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Science and religion in Dracula
1910s medical advancements
1910s medical advancements
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Recommended: Science and religion in Dracula
Dracula’s Downfall: Science and Superstition In a time period where science was developing new and controversial ideas, and superstition was slowly being replaced with a more reasoning thought process, a story that combines the two topics was written: Dracula. With movement to the new west, science was slowly gaining more foreground, inventing new technologies such as the telegram and phonograph as well as making advancements like blood transfusions and hypnosis. Additionally a new thought process began to form, one that took away the ability to believe in the seemingly impossible. “In the Blood” author quotes: “Throughout the novel, these self-assured people have to be convinced, with enormous difficulty, that there is something beyond their …show more content…
While Seward represents Victorian science, Van Helsing represents an open-minded science. “‘My thesis is this, I want you to believe.’…‘To believe in things that you cannot’” (Stoker 206). Van Helsing believes that, while science is wonderful, you must not let it hinder you from seeing things for what they truly are. His thought process quickly shows to be the dominant one throughout the book. For instance: while Seward struggles to figure out what Lucy’s ailment is, Van Helsing creates a solution after some observation. He discovers what is happening to Lucy and tries to protect her by giving her garlic flowers from his home in the Netherlands. “By rubbing the flowers around the windows and doors of Lucy’s room, he is blocking Dracula’s entrance as effectively as the heavy door blocked Jonathan’s exit in Transylvania” (Johnson 83). Van Helsing helps keep Dracula at bay, and this in turn helps to stop Lucy’s blood-loss and aid her recovery. Another instance where Van Helsing’s thought is clearly superior, is when he discovers that Lucy is now part of the undead. He claims that she is the one leaving the marks on the kids throats and that she is now one of the undead. “They were made by Miss Lucy!” (207). Seward’s logical thought never would have allowed him to come to such a conclusion because it did not seem to be realistic. Without Van Helsing the characters would have no connection to the supernatural world, as well as no one to teach them about it or help them perceive the world
This book is set in an age where science and the world of the Enlightenment, that is the world of rational thought and proven theories, ruled. Dr. Seward represents this world. It is opposed to the seemingly unexplainable world of Dracula and his world of mystery and fable. The events that the different characters experience, although documented faithfully are thought too unbelievable by Professor Van Helsing to be passed on (p 486). It is as if the truth can't be handled by the world at large or that by retaining the story to themselves the central characters will preserve a very terrible but precious memory. A memory made precious because of the depths of courage and faith that had to be mined by and in each of them.
Since the 19th Century, Bram Stoker’s Dracula has entertained its readers taking them to heights of excitement in the climax
Life is a cruel. It, will attempt to take one down; it will humble one; it will attempt to break many down. In moments one may not know what to do, instead he/she must a find a way to use what they have around them as an advantage to defeat the problems that stands their way. Throughout dark fiction, authors utilise different elements as a tool to defeating the antagonist. the story Dracula uses completely different approaches in taking down the mighty Dracula. In the novel Dracula, Bram Stoker effectively employs the different elements that are used to defeat Dracula. Stoker effectively demonstrates the elements that are used to destroy Dracula through act of Religion, the aspect of Science and the setting.
In the novel Dracula, by Bram Stoker, there is much evidence of foreshadowing and parallels to other myths. Dracula was not the first story featuring a vampire myth, nor was it the last. Some would even argue that it was not the best. However, it was the most original, using foreshadowing and mood to create horrific imagery, mythical parallels to draw upon a source of superstition, and original narrative elements that make this story unique.
In the novel Dracula, Bram Stoker shows that society alienates people that are different. The character Count Dracula reveals society assumptions by representing the idea of alienation and considered as an outsider when society won’t accept him because of his behavior.
Throughout many types of literature, violence exists to enhance the reader’s interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it were lacking violence. So to holds true to that of the movie. The movie bares different characteristics then that of the book. First off, the whole ordeal with the wolf escaping and jumping into Lucy’s, room and Lucy’s mom having a heart attacked is never even mention in the movie. Second, The night when the four men go to Lucy’s grave and find it empty is stated both in the book and in the movie however what unfolds after this is different. Finally, the end of the book differs severely from what Francis Ford Copolas rendition and that of the Bram Stoker see it to be. The differences are as follows…
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
Firstly, good and evil was seen throughout the aspect of intuition versus logic of the book. Dr. Seward writes in his diary that, “Yesterday [he] was almost willing to accept Van Helsing’s monstrous ideas; but now they seem to start out lurid before me as outrages on common sense. I have no doubt that he believes it all. I wonder if his mind can have become in any way unhinged. Surely there must be some rational explanation of all these mysterious things.” (174). In the Victorian Era, logic was perceived as good, while intuition was evil and immoral. Dr. Seward writes how he was at first convinced that Lucy was, in fact, a vampire, but later thinks these ideas are outlandish. He is unwilling to accept Van Helsing’s intuition because his thoughts could not be justified by logic, but could be proven merely by beliefs. Similarly, Jonathan has initial feelings about Dracula that he was convinced were wrong as they were not rational thoughts. He writes that, “there is something so strange about this place and all in it that [he] cannot but feel uneasy.” (2...
“Dracula, in one aspect, is a novel about the types of Victorian women and the representation of them in Victorian English society” (Humphrey). Through Mina, Lucy and the daughters of Dracula, Stoker symbolizes three different types of woman: the pure, the tempted and the impure. “Although Mina and Lucy possess similar qualities there is striking difference between the two” (Humphrey). Mina is the ideal 19th century Victorian woman; she is chaste, loyal and intelligent. On the other hand, Lucy’s ideal Victorian characteristics began to fade as she transformed from human to vampire and eventually those characteristics disappeared altogether. Lucy no longer embodied the Victorian woman and instead, “the swe...
The Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares
In Bram Stoker's Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse's mouth when family members would dig up their dead kin to check for the dreaded disease. Stoker takes the significance of this symbol and puts his own unique twist to the meaning of blood. He combines the traditional folklore of vampirism and the immense sexual undertones of the Victorian era to create a simply horrific tale which completely confuses the emotions of his readers. Stoker knew bloods importance in vampire history and used the overwhelming symbolism to convey his own personal lust and sexual obsessions. The scenes where Lucy is receiving transfusions; first from Holmwood, then from Seward, and the unforgettable vampire baptism between Dracula and Mina all have these very erotic, sexual feelings associated with them. What makes these so powerful is the combination of violence and sex. As a reader, you know that what Dracula is doing are horrific and wrong, but because they are so sexually described and associated you think you should enjoy them, but you can't. This is the confusion which stoker implements into his readers minds, especially ones of the Victorian era. This is why stoker used blood as the most important symbol in the novel; to create an intense horror that was not just in the words of the book, but in the minds of the reader.
Bram Stoker wrote his infamous novel, Dracula, during the turn of the century in 1897, and the Victorian era novel is heavily influenced by the time in which it was written. Francis Ford Coppola’s Dracula is influenced by the period in which it was produced, and it diverges from the novel in the sexualisation of women, the humanization of Dracula, the representation of friendship, and the depiction of science. Dracula is a classic story that can represent the current era’s fears and desires. Although the story changes in Coppola’s Dracula, in comparison to the original, it is not the first time Dracula has been adapted according to the era, and it will not be the last.
When Van Helsing figured out what was happening to Lucy he told Dr. Seward and after Lucy passed away the men went to where she was buried and it had been weeks and her body. The sight they saw was “more radiant and beautiful than ever; and I could not believe that she was dead. The lips were red maybe redder than before” (Stoker 171). This line should that Lucy turned into a vampire because Dracula had been sucking her blood. Jonathan Harker was also a victim of Dracula’s games but he fought through his mental trauma with the help of his Wife, Mina. The rein of Dracula’s evil ways came to an end and although Lucy lost her future, all of her friends were finally safe from
it horrifies us and reinforces our sense of boundaries and normalcy” (Halberstam 13). Assuming that Bram Stoker’s Dracula sets the archetype of the vampire, it is clear that modern vampires have demonstrated a decrease in the Gothic horror despite similarities in the Gothic imagery and themes, and such a shift is attributed to a changing value of the limit within society and postmodernism. The Count is the benchmark of the vampire archetype as the monstrous Other that “announces itself as the place of corruption” (Anolik and Howard 1). Dracula is associated with disruption and transgression of accepted limits—a monstrosity of great evil that serves to guarantee the existence of good (Punter and Byron 231).
In Bram Stoker's "Dracula", Dracula is portrayed as a monster made evident by his gruesome actions. An analysis of Dracula shows that: shows his evil nature in his planning, brutally killing Lucy Westrenstra causing a violent response from Dr. Seward and others, and how his evil ways lead to his downfall. To characterize Dracula in one way, he is a ruthless, cunning monster who uses tricks, torture, and wits to manipulate people to his will. However when he trifled with some courageous people, he had no knowledge that it would be his undoing.