Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on victor frankenstein's character
How does mary Shelley use language to describe the creature
Essay on victor frankenstein's character
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on victor frankenstein's character
Explore Shelley’s presentation of the impact of the Creature in the light
of this comment.
The Creature is described as ‘ a fiend of unparalleled barbarity’, yet
many modern readers may sympathise with him.
Explore Shelley’s presentation of the impact of the Creature in the
light of this comment.
It is my view, that the Creature may be seen from two main
perspectives, on the one hand he may be seen as a “Monster”, “a fiend
of unparalleled barbarity” and on the other he may be seen as a victim
with whom the reader may sympathise.
Out of the three narratives in the book, the one which occupies that
major part of the book I that of Victor Frankenstein. It is from his
perspective that we are imparted most of the evidence which may lead
us to consider the Creature as a ‘Fiend of unparalleled barbarity.’
Throughout Frankenstein’s framed narrative, he refer to the Creature
as “daemon”, “devil” or “wretch and perhaps (one may consider) with
good reason considering the creature’s actions after his creation.
Firstly, the Creature murdered Victor’s youngest brother William, an
innocent child. However, the Creature’s true intentions when
committing the murder remain unclear, as the Creature says, “I grasped
throat to silence him, and in a moment he lay dead at my feet.” This
statement, by the Creature, is of course ambiguous, as the Creature
could have literally been trying to silence William, whilst on the
other hand there is the more sinister aspect, that the Creature could
have grasped William’s throat with a mind to silence him permanently.
If we take Shelley’s view of her 1831 audience as “monsters thirsting
for each others blood” then we would of course condemn the Creature,
as someone who committe...
... middle of paper ...
...cism against Islam,
and particularly the Turks as something which was socially acceptable,
this prohibiting from any form of empathy with the Creature.
In conclusion, despite the Creature’s clearly appalling actions
throughout the novel, I assert that these perhaps may be a result of
the environment into which the Creature is created, just like a child
born into an unstable and abusive household may often grow into an
unstable and abusive person the Creature “born” into an abhorrent,
un-accepting, unforgiving and violent world becomes abhorrent and
violent himself, acting only the way others have acted towards him,
with the utmost hate and unjustifiable violence, and it is because (I
believe) the Creature is only a result of the environment into which
he is created, a product of nurture as opposed to nature, that many
modern readers sympathise with him.
that is able to create a human life and he wants to greater than his
With nothing more than a few descriptive lines, Shelley manages to both invoke a deep sense of pity for the poor creature, and establish his character as more than just that of a simple, mindless
Creature or Monster? How does Shelley's presentation of the Creature and Frankenstein create sympathy or horror at different stages of the novel? Who is the real monster? The novel "Frankenstein" was written by Mary Shelley as a teenager during the 19th century.
We are shown that this ‘monster’ is a ‘creature’ and more of a human than we think. It is in the complex structure of the novel that Mary Shelley creates sympathy. We shift from Robert Walton to Victor Frankenstein to the monster and finally back to Walton. With each shift of perspective, the reader gains new information about both the facts of the story and the reliability of the narrator. Each perspective adds pieces of information that only they knows: Walton explains the circumstances of Victor’s last days, Victor explains his creation of the monster, the monster explains his turn to evil.
The Creature, Victor Frankenstein’s creation, is shaped into a monster through its experiences, instead of the nature of itself, which is more expected. Victor Frankenstein, on the other hand, is shaped into a monster because of his mind’s power-hungry nature. Victor treats his creature poorly and he himself becomes wicked. While the Creature also becomes wicked in the end, its actions are more justified because multiple people treated it poorly, causing the Creature to lash out. Even though Victor Frankenstein and the Creature both turn into wicked monsters, to some extent, only one of
Frankenstein has become a symbol in contemporary society. Upon hearing the name, one might imagine a tall, muscular green man with short black hair, a flat head, and two bolts pierced on both sides of his neck. Although that is the Frankenstein present now, the modern Frankenstein is only an adaptation of Mary Shelley’s original creature. Shelley’s Frankenstein, 1818, is a gothic novel in which she tells the tale of a man creating life. This creation of Victor Frankenstein’s monster eventually hurt the people he held dear. Following the popularity of the book, James Whale directed Frankenstein, in 1931, which started the movement of Frankenstein’s contemporary image. While in comparison to the novel’s questionable identity of the monster, Whale’s adaptation addresses the creation as the true monster. Whale is able to accomplish his reanimated version of the original creation through a series of drastically different aspects involving both personality and appearance in his cinematic production. Whale’s monster lacks the human appeal of Shelley’s creation through his motivation of his transgressions, lack of speech and physical appearance.
In Shelley's Frankenstein, it's interesting to use the text to ask the question, whose interest's lie at the heart of science? Why is Victor Frankenstein motivated to plunge the questions that bringing life to inanimate matter can bring? Victor Frankenstein's life was destroyed because of an obsession with the power to create life where none had been before. The monster he created could be seen as a representation of all those who are wronged in the selfish name of science. We can use Shelley's book to draw parallels in our modern society, and show that there is a danger in the impersonal relationship that science creates between the scientist and his work. It seems to me that Shelley was saying that when science is done merely on the basis of discovery without thought to the affect that the experimentation can have, we risk endangering everything we hold dear.
The creature in Mary Shelly’s novel Frankenstein is portrayed as a monster. Consider the presentation of the creature in the novel and the origin of the monstrous behaviour conveyed in the novel. Frankenstein’s monster is by instinct good but through watching the behaviour of humans he learns from their violent rejection of him, what it is to be human. He learns about the emotions of hate, anger, revenge and does not see the advantages of happiness and love. The message of Shelly’s novel is that through upbringing and socialisation, humans become monstrous and full of prejudice toward others different to themselves.
Frankenstein might have been one of the most monotonous texts to read. The words were outside of my vocabulary, things were dragged on and it was a lot of reading, but beside all of those things, the structure of this story is very fascinating. The very concept of it is outstanding. To have the imagination and writing skills to pull something out like this is truly amazing. I respect Shelly highly of this, even if I found the book torturous to read. When an author composes a literary work, he or she must make many decisions. One of which concerns how to structure specific parts of the text. They have to decided where to begin or end a story, how to order the events, and whether or not to provide a comedic or tragic resolution, like Shakespeare for example, but I 'm not here to talk about him, I 'm here to talk about Mary Shelly 's Frankenstein! In this essay, I will analyze her
The word monster has a variety of meanings to the world. For children the word monster can be some evil creature living under their bed and for parents, a monster can be their child running around causing amuck in the house. Other people view the word monster as a person who is vicious and grisly like the Zodiac killer. In Mary Shelley’s Frankenstein, Doctor Victor Frankenstein makes a creature whose description is the definition of monster. He is made of different parts from bodies—giving the creature a horrifying look— runs around the city, terrifying others of leaving their houses, and kills multiple people. All evidence shows that Victor’s creature is a monster, however Victor makes the monster with his own hands, doesn’t that make Victor Frankenstein a monster in the making?
the end of the novel, and is referred to as a “monster”, a “demon”, a
When the term Frankenstein is said, what comes to mind is the bulky, square headed, green character seen around Halloween. Until watching the array of films and reading the original novel by Mary Shelly, this is all Frankenstein was to me. Reading the origin of this staple character and seeing the film adaptions shows that there is much more to Frankenstein than being a creature for a Holiday. The story of Frankensteins opens many cans of worms in regards to spiritual believes and who the true monster is in this story.
Furthermore, light might imply enlightenment in “Frankenstein.” Walton precedes his pathway to the North Pole to obtain the secrets of the world that uncovered by others. As he expresses, “What may not be expected in a country of eternal light?”(Shelley, 11) It might not expect anything in the North Pole; nonetheless, Walton presumes to exploring new passage way in unknown regions might undercover the secret or hidden things into the dark particularly in technology. The eternal light represents insight “Walton's purpose in venturing to the North Pole is twofold: to discover a northern passage to the countries on the other side of the world; and to determine the origin of the North Pole's magnetism” (Ben and Justin). Furthermore, when Victor
In the novel, Frankenstein, by Mary Shelley, the Creature's only need is for a female companion, which he asks Victor Frankenstein his maker to create. Shelley shows the argument between the creature and Frankenstein. The creature says: "I demand a creature of another sex, but as hideous as myself " (Shelley 139). Shelley shows what the creature wants from Frankenstein and what his needs are. Shelley gives us an idea of the sympathy that Frankenstein might feel for the creature even though he neglects him. The creature confronts Victor demanding his attention and expressing his needs. I feel a lot of sympathy for the creature based on him being able to forgive Victor for abandoning him and being able to communicate with him.
Mary Wollstonecraft Shelley was born in 1791 in London. She is the daughter of Mary Wollstonecraft and William Goodwin. Wollstonecraft was a radical feminist writer, and Goodwin was a writer as well as a philosopher. It was said that this couple's combined intellect was dangerous to society; however, days after Mary's birth, Wollstonecraft died due to complications from the pregnancy. Mary spent a lot of time visiting her mother's grave when she was growing up. Her father taught her how to spell her mother's name by having her trace the letters on the headstone with her fingers, an interesting yet morbid way to teach a seven year old how to spell. Goodwin raised Mary by himself for the early part of her life. When Mary was four, he married Mary Jane Clairmont, who also had children from a previous marriage. Mary never fully accepted the stepfamily; she always felt like an outsider. Many of her feelings of loneliness and longing to know her mother are issues that are prevalent in the novel Frankenstein. These issues are analogous to the search that the monster had for his creator.