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Nic Roberts
2nd
A monstrosity can be defined as a malevolent, inhuman entity. A key trait of monsters is their lack of humanity, or the lack of empathetic emotional projection. Monsters have permeated culture for as long as stories have been told. The concept of monsters reveals several traits within human nature, including a penchant for order and organization, fearfulness, and imagination.
One of the traits monsters reveal about human nature is a preference for order. When something strays from the organized norm, humans fear it and will view it as monstrous. For example, in Douglas Allchin’s Monsters and the Tyranny of Normality: How do biologists interpret anomalous forms? states “The irony of monsters is while they are plainly products of nature, they are often viewed as ‘unnatural’ because they seem to ‘violate’ its ‘laws’.” This quote shows that even though nature produces strange and unusual anomalies, humans will fear them because they stray from the organized norm. Nature creates anomalous forms. If these creatures are natural, how can they break the laws of nature?
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Another trait within human nature revealed by monsters is fearfulness.
Monsters are human creations, and act as a veritable panacea of human fears, meaning monsters project fears in order for humans to cope with them. In Mary Shelly’s Frankenstein, the main character, Doctor Frankenstein, is shocked at the initial appearance of his monstrous creation. The character reveals thoughts such as “How can I describe my emotions at this catastrophe?” and “I was unable to compose my mind to sleep.” These thoughts show that Frankenstein is both doubtful and fearful of his creation, even to the point of sleeplessness. He is so afraid of his own creation that he begins
self-deprivation. However, humans also enjoy being scared, to a point. Timothy Beal’s essay Our Monsters, Our Selves states “The reawakening of the monstrous continues. These days more than ever it seems you can’t keep a good monster down.” For context, this essay was written shortly after the September Eleventh attacks. This shows that even amidst turmoil, humans still enjoy being scared. This is because horror appears to humanity’s innately fearful nature. Another trait that the concept of monsters reveal within human nature is imagination. Monsters can vary from pseudo-cannibalistic hulking brutes, to bizarre, wandering angels. Monsters are a perfect example of the imaginative trait within humanity. In Frankenstein, Frankenstein’s creation is described as follows, “His yellow skin scarcely covered the work of muscles and arteries beneath…” Within the restrictions of the real world, the monster would not function. However, the monster is so enthrallingly described and designed that it allows for the total suspension of disbelief. Similarly, Max Ernst’s painting L’Ange de Foyer, the depicted monster shows imagination in its organically impossible shapes and colors. Monsters allow for the expression of human imagination. The concept of monsters reveal several key traits within humanity. Humans fear the abnormal, which shows their craving for organization. Humans’ fearfulness is shown in their desire to be scared in times of turmoil. Imagination is shown in the design of monsters. Monsters are human creations that illustrate the core traits of human nature.
In the novel ‘Frankenstein’ the creature is presented through many narrative voices, it is through Victor's narrative that we see the Creature as a 'wretch', 'daemon' and a 'fiend'. Mary Shelley chooses to present the creature as a ‘fiend’ due to circumstance beyond the creature’s control
As Frankenstein is enroute to his pursuit of gaining more knowledge, he states, “I wished, as it were, to procrastinate all that related to my feelings of affection until the great object, which swallowed up every habit of my nature, should be completed” (Shelley 41). Frankenstein’s decision in allowing his intellectual ambitions to overpower everything else in his life leads him to be blinded to the dangers of creating life. He isolates himself from his society when creating the monster, letting himself be immersed in his creation while being driven by his passions, allowing nobody to be near him. The fact that he allows this creation of a monster to consume his total being reveals how blinded he is to the immorality of stepping outside the boundaries of science and defying nature. His goal in striving to achieve what wants to in placing man over nature makes him lose his sense of self as all he is focused on is the final product of his creation. He starts to realize his own faults as after he has created the monster, he becomes very ill and states, “The form of the monster on whom I had bestowed existence was forever before my eyes, and I raved incessantly concerning him” (48). His impulsive decision to make the monster leads him to abhorring it as it does not turn out to be what he has expected. Because he chooses to isolate himself in creating the
When we are created into this world it’s not by the choice of our own. However, we are created most times out of love from our creator. Like a baby just newly born into this world needs to feel its mothers touch, scent, and security. The bonding makes you feel a connection to your maker of the world and without it a person may feel lost, abandoned, and unloved. From the beginning we hope to build our self-esteem through the love of our creator. Sadly, most people are not loved or accepted by their creator. This leads to a person lashing out in a number of ways that society views unconventional due to the lack of understanding that person suffers through abandonment alone. In the novel Frankenstein, Mary Shelley illustrates the theme of monstrosity
Monsters, in myths and legends, are ugly beasts with vicious tendencies and overbearing powers who bring suffering and agony to those who cross their paths, regardless of intention. However, the same cannot be said for Mary Shelley's monster, the Creation. Victor Frankenstein's lab experiment emphasizes the danger of not taking responsibility for one's own actions and knowledge, by being an instrument of Victor's suffering.
This reaction originates from a preconception, a fear caused by the human nature to prejudge based on past experience. This prejudice is indeed the source of the pain and torment in Mary Shelley’s Frankenstein. If a "monster" exists in the novel, it is this aspect of human nature. Works Cited Shelley, Mary. Frankenstein.
Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous. Shelley presents two characteristics of mankind in order to prove her case. The first example is Frankenstein’s creation. Upon first being introduced to his creation, the reader initially labels him as a monster because of his physical appearance. He is portrayed as a man with “…yellow skin scarcely cover[ing] the work of muscles and arteries beneath…watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set…shrivelled complexion and straight black lips” (Shelley 58). Not only does the reader view him as...
Mary Shelley’s novel Frankenstein centers around a creator who rejects his own creation. The plot thickens as Victor Frankenstein turns his back on his creation out of fear and regret. The monster is cast out alone to figure out the world and as a result of a life with no love, he turns evil. Shelley seems to urge the reader to try a relate with this monster and avoid just seeing him as an evil being beyond repentance. There is no doubt that the monster is in fact evil; however, the monster’s evilness stems from rejection from his creator.
What is defined as ‘natural’ or normal can be seen as monstrous and ‘unnatural’ for another. This contributes to the differing ideas of the human condition and what defines a human being. Victor Frankenstein in Mary Shelley 's’ Frankenstein had spent most of his life in the task of creating life. “I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body.” (Ch. V) The Creature that is created by Frankenstein is immediately neglected by his creator. A creature
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
The Oxford English Dictionary (OED) describes ‘human’ as being ‘Of, belonging to, or characteristic of mankind, distinguished from animals by superior mental development, power of articulate speech, and upright posture.’ (OED). The term ‘monstrous’ is described as ‘The condition or fact of being abnormally developed or grossly malformed.’ (OED) Yet, we as humans define ourselves not just on biological terms but socially and spiritually too. In Frankenstein the Monster, who by his very label and beginnings implies a perfect example of monstrosity is, in fact, articulate and erect yet is still not considered human in the traditional sense. It is his eventual spiritual and social malformation that fully defines him as monstrous.
Mary Shelley’s gothic novel Frankenstein is a novel narrated by Robert Walton about Victor Frankenstein and the Monster that he creates. Frankenstein grew up surrounding himself with what he loved most, science. He attended Ingolstadt University where he studied chemistry and natural philosophy, but being involved in academics was not enough for him. Frankenstein wanted to discover things, but did not think about the potential outcomes that could come with this decision. Frankenstein was astonished by the human frame and all living creatures, so he built the Monster out of various human and animal parts (Shelley, 52). At the time Frankenstein thought this creation was a great discovery, but as time went on the Monster turned out to be terrifying to anyone he came in contact with. So, taking his anger out on Frankenstein, the Monster causes chaos in a lot of people’s lives and the continuing battle goes on between the Monster and Frankenstein. Throughout this novel, it is hard to perceive who is pursuing whom as well as who ends up worse off until the book comes to a close.
According to Goodall, "Frankenstein is concerned, the creation of the monster can be seen as an act which could indeed have constituted a wonderful achievement and which is only turned to disaster through the baleful determining influence of the persecutory imagination" (Article Finder). Frankenstein knows that his knowledge is priceless, but he sees that the world and even he are not ready to accept or understand his creation as the monster describes its horrible and lonely life.
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
The word “monster”, and its noun-based ancestor, “monstrosity”, have extensive amounts of meanings in any given context. When one hears the term “monster”, hideous, disgusting creatures are often thought of. Supernatural beings, and abnormal biological occurrences frequently go hand in hand when “monstrosity” is said, or “monster” is used in descriptive context. Despite this, however, the root of the word “monster” provides proof of a contrary definition. The word derives from the latin term “monere” which in definition means to warn, or to instruct. Therefore, in Frankenstein by Mary Shelley, the theme of monstrosity is pertinent in both the creature and Victor Frankenstein himself, primarily to emphasise the fact that one should not test the divine boundaries established by god himself. Shelley
In Frankenstein, Mary Shelley uses the motif of monstrosity to convey the theme that a person’s outward appearance is not what makes them a monster but rather their actions or inactions that classify true monstrosity. Despite the fact that the monster Victor Frankenstein creates is a literal example of monstrosity in the novel there are many parts that give meaning to monstrosity within character’s actions. Although Victor appears normal, since he is human his ambitions, secrets, selfishness, and inaction makes him a monster himself. Along with monstrous characters the pursuit of knowledge that is seen in Victor, his monster, and Walton in Frankenstein prove that knowledge can be a monstrosity. Mary Shelley’s Frankenstein is created using the life stories of different characters in the novel. The novel itself could be seen as a monster created similarly to Victor’s monster.