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Faith and doubt were all prominent factors in the Victorian Era and the twentieth-century. The questioning of religion became a common concern for many after Charles Darwin published his “On the Origin of Species” in 1859 (Flesch 1). His theory was that humans were evolved from something instead of created. This book was based on science and fact, which resulted in the weakening of the church and the public’s beliefs. This was a problem for most of the people in England who were Protestants because the majority of take everything in the bible literally. Many poets of the Victorian Era and twentieth-century thoughts on religion after Darwinism protruded through their works. Hopkins, Arnold, and Larkin are all poets who wrote about questions and certainties they had about what mankind’s point is to be on earth, and what happens in “life” beyond death. All three of these men were highly affected by their personal insecurities. While each author expresses a different view on the extent of faith lost, they all believe that religion has diminished for themselves and the general public.
In “Dover Beach” by Matthew Arnold, you can sense the struggle Arnold has to regain his faith after his had been lost. “Dover Beach” portrayed the central thought for most of the people during the Victorian Era, which was struggling while yearning for answers to gain back their faith. In the beginning of the first stanza in the poem you see words such as “gleams,” “calm,” “fair,” and “tranquil” (Arnold 1387) all giving the reader a feeling of contentment from looking out at the sea (Keenan 5). The sea starts off as only a visual symbol, and gradually turns into auditory imagery. As Krieger points out in a poetry criticism, everything seems perf...
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...k, Not Day” you can see just how much pain Hopkins feels being disconnected from God. He takes a lot of the fault himself and that ends up paining him even more. Though he is trying extremely hard to make a connection, he is getting nowhere. In “Aubade” you can see the fear the speaker has with the question, “What will happen if I die and there is no God?” In this poem, religion was seen as a type of security blanket instead of something realistic.
Each of these poems speaks for the entirety of the Victorian Era and the twentieth-century. It wasn’t just poets who had doubts and struggles within their religious beliefs, but the common man felt the same way. Hazy faith was a prominent topic and thought that everyone struggled with, and each of these three poems show very different views on how a person might have seen and reacted to their religious situation.
Our second poem displays the lost meaning of religion, confusion of love and how our misinterpretations on both lead us to think. Take for instance this line: “No way is [he] bringing me home. He wants someone to fix his religion.” Humans constantly want another human to give meaning to their lives in any kind of way. Some even go as far as interpreting sex and one night stands as actions of sincere love. Our secondary character is trying to find meaning in his religion once more, probably thinking if he finds someone to have sex with, eventually they’ll fall in love and it’ll give his life meaning again, ultimately “fixing” his religion. The character’s self-doubt about his religion and his actions to recuperate that meaning displays the lost meaning of religion. The line “Believe me I love religion, but he’s too quiet when praying” shows the lack of knowledge in America when talking about religion. Praying is a sacred time for people to talk to God and be thankful for them or to ask for guidance. Stating that “he’s too quiet when praying” shows a kind of lost in the meaning of religion, as it’s not a thing that’s enforced as much as it was decades
References to Darwin's theory of evolution are apparent in the novel, Darwin himself was vilified by the Victorians because his theory was in total contrast to their strong belief in the Christian faith, which links to the religious theme. is central to the book plot. "I never saw a man I so disliked, and yet I scarce know why. He must be deformed somewhere; he gives a strong feeling of deformity. although I couldn't specify the point."
In the stanzas of Elizabeth Bishop’s poem, the speaker very honestly observes the scenes from outside her apartment. From her point of view, she sees a both a bird and a dog in the process of sleeping. The speaker views these animals as having simple lives unbothered by endless questions or worries. Instead, the two live peaceful, uninterrupted existences, rising every morning knowing that “everything is answered” (ln. 22). However, the speaker lives in contrast to this statement instead anxiously awaiting the next day where uncertainty is a likely possibility. Unlike the dog and the bird, the speaker cannot sit passively by as the world continues in its cycle and she carries a variety of emotions, such as a sense of shame. It is evident here that the speaker has gone through or is currently undergoing some sort of struggle. When she states that “Yesterday brought to today so lightly!” she does so in longing for the world to recognize her for her issues by viewing the earth’s graces as so light of actions, and in doing so, she fails to recognize that she can no longer comprehend the beauty of nature that it offers her. In viewing the light hitting the trees as “gray light streaking each bare branch” (ln. 11), she only sees the monotony of the morning and condescends it to merely “another tree” (ln. 13.) To her, the morning is something
..., the content and form has self-deconstructed, resulting in a meaningless reduction/manifestation of repetition. The primary focus of the poem on the death and memory of a man has been sacrificed, leaving only the skeletal membrane of any sort of focus in the poem. The “Dirge” which initially was meant to reflect on the life of the individual has been completely abstracted. The “Dirge” the reader is left with at the end of the poem is one meant for anyone and no one. Just as the internal contradictions in Kenneth Fearing’s poem have eliminated the substantial significance of each isolated concern, the reader is left without not only a resolution, but any particular tangible meaning at all. The form and content of this poem have quite effectively established a powerful modernist statement, ironically contingent on the absence and not the presence of meaning in life.
The clergy must have to some extent felt threatened by the scientific community. If the public were to believe the scientists, perhaps the job of the cleric may have come under threat? No matter what a Victorian cleric truly believed, he would not have risked his job, credibility and social...
When I first got this assignment I racked my brain for a topic that would interest me as well as something I could learn from. When I came across Alfred Lord Tennyson it sparked my interest and as I read on I decided that I would write about him. My next decision was to pick one of his poems to research. I finally chose In Memoriam I read the background on it and it interested me. In Memoriam is very long so I'm only going to discuss some it. But I want to begin by discussing the Victorian Doubt in God.
The difficulty that many Christians faced throughout the 19th century was the challenge to believe the theory of evolution. The development in science brought many questions to the status of man. Sir Arthur Keith said “... the conclusion that I have come to is this: the law of Christ is incompatible with t...
Grey, Thomas. “Elegy Written in a Church Courtyard.” The Norton Anthology Of Poetry. shorter fifth edition. Ferguson, Margaret W. , Mary Jo Salter, and Jon Stallworthy. New York, New York: W W Norton , 2005. 410-413. Print.
Barbour, Ian G. Religion in an Age of Science. San Francisco: Harper & Row, 1990. Print. (BL 240.2 .B368 1990)
One of the most interesting aspects of Victorian era literature reflects the conflict between religion and the fast gathering movement aptly dubbed the enlightenment. Primarily known for its prude, repressed, social and family structure beneath the surface of the Victorian illusion many conflicting, perhaps even radical, ideas were simmering and fast reaching a boiling point within in the public circle. In fact writers such as Thomas Hardy and Gerald Manly Hopkins reflect this very struggle between the cold front of former human understanding and the rising warm front know only as the enlightenment. As a result we as readers are treated to a spectacular display of fireworks within both authors poetry as the two ideas: poetics of soul and savior, and the poetics of naturalism struggle and brutality, meet and mix in the authors minds creating a lightning storm for us to enjoy.
The role of divine beings in all three poems can hardly be overestimated. What separates these poems from later Christian literature is the fact the Gods actively participate in people’s affairs and there is no judgment found on them…
Philip Larkin’s poetry topics range from rants about sex to his experiences with religion. Religion is one of the most predominant topics he uses and his attitude towards religion is seen through these poems. In several of his poems his attitude towards religion is shown through his various uses of diction and sarcasm. He writes about some church experiences and other experiences with God. Larkin has a sarcastic attitude towards religion in order to show his doubt in faith.
The poem itself is made up of the ten commandments, each followed by a hasty amendment ironically excusing Victorian behaviour. However, while this may be their apparent function, their true function is to expose the Victorians for the hypocrites they are by revealing the discrepancy between their supposed morals (for example “Bear not false witness;” (l. 17)) and their actions (“let the lie | Have time on its own wings to fly:” (l. 17-18)) which, relative to these morals, could well be described as debauchery.
In both poems “Dover Beach” by Mathew Arnold and “Calm is all Nature as a Resting Wheel” by William Wordsworth, both poets use explicit imagery to make their poems an incredible work of literary art, in conveying their appreciation and love for nature.
Although not every romantic poet dabbled in Atheism or an alternative to Christianity, differing religious ideals were a prevailing theme in romantic poetry. Percy Shelley was well known for his stance on religion, more so, he was very publicly against it. He even wrote The Neccessity of Atheism, a piece that he published in 1811, leading to his expulsion from Oxford University. In this essay, he states “if ignorance of nature gave birth to gods, knowledge of nature is made for their destruction”, implying that humans created God because they didn’t understand nature, but if we strive to understand and hone our environment, than there will no longer be a need for theism to explain the mysterious. He would go on to distribute The Necessity of Atheism to bishops and heads of colleges, preserving his radical reputation all the while. In his poem Queen Mab, Shelley even points out the hypocrisy in the church, implying that priests had blood on their hands, despite preaching about a “God of peace”. It would seem that Shelley based a great deal of his career on denouncing religion, despite being raised in a pious household. Similarly, William Blake also demonstrated interest in the use of logic and science instead of religion. William Blake’s Religion Essay described his views on spirituality as “defining the individual’s search for freedom”, and even created his own mythology based around “the marriage of man and nature”. (Religion Essay, 3.) One can infer that the ideals held by poets in this time began to deviate from mainstream Christian ideology as a result of the government and the church manipulating the message of God for profit, which left the everyday citizen to barely survive in the tumultuous climate Blake described in