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Examples of irony in the Canterbury Tales
Verbal irony in The Canterbury Tales
Literary device in the wife of bath
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Verbal Irony in The Wife of Bath’s Tale
How is verbal irony used within Chaucer’s The Wife of Bath’s Tale? The Canterbury Tales was written by poet Geoffrey Chaucer at the end of the fourteenth-century. The Wife of Bath’s Tale is one of the many stories written within it. A major component of Chaucer’s style throughout the stories, is his use of irony. Chaucer uses various types of irony throughout the story, but he uses verbal irony specifically to relay to us the differences between how he describes Alisoun, the Wife of Bath, and how she describes herself.
The dictionary defines verbal irony as, “irony in which a person says or writes one thing and means another, or uses words to convey a meaning that is the opposite of the literal meaning.” Chaucer uses many forms of verbal irony throughout The Canterbury Tales. We first view his own opinion of the Wife of Bath in the Prologue. We then get to see her perspective when she tells us about herself, in the Prologue of The Wife of Bath’s Tale. Their different explanations of her character are an example of verbal irony.
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We first hear of The Wife of Bath, in the Prologue.
Here, Chaucer gives us his description of what she is like. He tells us that she is a large woman, with fair skin tinted by a red hue. He says that she has been married five times, and is someone who knows all remedies for a broken heart. He explains that she is a woman of faith, and has gone on many pilgrimages in her lifetime. This description leads readers to believe that these would be pilgrimages for religious purposes. However, we soon learn through her own description, that this is not
true. When we get to the Prologue of The Wife of Bath’s Tale, it is finally time for Alisoun, the Wife of Bath, to tell us about herself firsthand. She explains that she was first married as young as twelve, and has since been married four more times. She had three good husbands, and two bad. She married the first four husbands for their money, and would often torment them in various ways. One of these, would be her many pilgrimage trips. This is where we see the verbal irony in the story. While Chaucer’s description led us to believe that these were trips taken for religious purposes, we learn that they were actually taken as a way for Alisoun to torment her husbands. In conclusion, Chaucer uses many different aspects of irony throughout The Canterbury Tales. He specifically uses verbal irony to show us the difference between how he describes Alisoun, the Wife of Bath, and how she describes herself. The best example of this is the explanation of her many pilgrimages. We are led to believe by Chaucer’s description that they are trips based on religious aspects. However, we learn through Alisoun directly that they were actually taken as a way for her to torment her husbands. Thus, giving us verbal irony.
This might seem ironic coming from a man in this period, but it is not so ironic when one looks at the Canterbury Tales and acknowledges it as a fine work of parody. Chaucer attacks other traditions vigorously, a good example of which is his discussion of corruption in the church . His critical look at the standards for women which are especially enforced by the church add humor to the tale of the Wife of Bath while also making a political statement. Chaucer prepares the reader for the tale with his brief description of the wife in the Prologue. She is a skilled cloth-maker and devoted Christian pilgrim trips as well as several other shrines in different countries. The irony comes in when Chaucer adds that she is a gap-toothed woman in scarlet red leggings, who has been married five times. This description does not sum up with the image of a hard working, devoted Christian woman according to the doctrine of the church. Chaucer's physical description is important because it makes the Wife of Bath more acknowledged ; she reeks of feminine
Verbal irony is when someone says one thing but, means another. An example of verbal irony in the play is when Procter is in the courthouse and says that Elizabeth can not lie and then she does. “In her life, sir, she have never lied. There are them that cannot sing, and them that cannot weep, my wife cannot lie. I have paid much to learn it, sir” (pg 973 Miller Act 3), “Look at me! To your knowledge, has John Procter ever committed the crime of lechery? Answer my question! Is your husband a leacher!” (pg 974 Miller Act 3), “No, sir” (pg 974 Miller Act 3). Another example of verbal irony is when Abigail is in the court house and she is doing Gods work, but really she is doing the devils by getting all the girls to act like they see Mary’s spirit too. “Oh, Mary this is a black art to change your shape. No, I cannot, I cannot stop my mouth; it’s God’s work I do” (pg 975 Miller Act 3). Dramatic irony is when the readers know something that the characters do not. One example of dramatic irony is when Abigail acts like she sees Mary Warrens spirit, but she really does not. “Oh, Mary, this is a black art to change your shape. No, I cannot, I cannot stop my mouth; it’s God’s work I do” (pg 975 Miller Act 3), “Mary Warren! Draw back your spirit out of them!” (pg 975 Miller Act 3). Another example of dramatic irony is when Elizabeth was asked why she discharged Abigail she said that she did not satisfy
In the words of the Broadview Anthology’s introduction to the Wife of Bath, she is “a sexually experienced cynic who teaches young people the tricks of love…. The Wife’s history and the literary shape of her prologue conform to many of the traditional misogynistic stereotypes found in her husband’s book” (Broadview 298). Why would Chaucer write such a clever portrayal of personal pleasure through the eyes of a woman, and yet design her to possess every quality so despised and abhorred within her so-called lifetime? Because the audience of this poem would probably include wives, and because everything the Wife describes is almost laughably vulgar, it can be understood that this poem would not be interpreted literally and women would instead be forced to listen to an account about female power, desire, and pleasure written, unfortunately, as cruel satire of their
Chaucer is a medieval author best known for his witty Canterbury Tales. He “was born between 1340 and 1345, probably in London. His father was a prosperous wine merchant” (BBC). Drawing inspiration from what he had experienced in his lifetime, Chaucer wrote his problems about his society with a series of short stories, names the Canterbury Tales. These tales are abnormal, due to being written in English, instead of Latin, like most stories of that period. Also, there is lots of examples of satire within the text. Within the General Prologue, Pardoner’s Prologue, and Wife of Bath’s Prologue, Chaucer uses both types of satire to reach his intended audience, which is the common public.
Chaucer’s Use of Satire (An in depth analysis into the General Prologue, Pardoner's Tale, and the Wife of Bath.) What does it mean for literature to be characterized as a type of satire? According to Oxford Dictionaries, “Satire, is the use of humor, irony, exaggeration, or ridicule to expose and criticize people’s stupidity or vices, particularly in the context of contemporary politics and other topical issues.” There are countless examples of how satire has enabled great writers to achieve their ultimate goals. In fact, many of the modern stories and works of literature that we study, have, in one way or another, some type of satire.
In Geoffrey Chaucer's The Canterbury Tales, The Wife of Bath is a strong woman who loudly states her opinions about the antifeminist sentiments popular at the time. Chaucer, however, frequently discredits her arguments by making them unfounded and generally compromising her character. This brings into question Chaucer's political intent with the Wife of Bath. Is he supportive of her views, or is he making a mockery of woman who challenge the patriarchal society and its restriction and mistrust of women? The Wife's comedic character, frequent misquoting of authorities, marital infidelity, and her (as well as Chaucer's) own antifeminist sentiments weaken the argument that Chaucer supported of the Wife's opinions.
The Wife of Bath, with the energy of her vernacular and the voraciousness of her sexual appetite, is one of the most vividly developed characters of 'The Canterbury Tales'. At 856 lines her prologue, or 'preambulacioun' as the Summoner calls it, is the longest of any of the pilgrims, and matches the General Prologue but for a few lines. Evidently Chaucer is infatuated with Alisoun, as he plays satirically with both gender and class issues through the Wife's robust rhetoric. Scholars and students alike have continued this obsession with her, and as a consequence Chaucer's larger than life widow has been subject to centuries of scrutiny. Indeed, she is in the vast minority amongst the Canterbury bound pilgrims; apart from the in-vogue Prioress she is the only female - though she appears in no way daunted by the apparent inequality in numbers. It seems almost a crime to examine masculinity in her prologue and tale, but as I hope to show, there is much to learn both about the Wife and about Chaucer from this male presence.
Chaucer introduces us to several types of women in the General Prologue of his famous work the Canterbury Tales. Among these women are women of rank and social status: the Prioress, the Nun, and the Wife of Bath. Although they are surrounded by various types of men, these women told tales that made men think twice about crossing their paths. As we read about these women in the prologue, we also get a sense of whom they are: they have money, authority, and an air about them that suggests that they are not just on the pilgrimage just to save their own souls (the Wife of Bath definitely shows this trait better than her religious counterparts.) However, it is not just the women who stand for their sisters; the Clerk jumps on the female bandwagon with a tale of his own.
One of the most interesting and widely interpreted characters in The Canterbury Tales by Geoffrey Chaucer is the Wife of Bath. She has had five different husbands and openly admits to marrying the majority of them for their money. The wife appears to be more outspoken and independent than most women of medieval times, and has therefore been thought to symbolize the cause of feminism; some even refer to her as the first actual feminist character in literature. Readers and scholars probably argue in favor of this idea because in The Canterbury Tales, she uniquely gives her own insight and opinions on how relations between men and women should be carried out. Also, the meaning of her tale is that virtually all women want to be granted control over themselves and their relationship with their husbands, which seems to convince people that the Wife of Bath should be viewed as some sort of revolutionary feminist of her time. This idea, however, is incorrect. The truth is that the Wife of Bath, or Alisoun, merely confirms negative stereotypes of women; she is deceitful, promiscuous, and clandestine. She does very little that is actually empowering or revolutionary for women, but instead tries to empower herself by using her body to gain control over her various husbands. The Wife of Bath is insecure, cynical towards men in general, and ultimately, a confirmation of misogynistic stereotypes of women.
In The Canterbury Tales Wife of Bath’s Tale, the author incorporates major events in the text that relate to power in many different ways. In addition, in the text the author illustrates the sovereignty that women have over man in various ways. Furthermore, there is power in knowledge because with knowledge there is freedom. Also, in the text a character loses power over the external events that occurring in their lives. In The Wife of Bath’s Tale, the author illustrates a woman’s power through authority, marriage, and punishment.
Geoffrey Chaucer’s Canterbury Tales is comprised of several different tales being told by various narrators, such as The Miller’s Tale and the The Wife of Bath’s Prologue. First, The Miller’s Tale is part of “a genre known as “fabliau”: a short story in verse that deals satirically, often grossly and fantastically as well as hilariously, with intrigues and deceptions about sex or money” (Chaucer 264). This tale involves a carpenter, the carpenter’s wife, Alisoun, a poor astrology student, Nicholas, and a church clerk, Absolon, where the wife and the student try to keep their relationship a secret from her husband, while the clerk pines for the her. Second, The Wife of Bath’s Prologue consists of a woman who “asserts her female “experience”
In the 14th century Geoffrey Chaucer wrote The Canterbury Tales, which included a progressive view of women's concerns in "The Wife of Bath." During a time when women were still considered chattel existing almost exclusively to produce heirs, Chaucer takes a stand on issues affecting women that were not commonly given consideration. Writing in the first person, Chaucer is able to describe life from the viewpoint of a woman. Through this style, Chaucer addresses subject matter that would have been too candid for a female writer during his time period. By writing "The Wife of Bath" in a satirical way, Chaucer points out issues facing women regarding double standards, the validity of female desire, and the economic necessity of women to marry well while keeping the text humorous with some common female stereotypes regarding deception that have persisted into present day culture.
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
Birney writes that the description of each character as sweet or using the word sweet to describe them on Chaucer’s part is ironic.
Chaucer's Irony - The Canterbury Tales Chaucer's Irony Irony is a vitally important part of The Canterbury Tales, and Chaucer's ingenious use of this literary device does a lot to provide this book with the classic status it enjoys even today. Chaucer has mastered the techniques required to skilfully put his points across and subtle irony and satire is particularly effective in making a point. The Canterbury Tales are well-known as an attack on the Church and its rôle in fourteenth century society. With the ambiguity introduced by the naïve and ignorant "Chaucer the pilgrim", the writer is able to make ironic attacks on characters and what they represent from a whole new angle. The differences in opinion of Chaucer the pilgrim and Chaucer the writer are much more than nuances - the two personas are very often diametrically opposed so as to cause effectual irony.