From the time Felix Brutus found Great Britain, war, wrack, and wonder recurrently took turns, with more marvels befalling that land than anywhere else. Of all who established kingdoms there, the most courteous, proficient, and the most inimitable was King Arthur. Early one winter, before the change of the year, the King was hosting a fifteen day diversion for the noblest of knights and their fair ladies. Thronging the castle from far-away lands, eminent knights were jousting during the day, and feasting at night, when an adventure unrivaled by any other took
place.
One Christmas at Camelot, the king, his queen Guinevere, and the court gather for fifteen days of celebration. The best and noblest of people and activities are there: brave and famous men who compete in military games, beautiful and gracious ladies who play kissing games with the men. There is the most wonderful entertainment-dancing, feasting, singing. On New Year's Day, there is a tremendous feast at which all gather together.
Brutus, Honorable Man Brutus, an honorable conspirator? Honorable is defined as genuine, truthful and displaying integrity, while a conspirator is defined as one that engages in an agreement to commit an illegal or wrongful act. Anyone can clearly see that these two words do not belong together. There are also other reasons why Brutus should not be considered honorable. In the play, three distinct acts can be recalled.
Once you see the Medieval Times Knight battle you will have a whole new appreciation for knights; a castle garden. It all started with the stairs. When it was time for the show to begin my family and I went to the grand staircase. Once we got there two trumpet players dressed in baggy pants and shirts started playing. Their trumpets were unusually long with banners on them. One banner had a lion's head on it and the other had a shield. The trumpet players played the most crisp and majestic sound I have ever heard. The sound rang through the castle and all of the crowds fell silent.
The definition of a tragic hero is perceived as on who is neither wicked nor purely innocent, one who “is brave and noble but guilty of the tragic flaw of assuming that honorable ends justify dishonorable means”. In The Tragedy of Julius Caesar, Brutus takes the role of the tragic hero. Brutus’s honor, nobility, and self-righteousness makes him “a tragic figure, if not the hero” (Catherine C. Dominic).
In the play the Life and Death of Julius Caesar (just as in all of Shakespeare’s tragedies) there is much death, much tragedy, and of course, a tragic hero. However unlike most of Shakespeare’s plays this time the tragic hero is not particularly obvious. Throughout the play a few main characters present themselves as possibilities for being the tragic hero. But as being a tragic hero is not only having a tragic flaw but also entails much more, there really is only one person to fit the mold. The character Brutus is born into power and is higher/better then we are. He has a tragic flaw that causes his downfall and at the end he realizes his mistake (a trait none of the other characters can really claim).
Tournaments were, at first, merely battles arranged on some pretext at an appropriate appointment between parties of knights. From these bloody conflicts there developed the tourn...
Malory, Thomas, and Keith Baines.Malory's Le morte d'Arthur: King Arthur and the legends of the Round Table. 1962. Reprint, New York: New American Library, 2010.
"He who will not reason is a bigot; he who cannot is a fool; and he who dares
The tragic hero is one of literatures most used (and sometimes abused) characters. The classical definition of a tragic hero is, “a person with heroic or potentially heroic qualities. The person is doomed by the Gods or some other supernatural force to destruction or suffering. The hero struggles against the fate, but due to a personal flaw, ultimately fails in the battle against fate. It is my personal opinion that Brutus,as he is portrayed in Shakespeare’s Julius Caesar, is a tragic hero by this definition. I came to this conclusion due to the fact that Brutus shares many similarities with other tragic heroes in literature such as Oedipus, Hamlet, and Ralph from Lord of the Flies. All four characters share the two critical traits that are needed to be tragic heroes: a tragic flaw that eventually leads to a tragic downfall. The tragic hero was defined by Aristotle, yet the “invention” of the tragic hero goes to Sophocles.
Brutus’ tragic flaws are part of what makes him a tragic hero. In Julius Caesar, Brutus is a great example of a tragic hero. His tragic flaws are honor, poor judgement, and idealism (Bedell). In Shakespeare’s plays, the tragic hero and his flaws cause the downfall of the play (Tragic Flaws).
The Tragedy of Julius Caesar by William Shakespeare is the story about the men who conspired and followed through with the assassination of the great Julius Caesar. These men fear that Caesar will take the crown and become the next king of Rome. The roman people had a true averse feeling toward the idea of monarchy. So in order to prevent this they come up with a plan to end Caesars life, which is duly followed through on March 15, 44 B.C. Out of these conspirators there is one man that stands out to be a tragic hero, and that is a man by the name of Brutus. He was a great friend of Caesar who ultimately became one of Caesars worst adversaries. He betrayed Caesars trust and friendship when he agreed to be part of the assassination plot. A tragic hero is someone who is in a place of high standings or a place of power. This leads to a huge fall from greatness to death. A tragic hero must have many deep complex character flaws that are revealed throughout the course of the story. They then must ultimately accept responsibility for their mistakes; along with being humbled and enlightened. Brutus demonstrates all of the attributes of a tragic hero.
Shakespeare’s complex play The Tragedy of Julius Caesar contains several tragic heroes; a tragic hero holds high political or social esteem yet possesses an obvious character flaw. This discernible hubris undoubtedly causes the character’s demise or a severe forfeiture, which forces the character to undergo an unfeigned moment of enlightenment and shear reconciliation. Brutus, one of these tragic heroes, is a devout friend of the great Julius Caesar, that is, until he makes many execrable decisions he will soon regret; he becomes involved in a plot to kill the omniscient ruler of Rome during 44 B.C. After committing the crime, Mark Antony, an avid, passionate follower of Caesar, is left alive under Brutus’s orders to take his revenge on the villains who killed his beloved Caesar. After Antony turns a rioting Rome on him and wages war against him and the conspirators, Brutus falls by his own hand, turning the very sword he slaughtered Caesar with against himself. Brutus is unquestionably the tragic hero in this play because he has an innumerable amount of character flaws, he falls because of these flaws, and then comes to grips with them as he bleeds on the planes of Philippi.
There is no such thing as the perfect person. We may dream of such a person, but sadly, everyone has flaws. These flaws are what make us human. Something else that makes us human is our need for heroes. We attribute 'perfect' qualities to our heroes. In reality even our heroes are flawed. The closest thing to the idealized person, or hero, is the Shakespearean tragic hero. The tragic hero is someone of high standing, good character, and a flaw. While it may be only one flaw, it is often fatal. An example of a tragic hero can be best seen in William Shakespeare's play Julius Caesar. Marcus Brutus is a prominent leader and noble citizen of Rome who leads in the assassination of Julius Caesar. We see that Brutus plays the role of the tragic hero through his noble standing, fatal flaw, and legacy.
The play, The Tragedy of Julius Caesar, by William Shakespeare, has two main tragic heroes. Set in Rome and spanning from forty- four to forty-two B.C., the play tells of Brutus and Caesar whom both fall from the highest positions to the lowest of misfortune and then are enlightened on their mistakes. Brutus is the stronger example of a tragic hero in this story. Throughout this play, Brutus commits many faults, falls more drastically than all other characters, and regrets his previous actions by the end of the play.
“A noble man compares and estimates himself by an idea which is higher than himself; and a mean man, by one lower than himself. The one produces aspiration; the other ambition, which is the way in which a vulgar man aspires” -Marcus Aurelius.