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Analysis of fairies in literature
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We call them faerie. We don't believe in them. Our loss. ~Charles de Lint. Although, unlike in modern times, where the general populus does not believe in the supernatural beings or happenings, during the Elizabethan era and surrounding time periods, fairies were not only believed in but were thought to be part of everyday life in The British Isles. Fairies were embedded in Elizabethan culture and literature. Fairies are beings that take a resemblance to humans. Usually, they are described as shorter versions of humans with extraordinary abilities. These abilities always seem to affect humans in many different ways. Whether this was for good or ill will depended on how the humans acted towards fairies and their customs. If someone, even accidentally, …show more content…
intruded upon or disturbed a fairy ritual they could be blessed with a number of unfortunate occurrences. Things such as spoiled milk, bad crops, and sick livestock were all effects of negatively interacting with a fairy (“Fairy”). Not only did fairies exist outside of human society, but could also coexist inside of it too.
Because of their close resemblance to humans, fairies could intermingle with humans, even so far as to become the mothers or wives of legendary heroes in mythology (Taylor, Tuatha de Danann). In the tale of the hero-bard Osirin and his fairy-wife Niam of the Golden Hair, Osirin is convinced by Niam to come to her homeland. Niam comes from the Otherworld where fairies dwell. The Otherworld is a place with no death or sorrow. After his and Niam’s marriage, Osirin accidentally steps on a stone that he wasn’t supposed to. At once, he is struck with irresistible homesickness and has to see his own native land one more time. Reluctantly, Niam gives him the same horse she used to find him in her trip to our realm and warns him not to step foot on the ground. Almost immediately after arriving home, he is asked to help some men with a job. As soon as he steps off the horse Osirn ages the 300 years he spent away from home in The Otherworld (Taylor, Irish Otherworld) …show more content…
. In the beginning, a race of elder fairy gods came to earth.
These ancient beings are known as The Fomorians. They are the first inhabitants of the British Isles. Ages after the Fomorians took over the area, the Tuatha de Danann drove them from the land and became the rulers. The Tuatha de Danann forced the Fomorians into the Otherworld or Annwfn. Soon after the Tuatha took over, humans discovered Ireland, Scotland and the surrounding areas and forced the second race of fairies into the Otherworld alongside the Fomorians (Taylor, Samhain). Annwfn is the Otherworld where fairies are known to come from according to Celtic mythology. Annwfn is a land of magic and is shrouded in mystery. It is described as a magic glass castle that appears and disappears and random times. Because it does not have physical boundaries, Annwfn has no specific location and is simultaneously not above or below ground and is somewhere over the Western Sea, or the Atlantic (Taylor,
Annwfn). The only reliable way into Annwfn is through burial mounds. Burial mounds, because they are usually a right reserved to kings or people of power, held a reverence for the Celtic people. Important individuals would hold meetings over these mounds to show power and wealth. Because of their importance and association with the dead, these mounds were seen as entrances to the Otherworld (Taylor, Annwfn). In the epic called “The Four Branches of the Mabinogi”, humans seem to have no restrictions when entering the fairy world except for the requirement of a story-worthy adventure. For example, in the first branch of The Mabinogi, Pwyll, who is the prince of Dyfed, goes on a hunting party, and, after setting the dogs loose, hears another hunting party coming towards him.The other dogs are ultimately the ones to take down his charge, but Pwyll noticed something strange about the dogs. The dogs were otherworldly in appearance, all-white with blood-red ears. Soon, Arawn, the King of Annwfn, shows up and claims that the abnormal hounds are his. Pwyll then realizes he is in Annwfn and they both agree to trade places and identities for a year (Walsh, Mabinogi).transition Inversely, on the Celtic New Year, or Samhain, is when fairies are the most active in the human realm and were more likely to pass over into the physical world. Samhain falls on November 1st. This event marked the end of the “summer half” of the Celtic year and the beginning of the “winter half” (Taylor, Samhain).
Grendel and Saint George's dragon, then to the mermaids, trolls, and one-eyed giants of our fairy and
As is custom with Marie De France, her lai “Lanval” presents the idea of a romance in which the power of fairies and/or magic is present and works to aid or hurt the romance in question. In the case of “Lanval” magic and fairies come to the aid of our protagonist Lanval, and ultimately lead to the formation of a romantic relationship in his life. However, Lanval faces a dilemma as he talks of his love to the fairy woman while rejecting the Queen’s love, and thus realizes he will never be able to see his beloved again, as she had told him never to speak of their romance or he would lose her. Luck turns in his favor though, as even after having spoken of their love, his beloved returns and they leave together. Many may speculate as to why Marie
Fairy tales connect to our owns lives, dreams, anxieties, and help us to consider what we would do in their shoes. Many cultures have their own spin on common fairy tales like Sleeping Beauty, with their own cultural flavor. We read those versions and know that we share something important and the hope for good to overcome evil.
Kors, Alan and Peters, Edward. Witchcraft in Europe 400-1700. Philadelphia: University of Philadelphia Press, 2001.
wealth, it goes on to tell how she could do nothing to resist and was
All over the world people have believed in a race of creatures, superhuman and subhuman, that are not gods or ghosts, but differ from humans in their powers, properties, and attributes (Briggs, Vanishing 27). The concepts of these creatures/fairies have been passed down through generations in many cultures through forms such as songs, sayings, and stories. Stories such as folktales and myths have wide array of fairy types found in them from various cultures' folklores (Abrams 101). Little people (lesser spirits) are often considered a subclass of fairies and include creatures like gnomes, trolls, and goblins (Rose 200, South 329).
When researching daily life in the Elizabethan Era, there were two prominent social classes throughout most of England. The upper or noble class families were akin to today’s upper class. However, the low-class families were much different from today’s low-class families. The gap between the two classes was so huge and a majority of England was impecunious. Most of the low class was orphans, abandoned wives, widows, the infirm, and the elderly. Each class, even the ones in the middle would despise anyone in a class lower than their own (Forgeng 21). Due to a lack of education, an overload of household responsibilities, and a lack of social acceptance, low-class Elizabethan English children were unable to flourish.
Mermaids, Fairies, and Witches are some of the most prominent mythical characters in today’s entertainment. These creatures are common characters in Folklore from various countries around the world. Folklore from other countries and cultures often affects how authors portray these creatures in the movies, books, and TV shows that are familiar to the citizens of America. One such country is Scotland, which is filled with multitudes of different folk stories. Scottish Folklore in particular has many tales about these three well known creatures. The most commonly known folklore from Scotland has had a huge impact on some of the most well known entertainment in the United States today.
People in medieval times thought that witches could change into animals. They thought that witches were in the same group as bats. This is why it was considered bad luck if someone saw a bat in flight or heard their screams.
The fairies and the fairy realm have many responsibilities in this play. The most important of which is that they are the cause of much of the conflict and comedy within this story. They represent mischievousness and pleasantry which gives the play most of its emotion and feeling. They relate to humans because they make mistakes but differ in the fact that they do not understand the human world.
Fairy tales are far from bed-time stories, rather they stem from the political and social needs of the lower class over the course of history. History is always changing, whether it is the lower classes overthrowing the upper classes or the upper classes imposing their control on other cultures. Over the course of history the views of the upper class constantly clash with the lower class. A way for the lower class to respond to the upper class is through fairy tales and folk tales.
Great Expectations shares many of the conventions of fairy tales. The one dimensional characters, the use of repetition, and the evil women seem to make the similarities strikingly strong. However, are they strong enough to conclude that it is indeed a fairy tale? It can not be ignored that it also falls short on some important areas, such as the traditional fairy tale ending. Is there enough evidence to classify it either way?
Fairy Tale Text & Motif. Prod. Distribution Access. Distribution Access, 2001.Discovery Education. Web. 1 December 2001. .
Mermaids, Fairies, and Witches are some of the most prominent mythical characters in today’s entertainment. Folklore from other countries and cultures affects how we portray these creatures in our movies, books, and TV shows. One such country is Scotland that is filled with tons of different folklore. Scottish Folklore has many stories about these three well known creatures. The most commonly known folklore from Scotland has had a huge impact on some of the most well known entertainment in the United States today.
Zipes, Jack. Breaking the Magic Spell: Radical Theories of Folk & Fairy Tales. Revised and expanded ed. Lexington: The University Press of Kentucky, 1979. Print