The origin and birth place of the term “heebie-jeebies” is surprisingly a comic strip. However, the term did not start out spelled the same way it is now, instead of “heebie-jeebies” it was once spelled, “heeby jeebys”. Cartoonist Morgan “Billy” de Beck used the term in one of his cartoons featured in the New York American. Morgan’s cartoon character uttered, “You dumb ox - why don't you get that stupid look offa your pan - you gimme the heeby jeebys!” (New York American, 26th October, 1923) Soon after its appearance “heebie-jeebies” began to spread throughout the nation and even the world. Not long after the first appearance of the term did the “heebie-jeebies” start showing up in advertisements such as radio commercials, newspapers, and even in store windows. “Heebie-jeebies” began to mean more than a creepy feeling. Several advertisers used the term to describe a crummy sick feeling. “Have you got the heebie-jeebies? Don’t worry all you need is our LAXACOLD COLD BREAKERS!!!” (Mexia Daily News, October 1924) Sometimes the term was shortened to simply, “The Heebs” as in, “That ...
In the Chick-Fil-A commercials, most of the time the cows write something similar to “eat mor chikin.” Their message are usually very short and bold. The reason behind their bad spelling is because Chick-Fil-A wants the audience to see that the cows are really just kids with a big imagination. Research shows that “Children are more creative and are natural inventors. Their worldview is incomplete and demands discovery. They prosper because they embrace their ignorance instead of ignoring it. And they are willing to explore, investigate and put their ideas to the test because they are willing to fail.” (Killing Creativity: Why Kids Draw Pictures of Monsters & Adults Don 't) The Chick-Fil-A company gives the cow this characteristic because it is important to the commercial, this characteristic is the reason why the commercials is so funny and entertaining to
Christopher Hamlin, “Edwin Chadwick, ‘Mutton Medicine’, and the Fever Question,” Bulletin of the History of Medicine 70 (1996): 233-265.
The archetypal theme of the repression of a desire is rendered in various ways in the novella The Strange Case of Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson, with the repercussion of these subdued urges resulting in both favorable and adverse outcomes for the restrained individual. The novella takes place in the Victorian Era, a time where the suppression of vehement emotions and impulsive conduct was immensely urged, to the extent that it was considered an acquired behavior, as they believed an exposure of true expression would lead to the loss of a dignified demeanor, as well as a loss of morality. While this theory is reasonable, it is also indisputably inaccurate in certain instances. The repression of certain aspects, such as curiosity,
...ng symptoms”. The use of physiology hadn’t exactly transformed society, but it opened up new doors for the study of human behavior.
For centuries, authors have placed human features on their fears allowing their public to confront a concrete creature rather than an abstract idea. The fear of death resulted in stories regarding vampires and mummies, fears of the unknown resulted in stories about creatures invading the Earth, fears of reincarnation resulted in stories of mad scientists creating life from death. With the invention of the motion picture in the late nineteenth century, these fears were able to be seen using human actors and actual “monsters” making both the fears and the fulfillment greater. As more of these films were created, audiences grew more tolerant of the once frightening monsters forcing directors to go even farther. To continue this trend, filmmakers soon were creating more fear than they were relieving creating another psychological void that needed to be filled. Sensing that the realm of horror films and many other genres of film were saturating the film industry, Mel Brooks wrote and directed two films in 1974: Blazing Saddles and Young Frankenstein. Th...
First thing to remember, Humans react to the horror by the amount of fear they have inside of them. In fact, King's short story “Strawberry spring” causes fear to the people because it’s something that would come around every eight years.(Strawberry
That same year, at the suggestion of two “DeadHeads’ from Portland Maine, Ben and Jerry introduced the first ice cream named for a rock legend, Cherry Garcia. In 1988 they introduced Chunky Monkey at the request of a college student in New Hampshire.
society. Rose writes, “Through serial adaptation, the story of Jekyll and Hyde yields a paratragic, predictive investigation into frightening themes; the process of adaptation reveals itself to be a cultural too, used to retain and refurbish images that contain too much anxiety, or hit too close to home, to be allowed to languish” (Rose 156).
This was no news to Hitchcock's fans. In a 1947 press conference the great director laid out his philosophy of the mystery-horror genre: "I am to provide the public with beneficial shocks. Civilization has become so protective that we're no longer able to get our goose bumps instinctively. The only way to remove the numbness and revive our moral equilibrium is to use artificial means to bring about the shock. The best way to achieve that, it seems to me, is through a movie."
need to know the history behind the word so that when they hear it on the playground
The aim of this paper is to take an in-depth look at the emotion of disgust, and explore what role (if any) it should play in morality. The issue of what role disgust should have in morality is disputed by advocates and skeptics. In what follows, I will outline this dispute and show the arguments each side makes. Following that, I will take a look into Kelly’s view which takes the skeptical stance, but differs in how he comes to take that stance. Next I will show how Kelly uses his view to disprove the disgust advocates’ arguments. Finally, I will illustrate a promising line of argument that may give hope to the disgust advocates, in light of Kelly’s powerful skeptical stance.
Each monster has its influences that caused its inception. Vampires were born of Byron’s lifestyle, sexuality, and opium use. “The Strange Case of Dr. Jekyll and Mr. Hyde” is a piece of writing about the duality of good and evil within humanity. Despite their differing influences, these books, written seventy years apart, inspire some of the same emotions in readers. What is it about the nineteenth century that caused a craving for the horrific and scary?
Hirsch, Gordon, and William Veeder, eds. Dr. Jekyll and Mr. Hyde after One Hundred Years. Chicago: The University of Chicago Press, 1988.
was to introduce the element of fear of the unknown by using a word that no one
In this essay I am looking at where Psychology as a discipline has come from and what affects these early ideas have had on psychology today, Psychology as a whole has stemmed from a number of different areas of study from Physics to Biology,