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Frankenstein and patriarchy
Critical analysis of Frankenstein
The presentation of women in frankenstein
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Recommended: Frankenstein and patriarchy
Frankenstein was published in 1818 anonymously it was not until 1831 that it was revealed that the author was in fact a female Mary Shelley1. There has been much debate on the issue of femininity in Frankenstein in that the main characters are male and the women play a passive role. In this essay I will argue that at the centre of Frankenstein there is not a void where a feminine understanding should be but rather there is a void of absent mothers and the novel depicts the condition of women in it's era and is a critique of a patriarchal society.
In the novel there are many strong women depicted, Caroline Beaufort Frankenstein's mother is described as the ideal domestic mother. Even before her marriage we are given the impression that she was a strong resilient woman, who looked after her father with care and a compassion and overcame poverty and isolation. Unlike the other characters in the novel such as Henry Clerval, Elizabeth and the De Lacey's, Victor's mother had been present and had an influence in his life. We see that Victor had a happy childhood “No youth could have passed more happily than mine”2. Victor also has another positive female influence in Elizabeth his cousin and future wife. Elizabeth seems to be the aesthetic counterpart of Victor. His cousin Elizabeth lost her mother at a young age, Justine's mother in a sense abandoned her and Clerval's mother is not mentioned at all. So here we can see perhaps that Victor was in a unique vantage point in that he had experienced domesticity in his life through the efforts of his mother. Caroline Beaufort even in death is portrayed as self sacrificing, rather than see her adopted daughter suffer alone she wished to comfort and ease her pain even at the risk of getting ...
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...er-indulgence of their son they also created a monster of sorts.
In conclusion Frankenstein can be read as a female critique of male ambition and showing the failings of a patriarchal society who undervalue a woman's role in society and more importantly a male's lack of understanding of what it means to be a mother. Shelley through having absent mothers and not having the women in her novel take an active role as such has cleverly highlighted the importance of females in society. Hence there is no void where a female understanding should be as there is in the background a presence of strong women and also the monster in learning what it is to be human shows us the difference in the sexes.
Works Cited
Bann, Stephen (ed.), Frankenstein, Creation and Monstrosity, London : Reaktion, 1994.
Shelley, Mary, Frankenstein, 1818 Text, Oxford University Press, 1969
Caroline is, on surface value, a perfect parent, together with her husband, which renders Victor’s irresponsibility in abandoning the creature more unforgivable.
in Frankenstein: Contexts, nineteenth century responses, criticism. By Mary Shelley. Ed. J. Paul Hunter. Norton Critical Edition.
Mary Shelley’s novel, Frankenstein, has captured people’s attention since it was first written. People often wonder how much of Mary Shelley’s life is documented in her novel. From the theme of parental abandonment, to the theme of life and death in the novel, literary scholars have been able to find similarities between Frankenstein and Shelley’s life. The Journal of Religion and Health, the Journal of Analytical Psychology, and the Modern Psychoanalysis discuss the different connections between Shelley’s life and Frankenstein. Badalamenti, the author of “ Why did Mary Shelley Write Frankenstein?” in the Journal of Religion and Health, primarily discusses the connection between Victor
“Allure, Authority, and Psychoanalysis” discusses the unconscious wishes, effects, conflicts, anxieties, and fantasies within “Frankenstein.” The absence of strong female characters in “Frankenstein” suggests the idea of Victor’s desire to create life without the female. This desire possibly stems from Victor’s attempt to compensate for the lack of a penis or, similarly, from the fear of female sexuality. Victor’s strong desire for maternal love is transferred to Elizabeth, the orphan taken into the Frankenstein family. This idea is then reincarnated in the form of a monster which leads to the conclusion that Mary Shelley felt like an abandoned child who is reflected in the rage of the monster.
His ambitions are what isolate him and bring to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated from everyone, including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge.
The idea for the novel of Mary Shelley’s Frankenstein came to her one night when she was staying in the company of what has been called ‘her male coterie’, including Lord Byron and her husband, Percy Shelley. Mary Shelley’s whole life seems to have been heavily influenced by men. She idolised her father, William Godwyn, and appears to have spent a good part of her life trying very hard to impress both him and her husband. There seems to have been a distinct lack of female influence, her mother, Mary Wollstonecraft, having died weeks after her birth, being replaced by a neglectful step-mother. These aspects of her life are perhaps evident in her novel. The characters and plot of Frankenstein were perhaps influenced by Shelley’s conflicting feelings about the predominately masculine circle which surrounded her, and perhaps the many masculine traits that we see in novel were based upon those of the male figures in Shelley’s own life. In this essay I will attempt to show some of these traits.
In feminist literary theory, it claims that Frankenstein’s act of creation is not only a sin against God and nature. It is also an act against the “female principle” which includes natural procreation as one of its central aspects. The monster, the result of male arrogance, is the enemy and destroyer of the eternal female principle.
To begin with, Victor describes how his mother, Caroline Beaufort, meets his father, Alphonse Frankenstein, after Caroline’s father died in poverty. Victor mentions, “He came like a protecting spirit to the poor girl, who committed herself to his care; and after the interment of his friend, he conducted to Geneva, and placed her under the protection of a relation” (Shelley 28). Even though Caroline is younger than Victor’s father, she has no choice, but to marry him. Without marrying Victor’s father, Caroline will still be in poverty with nobody to support her. Caroline’s decision to marry Victor’s father symbolizes a woman in need of a man to protect her.
Through the course of history many races, ethnicities and religions have been discriminated and threatened. Most of the times taken advantage of through economic and social means. This lead to their alienation from society because not accepted from the people. The cause was based on physical differences or their way of thinking. In the novel Frankenstein by Mary Shelley various social groups are represented in a specific way to convey a precise message to the audience that characterizes the novel. The monster that the scientist Victor Frankenstein creates is alienated by society because of his monstrous appearance in spite of being intelligent and sensitive. The role of the women embodies the novel’s motif of a passive one as Elizabeth waits patiently for Victor’s attention. It's curious how the author being daughter of an important feminist represents the role of women weak under men's jurisdiction. At the time females were considered inferior to males for this reason Shelley portray women characters to have little substance compared to the male ones. Another important aspect is Victor Frankenstein's life before the realization of the monster. He segregates himself from the rest of the world and closes himself for a couple of years in his apartment to realize his project. Became a mastermind of chemistry and natural philosophy and his discovery will be responsible for his own death.
Many women like those in Mary Shelley’s Frankenstein suffer from inequality and oppression. Many women are treated like property and are deprived of rights that men have. The women are murdered and created in Shelley’s novel to represent how quickly women can be replaced. Women are clearly presented in the novel as classless individuals who are forced to comply as submissive beings living under the wing of man, the dominant leader in Frankenstein society.
For centuries, women have been forced to live life on the outskirts of a male-dominated society. During the 1800’s, the opportunities for women were extremely limited and Mary Shelly does an excellent job portraying this in her gothic novel, Frankenstein. Furthermore, in this novel, Mary Shelly shows how society considers women to be possessions rather than independent human beings. In addition, the female characters rely heavily on men for support and survival, thus proving their inability to do it on their own. Lastly, the female characters in this novel are in many ways victimized by the male characters.
The first example that comes to mind would be the illness of Elizabeth and the death of her and Victor’s mother, Caroline: “Elizabeth had caught the scarlet fever; her illness was severe, and she was in the greatest danger. […] Elizabeth was saved […] On the third day my mother sickened […] accompanied by the most alarming symptoms. […] She died calmly…” (Shelley 19) Within the first twenty pages of the novel, the reader is projected an image of how weak women are to a virus that is much smaller than them. While one survived the deadly symptoms, the one who could be argued to be more of a woman has perished. This removal of nearly two female characters this early is a portrayal of the frailty of the female sex. This is not the only time feminism is removed from the novel. In an article entitled “The Monster in a Dark Room: Frankenstein, Feminism, and Philosophy”, Nancy Yousef states that “Not surprisingly, the creature’s nonbirth, occluding an unavoidably female act, has dominated feminist interpretations of Frankenstein.” (Yousef 198) Hitting the nail on the head, Yousef makes an excellent observation. The creature was not born by any natural means as he was a creation of Victor’s. By removing the natural birth of a human through a woman’s reproductive organs, Shelley is making a statement as to the oppression of the female sex within the late 18th and early 19th century. Within an essay written by Diane Long Hoeveler, she makes a good point too expressing that “The fact that Victor constructs the [female] body and then, when contemplating the realities of sexuality, desire, and reproduction, rips that body apart, suggests that the female body is for Victor infinitely more threatening and "monstrous" than was the creature 's male body.” (Hoeveler 52) Hoeveler is essentially stating that the female body is a threat to the male sex and was more hideous
When overviewing the life of Mary Shelley, it is an undeniable fact feminism saturated the viewpoints of Frankenstein’s author. Hence, reading Anne K. Mellor’s Possessing Nature: The Female in Frankenstein provides valuable insight into discovering the deeper message sown within the fabric of this early eighteenth century novel. However, though we may be able to say with certainty Frankenstein is a tale in the dangers of the destruction of women, the bold point requires further evidence to substantiate the sound logical reasoning behind Mellor’s argument. Let us focus on the point of contention where logic is strong but evidence is rather lacking: Creating a society of only men.
Mary Shelley’s Frankenstein was published in 1818 during the Romanticism era. Romanticism describes the period of time from the late 18th century to the mid 19th century. This period was seen as a response to the Enlightenment; overall there was an increase in the desire to understand the world in an objective matter (lecture). Though Romanticism is commonly viewed as a literary and artistic movement, Mary Shelley gives evidence on the development of Europe in a historical sense through her novel, Frankenstein. Through the motifs and personal experiences of her characters, Mary Shelley’s Frankenstein gives insight on scientific development, emerging roles of women, and how the individual is viewed the
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).