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Fried green tomatoes through a feminist lens
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Patricia Neal, an up-and-coming actress, once faced a dilemma. There was already a well-known actress named Patricia Neal in Hollywood. Patricia ultimately chose the eccentric “Fannie Flagg”, which greatly reflects her jocular personality and novels. She works include Fried Green Tomatoes at the Whistle Stop Cafe, I Still Dream about You, and The All-Girl Filling Station’s Last Reunion. Flagg’s background in theater, progressive stances on political issues, and tragic childhood greatly impacted her to create her kind-hearted, important novels.
A large portion of Fannie Flagg’s life before writing was spent on stage; she was an actress, comedian, and producer (Contemporary). She got her start at a young age by volunteering to work a spotlight in a local show (Blog). Flagg spent many years acting in movies, television, and Broadway (Contemporary). Bystanders may have believed she had an affinity for theater, but this was not the case. Surprisingly Flagg stated in an interview that she “was never comfortable being an actress or being in the spotlight” and dreamed of being a writer (Blog). Although she
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did not express much interest in acting, her background was a prominent influence on her writing. The humorous writing style of Flagg is reflected in her acting and comedic career (Contemporary). Her successful career impacted her publications as well as her feminist political ideology. Fannie Flagg’s knowledge in politics has an influence on the plots and themes of her stories.
She is an ardent feminist and racial equalist, and is in support of legislation such as the Equal Rights Amendment (Novels). Feminism is a topic that Flagg incorporates into many of her novels including her best-seller, Fried Green Tomatoes at the Whistle Stop Café, where the entire story is predominantly surrounds females. For example, there are two sets of female-female relationships in the novel (Media Difference). More importantly, one of these relationships, between Ruth and Idgie, although not directly stated in the book, is romantic (Media Difference). In a time where same sex relationships were not widely accepted (the book is set in the 1920s), this is quite progressive. Feminism is a major theme throughout Flagg’s works; however, friendship is also a dominant
motif. Fannie Flagg did not always have an effervescent nature. She fought through a disconsolate childhood; her parents died at a young age and she struggled with dyslexia. As one would expect, the death of Flagg’s parents made a lasting impression on her, which ultimately led to the strong recurring theme of friendship throughout her novels. She explained in an interview with Wendy Perkins, saying, “I have found that the friends I have made over the years are the people who get me through life”. Perkins, the author of a criticism in Novels for Students, identifies that friendship is the premise of Fried Green Tomatoes at the Whistle Stop Café, as the story is almost entirely about the relationships between two sets of close friends, Evelyn and Ninny, and Ruth and Idgie. Another aspect of Flagg’s childhood that translates into her writing is her hometown of Birmingham, Alabama (Novels for Students). In her novels, she incorporates her southern heritage into the characters and settings, such as the “Whistle Stop Café”, which resembles an actual café in Alabama. The quirky Fannie Flagg was in the spotlight for most of her early life. She began with theater and comedy, but was uncomfortable and unhappy. Her secret passion for writing became her primary career and pastime. Since then, she has written a plethora of books, such as Fried Green Tomatoes at the Whistle Stop Café, that have a relevant political importance and are filled with benevolence and friendship. Therefore, although she did not wish to be in the limelight, it somewhat happened anyways because of her books’ great success.
Charters, Ann. The Story and Its Writer – An Introduction to Short Fiction. Boston: Bedford/St. Martin’s, 2011. Print.
The story “Good Country People”, by Flannery O’Conner is a work that uses characterization in a new and interesting way to help shape and present the characters of this story. One of the main characters is Hulga Hopewell, also known as Joy Hopewell. This characters name plays a very ironic role in the story. Through the use of such a peculiar name O’Conner helps to develop and build the characteristics of Hulga. In the story “Good Country People” the use of the name Hulga (Joy) Hopewell helps to further build upon the characterization of Hulga and give the reader a deeper understanding of the character.
Andi Anderson (Kate Hudson) is a beautiful, young, and successful writer who maintains a “How-To” section in “Composure” magazine. Her dream is to “write about things that matter, like politics and the environment, and foreign affairs- things I’m interested in.” (How To Lose A Guy In 10 Days, time stamp 02:00). She knows that the only way she will eventually be able to write about subjects she’s passionate about is to be successful in writing her superficial “How-To” section in the magazine.
Stein, Karen F. "Amy Tan." Critical Survey of Short Fiction, Second Revised Edition (2001): 1-3. Literary Reference Center Plus. EBSCO. Web. 13 Apr. 2011.
O'Connor, Flannery. Good Country People. Literature an Introduction to Fiction, Poetry, And Drama. X. J. Kennedy and Dana Gioia. Longman. 2002. (247-261)
As every well-read person knows, the background in which you grow up plays a huge role in how you write and your opinions. Fuller grew up with a very strict education, learning multiple classic languages before she was eight years old. Fern grew up with writers all throughout her family and had a traditional education and saw first hand the iniquities of what hard-working had to contend with. Through close analysis of their work, a reader can quickly find the connections between their tone, style, content, and purpose and their history of their lives and their educational upbringing.
William Faulkner and Charlotte Gilman are two well known writers for intriguing novels of the 1800’s. Their two eccentric pieces, "A Rose for Emily" and "The Yellow Wallpaper" are equally alluring. These authors and their works have been well recognized, but also critized. The criticism focuses on the society that is portrayed in these novels. The modern readers of today’s society are resentful to this dramatic society. These two novels are full of tradition, rebellion and the oppression over women’s rights. Both of these novels share the misery of the culture, but there is some distinction between the two. "A Rose for Emily" is a social commentary while "The Yellow Wallpaper" is an informative novel about the writer herself. The authors outlook focus on the gloomy structure in society during that time frame and therefore, create down hearted, reckless characters that offer stimulation for women of all generations.
Fried Green Tomatoes at the Whistle Stop Café, one of my finest works. Who am I? I am the author Fannie Flagg. I’ve been writing since the fifth grade, when I wrote, produced, directed and starred in a three-act comedy titled “The Whopee Girls”. It made the audience laugh, but it got me expelled because it had the word “martini” in it. I’ve always had dry wit. I then entered a Miss Alabama contest winning a scholarship to the Pittsburg Playhouse. I was the only girl who failed ballet.
Harper Lee is an author that most people know of due to her writing controversial novels and her novels also being classified as classics. It seems like most middle school and high school book lists consist of Lee’s most famous novel, To Kill a Mockingbird, which is about a single father with two children, the Finches, who fights for the rights and lives of black Americans. When the novel was published, it was considered very controversial because it dealt with white Americans fighting for black Americans, which was not the norm at the time the book was published in 1960. Her novel To Kill a Mockingbird was not her only controversial novel though; she released a second novel titled Go Set a Watchman in 2015 which is also about the Finches, just when the children are adults, and with a twist that the beloved audience of Lee’s first novel do not approve of ever so slightly. Although the books are very different with the aging of characters and opposing views from the characters in the first novel, there is one theme that is very prominent in both novels. The common theme between the novels is gender equality. Harper Lee uses gender inequality in both novels to show her readers
Brigette Weeks. "Pat Conroy: Into the Heart of a family." The Washington Post 12 Oct. 1986: 1, 14.
...hetypes of these primary characters, both of these novels make a parallel statement on feminism. The expectations of both themselves and society greatly determine the way that these women function in their families and in other relationships. Looking at the time periods in which these novels were written and take place, it is clear that these gender roles greatly influence whether a female character displays independence or dependence. From a contemporary viewpoint, readers can see how these women either fit or push the boundaries of these expected gender roles.
Charters, Ann. The Story and Its Writer An Introduction to Short Fiction. 5th ed. Boston: Bedford/ St. Martin’s, 1999.
Porter, Katherine. “The Jilting of Granny Weatherall.” Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy and Dana Gioia. 11th ed. New York: Longman, 2010. 79-86. Print.
James M. Cain’s 1941 novel Mildred Pierce is widely recognized as a literary classic. Its 1945 film adaptation starring Joan Crawford has also achieved classic status in the film noir genre. However, there are key differences between the two despite their apparent similarities. Due to various reasons and creative choices, the film can be regarded to as a loose adaptation as the main theme of book is how Mildred is affected by the draw backs of her time such as the Great Depression and her relationships while the film is a glamorized version of the story that translates the text more into an onscreen mystery. This dynamic completely changes the narrative configuration of the film as it changes many of the key plot points in which the book was written.
Snodgrass, Mary Ellen. Literary Treks: Characters on the Move. Westport, CT: Libraries Unlimited, 2003. 179-80. Print.