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Fight club literary analysis
Fight club literary analysis
Fight club film analysis essay
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Barsam and Monahan define a narrative as, “A cinematic structure in which content is selected and arranged in a cause-and-effect sequence of events occurring over time” (553). David Fincher’s Fight Club uses a very unique narrative mode in that the whole film is self-narrated by the unnamed main character and has one of the best surprise endings in this writer’s opinion. This makes the film a prime specimen to be broken apart for further narrative analysis.
The film starts out with the nameless narrator played by Edward Norton in a nameless city. The narrator, stuck in a dead-end white collar job, suffers from insomnia and is told he can’t receive medication. This paints Norton’s character as someone who is stuck, without any visible options to alleviate his pains. He then proceeds to visit support groups to see people worse off than himself. Eventually he finds relief from his insomnia in the emotional release he gets from these different support groups he pretends to be a part of. Then he meets the femme fatale of the film, Marla Singer. She too is feeding off the emotional release from the support groups which leads to the first conflict of the film. On a flight back from a business trip the narrator befriends Tyler Durden, a physically fit soap salesman played by Brad Pitt. This is the point where you realize that for the first thirty minutes of the film random flashes of a tall blonde man appear on the screen for less than a second. Foreshadowing his importance, if someone is quick enough to catch a good enough glance of these flashes they will recognize that it is Tyler Durden, and so the plot thickens.
Tyler Durden is what some people would consider a muscle head, but he has much too many ideas for those stereotypes t...
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...sumed he has gone through the required change most protagonists go through in narratives.
With characters, plots and tones that throw the viewer through more loops than a roller coaster, Fight Club explores several of the narrative elements with many twists, turns, and plot devices that leave the mind pondering for days after viewing the film. Wrought with symbolism and the powerful themes of anti-consumerism and breaking down the walls we put around ourselves, there are several lessons to be taken from watching this film.
Works Cited
Barsam, Richard., and Dave Monahan. Looking at Movies: An Introduction to Film. New York: W. W. Norton, 2010. Print.
Fight Club. Dir. David Fincher. Perf. Brad Pitt and Edward Norton. 1999. 20th Century Fox Home Entertainment, 2000. DVD.
"Fight Club." IMDb. IMDb.com. Web. 05 May 2012. .
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
The plot segmentation of Quentin Tarantino’s 1994 film, “Pulp Fiction,” reveals how the pieces in the nonlinear narrative structures are put together. In order for the audience to remind them when these events take place, the movie uses title cards to specify each segments’ main plot. Some of the characters would even reference events that have already occurred, such as when Mia, in the boxing match building, thanks Vincent for the dinner. The movie does not just allow the audience to really pay attention to how the story is being told, but also show how similar each of the main stories’ structures is, despite being in a nonlinear form. For example, all of them feature acts of “heroism” by resolving the issues when caught in very unexpected
Kuhns, William. “The Movie Columnists.” Movies in America. London: The Tantivy Press, 1975. 142-73. Print.
“In philosophy, or religion, or ethics, or politics, two and two might make five, but when one was designing a gun or an aeroplane they had to make four” (Orwell 250). Winston lives in a time where a set of rules preventing him to be free are imposed on him – the Party defines what freedom is and is not. “Freedom is the freedom to say that two plus two make four. If that is granted, all else follows (Orwell 103)”. Winston expresses his views on The Party within his diary even though he knows it is not accepted by The Party or the Thought Police. The narrator in Fight Club uses fighting as a form of escapism from his anti-consumerist ideologies revealed by his alter-ego, Tyler Durden. “Fuck off with your sofa units and strine green stripe patterns. I say never be complete, I say stop being perfect, I say let’s evolve—let the chips fall where they may. (Fight Club)” Tyler urges the narrator to stop conforming to consumerist-imposed views of perfection and break barriers to evolve. Tyler and the narrator create a medium for people in similar positions to escape from societal bound norms; it is aptly named “Fight Club”. In comparison, both Tyler Durden and the narrator from Fight Club and Winston Smith from 1984 share
A set of practices concerning the narrative structure compose the classical Hollywood Paradigm. These conventions create a plot centering around a character who undergoes a journey in an attempt to achieve some type of goal (). By giving the central character more time on screen, the film helps the audience to not only understand the character’s motivation but also empathize with his/her emotional state. Additionally, some antagonistic force creates conflict with the main character, preventing immediate success(). Finally, after confronting the antagonist, the main character achieves his or her goal along with growing emotionally(). This proven structure creates a linear and relatively easily followed series of events encompassing the leading character and a goal.
Fight Club is a story about the never-ending struggles between classes. The Project Mayhem is formed in an attempt to overthrow the upper class who undermines the lower class. There are a number of scenes in the story, which highlights the struggle between classes. For instance, when Tyler pees in the soup of an upper class person, when he splices pornography into films and the scene when a mechanic takes the unnamed narrator to steal body fat. The characters here do all they can to fight against the upper class people and to get revenge.
The narrator meets Tyler and realizes quickly that Tyler is everything he is not. The narrator is disappointed in his life when he compares it to Tyler’s. “I am nothing in the world compared to Tyler. I am helpless. I am stupid, and all I do is want and need thin...
Society becomes so rationalized that one must push himself to the extreme in order to feel anything or accomplish anything. The more you fight in the fight club, the tougher and stronger you become. Getting into a fight tests who you are. No one helps you, so you are forced to see your weaknesses. The film celebrates self-destruction and the idea that being on the edge allows you to be beaten because nothing really matters in your life.
Fight Club. Novel by Chuck Palahniuk. Screenplay by Jim Uhls. Dir. David Fincher. 1999. 20th Century Fox, 2002. DVD.
Cinema Journal 48.1 (2008): 27-50. Project MUSE. Web. The Web.
Fight Club “Its only after we’ve lost everything are we free to do anything”, Tyler Durden as (Brad Pitt) states, among many other lines of contemplation. In Fight Club, a nameless narrator, a typical “everyman,” played as (Edward Norton) is trapped in the world of large corporations, condominium living, and all the money he needs to spend on all the useless stuff he doesn’t need. As Tyler Durden says “The things you own end up owning you.” Fight Club is an edgy film that takes on such topics as consumerism, the feminization of society, manipulation, cultism, Marxist ideology, social norms, dominant culture, and the psychiatric approach of the human id, ego, and super ego. “It is a film that surrealistically describes the status of the American
Barsam, Richard. Looking at Movies An Introduction to Film, Second Edition (Set with DVD). New York: W. W. Norton, 2006. Print.
The narrator is changed by his experience with fight club; his life becomes all about fight club. Fight club becomes the reason for the narrators existence. The narrator experiences a shift in consciousness; in that, he is able to understand more of who he is and what really matters in life through fight clubs trial by fire. Through battle and a mindset of counterculture and a complete expulsion of ...
Piper, Jim. Get the Picture? The Movie Lover’s Guide to Watching Films. 2nd ed. New York, New York: Allworth, 2008. Print.
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..