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The graduate film analysis
Paper on film analysis
The graduate film analysis
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The film A Single Man, tells the story of George Falconer on the day plans to kill himself after he learns of his lover’s death. George, being gay, is not told of the accident killing Jim for several days after the fact, and is then banned from the funeral. Eight months later, when “waking up has actually hurt” everyday since Jim’s death, George resolves to shoot himself. On this last day of his life, despite urging himself to “just get through the goddamn day,” imagery of clocks, their ticking, and discussions of the past, present, and future indicate George’s misled attempt to control time. Clocks are shown on screen around George’s life throughout the day, no matter where he goes. The first one is in the first scene where he wakes up. He glances again at the clock in his car on the way to the university, as if it could get him away from his neighbors more quickly. A clock ticks the entire time he packs up his office, marking the seconds until he can get away. Another clock is stopped on the moment before George unlocks his box to retrieve his things, marking the time 2:45. Each time he is in his home office, a clock’s ticking is almost the only noise, whether he is setting up for his death, or packing things away after Kenny removes the gun to protect George. …show more content…
Because he was happy then, he didn’t feel the need to speed up time, to get his life over with. He clearly states that the only thing worth living for is “ those few times that I was able to truly connect with another person,” mainly referring to Jim, but possibly also to Charley and Kenny, as the clocks disappear in those scenes as well. When George awakens to find Kenny asleep on the couch, the first thing he opens his eyes to is the clock on his bedstand, reading around 3 in the
During the Talladega 500, Cal Naughton Jr., Ricky Bobby's former best friend, pulled ahead of Ricky, allowing him to slingshot around his car and pass Jean Girard. Though Cal and Girard were teammates at Dennit Racing, Cal disregarded this and jeopardized his team's success to aid Ricky in the movie Talledega Nights: The Ballad of Ricky Bobby. This moment was crucial to Ricky, he having fallen from grace, going from NASCAR's top driver to being let go by Dennit Racing. The love Cal exhibited was a selfless form of love that was centered entirely around Ricky's happiness, not his own. Because of this selflessness, Cal compromised his own agenda, winning for Dennit, and disregarded personal consequence in hopes that Ricky would win the race. If you truly love someone as Cal loved Ricky, you must sometimes compromise your own interests for their benefit.
On October 14th, 2016 in class we watched “Two Spirits” by Lydia Nibley. Basically the film explored the cultural context behind a tragic and senseless murder of the main character. Fred was part of an honored “Navajo” youth who was killed at the age of sixteen by a man who bragged to his friends that he was nothing but a “fag”. While walking home from a carnival he was chased by one of his friends. Once his friend caught up to Fred, he pulled him down from a mountain and smashed his head with a heavy rock. Fred laid there for five days straight where two young boys found his body lying there. He was labeled as a “two-spirit” who was possessed of balancing masculine and feminine traits. In the film, there are two parts that are put together effortlessly like the people it discusses. Most of the documentary focuses on Fred’s murder, but the real issues in the film were those of the lesbian, gay, and transgender community and how its members were viewed in a
He tells Candy to wait until he has left the barn to yell as though he had just found the body. He immediately heads for the bunker and tells Candy to “give me a couple of minutes” (95). This allows him to have enough time to get the gun be in his possession and be back in time to follow the men into the barn. He knows he must head straight for Lennie after everyone has seen Curly’s wife’s body, they came from the north so George hopes Lennie has remembered to hide in the brush. When the guys ask George where Lennie could have gone he claim Lennie “would of went south” (97). He knows that if the men search in the south it will give him the opportunity to kill Lennie without any pain. Afraid that George might be up to something Curly tells George to follow them, “George moved slowly after them” (98). He moves at a slower pace than the rest of the men to create distance so he can eventually head north to the brush where Lennie
Behind George’s impulsive enigma you can see just how much he wants to be accepted and make friends. Isolated and lonely, George bullied children who were smaller than him and appeared as ‘easy targets’ because deep down he didn't feel good about himself and wanted to be accepted due to his learning difficulties and other assorted problems. George readily agrees to the invitation to Sam’s birthday, seeing the trip as an opportunity to finally make friends. You see a glimpse of his caring nature when he gives Sam a birthday present, using all his savings to purchase him a water pistol, and ensuring he likes it. However, he was unaware of the true purpose of his invitation by the resentful Sam, forcing you to sympathise further on George and expressing his innocence and desperation to form friendships. This is further demonstrated later in the film where he lies and tells the group that he smokes cigarettes in hopes to be accepted in the group and appear as ‘cool’ by doing the things they
Throughout the story George recites a description of how easy his life could be if he didn't have to keep up with Lennie. "God a'mighty," he could "get a job, an' work, an' no trouble (pg. 11)." At the end of the month, he could take his 50 bucks and go into town and buy whatever he wanted. George says these things like he's only teasing, but in actuality he's dead serious. George started building his alibi when he first arrived at the farm. He wanted to seem like he deeply cared for Lennie, and that Lennie was an overall good person. George then strengthened his alibi, and gave a glimpse of his true motives when he talked to George about why he stopped making fun of Lennie. George said that he told Lennie to "jump in," and that Lennie did it and "he damn near drowned (pg.
After George had turned off the house, the kids began to wish dark and gruesome insults if the house wasn’t turned back on. These insults pressured George to turn the house back on and the children praised him. After this, the kids ran into the nursery, which has changed to Hawaii, and stayed there all night. In the morning, George called Peter and Wendy to the kitchen for breakfast but there was no response. George called the kids again but no answer again. This began to worry George and he called out to Lydia. Once again there was no answer and George become even more worried. George ran into the nursery and found the three of them in Hawaii having breakfast. With this discovery, George was relieved and sat with his family for breakfast.
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
George is pretty much in charge of Lennie and is the brains of the operation. He thinks very big of himself and thinks he's got the rest of his life planned out. He wants to own a farm someday with Lennie. He really likes to cuss and get drunk on Friday night. He always says to Lennie "If you weren't around I would have a job by now," but he really cares about him. At the end George puts Lennie out of his misery and shoots him. He said "it was the hardest thing I've ever had to do in my life."
"When I was just out of school I worked with a team of engineers in redesigning a nozzle for a nuclear steam turbine generator... It was an awesome machine... And when it ran... lighting up every home in New York, a feeling radiated through the pit of my stomach as if its nerve endings were connected to each of those ten million light bulbs. That was power. But the winds coming around the corners of that house was God" (251). George's experience in the hurricane is just one example of the contrasts between technology and spirituality. George ardently believes that every problem can be solved with rational thinking, planning and plenty of hard work. His obsession with fixing the bridge after the hurricane further illustrates this point; despite assurances from Mama Day and Dr. Buzzard that the bridge would be built in its own time, George diligently pushes the townsfolk beyond their capacity to work. His behavior surrounding the bridge--not to mention the boat he tries to mend--is based on his desire to save Ophelia from a strange illness. He ignores the advice and guidance of Mama Day and plunges into the crisis through rational means. Ultimately, he loses his own life when saving his beloved wife, though George never understands how or why. Dr. Buzzard had warned him that "A man would have grown enough to know that really believing in himself means that he ain't gotta be afraid to admit there's some things he can't do alone" (292).
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
Within the German Democratic Republic, there was a secret police force known as the Stasi, which was responsible for state surveillance, attempting to permeate every facet of life. Agents within and informants tied to the Stasi were both feared and hated, as there was no true semblance of privacy for most citizens. Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to spy on a well-known writer and his lover. As the film progresses, the audience is able to see the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's use of the script, colors and lighting, and music.
He does this as if to confirm that everything has stopped, that the clocks have all wound down. As he does this, he gives the tone a sentimental feel, while also being a kind of nostalgic, that as he lists off every clock’s name, to which each one holds a potential memory that is important to George, and seems that he gives us the feeling that he is recalling each one from some time in his life. For this reason, the different wound down clocks show the his life as a representation, that these are the clocks he’s collected over his years of living, that they hold his memories. The last clock George talks about is the Stevenson grandfather clock, he give a perfect image to what it looks like, being a “7 foot walnut-case” clock, with a “moon-phase window’ and beautiful decor around the “Roman numerals, George even remembers the when and where it was made. Thus, it can be said that George considers this clock one of more importance than the others, that it has been apart of his life a lot longer than the others, that it holds more memories. To this extent, it is thought that George uses the clocks to correspond to his memories of his life; that they are connected.
However, in stark contrast to The General, other films were being made around the world that did not follow a simple Hollywood structure, but rather were more experimental with what a movie could be. Man With a Movie Camera (1929), a very ahead of its time, utilized a completely different style of filmmaking that resonated strongly with the ideals of the Soviet Union. Thus, Man With a Movie Camera sought out to make the everyday people of the Soviet Union the stars of the film. This idea was completely revolutionary as well, and almost by necessity, introduced a new style of editing to fit the story—or rather the documentation—that director Dziga Vertov was trying to tell.
I have chosen to review the film Boyhood written by Richard Linklater that took twelve years to film. In the movie Boyhood, it illustrates the life of a boy named Mason Jr. through the many stages of his childhood to adolescence to becoming an adult. The movie follows Mason Jr.’s life through his years of kindergarten, middle school, high school, and to college. Through these milestones in his life encounters society with socialization, culture and norms that are exhibited through his family, friends, and others. With factors of social classes, and gender that influence Mason Jr. as he grows and fits into the society that is formed. From the events and milestones in Boyhood, it is able to show human behaviour in society from our
In the movie ‘The Soloist,’ Nathaniel experienced mostly positive symptoms. Ronald Comer, ‘Fundamentals of Abnormal Psychology, defines positive symptoms as “pathological excesses,” or bizarre additions, to a person’s behavior, thoughts, and emotions, and negative symptoms as a deficit of thoughts, emotions, and behaviors. Nathaniel Ayers displayed signs of an abundance of excessive thoughts, emotions, and behavior. One example was when he initially met Steve Lopez; Nathaniel was extremely verbose and illustrated symptoms of disorganized and rapid speech patterns. He later expressed deep emotions towards Steve, by revealing to him that he loved him. Nathaniel held the delusion that Steve Lopez was god and this belief dominated his life. There was a scene in the movie where Steve Lopez had received a donated cello for Nathaniel; he told Nathaniel that he would only be allowed to play it if he went to the LAMP community center. Against his own desire, Nathaniel complied and went to the community center in hopes of playing it again. Auditory hallucinations are said to be common in people with