Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on victor frankenstein's character
Essay on victor frankenstein's character
Frankenstein's personality essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on victor frankenstein's character
Little is known about the human conscious and unconscious and what forces drive actions. Sigmund Freud clarified his opinions on how our thoughts/actions are influenced. He claims that through three subconscious psyches- the Id, Ego, and Superego-choices are directed into actions through a weighing of reason between the Id and the Superego. And when these psyches are in balance there is health: vice versa when the psyches are not in balance there is unhealthiness. In the novel Frankenstein by Mary Shelley, the battle between the Id and Superego can clearly be seen throughout the growth of knowledge and maturity in the main character Victor Frankenstein: and the negative effects of failing to balance them. Victor Frankenstein tries to support …show more content…
Some of these things that take Victor’s mind off all of his sorrows include taking drugs or wasting time in nature away from society. Victor does these things because of his past actions-or future actions-and the guilt he feels for them that he wants to escape. Responsibility is not one of his strong points and since his personality and actions are so influenced by his Id, he wanted no part in feeling the guilt that his Superego brings to him. As Victor’s guilt grew with each action his monster did, his sustainability and calmness constantly grew worse. His “agitation and anguish were extreme during the whole trial”(Shelley 69) of Justine’s because his guilt from his Superego increased with the death of his brother William. When any death occurred after that Victor proceeded to suppress his Superego to make himself feel better about all the wrongs he had committed through his rash-Id influenced actions. Victor tried “to forget the world, his fears, and more than all himself” (Shelley 79) altogether and move on from his past. Yet he could not forget the past as he had a shadow that would not let him move on to the future. Only a new action could fix the wrong actions he had made in the past, however, Victor does not want to take the steps to fix his wrong actions. His Superego would not let him go of his guilt, keeping him from making reasonable choices to fix the wrongs he had done. This constant guilt that he feels from his Superego is Victor’s demise as it brought him down to the fire of his sorrows to forge the rage that would be his last fall from health and
After abandoning the Creature, it vows “eternal hatred and vengeance to all mankind” which ends up being in direct correlation with Victor’s life (Shelley 143). The Creature is able to carry out this deed by not directly attacking his creator and abandoner, but the one’s of his creator’s affections. The Creature not only makes Victor feel pain through the killings, but also through the guilt that Victor experiences since he knows that he (Victor) is the reason that all the people are now dead. After all the killings had happened, “yet one duty” remained for Victor, to silence the Creature and all feelings of sorrow rooted from death (Shelley 176). This was Victor’s act of revenge in which only one of the two could live while the other was dead. Victor was so influenced by all the death he had experienced, that his revenge took him to his deathbed. The ending years of Victor’s life had been spent focusing and caring for the matters concerning the Creature and himself, which differs of how Zeus felt about his revenge, as it was only of current importance and had no impact on his
We must ask ourselves if his guilt pardons him from his actions. Is he truly a dark and disturbed person if he feels guilt? I believe the answer is yes, solely because his guilt isn't enough to push him to try and amend for his actions. As a man alone, Victor has not at all failed. Man is flawed and as such is expected to make mistakes. In Victor's case, his mistakes are many and much, but nothing less is to be expected of a man, who in his own nature, is nothing more than someone else's creation. He did however, fail as a creator who is responsible for the actions and wellbeing of those he creates. The creature's actions are to be seen as not just his own crimes but Victor's as well. I do still that he can be classified as a morally ambiguous character. I personally believe that Victor acted selfishly a majority of the novel and has a poor moral compass guiding his actions. However, others may argue that he was acting in a way he thought would benefit those around him. There is evidence to argue both side, thus leaving Victor morally
His actions after this point are those. of an evil being, one that is damned. The monsters crimes affect Victor's family and therefore punish Victor. This punishment haunts him through the rest of the novel. Victor is weak and it is only near the end of the novel that he attempts to face his creature and destroy it to restore nature.
As a romantic, archetype and gothic novel, Victor is responsible for the monsters actions because Victor abandons his creation meaning the creature is dejected and ends up hideous and fiendish. It is unfair to create someone into this world and then just abandon it and not teach it how to survive. The quote from the creature “Why did you make such a hideous creature like me just to leave me in disgust” demonstrates how much agony the creature is in. He is neglected because of his creator. The monster says “The hateful day when I received life! I accurse my creator. Why did you form a monster so hideous that even you turned from me in disgust?” Victor is wholly at fault for his actions, image and evil.
With nobody to reason with, Victor makes senseless decisions while he is alone. Victor begins this with his process of creating the monster. Nobody in the right mind would ever dig up graves, but that is just what victor goes and does. Once this creation is finally given life, which Victor has spent two years striving for, Victor foolishly abandons it. Victor comes to his senses to some degree after he brings life to the monster as he states, “‘now that I had finished, the beauty of the dream had vanished, and breathless horror and disgust filled my heart” (Shelley 43). Had there been companions around Victor during this creation time, perhaps someone would have been able to guide Victor away from creating the “wretch” (Shelley 43) he so hopelessly conceived. As for the monster, he makes fairly good decisions even without guidance from anyone, including Victor, his creator. The monster has the desire to learn and gain knowledge as a genuine individual. As the monster is continuously rejected and shunned by mankind, his natural benevolence turns to malevolence. In his loneliness, the monster wrongly decides to declare “‘everlasting war against the species, and more than all, against him who had formed me and sent me forth to this insupportable misery’” (Shelley 126). Say the monster was able to have comrades of some kind around him, he would not have turned to this
Victor’s lack of compassion and sympathy towards the monster causes him to become angry instead of guilty. His cruelness to his creation made the monster kill and hurt the people he did but “when [he] reflected on [the monster’s] crimes and malice, [Victor’s] hatred and revenge burst all bounds of moderation,”(Shelley 325). Without compassion Victor thinks that the only way to stop the monster is to get revenge on him, instead of just giving him the empathy and kindness that monster craved. Victor realizes that "if he were vanquished, [he] should be a free man...balanced by those horrors of remorse and guilt which would pursue [him] until death. ”(Shelley 731).
When Mary Shelley's novel Frankenstein is analyzed, critics comes to a conclusion about Victor Frankenstein's creation. The creature invokes the most sympathy from the readers than any other character in the novel. Because he is abandoned by society which manipulates the creature to do evil things despite his good heart. Therefore Shelley's message throughout the novel is that a person is not born evil, they are made evil.
Victor experiences very little joy at all after the creation of the monster. He suffers from numerous bouts of depression, he most tolerate the deaths of his brother, best friend, and wife, all of which were murdered at the hands of the monster. His friend Justine is executed because of the death of William, for which she is falsely accused and convicted. His father also dies after the murder of Elizabeth, Victor's ill-fated bride. With so much death surrounding his life, how is it possible that Victor could still be cognizant of his actions when he decides to pursue the monster and end its violent fury? He can't. Victor's mind is so clouded by the sorrow and pain of his past that he is blinded to the fact that he is attempting to destroy a creature with far greater physical strength and speed than any mortal. Much of his conflict appears to be created by the monster, when in fact the torment comes from Victor's own hands because he himself created and gave life to the monster.
It is in his desire to be beheld as godlike only logical: “did [he] not, as his maker, owe him all the portion of happiness that is in [his] power to bestow?” (157). He saw this opportunity not only as a way to finally rid himself of the monster, but also extricate himself from his family: “I was delighted at the idea of spending a year or two in a change of scene…” (163). However, he cannot abide by the promise because it is not something he can easily ignore or run away from. Thus, Victor breaks his promise in a most dramatic fashion: “I thought with a sensation of madness on my promise of creating another like to him, and, trembling with passion, tore to pieces the thing on which I was engaged” (175). This act temporarily rids him of the unwanted responsibility, but catapults him into a dependency upon the monster. This dependency is strengthened after Elizabeth’s death, demonstrated by the seemingly endless and nonsensical journey the monster leads Victor on. The monster captivates Victor, and keeps him engaged in the chase; even assuring his health by providing him with sustenance and guiding his path by leaving “marks in writing on the barks of the trees, or cut in stone” as to not let him be led astray or lost
Victor is not able to see past the metaphorical clouds that seem to shroud his mind from seeing the truth. Furthermore, Victor is not able to let go of his hatred for the creature. In contrast, the creature admits, “But it is true that I am a wretch. I have murdered the lovely and the helpless” (275). The creature is able to recognize that he has made mistakes and as a result, he loathes himself.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
“Revenge alone endowed [him] with strength and composure; it modeled [his] feelings, and allowed [him] to be calculating and calm” (145). Victor gained new purpose and even on his deathbed holds to the principle that he is justified in desiring the death of his enemy. Moment before his death he turns to Captain Robert Walton and says, “I feel myself justified in desiring the death of my adversary. During these last days I have been occupied in examining my past conduct; nor do I find it blamable” (156). He even begins to lose the small amount of compassion he had for the creature’s struggle. When visiting his family’s graves he cries that, “they were dead, and I lived; their murder also lived” (145). Previously in the novel he blamed himself for the deaths of Mathew, Justine, and Henry, claiming to be their murderer and lamenting on the evil he had set forth into the world. Victor now places the weight of these deaths solely on the monster’s shoulders and believes it is his god given burden to cleanse the world of this evil. He had been “assured that the shades of [his] murdered friends heard and approved [his] devotion… rage choked [him]”(146). The death of the monster would not even weigh on his conscience since it is god’s
Furthermore, after his creation breathes its first breath, Victor already despises it, which leads to his health’s deterioration and hatred of his previous love. His love quickly changes to despise when he says, “I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardor that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (53). His statement shows how his heart does a complete 1800 and stops loving the monster the moment it lives. When Victor’s “…heart palpitated in the sickness of fear…” (54), it proves how his monster tormented his creator without having to be near him. Which also leads to the teaching of the lesson “think before you act”.
Monsters embody brutality, twisted morality, and irrationality—the banes of human existence, yet the children of man’s inner demons. Monsters are, in short, projections of man’s wicked id. The term creature may suggest monstrosity, and Frankenstein’s creation in Mary Shelley’s novel may be perceived as a personification of the Freudian id. In this case, however, the creature also mediates between its neurotic creator and societal values, just as the Freudian ego, conditioned by the reality principle, mediates between external reality and inner turmoil through practicality. The ego is the psyche’s driving force and, arguably, the real protagonist of Frankenstein. But in the fierce tug-of-war within the ego between the id and its law-abiding opposite—the superego—lies the true battlefield of Shelley’s novel. For ironically the man of science embodies an ego-ridden id, a man-monster, but creates a monster-man that embodies his counterpart: an id-ridden ego. In the wake of his mother’s death, Frankenstein’s tinkering with reanimation unconsciously shapes a symbiosis between himself and his creation—between two tortured halves of one neurotic mind. In fact, Shelley’s novel sinks deep into the crevices of Freud’s psychoanalytic theory, oozing into pits of neurosis, repression, parapraxes, dream symbolism, and the Oedipus complex.
Since this monster killed Henry, Victor knew that his family was now in danger. The monster is very happy that Victor is having to suffer because, Victor is now feeling the loneliness that he feels all the time. Though the monster’s character is not evil, the pain he feels is what he wants his creator to feel. His revenge only increases throughout the book because he is only longing for a fellow companion that Victor can only give him, but yet he is choosing not to create it. The anger that is within the monster is only growing and this is increasing the possibilities of him hurting more people.