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Character development in Frankenstein
Character development in Frankenstein
Frankenstein character analysis
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Frankenstein Essay By: Jacob Schulz A prevalent theme in Mary Shelley’s “Frankenstein” is obsession. Throughout the book there are constant reminders of the struggles that Victor Frankenstein goes through. Many of the issues and conflicts that occur are a result of his own obsessive drive for knowledge and secrecy. By not taking responsibility for the creation of his monster, he allows more and more bad things to happen as the monster unleashes his fury. From the onset of Victor’s youth, his earliest memories are those of “Curiosity, earnest research to learn the hidden laws of nature, gladness akin to rapture, as they were unfolded to me, are among the earliest sensations I can remember” (Shelley 25) This is the first example of obsession …show more content…
“I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation, but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 48) Sickened by the sight of his creation, Victor attempts to sever all ties to his monster and denies its very existence. He wishes to destroy it to maintain his secret. This obsessive desire to maintain secrecy takes over as Victor’s life starts to crumble around him. The murder of his brother William by the monster and the subsequent blaming of Justine are a direct result of his refusal to disclose his actions at Ingolstadt. During Justine’s trial Victor laments “It was to be decided whether the result of my curiosity and lawless devices would cause the death of two of my fellow beings: one a smiling babe full of innocence and joy, the other far more dreadfully murdered, with every aggravation of infamy that could make the murder memorable in horror” (Shelley 75) Even when facing the death of an innocent such as Justine, Victor remains …show more content…
In an attempt to clear his mind, Victor goes alone to Montanvert. Momentarily he finds peace, but it is very short lived when he comes face to face with the monster he created. The monster tells him the things he has endured in life. He says to Victor “Remember, that I am thy creature: I ought to be thy Adam, but I am rather the fallen angel.” (Shelley 96) At this point the monster places the burden of his actions onto Victor’s shoulders. Not only did Victor’s secret lead to the death of Justine, now the very creation of the monster lead to William’s death. The monster then requests that Victor create a new creature, a female companion for
The unwavering desire for knowledge may cause the decay of relationships. This idea is displayed as Victor Frankenstein, the protagonist, continually desires to create human life from inanimate materials, which leads to the destruction of many of his relationships. Frankenstein, by Mary Shelley, exhibits how the constant desire for information may cause the deterioration of relationships through the decayed relationships Victor has with himself, his family, and society.
In Frankenstein, Mary Shelley highlights on the experiences her characters undergo through the internal war of passion and responsibility. Victor Frankenstein lets his eagerness of knowledge and creating life get so out of hand that he fails to realize what the outcome of such a creature would affect humankind. Mary Shelley’s novel, Frankenstein, highlights on how Frankenstein’s passion of knowledge is what ultimately causes the decline of his health and the death of him and his loved ones.
At first, Victor believes himself superior to nature, and he builds a creature to prove his dominance. After gathering the information and materials needed to create life, Victor begins to fantasize about what he is about to do. He sees “life and death [as] ideal bounds, which [he] should first break through, and pour a torrent of light into [their] dark world. A new species would bless [him] as its creator and source, many happy and excellent natures would owe their being to [him]” (Shelley 55). Life and death are natural things, but Victor thinks that he can “break through” them and create life. He alone would be the person to “pour a torrent of light into their dark world,” as if he was God, ruling over all of the world. This shows Victor’s lack of respect towards life and how he intends to overcome the boundaries set by nature. Unlike the Romantic who revered and honored nature, Victor wants to use it for his own gain. He expects “happy” and “excellent natures” to obey him, and he doesn’t dwell upon the consequences of his actions. His outlook changes after the Creature comes to life. As Victor stares into the watery, lifeless eyes of his creature, he finally realizes his mistake in trying to disrupt the natural order of the world. Scared by the outcome of his actions, Victor attempts to run away and find comfort in nature. He travels to the Arve Ravine, where “the
Shelley characterizes Victor in a way that he acts on his impulses and not with rationality. As a result, Victor does not take the time to teach or talk to his creation. This action leads to his downfall as his loved one’s are killed by the Creature taking revenge on Victor for leaving him to fend for himself. Victor’s actions have consequences, hence why all his loved one’s are murdered because of his instinct to leave out of fear and safety. Shelley proves that our id demands immediate gratification of needs and thus, is in control of our actions.
Shelley 94). Victor’s various thoughts of rage and hatred that had at first deprive him of utterance, but he recovers only to overwhelm the creature with words expressive of furious detestation and contempt, as he recalled creature’s misdoings to his loved ones. However, Victor pauses to “conceive,” to “feel,” and to “reason” with monster (M. Shelley 94). As Victor follows his creation, he notices the “air [to be full] of exultation” and “the rain” beginning “to descend,” showcasing Victor’s consent to change his view. (M. Shelley 98). Chapter 10 is exemplary of the Romantic Period where story becomes an allegory for real emotions and struggles. Victor’s
As he goes off to college, interested in the science behind life and death, he ends up going his own way and attempts to create a living being. Victor “had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body” (Shelley 43). The being Victor has created does not by any means sit well with him. As victor is away from his family and for six years, he is neglectful to them, which only adds to his sorrow and misery. Victor’s isolation is brought upon him because of himself, however his creation, or “the monster”, is isolated from any connections with humans against his will. To start out, the monster would have had Victor there with him, but Victor is ashamed of what he has created, and abandons the monster. The monster is a very hideous being, which sadly is a contributing factor to his isolation. With nobody to talk to at any time, naturally this will be condescending and frustrating. Although the monster is able to
He possibly could have located the monster, with the help of others, in a timely fashion, thus averting the many calamities that followed. However, Victor chose to abandon his monster and not inform anyone of its creation, and ignore it for months (Shelly 56). When Victor finally sees the monster again, it is after the monster has killed his youngest brother, william. When an innocent woman is blamed for this crime, and Victor could testify and save her life, he takes no action, saying that he would be thought crazy for his tale (Shelly 66).This in and of itself is an insanely selfish thing to do, with minimal effort Victor could have saved another person's life but because it could jeopardize his own reputation, he chooses not to. Even after two people have perished due to his thoughtlessness, Victor still does not inform anyone of the monster which he has created and still allows it to run loose. Later in the novel, after Victor destroys the companion the monster asked him to build, the monster strangles Victor's innocent friend Henry (Shelley 166). Victor’s actions caused a number of deaths and endangered many people. Henry, Elizabeth, William, and Justine all had nothing to do with the creation and subsequent abandonment of the monster, and yet due to Victors irresponsibility, they paid the ultimate price. Williams death is a turning point in the novel, as it shows victor for the first time that his actions actually do have consequences “Nothing in the human shape could have destroyed that fair child. He was the murderer! I could not doubt it”, and yet he chooses to continue to make irresponsible choices that continue to endanger more people (Shelley
Victor’s lack of compassion and sympathy towards the monster causes him to become angry instead of guilty. His cruelness to his creation made the monster kill and hurt the people he did but “when [he] reflected on [the monster’s] crimes and malice, [Victor’s] hatred and revenge burst all bounds of moderation,”(Shelley 325). Without compassion Victor thinks that the only way to stop the monster is to get revenge on him, instead of just giving him the empathy and kindness that monster craved. Victor realizes that "if he were vanquished, [he] should be a free man...balanced by those horrors of remorse and guilt which would pursue [him] until death. ”(Shelley 731).
Victor had created the creature with the vision from his dreams of a strong, tall perfect being with no flaws. His years of study with the unnatural and science had come to this final conclusion and masterful idea that he was determined to finish. To his surprise, he had created the opposite, “For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 35) Victor is saddened by what he thinks of as a failure. He leaves his own apartment to go sleep in his court yard outside following his creation. He begins to isolate himself from the creature because of his fear of the creature’s outward appearance. He loses all hope for the creature without even learning anything about him. The fact that Shelley begins to refer to the being that Victor created as a “creature” shows Victor’s ignorance and lack of acceptance. It is Victor’s prejudice that blinds him of the creature’s true potential due to the unwanted preconception that follows the creature as he finds meaning in
Victor’s loneliness leaves him devoid of purpose and determination, a shell of a human whose essence has been entirely obliterated. Even so, if Victor had not created this unnecessary monster, his family and friends would not have been strangled by his creation. By creating this wretched being, Victor fabricates his own downfall and forces his own seclusion in Frankenstein.
He had asked Victor to create him another monster as a companion and if he doesn’t keep his promise, then he will be miserable. When Victor goes to England with the intention of creating this promised monster, his friend Henry follows him. After several months, Victor destroys the half created creature and this upsets the monster very much so because he wants this companion. When he kills Henry, the monster distinctly planned it so that Victor would be blamed for the murder. Through all this confusion on who killed Henry, Victor knew all along that the monster did it. At this point, Victor knew that he must return to Geneva to protect his family whom he loved very much (Shelley 181). Since this monster killed Henry, Victor knew that his family was now is in danger. The monster is very happy that Victor is having to suffer because, Victor is now feeling the loneliness that he feels all the time. Though the monster’s character is not evil, the pain he feels is what he wants his creator to feel. His revenge only increases throughout the book because he is only longing for a fellow companion that Victor can only give him, but yet he is choosing not to create it. The anger that is within the monster is only growing and this is increasing the possibilities of him hurting more
Because of Victor’s need for fame and desire for power leads to Victor becoming a monster. Victor begins his quest to bring life to a dead person because he does not want anyone to feel the pain of a loved ones death. At first he is not obsessed with his project. As he moves along in the project he thinks about what will happen to him. "Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and source, many happy and excellent natures would owe their being to me." (Shelley 39) He realizes that he will become famous if he accomplishes the task of bringing a person back to life. The realization that he will become famous turns him into an obsessive monster. He wanted to be admired, and praised as a species creator. He isolates himself from his family and works on the creature. “I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation, but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 156) By spending most of his time inside on his experiment, he has no time to write or contact his family. He puts fear within his family because they fear for him.
The Novel Frankenstein, by Mary Shelley, is about a guy named Victor who grew up in Geneva, Switzerland. Victor has always loved science growing up and wanted to study and learn more about it. He pursued his dreams in science at The University of Ingolstadt in Germany. In this novel, you will see the curiosity victor has for science in many different ways. The author shows a recurrent theme of obsession. Obsession is shown throughout knowledge, revenge, and fear. Victor is obsessed with the creation of life and the knowledge of science and how to create it. Victor also becomes obsessed with getting revenge against his creature. Finally, he becomes obsessed over the power of science and the fear that comes along with it.
As a result, the Creature becomes a wretched monster, who now has no sympathy for anyone or anything. The Creature becomes fixed on the idea of needing a companion, and due to this obsession, he turns Victor’s life upside down. The Creature is able to torment Victor by killing his family members, then quickly vanishing so Victor can not tell who or what he saw. The Creature and Victor finally meet again, and the Creature tells Victor of his stories and struggles. Throughout the novel, the Creature remains in the same state of being, he persistently harasses Victor and maintains a watchful eye on him.
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...