fathers of the daughters and sons in the military to the friends that are left back home when someone enlists and prepares on their journey, this film provides a starting point to influence conversation’s about the sexual violence and injustice prevalent across the DOD. The film speaks out to the audience’s emotions by delivering jaw-dropping statistics all while providing a strong ethical basis of trustworthy resources, interviews, and statistics. This documentary is a great example of how using pathos, ethos and logos to implore an audience to question how the DOD reacts to MST. By combining all these rhetoric appeals, Kirby is able to convince the audience that there is sexual misconduct in the military and there is no evidence to prove that they are doing anything about
In 1996, Captain Derrick Robinson, Sergeant Delmar Simpson, and Sergeant Nathanael Beech were arraigned for their suspected involvement in one of the biggest sex scandals the United States Military had seen. According to CNN, between these three men, charges of rape and adultery were pending in a huge case of sexual misconduct against female soldiers at Aberdeen Proving Ground in Maryland (CNN, 2996). Following this incident, the United States Military took it upon themselves to open a telephone hotline to encourage the reporting of similar harsh crimes. Furthermore, the spike in reporting influenced extensive research to examine the prevalence of rape against women soldiers in the U.S. Military (Titunik, 2000). This paper will explore the dynamics of rape against women soldiers in the military and the research done on its prevalence.
Rape is a hidden epidemic that affects many lives world wide. It is a problem that is so terrifying and uncomfortable that people do not talk about it. John Krakauer, author of Missoula, focuses on this issue of rape in the college town of Missoula, Montana. His focus is specifically on the case of Allison Huguet and Beau Donaldson. As the progression of Allison 's case continues we learn of more and more rape cases that happened to women on this same campus. A majority of women do not report these cases, we later learn as Krakauer continues through Allison 's case, because reporting and pursuing the case would be giving their life away. [4] Of course Allison decides to go through the trails of Beau Donaldson, however it is obvious that it is extremely difficult to convict someone with little evidence. As hard of a read as Missoula
This essay will examine Susan Estrich’s and Lois Pineau’s discussion on rape. Both contribute insights on our society’s negligence when it comes to the protection and justice for women. Estrich provides a peak into the legal system on how it determines rape. We will see that the law is shaped in a way that continues to oppress women and leave them unprotected. Pineau furthers the conversation on placing responsibility on the victim to prove the crime. She narrows her focus on date rape and raises an objection to the model of consent that shapes our culture’s attitude and our country’s law. Pineau proposes a communicative model of sex. From this proposal, I will conclude my essay with an objection of her model and will ultimately defend her model against such an objection.
This essay will explore reasons why females such as Vanessa George turn to the crime of sex offending. Demonstrating my knowledge and understanding of classical criminological theory, exploring biological theories such as penis envy and more contemporary views such as liberation theory within feminism. The essay will then go on to look at the inequalities female sex offenders face within the criminal justice system in comparison with males, using chivalry theory and evil woman theory to explain this.
Gender is predominating in the criminal justice system and sexual assault exemplifies the contrast found between the traditional and non-traditional justice systems employed over time. Sexual assault poses a social threat to all aspects of community, spreading insecurity in 43400 victims across Australia and 13300 victims in NSW alone as indicated in the recent Australian Bureau of Statistics Crime Victimisation Report. (ABS 2011, p. 40) There has also been an increase of sexual assault by 51% since 1995 with an average of 4% every year. (ABS 2010) Another major issue within the boundaries of sexual assault is that it holds one...
Erdely, Sabrina Rubin. “The Rape of Petty Officer Blumer: Inside the military's culture of sex abuse, denial and cover-up”. The Rolling Stones Magazine. 14 February 2013. Web. 4 November 2013
Susan Griffin’s Rape: The All-American Crime touches on many issues within American society. She begins by recounting how she was taught to be afraid of strange men from such a young age that she had not yet learned what it was she was so afraid of, and then goes into her experience with harassment, an experience shared by every woman at some point in her life. Griffin recounts the belief that all rapists are insane and the proof that they are just normal men and dispels the myth that rape is normal activity that is prohibited by society. However, she goes on to clarify that our culture views rape: “as an illegal, but still understandable, form of behavior” (Griffin 514). It seems that the wrongness of rape is determined by the situation in
In the surveys they have referenced in the article, it displays military sexual trauma increases among women during and after military deployment of unwanted sexual contact in recent years. The authors have recruited and conducted of twenty-two US servicewomen telephone interviews from May 2011 to January 2012 to participate a qualitative study with or without their MST experiences. They asked the participants questions regarding about MST during deployment and other factors which are disturbing their reporting and accessing to services against the perpetrators. The issues of sexism, high stress levels, and failed military leadership contributing factors which put these servicewomen in jeopardy of MST. Some of the interview women said that servicewomen do not report MST due to lack of support from peers, unreliable confidentiality, stigma, and other barriers. The interviewees feel more comfortable opening to medical care services after deployment in the United States that grips with sexual assault cases than throughout deployment around the world. The participants have suggested to improving the MST services: by increasing awareness, prosecution, investigation, cultural shift, and independence service providers. The interviewees recognized that Military se...
Feminist Criminology, 7(2), 146-162. Kinder-Matthews, J. & Co., Ltd. (1994) The 'Standard' of the 'St Working with female sexual abusers. (pp. 57-67). The 'Secondary' of the Miccio & Fonseca, L.C. a.
To comprehend the underlying levels of conviction, there are unfortunate factors from the police, the criminal justice system, the probability of evidence and issue of consent that make convictions immensely difficult to prove. This essay will investigate those measures showing the contrasts of rape and why it is tricky to prove rape occurred without consent, without any corroborative evidence, attitudes of police towards rape victims, the victims withdrawing their report due to personal circumstances and the handling of victims in court, that lead to many offenders having a non-custodial sentence or being acquitted of a rape charge. In the first paragraph, I will explain what constitutes rape and the variations of relationships in which rape is committed. The Sexual Offences Act 2003 (the Act) came into force on the 1st May 2004. The purpose of the Act was to strengthen and modernise the law on sexual offences, whilst improving preventative measures and the protection of individuals from sexual offenders.
“Apocalypse Now” is a legendary war film directed by Francis Ford Coppola. The film’s main theme is devastation, violence, and horror. In this film Coppola thoroughly scrutinized the main characters ideas, behavior, and emotions to depict the darkness and the horror of war. His goal was to make the audience part of the horror. He wanted the audience to have a tremendous impact on this film and he succeeded with the perfect use of sound and editing in the ending sequence of his film. I will demonstrate how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types.
The Hunting Ground, directed by Kirby Dick, shows several examples of women in the United States being overjoyed at their acceptance into prestigious universities. Many American women also have a strong desire to join the military. Even though parents sending their daughters off think that they will have a great, safe experience, this is not always the case. Dirk’s documentary shows that many women on several prestigious college campuses, including but not limited to Harvard University, Yale University, the University of Southern California, the University of California, Berkeley, and Arizona State University are raped. The act is most commonly performed by men who take advantage of drunk women, although men often times have to resort to physical force to rape women. Rather than confront the problem of rape culture on college campuses, many colleges try to cover up the problems in order to not lose their prestige. The Hunting Ground shows that the few college women that do report having been raped, many administrators try to (partially) blame the incident on the victims and make excuses for the perpetrators. According to Dirk’s documentary, “more than 16 percent of college women are sexually assaulted while in college”. In the case of the military, women soldiers are vastly outnumbered by male military members and have difficulty keeping up with them. The Invisible War, also directed by Kirby Dick, shows that
Many of the attitudes, beliefs, and mistaken ideas about rape have been with us for centuries. By looking at myths, such as “women ask for it,” and “women secretly enjoy rape,” from a historical perspective, can lead us for better understanding how they evolved. Much stems back to the idea that women are still seen as the property of men, and are protected as such. Men and women are still taught to occupy very different roles in today’s world. Men a...
Imagine how much happier we would be, how much freer to be our individual selves, if we didn’t have the weight of gender expectations. ( Chimamanda Ngozi Adichie )” Taking a step back, it is clear that rape culture is not a part of our society that will change anytime soon. Nonetheless, it is important to recognize the role that we play in institutionalizing rape. We have become blinded by the presence of sex in the media and there is a lack of awareness in terms of rape in our society. This, in turn, has led to a belief that most rape crimes are more or less victimless. As a society it is time to enact change, promote truly equal gender equality, and create an environment where the victims are free from shame and