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Trickery And Deception
In ”Much Ado About Nothing” by William Shakespeare there is a lot of trickery deception in the play. There are many occasions that trickery and deception takes place such as, Don Pedro wooing for claudio, Don Pedro wooing for himself, claudio pretending to be benedick to find out information from don john and borachio, Don John and Borachio both know that claudio is not benedick but trick claudio into thinking that they believe that claudio is in fact Benedick, benedick pretending to be somebody else. I will explain the trickery and deception that took place in these situations and how it affected the play.
Don John plays an essential role for nearly all of the trickery and deception in this play. He is the starter
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for trouble. Don John tries his hardest to defeat love in any way possible. For example, when Don John says,” I am trusted with a muzzle and enfranchised with a clog; therefore I have decreed not to sing in my cage. If I had my liberty i would do my liking.” (Act 1. Scene 1. 22-30) As you can see Don John tells us that he can be trusted with a muzzle basically saying that we can’t trust what he says when he opens his mouth. Shakespeare makes the play very suspenseful with the Don John character because the foreshadows that he uses with him makes the audience guess what trickery is he going to use next and what does he do to trick them. Deception takes place in act 4 scene 1 at the wedding when claudio and don pedro constantly insults hero for not being a virgin. In the scene don pedro wanted to prevent the wedding from occurring, so He suggests that Don John go to Claudio and Don Pedro and tell them that Hero is not a virgin but a whore, a woman who has willingly corrupted her own innocence before her marriage and at the same time chosen to be unfaithful to the man she loves. But that was all a lie in the cause of Don pedro wanting to ruin love in every way possible. Whether it hurt someone real bad or not. Another conspiracy which, again, involves Don John and Borachio trying to sabotage Claudio and Hero’s relationship is in Act II Scene II, when Borachio suggests to Don John that they should convince Claudio and Don Pedro that Hero is no longer a maiden and has been unfaithful to Claudio with Borachio, vexing Claudio whilst also “misusing the prince, to undo Hero, and kill Leonato”.
Don John approves of this idea and offers to pay Borachio for his part in the plan. Borachio tells Don John that Hero is in love with Borachio. “Tell them that you know that Hero loves me”. Don John then informs Borachio of his payment for his part in the plan “a thousands ducats”. Don John leads Don Pedro and Claudio to under Hero’s window where they find Borachio and Margaret are having Sexual intercourse at the window of Hero’s bedroom. However, Don Pedro and Claudio are led to believe that the woman is in fact Hero. This plan is carried out in Act III Scene II, when Don John approaches Don Pedro and Claudio saying,”You may think I love you not. Let that appear hereafter, and aim better at me by that I now will manifest. For my brother, I think he holds you well, and in dearness of heart hath holp to effect your ensuing marriage-surely suit ill spent, and labour ill bestowed!” Don John (Act III, Scene II: Lines
81-85). In act 1 scene 3 Don John is reported to by Borachio that, “...the prince should woo hero for himself, and having obtained her to count claudio.” After this Don John says,”...If i can cross him in any way, I bless myself in every way. You are both sure, and will assist me? (1.3.54-55)” Don John is using trickery in this scene by trying to make borachio fall in love for hero himself. In conclusion, Much Ado About Nothing was a play that was full of trickery and deception. Trickery and Deception played a big role in this play. It caused relationship problems and a lot of misunderstanding to everything that was happening such as Don Pedro wooing for claudio, Don Pedro wooing for himself, claudio pretending to be benedick to find out information from don john and borachio, Don John and Borachio both know that claudio is not benedick but trick claudio into thinking that they believe that claudio is in fact Benedick, benedick pretending to be somebody else. In these situations trickery and deception were mainly used to have characters fall in love with the opposite ones that they wanted to. Trickery and deception is a motherfu*&%$!
“And when I lived, I was your other wife, And when you loved, you were my other husband(Shakespeare 60).” In the beginning of the play it was overwhelming, steeped in love at first sight between Hero and Claudio, until Don John’s evil-manner took a role in ruining the love between them. And because of this a conflict developed between them, but was resolved when their vigorous love for one another overcame the conflict. In Much Ado About Nothing by William Shakespeare, Hero serves as the foil character of Claudio because of Hero’s dignified, well-mannered, eminent reputation is illuminated through Claudio’s insecure, accusing, and doubtful weakness; thereby, interminably influencing the conflict in the plot.
He becomes jealous and he tries to take it away or make them feel inferior in some way. Seeing people that have something he didn’t, makes him feel like he is below them and he makes them an enemy. Don John shows this trait in ACT 2 Scene 2 when he says “ Any bar, any cross, any impediment will be/ mendicable to me. I am sick in displeasure to him,/ and whatsoever comes awart his affection ranges/ evenly with mine. How canst thou cross this marriage?”(Shakespeare 30). Since Claudio and Hero love each other and he has never experienced love he tries to ruin their wedding. He feels jealous and therefore thinks he has to intervene and that they should not love each other anymore either. This shows another Machiavellian trait of Don John as his selfishness and self-centeredness come through simply because they have what he wants and doesn't know how to get. Another thing that he wants is the throne. His brother Don Pedro is the current king. Don John goes to war with his brother Don Pedro over this. In ACT 1 Scene 1 Leonato asks the Messenger about the war, “How many gentlemen have you lost in this action?”(Shakespeare 1). Don John’s brother has the throne but he believes he is entitled to it. Don John is jealous of what his brother has and is willing to do anything he can to get it. This shows that he is Machiavellian because he tries force people to comply to his
In was in Act 2 Scene 3, when Don John came up to both Claudio and his brother Don Pedro to discuss what he saw, Hero “supposedly” cheating on Claudio with another man the night before their wedding. Even though Claudio is naturally very gullible and naive, he first trusted Don John, who is known as the “Bastard,” when he was told that Hero was cheating on him and not Hero, herself. Also, in Act 4 Scene 1, the actual wedding day is when Claudio confronted her in front of an entire audience when Hero clearly states that what he speaks is completely false information given by Don John. Hero said, “I talk’d with no man at the hour, my lord.” (85) The non-exist amount of trust and loyalty they have for each other is unimaginable
William Shakespeare is known for his use of dramatic irony and complicated story lines. In Much Ado About Nothing, he also adds in the element of disguise to what the characters know, or what they think they know. There are multiple characters trying to ensnare others in different facades, whether it be for better or for worse. The deception and illusion in the play can either assist the characters or completely shatter the situation, but in both cases, Shakespeare advises us to infer about what we hear or see before we jump to conclusions.
Don John’s follower Borachio reports to Don John, leading to a first attempt of deception to be set up by Don John. The news goes to Don John who says “ Come, come, let us thither. This is food to my displeasure. That young start-up hath all the glory of my overthrow. If I can cross him any way, I bless myself every way…” (Shakespeare 15). Don John immediately sees this plan as an opportunity to do harm both to Claudio- honored for his actions against Don John- and to Don Pedro. Don John is setting the tone of his character as a villain while his brother Don Pedro, is the prince and is very active in the other character’s
Don Pedro and his men return from the war and visit the house of Leonato and his brother, Antonio. This sudden meeting reunites Beatrice with her archrival, Benedick, and it is here that Claudio and Hero fall in love.
How Shakespeare Presents the Character of Claudio in Much Ado About Nothing and How Interpretations of His Character Can Vary
William Shakespeare's Much Ado About Nothing is a play involving by deception, disloyalty, trickery, eavesdropping, and hearsay. The play contains numerous examples of schemes that are used to manipulate the thoughts of other characters; it is the major theme that resonates throughout the play. Ironically, it is one of these themes that bring serenity to the chaos that encompasses most of the play.
The title of Shakespeare’s Much Ado About Nothing has sparked scholarly debates about its meaning for centuries. Some say it is a play on the term “noting”, revolving around the theme of all sorts of deceptions by all sorts of appearances (Rossiter 163). Others claim it has more to do with everyone making a fuss about things that turn out to be false, therefore, nothing (Vaughn 102). Regardless of these speculations, there is something rather profound going on in the play that is worth making a big deal about: four characters in the play learn about love, and eventually, how to love.
Don John plays an essential role for nearly all of the trickery and deception in this play. He acts like a catalyst and an instigator for trouble, whose sole aim is to marmalize the love and happiness between Claudio and Hero. Shakespeare uses foreshadowing of Don John’s villainy to display the trickery and deception:
They had been to the town before, and this time Claudio confessed his love for the governor’s daughter, Hero. Because Leonato is so fond of Claudio, the wedding is set to be a few days away. This gives Don John, Claudio’s bastard brother, a chance to show his true hatred for Claudio. He comes up with a scheme to make Claudio think that Hero is cheating by dressing Margaret in her clothing and perching her near the window with another man. When Claudio sees this, he says that he will humiliate Hero instead of marrying her.
In the play ‘Much ado about nothing’, Don John is a puppet whose strings are pulled by various characters and the society in which he lives. Although he does monkey businesses like every character in the play, he is the one who gets harshly judged and punished for it. His villainy is not an innate trait but rather, he chooses it to distinguish him from others.
While it is true that both of these characters are Machiavellian it is displayed in the book that Don John shows more traits of a Machiavellian character. For example, in act 1 scene 3, when Don John is talking to Conrad and Borachio,
Disguise and deception are central to ‘Much Ado about Nothing’. Not only are they effective comedic plot devices but they are pivotal to the overall construction and establishment of the plot. The masked ball scene, is pivotal to the plot as it sets up the events for the rest of the play, Hero and Claudio are to be together, with the help of Don Pedro. Furthermore, deception as a form of manipulation, as Don Pedro and Claudio convince Benedict that Beatrice is in love with him. The following scene is staged as a parallel, when Hero and Margaret, through deception, convince Beatrice that Benedick that loves her; thus conveying deception in a positive way. Moreover, the audience witness self deception, when Leonato is told that Don Pedro, Prince
Benedick said to Don Pedro, “Leave him till tomorrow. I’ll think of some awful punishment for him. Play on, musicians!” A group of soldiers return home to Messina, Italy from war, to find love. Only, to be encountered with the villainous character Don John. In Much Ado About Nothing by William Shakespeare, Don John serves as the foil character of Don Pedro by which Don Pedro’s advantageous strengths are illuminated through Don John’s belligerent weaknesses; thus, continually illuminates the idea of good vs evil.