Compare or contrast two major female fertility deities as to character, activities and role in the myth.
In the myths of the ancient world, a great deal of importance is placed on the rhythmical cycle of birth, maturity, death and rebirth. Ancient agrarian people observed the world around them, and from this observation they realized that their lives as well as every other living thing on this planet was a part of an intricate continuing cycle. Everything withered and died, but not before reproducing and continuing the cycle of life. Since female plants and animals were directly responsible for the birth of new life, people worshipped female deities to ensure that the earthly cycle of life was maintained in proper balance.
One such goddess can be found in Japanese mythology. The most ancient of Japanese deities, Amaterasu is the goddess of the sun. She is also the ruler of the gods and the universe. She is revered and given considerable praise, evidenced by the fact the Japanese imperial family traces its lineage directly to the Goddess Amaterasu. This reverence is understandable, given the sun's extreme importance in the cycle of life. Without the sun, there would be no warmth, no plants, and certainly no humans. It also represents the important role that women played in early Japanese culture, where they occupied the same social roles as men. In the myth of Amaterasu, her brother Susano-o-no-Mikoto has offended her by defiling her home and not respecting her. He has also committed an act of physical violence against one of her servants.
In one version of the myth, one of Amaterasu's weaving women dies as a result of a wound to her vulva caused by Susano-o-no-Mikoto. This so enrages Amaterasu that she closes herself into a cave and refuses to come out. Without her life giving rays of sunshine the world begins to wither and die. Other Gods and Goddesses attempt to lure her out of the cave by throwing a celebration. They also set up a large mirror in a hope that when Amaterasu sees how brilliant she looks, she will want to come out and spread her radiance and glory.
One of the Goddesses, Ame no Uzume, performs a dance in front of the entrance to the cave. The other Gods and Goddesses cheer so loudly in appreciation that Amaterasu becomes curious about why everybody is so happy. After all, they should all be depressed since she and her sunshine are gone.
The role of women in Hesiod's Theogony and Works and Days is outstandingly subordinate. There are a number of times in Hesiod's text that despises women, being mortal, immortal, or flesh-eating monsters. The overall impression of women from Theogony and Works and Days, leads one to believe that Hesiod is a misogynist.
Earth's Daughters: Stories of Women in Classical Mythology. Golden, CO: Fulcrum Resources, 1999. Print. The. Stebbins, Elinor. The "Athena".
Roman and Greek mythology are filled with multiple interpretations of how the creator, be it the gods or nature, contributed to the birth of the world. These stories draw the backgrounds of the gods and goddesses that govern much of classical mythology. Ovid’s Metamorphoses and Hesiod’s Theogony are two pieces of work that account for how our universe came to be. A comparison of Theogony with Metamorphoses reveals that Hesiod’s creation story portrays the deities as omnipresent, powerful role whose actions triggered the beginning of the universe whereas in Metamorphoses, the deities do not play a significant role; rather the humans are center of the creation. The similarities and differences are evident in the construction of the universe, ages of man, and the creation of men and women on earth.
Mortal and immortal women inspire many of the events that take place in The Odyssey and The Epic of Gilgamesh. For example, without the harlot, who “tames” Enkidu, the story of Gilgamesh would not be, as we know it. A chapter entitled, “Women in Ancient Epic” from A Companion to Ancient Epic by Helene Foley compares Ishtar in Gilgamesh to Calypso and Circe in The Odyssey. By comparing the role of immortal and mortal women in both The Odyssey and The Epic of Gilgamesh, one will be able to discern how the feminine figures have played a pivotal role in shaping the destiny of the epic heroes, as well as, understanding the interrelation amongst the female figures of both ancient epics.
In fact, three women; Shamhat, Ishtar, and Siduri, were able to create and maintain a civilized Mesopotamian society using the uniqueness of their body, mind, and spirit. In the Epic of Gilgamesh Shamat is the temple prostitute, she is not considered to be a main character in the epic, but she still delivers a powerful message in her short appearance (shmoop). A goddess in ancient Mesopotamia is considered a woman who is of the highest ranking and deserves the highest respect to be considered by men (Thompson). Ishtar, the goddess of love and war, has a small, destructive role in the epic.
Every culture has some form of higher being, to be a model for their behaviour, as well as to look up to. In Greek times, these were the gods and goddesses who made their home on Mount Olympus. Women identified with the goddesses because they shared some feminine attributes. Goddesses were a “symbol of motherhood and fertility, but also of strength, wisdom, caring, nuturing, temperance, chastity, cunning, trickery, jealousy, and lasciviousness” (Clarke, 1999). However, not all of the goddesses possessed all of these attributes. The goddess Aphrodite, for instance, was not nurturing, nor was she very caring.
Women have given birth to new generations for centuries and have the common stereotype of being caring and gentle. But in the creation myth, women were given to man as a punishment. In the book of collected Greek tales, " Mythology Timeless Tales of Gods and Heroes", by Edith Hamilton, women take up important roles that shape each story. Although women are usually characterized as being helpful and motherly, Greek mythology, on the other hand, portrays them to cause distress, fear, and anxiety to numerous men. Women’s actions are shown to be influenced with jealousy and vengeance which gives them an evil nature.
Mythology was very important to the men and women of ancient Greece. They worshipped the gods and goddesses, wrote poems about them, and based a great deal of art work off of them. The people of Greece looked to the gods and goddesses for help in all aspects of their lives; including health, agriculture, and war. Reading about Greek mythology can inform people about the society of Greece itself because the Greek gods were created by the people of Greece. Three main goddesses who were worshipped by the Greeks were Hera, Athena, and Aphrodite. These three goddesses represent three different types of women in Greek society. Sarah Pomeroy, author of Goddesses, Whores, Wives, and Slaves, believed that “the goddesses are archetypal images of human females, as envisioned by males” (8). Pomeroy understands the significance in the differences between Hera, Athena, and Aphrodite, and what those differences meant for the women of Greece who were required to follow three important rules. The first rule was for the women to live a life of domesticity and motherhood. This was very important to the men in the society. The women were the only ones able to bear children. Also, if they were forced to stay in the house, men could keep a greater control on their wives, and not have to worry about them having affairs. The second important trait was virginity until marriage. Its importance to the Greek culture lied in the fear of a woman’s power. The men of the society felt it best that a woman remained a virgin until she was married; however this same attribute was not required of a man. Their belief can be explained by this quote written by P. Walcot in the article “Greek Attitudes Towards Women: The Mythological Evidence”: “The Greeks believed women...
For the most part, women in today's society hold a position equal to that of a man;
life, i.e. birth, harvest, etc. Accompanying the 6 major goddesses (Hera, Athena, Aphrodite, Hestia, Demeter and Artemis) we have the lesser divinities such as the Muses, the Graces, the Fates, etc.
People of the ancient world often had questions about their existence and how life and people came to be on earth. Most ancient people answered these questions through religion. The Sumerians were the first important group of people to inhabit Mesopotamia and they were known to practice a form of worship called polytheism, which is the worship of several gods. Mesopotamians associated different gods with natural events, emotions, and other occurrences. Their main deities included An (the god of the heavens), Enlil (Lord Storm), Enki (god of wisdom), and Nihursaga (the mother of all living things)(p.22). The Mesopotamians believed that the gods controlled all of the events and occurrences in life. An ancient text called “Creation of Man by the Mother Goddess” (p.34) helps us understand how the M...
The major Mayan gods and goddesses all have common characteristics and, according to “features which they share in large part with the gods of neighboring people of Middle America” (Thompson, 198). One of these characteristics is that Mayan gods and goddesses have “features which they share in large part with the gods of neighboring people of Middle America” (Thompson, 198). The majority of the gods and goddesses take a form that combines animal and human features. For example, rain and earth deities often have characteristics derived from crocodiles and snakes (Thompson, 198). The Mayan deities also have a duality complex in which they could be both benevolent and malevolent, but this duality could also apply to age and sex such as a god or goddess being portrayed as youthful or aged or a masculine god sometimes being portrayed as feminine (Thompson, 199). Worship of animals, such as the Jaguar, was present (Thompson, 200) and numbers were seen as deities as well (Thompson, 239). Each deity corresponds to a number. For example, the sun god is the god of the number four as well and the moon goddess is the goddess of the number one. Inanimate objects had spirits, like animals and numbers, which had the ability to achieve the rank of de...
Women in The Epic of Gilgamesh plays a very significant role. Women were not considered as the most powerful gods nor the strongest or wisest of all humans but they still had great influence over others around them, at that time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu were men, women did not necessarily play a minor role. The roles of women in The Epic of Gilgamesh were mixed. Women are represented as harlots (Shamhat), wise (Ninsun) and as gods (Ishtar. In the epic of Gilgamesh, it can be seen that while men were considered to be the most powerful and wisest humans and gods, women had the power to significantly influence these men. Several women mentioned and described in the Epic of Gilgamesh carried roles that had important effects on the men they encountered. One woman I found very interesting is Ishtar, the goddess of love and fertility. I will discuss how women were being portrayed in the story using her character to support my analysis and how the creators of this epic portrayed women in Mesopotamia through this character.
Images of women, mostly old statuettes representing women whose wombs and hips are extremely exaggerated, all dating to the Stone Age, outnumber images of men throughout evolution and history. This has led to speculation about the place of women in society and religious faiths. Some have argued that these female figurines signify, or once signified, the existence of a prominent female deity identified as the “Earth Mother” or the “Mother Goddess”, it was been suggested that, unlike today, women played a considerably more important, if not dominant, role in Paleolithic society and that possibly, a matriarchy existed.
A. A myth that I was told as a child is one version of the myth of Medusa and Athena. There was a beautiful maiden named Medusa who lived in Athens, Greece. She was very proud of her beauty, it was all she ever spoke or thought about. Medusa would also admire herself in a mirror for quite a long time. One day, she visited the largest temple of the goddess Athena, named the Parthenon. The temple was filled with statues and paintings of Athena. Medusa then told her friends that the sculptures and paintings should have been of her since she was prettier than Athena. Medusa was admiring her reflection from the large bronze doors, when suddenly, she was looking at Athena instead of herself. Athena was furious with Medusa, she then tells