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Analysis of wild by cheryl strayed
Thesis statement on the wild by cheryl strayed
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Throughout the novel Wild, Cheryl Strayed has crafted her autobiography to highlight the empowering feminist message of how men and women are equal. Strayed’s crafting ranges from similes to graphic language, to extended metaphors used to describe her feelings in her chapter titles. Strayed’s feminist message, that men and women are equal, is a recurring theme throughout the novel, but her crafting and language features really highlight this in bold.
Strayed’s story starts with the death of her mother and she begins there with her message. Strayed writes “And also I wanted to take pleasure from him, to feel the weight of his body against me, to feel his mouth in my hair and hear him say my name to me over and over, to force him to acknowledge
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Strayed writes, “I gazed at my bare and battered feet, with their smattering of remaining toenails. They were ghostly pale to the line a few inches above my ankles, where the wool socks I usually wore ended. My calves above them were muscled and golden and hairy, dusted with dirt and a constellation of bruises and scratches.” In society traditionally women are kept clean, untouched and blemishes are found to be taboo. Strayed’s use of language that is graphic like ‘ghostly pale’ and ‘a constellation of bruises and scratches’ create a vivid image for the reader. Strayed highlights in bold and insights a vivid image of this in her reader’s mind. This is her not caring about meeting those gender stereotypes, that she is her own person and doesn't need other people to justify her look. She is her own person and doesn't need the opinions of other people or need to conform to the traditional gender stereotypes. Strayed’s crafting tells us how women are their own independent people that don’t need to impress other people or conform to their …show more content…
The first chapter is given the name ‘Ten Thousand Things’ and in that chapter Strayed explains her mother’s death, how she feels her family is broken, how there’s no-one to support her through her struggle and how she feels like her life is falling apart. The title ‘Ten Thousand Things’ is quite fitting for this chapter as it is like things in her life are piling up, and she can’t deal with them like ten thousand things is a very large amount of things, she feels as if she has ten thousand problems. The chapter titles detail how she feels in that chapter and is used in future chapters to convey her feminist message of equality. Chapter seven is called ‘The Only Girl in the Woods’ and in that chapter she talks about all the people she talked with, they were all men. The chapter title is her reflecting how she feels like she is the only girl there, she feels mixed feelings about not belonging. Later in the autobiography, she calls chapter eighteen (the second to last chapter) ‘Queen of the PCT’. The chapter name ‘Queen of the PCT’ was given to her by some people on the trail and the fact that she has named that chapter after it shows how she felt that it suited her quite well and liked that name, she felt like the ‘Queen of the PCT.’ This shows that Strayed had overcome her initial feelings from being around all the men in chapter
Wild: From Lost to Found on the Pacific Crest Trail by Cheryl Strayed is a book about several events that took place in her life after her mom died and how she lost everything including herself and made the impulsive decision to walk the Pacific Crest Trail, alone. This book was possibly intended for people who have been in the same situation as she has been: going through the loss of a loved one or just feeling like you have nothing left. I will conduct a rhetorical analysis of Strayed’s memoir, Wild, and critique her use of rhetorical appeals in order to show that her memoir was written
Another issue that the writer seemed to have swept below the carpet is the morality of women. First, women seemed to have been despised until they started excelling in mass advertising. Also, the author seems to peg the success of the modern woman to clothing and design. This means that women and cloths are but the same thing. In fact, it seems that a woman’s sex appeal determine her future endeavours, according to the author. It is through this that I believe that the author would have used other good virtues of women to explain
... little girl's banishment from Puritan society she was thrown to another way of life and her wildness and peculiarity is a direct product of her banishment.
...a convention a life, for that was how I was brought up, and it was what my husband wanted of me. But one can’t build white picket fences to keep the nightmares out.” These feelings added a lot to her poems. She felt alienated as a house wife. In a lot of other interviews she her alienation as witchery, the “middle aged witch,” Sexton called it.
... the liberation of women everywhere. One can easily recognize, however, that times were not always so generous as now, and different women found their own ways of dealing with their individual situations. Charlotte Perkins Gilman’s character created a twisted image of the world in her mind, and eventually became mentally insane. While most cases were not so extreme, this character was imperative in creating a realization of such a serious situation.
The author Horace Miner’s article “Body Ritual among the Nacirema” is a comment on the vanity that is present in the American culture. He focuses on a North American Group, which he considers Naciremas which is Americans backwards. Horace Miner demonstrates that attitudes or daily rituals have a convincing sway on numerous establishments in Nacirema society. The writer uses many metaphors to describe this vanity including his statement that “women” try to cover up their impurities by applying makeup in addition to getting surgeries and other things to fix what they think is wrong. However, in reality Miner uses this metaphor to show that the American culture is vain and always tries to fix its faults and mistakes. Basically, Miner uses the
Picture a child sitting in front of a television watching the Wizard of Oz. To them, it is an assortment of magical beings, a land filled with wonderful places, with varieties of different colors. They do not picture it as something with far more meaning than just a plain fairytale. On the other hand, gender/feminist critics have been able to analyze the Wizard of Oz as well as Wicked, in order to find a more elaborate meaning behind the story itself. They have discussed what lies behind the story when it comes to the issue of sexism and masculinity towards the book itself as well as the characters. There are many concepts as well that help to further explain feminism and gender criticism. The four concepts that will be discussed later on are gender, feminist writings, patriarchal society, and gynocriticism. These concepts will then be reviewed as to how they play a part in the book Wicked.
As women, there has always been an issue with equality between themselves and men. Even though there has been a significant amount of progress in the United States throughout the years, there are women that still suffer with equal rights around the world. In A Doll’s House by Henrik Ibsen, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, and “Hills Like White Elephants” by Ernest Hemingway, there are many aspects throughout them that relate to each other in numerous ways. The main theme between them is the way woman are treated and how they appear to be less equal of the men in their lives. Even though men are presumed to be the more dominate gender, women should be just as equal socially, financially, and academically, and not feel pressured by men. For the women and girl in A Doll’s House, “Where Are You Going, Where Have You Been?”, and “Hills Like White Elephants”, they suffer with the idea of feeling compelled to do what the men say and follow his direction of how their life should be.
A lady is an object, one which men attempt to dominate. A man craves to get a hold of this being beneath his command, and forever have her at his disposal. In her piece “Size Six: The Western Women’s Harem,” published in 2002, Fatema Mernissi illustrates how Eastern and Western women are subjugated by the control of men. Mernissi argues that though she may have derived from a society where a woman has to cover her face, a Western woman has to face daily atrocities far worse then ones an Eastern woman will encounter. Moreover, Mernissi’s core dogma in “Size 6: The Western Women's Harem” is that Western women are not more fortunate than women raised into harems in other societies. Additionally, she asserts that though women in the Western world are given liberties, they coincide with the unattainable ideals of what is aesthetically pleasing. Furthermore, to strengthen her argument towards her wavering audience, Mernissi’s main approach in her paper is to get the reader to relate with her issue by means of an emotional appeal, while also utilizing both the ethical and logical appeal to support her thesis.
From the beginning, Lynn Peril illustrates situations in which women have to deal with a bunch of admonitions to become more feminine and good-natured. And these tips are not just some other normal tips; they become famous and being rulers to evaluate the dignity of women. Then, the author goes on to relate her real “Pink Think” experience throughout her life and express her strong feelings, “I formed an early aversion to all things pink and girly” (Peril, 280). She also fleer some girls who feign innocence and pretend to look as if butter would not melt in their mouth.
Offred and a friend of hers were walking outside one day, saw a group of tourists and thought about how “[she] used to dress like [the tourists]” (Atwood 28). The tourists were wearing clothing and makeup such as skirts above their knees and red lipstick. Offred and her friend were fascinated and envious of these women. They couldn’t imagine themselves wearing clothes like the tourist were wearing. Even though they couldn’t imagine themselves wearing those type of clothes and makeup, they used to wear it in their past. Offred remembered herself going to the laundromat and putting “[her] own clothes, [her] own soap, [and her] own money” into the machines and “having such control” over what she used to do (Atwood 24). She doesn’t have that control over her life anymore. Some women, such as Aunt Lydia, feels that she should be grateful that she doesn’t have to do those things anymore. They feel that Offred is complaining about something that is actually a good thing. Society brainwashes these women into thinking that not having that kind of freedom is a good thing. Society also makes women think that they are just good for having children and sex. Therefore, women lose self-esteem because of the pressure that they are faced with on a daily basis. For example, in the story, Offred has low self-esteem. She “[avoids] looking at her body, not so much because it 's shameful or immodest but because [she doesn’t]
Throughout history society has been controlled by men, and because of this women were exposed to some very demanding expectations. A woman was expected to be a wife, a mother, a cook, a maid, and sexually obedient to men. As a form of patriarchal silencing any woman who deviated from these expectations was often a victim of physical, emotional, and social beatings. Creativity and individuality were dirty, sinful and very inappropriate for a respectful woman. By taking away women’s voices, men were able to remove any power that they might have had. In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient women, the one who has buckled and succumbed to become an empty emotionless shell. In men’s eyes this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique.
Margaret Mitchell’s novel Gone With the Wind, a classic that gives insight into the Confederate lifestyle before and after the Civil War, is known as one of the greatest American novels ever written. The story centers around a former Southern belle named Scarlett O’Hara who grows up in the heart of Georgia on her plantation named Tara. Scarlett doesn’t care about anything or anyone except for her lover, Ashley Wilkes, and finds herself heartbroken when he marries his plain Jane cousin, Melanie Hamilton. As the Yankees get closer and closer to her beloved home, destroying everything she’s ever known and forcing her to flee to Atlanta, Scarlett finds herself forced to fight for what she loves. Though
She tells the girl to “walk like a lady” (320), “hem a dress when you see the hem coming down”, and “behave in front of boys you don’t know very well” (321), so as not to “become the slut you are so bent on becoming” (320). The repetition of the word “slut” and the multitude of rules that must be obeyed so as not to be perceived as such, indicates that the suppression of sexual desire is a particularly important aspect of being a proper woman in a patriarchal society. The young girl in this poem must deny her sexual desires, a quality intrinsic to human nature, or she will be reprimanded for being a loose woman. These restrictions do not allow her to experience the freedom that her male counterparts
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).