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Recommended: Expressionism
EXPRESSIONISM
Expressionism started as a way to push out the ideas of impressionist art. The art movement focused on the “impression” of emotion instead of an actual historic representation. Expressionism can often be described as “an artistic style in which the artist attempts to depict not objective reality but rather the subjective emotions and responses that objects and events arouse in him” (artmovements.co). There is a strong and consistent use of wide brush strokes, abstract scenes, vibrant color pallets and distortion over the traditional paintings and illustrations seen prior to this movement.
Expressionism originally began in the early 1900’s in Germany, but forms of expressionism can still be found today all over the world. The Frankenstein book cover by Lynd Ward is a great example of illustration and expressionism merging together. The piece which was originally created as a wood carving shows a half man/half creature being washed up onto shore. It is clear that this figure is in some form of pain or suffering, and while the piece is black and white,
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The movement was made most popular by Andy Warhol and Roy Lichtenstein. Pop art used influences from the everyday world including the prints of advertisements, movie photos or even every-day ordinary objects and turn it into art. The workings of this style of art were very simplistic and straight forwards, often times criticized for possessing no form of tradition art form what-so-ever. A great definition I found, describes Pop Art as; “creating paintings or sculptures of mass culture objects and media stars, the Pop art movement aimed to blur the boundaries between "high" art and "low" culture. The concept that there is no hierarchy of culture and that art may borrow from any source has been one of the most influential characteristics of Pop
Pop Art was a Modern art movement that emerged durring the mid-twentieth century in both England and America. It first began to gain recognition in the early 1950’s, after about twenty years of Abstract, as artists altered their attention and looked to change. In the late 1950’s and early 1960’s, Pop Art became much more popular to the general public and successful for the movement’s artists due to the world growing tired of the repeditive forms of Abstract. Found in the Menil Collection, Seated Woman and Lavender Disaster are two examples of Pop Art. The comparison of these two pieces shows although they differ in medium and subject matter both Seated Woman and Lavender Disaster share common underlying themes possesed by all Pop Art.
The neo-expressionist movement in America lasted from the late 70s and came to an end in the early 90s. The movement was a revival of expressionism, a style in which an artist portrays emotional experience into their work (Sandler, 227). It was also a response to the popular art style of the time called minimalism, which involved mostly blank canvases or lines. Neo-expressionism, on the other hand, was raw emotion and chaos. The main figures of the movement were Julian Schnabel, David Salle, and Ada Applebroog. A pioneer of the movement, and also the focus of this essay, is Jean-Michel Basquiat. His art referenced many famous artists and art pieces, from which he found inspiration. This inspiration was one of the features that made the movement
Throughout Frankenstein Victor goes through an emotional roller coaster when it comes to the Monster. I chose different colors to represents the multiple emotions that Victor experiences throughout Frankenstein. For instance, the red represents anger, blue represents sadness, orange represent curiosity, yellow represents stress, and purple represents death. I chose colors to exhibit how Victor changes throughout the story because he indulges in life changing experiences. His mind was filled with multiple emotions during these times, to the point where he could not think straight. He had everyone’s life weighing upon his shoulders, if the Monster made one wrong move, it could change everything for everyone because he if made another companion
After Jean-Michel Basquiat received acclimation from the public over his unique art, many young, creative and enthusiastic artists emerged beginning Neo-Expressionism, which means the new wild ones. Neo-expressionists would create pieces that incorporated objects we recognize and see on a daily basis such as people and animals in an abstract, yet stirring way. Neo-Expressionists would create with great emotion which could sometimes be in a turbulent manner which is what gives this type of art such meaning and why it caused such a great
One of the main themes in Mary Shelley's Frankenstein is the importance of appearance and acceptance in modern society. In today's society, and also in the society of Frankenstein, people judge one often solely on their looks. Social prejudice is often based on looks, whether it be the color of someone's skin, the clothes that a person wears, the facial features that one has and even the way one stands. People make snap judgments based on these and other considerations and they affect the way that they present themselves to one, and also the way that the treat the judged person. In Frankenstein the society of that time is much like our own today. It is an appearance based society, and this is brought to the forefront by the extreme ugliness of Victor Frankenstein's monster to a common human being.
The Abstract Expressionists are different from Surrealists in the way that they didn’t need to have an exact plan for their artwork. The Abstract Expressionists were more spontaneous in their artwork and didn’t interfere with the subconscious process, unlike the Surrealists did in order to convey their emotions. Not only are the Abstract Expressionists different from Surrealists in their styles, but also in religious connections that are rarely
Kellner, Douglas. "Expressionism and Rebellion.'" Passion and Rebellion: The Expressionist Heritage. Eds. Stephen Eric Bronner & Douglas Kellner. New York City, NY: Columbia University Press, 1988. 3-39. Print.
violence and change. Artists who worked in traditional media such as painting and sculpture, and in an eclectic range of styles. Some people went with the movement while others opposed it. I enjoy the different types of eclectic movement in art such as the paintings, drawings and the designs. It was not until 1911 that a distinctive futurist style emerged and then it was a product of Cubist influence. Futurism was not immediately identified with a distinctive style. Futurists were fascinated by the problems of representing modern experience, and strived to have their paintings evoke all kinds of sensations and not merely those visible to the eye. Futurist art brings to mind noise, heat, and even smell of the metropolis.
Pop art is an experimental art which surfaced in Great Britain in the early 1950’s. One of the major art movements of the twentieth century, it came into its own in the United States in the late 1950’s. This art form incorporated photographs in ways that had not been utilized before. It utilized mass-culture imagery and iconography, in contrast to the traditional tendencies of fine art. Pop art is considered to be one of the last modern art movements and served as a precursor to postmodern art. The art form is characterized by themes and techniques derived from mass culture, including advertising and comic books. Perhaps one of the most famous Pop artists, is Andy Warhol.
The German Expressionism was a period that came following the devastation of World War I, it came when the people of Germany needed something to claim as their own. The expressionism movement gave Germany just that; it helped them not only in the filmmaking industry, but also in their personal lives. The German Expressionism changed the way we look at and view films. The German Expressionism altered, for the better, the way that films were made back then and the way that they are made today.
Throughout every individuals life there are experiences of unfair judgments based on someone’s appearance. While this is never a good thing, it is an action that everyone takes part in, whether it is purposeful or not. In Frankenstein, Mary Shelley’s message is very clear as she illustrates the cruel events that take place in a society focused only on outside beauty. The central message that Shelley communicates with Frankenstein, is that while appearance is just one of an individuals many characteristics; it is always a factor they are judged on regardless of all the other qualities they may possess.
Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation of one’s self.
The impressionist movement is often considered to mark the beginning of the modern period of art. It was developed in France during the late 19th century. The impressionist movement arose out of dissatisfaction with the classical, dull subjects and clean cut precise techniques of painting. They preferred to paint outdoors concentrating more on landscapes and street scenes, and began to paint ordinary everyday people and liked to show the effects in natural light.
Abstract Expressionism gets its name from the combining of emotional intensity and self-expression of German Expressionists and the anti-figurative aesthetics of abstract schools where Futurism, Bauhaus and Synthetic Cubism came from. The term Abstract Expressionism was applied to any number of the artists in New York who each had quite different styles, such as Pollock’s “action paintings” which had a very busy feel to it, which was different both technically and aesthetically to Willem de Kooning’s grotesque “women’s series”, which was rather violent and not particularly abstract, and Mark Rothko’s block work which was not very expressionistic, but yet all three were classified as Abstract Expressionists.
Pop art was clearly adopted a lot of the popular imagery of the 60s. The advertisement and mass-media adaptions that were used especially in works by Lichtenstein and Warhol, but also various other pop artists, distinctly show a connection between the lifestyle of the American public and the pop artists.