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Edgar allan poe biography essay
Edgar Allan Poe works related to his life
Edgar allan poe biography essay
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Sane vs. Insane Revenge can be an act of sanity or insanity. Insanity is a state of mind where a person lacks emotion and the ability for a higher level of thought. In the short story “The Cask of Amontillado” by Edgar Allan Poe, the main character, Montresor, murders Fortunato for insulting him. Montresor lures Fortunato into the catacombs under his mansion during Carnival in Italy with the promise of amontillado. Montresor walls Fortunato into a niche, thereby killing him. Montresor is sane because he is able to think of a plan to kill Fortunato and feel regret after the deed is done. The ability to make plans and carry them out effectively is the mark of a sane person, which Montresor shows through the complexity of his plot to kill Fortunato. …show more content…
When Montresor has almost completed the wall that eventually suffocates Fortunato, Fortunato becomes unresponsive to Montresor’s banter. This upsets some part of Montresor, as shown in the text, “My heart grew sick- on account of the dampness of the catacombs” (Poe 217). This quote shows that Montresor feels regret for killing Fortunato, though he tries to deny to himself that he regrets it. In fact, his denial of his emotions proves that he has them. In the quote, there is a hyphen between where he says his heart is sick and where he says it is sick because of the catacombs. This hyphen shows that Montresor added the second part of the sentence as an afterthought, which means he is trying to deny his emotions. This is significant because when a person tries to explain away their feelings, it is because they do not know how to deal with them. Montresor does not want to feel regret because it means that perhaps he was wrong and killing Fortunato was not the right thing for him to do after all. On top of that, symbolically speaking, the heart is the emotional core of a person’s body. It is not a coincidence that it is Montresor’s heart and not some other part of his body, such as his lungs, that is harmed from this experience. This evidence proves that Montresor is sane because it shows that the death of Fortunato evokes a semblance of
In Edgar Allen Poe's “ The Cask Of Amontillado”, Montresor, the narrator is insane. “The Cask Of Amontillado” is a story of revenge. Montresor is mad at Fortunato because he said an insult about Montresor. He got so mad that he plotted an extremely good plan to kill Fortunato. At the end of the story Montresor did eventually go to the catacombs and kill him, but nobody has found out that he is dead and it has been 50 years ago. Montresor is insane because he is pleased by the sound of other people's misfortune and suffering and he wants revenge over an insult.
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
Montresor is a man who feels pride in himself and in his family, so when Fortunato—an acquaintance of Montresor— “venture[s] upon insult,” Montresor “vow[s] revenge” against him (1). Montresor hastily decides that he must kill Fortunato, even though his use of the word “venture” implies that Fortunato had not yet insulted him, but nearly did. Montresor’s impulsive need for revenge causes him to formulate a plan to murder his acquaintance. He keeps Fortunato intoxicated by “presenting him…[with] wine,” he “fetter[s] him to the granite,” and he “plaster[s] up… [a wall of] new masonry” to trap Fortunato in the catacombs (39, 71, 89). All of these acts are signs that the need for revenge has made Fortunato insane. A person who has any sense of morals would not commit crimes such as Montresor’s. His impetuous decision to exact revenge caused him to lose his
Montresor proves not to mess with someone's feeling. He explains, “I must not only punish, but punish with impunity” (Poe 372). Fortunato does not know that he is going to die, yet Montresor and the reader do know, making the situation dramatic irony. By punishing him with impunity he is going to get revenge that he has wanted now for years ever since he did wrong to Montresor and now that he finally gets the chance of course he will seek revenge on Fortunato. And it is dramatic irony because Fortunato is oblivious to the situation. Montresor proves that one should be careful on what they say. He speaks, “I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation” (Poe 372). Montresor is saying
He did not show even by words that he is going to kill. Also, he did not let Fortunato to know that he intended any grudge against him “..neither by word nor deed had I given Fortunato cause to doubt my good will... He did not perceive that my smile now was at the thought of his immolation (8-10).” One night while Fortunato was drunk, Montresor told him that he bought a barrel of wine called Amontillado “But I have received a pipe of what passes for Amontillado, and I have my doubts (25).” He understood that Fortunato “prided himself on his connoisseurship in wine (12).” He attracted him to going to his house to check the drink by saying that he might invite Luchresi to do it, a seeming rival of Fortunato 's, instead “As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me (37-38).” When they left, Montresor put on a mask and quickly took the way to his property. He was sure nobody could see them together on Fortunato 's last night. Moreover, Montresor completely knew Fortunato and used the knowledge versus him. He planned his deed carefully and carried it out slowly. It seems that Montresor anticipated his revenge with joy. While they traveled down the cavern, Montresor gives Fortunato many opportunities to leave. Fortunato looks weak against the niter, which is growing on the walls, and repeatedly coughs. Montresor commented on Fortunato 's health and asked
In The Cask of Amontillado, the theme of revenge is established at the start of the story, when the narrator states that he suffered irreversible insult by his associate, Fortunato, thus he vowed to avenge this action. This is evident in the following statement in the opening paragraph of the story, “The thousand injuries of Fortunato I had borne as I best could; but when he ventured upon insult, I vowed revenge” (Poe 7). Therefore, it is apparent to the reader from the onset of the story that revenge is a major driving force for Montresor for him to dreadfully murder his acquaintance,...
Revenge is the opportunity to retaliate or gain satisfaction for a real or perceived slight ("revenge"). In “The Cask of Amontillado” by Edgar Allan Poe, Montresor, the narrator, is out for revenge. Montressor seeks revenge against Fortunato and thinks he has developed the perfect plan for “revenge with impunity” (Baym). Montresor never tells the reader why he feels Fortunato deserves punishment. He only says that Fortunato causes him “a thousand injuries”until “[venturing] upon insult” (Baym ?). As a result, Montresor plans to bury Fortunato alive.
Montresor’s cleverness is displayed multiple times within the selection, many times with irony. An excellent example is his charade of compassion towards Fortunado’s well being in the catacombs. As they venture deeper in the catacombs, Montresor asks Fortunado of his cough, only pretending to care while this also gains a little bit of Fortunado’s trust. Another example of Montresor’s cleverness is continually giving Fortunado wine to increase his state of unawareness as Montresor says, “Here, Fortunado. Drink
Montresor does have some disconnect or mental problem. He wishes to kill Fortunato for insulting him, but he never specifies what insult it was. He also states he has borne a thousand injuries. This is an exaggeration- Montresor only says this because he needs a reason to kill Fortunato. If Fortunato has done anything to deserve a painful death, he would certainly know, but Montresor does not let fortunato know what he has done and states "neither by word nor deed had [Montresor] given Fortunato cause to doubt [his] goodwill." Montresor's madness is also made clear by his method of killing Fortunato; he suffocates him in a wall built in f...
Gruesser further speculates that Montresor may in fact be speaking to a priest to relieve his conscience of the dread he experienced each day since he murdered Fortunato (130). Such a theory is further demonstrated when Montresor calmly echoes Fortunato's exclamation, "For the Love of God" (Poe, 1597). Fortunato is not just crying for mercy during the last few moments that he has a chance. He is also warning Montresor to think of his own demise and the next world thereafter (Delaney, 130). Therein lies the source of Montresor's half a century of dread. He was so blinded by his hatred and lust for revenge that he failed to think of his own soul. Only when it is too late does he realize to how great of an extent he may have actually affected his own life.
How simple, indeed--at least until we examine a group of irreconcilable paradoxes in the story. To begin with, the names Montresor and Fortunato are synonymous. (Hoffman 223) Secondly, we find that the motive for the crime was some unnamed insult. Motives for killing someone should be important enough to detail. Why does Poe have Montresor gloss over the motives? One view is that Montresor relates the details of the murder not to justify his actions, but as a form of confession. But if this be confession, where is the regret? Again, Poe leaves his readers mystified concerning the time and location for issuance of the narrative voice. If Montresor still lives, he must be a very old man. If so, the phantasms of his deed may have horrified him all of his life. Then why does he not seem horrified? If this be confession, then why does he seem not penitent?
He shows absolutely no remorse or any true interest in the effect that his actions will have. Even to go as far to make jokes at the expense of the future murder of his so called “friend.” Like Dr. Stout said, sociopaths can lead people to their impaling doom with much ease. The sheer ease of his master plan of revenge unfolding. His use of reverse psychology on people to have them ultimately do his true bidding. Playing with Fortunado’s trust to his own satisfaction and gain. He exhibits many traits of a sociopath throughout the story. Edgar Allan Poe is well known for doing this in many of his works as seen in classic works like The Black Cat, The Tell-Tale Heart. The protagonists of these stories are also sociopathic, insane, vengeful and blood thirsty people who in reality are in fact the true antagonists. In each of their minds they believe they’re rightfully exacting justice and don’t see any error in their actions or just simply don’t care. They’re also cold, unfeeling, persuasive, and sinister murders who escalate small issues out of proportion. A sinister character is a recurring theme in Poe’s work and Montresor is surely no exception to this
Quickly after Montresor finishes the deed, he already feels the weight of his actions. Montresor tries to reassure to whomever he is telling the story to that he had no regrets. Poe states “My heart grew sick--on account of the dampness of the catacombs,” (Poe, 7). After saying how his heart felt, he hastily
Montresor in "The Cask of Amontillado" is similar to the narrator in "The Tell-Tale Heart" in that his obsession with consuming the soul of Fortunato influences his every action. However, it is with Fortunato himself that he is obsessed. He feeds off of Fortunato's pain, unlike the narrator in "The Tell-Tale Heart" who's obsession is with destroying a menacing inanimate object. Montresor's entire conspiracy is focused around making Fortunato suffer, and for him to know just who is causing this suffering. This is why he goes to such lengths to put together this intricate strategy. It could have been so much easier to kill Fortunato in some easier, quicker way. Instead, he dedicates himself to torturing Fortunato. He creates a plan that leads Fortunato into the depths of the catacombs beneath his home, and kills him in an excruciating manner.
The first indirect factor that could contribute to Montresor’s vengeful act, and thus the story’s theme of revenge, is the character of Montresor. Montresor tends to harbor feelings of resentment and has a hard time not taking things out of context (Womack). He also plans the murder of Fortunato in advance and devises it in such a way that he will not be caught. In killing Fortunato, Montreso...