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Character of Victor in Frankenstein
Frankenstein literary analysis
Position of women in societal literature
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In the text, Frankenstein by Mary Shelley, Shelley interpreted that women are depicted as inferior beings that are subservient to men. The is highlighted by the way they are used and disposed in the text. Even when women are mentioned in Frankenstein, their femininity is overwhelmed by the dominance of masculine characters. Their marginalization can be observed in several scenes in the texts, for example during the court ruling of Justine, the rejection of a female creation and in Elizabeth’s role as Victors fiancé. In this paper, I will argue that Shelley used the lack of femininity incorporated in the novel to emphasize the detrimental effects of marginalizing women. In the text, Shelley highlights that the marginalization of women leads …show more content…
women to feel powerless and incapable of instigating change. This is displayed by, the character of Justine who is wrongfully accused of murdering William, because of Victor’s reluctance to disclose the creature as the actual murdered. This is because Victor wants to protect himself. It is important to note that despite her being certain of her innocence, the evidence is overwhelming causing Justine to feel powerless and incapable of changing the public’s opinion. Justine describes this feeling of powerless and helplessness to have arisen, “Ever since I was condemned, my confessor has besieged me; he threatened and menaced, until I almost began to think that I was the monster that he said I was” (Shelley 66). Based on the circumstances, Justine was powerless and vulnerable and felt condemned to give up her life. Victor has the power to speak up and explain that the creature was to blame, which would have inherently put Victor at fault because he is his creator. However, instead he allowed Justine to be used and disposed in order to preserve the exposure of his creation to the public and his avoid blame. In addition, Justine has been used as a tool by the creature to provide vengeance against Victor. Victor leaves Justine powerless, forcing her to accept a falsely admitted death sentence or dispose of her in exchange for avoiding guilt or public humiliation. As a result, the marginalization of women leads them to believe that their actions or attitudes do not carry power, disenabling them to initiate change. Furthermore, women are portrayed as individuals who are only useful when they conform to the societal norm of being nurtures.
This is revealed through the denial over the creation of a female creature, which exemplifies the marginalization of women. Victor’s denial to create a female creature is due to his fears that involves the potential of the creature becoming independent or bearing children. This happened when the creature approached Victor and explained his frequent episodes of depression that were triggered by his sadness and loneliness. At first, Victor agreed to create a female creature out of fear and remorse that he felt for the creature. However, midway through the process, Victor destroys the creation due to the consequences that could arise. Victor begins by speculating that, “she might become ten thousand times more malignant than her mate,” meaning she would embody masculine characteristics and traits (Shelley 138). Victor fears that the creature may become independent, as males are portrayed in the novel, and choose an alternative route that ultimately leads to destruction. Or she may choose the traditional, expected female route and bear children, which would also lead towards destruction. Victor experiences the fear that the female creature may become a parasite to the world either by dismantling her role as tranquil or “appropriate” women, conforming to society or by creating additional wretched creatures. Ultimately, the denial of the female creation leads to the destruction of Victor’s loved ones, Victor, and the creature himself. Thus, when women depart from their designated roles in society they are forced to suffer the
consequences. Additionally, the power women have is limited in order to control their influence imposed on others. This is seen through the character of Elizabeth and her influence on Victor’s life, which is thereby confining her power. The manner in how Victor uses Elizabeth only allowed him to welcome or accept her influence when it was convenient for him. For example, throughout Victor’s attempt to stabilize his mental health, he used Elizabeth as a crutch. Also, Victor displayed little regard for placing Elizabeth’s life in danger by denying the creature the creation of a female creature. Victor remains preoccupied with the idea of vengeance and defending his safety rather than the safety of Elizabeth. In the text, Victor refers to his tumultuous wedding night as him “In the mean time I took every precaution to defend my person, in case the fiend should openly attack me” (Shelley 162). Again, the concern over Elizabeth is minimal and the concern over the creature dominates his life. Instead of explaining the situation to Elizabeth or remaining by her side throughout the night, he seeks the creature throughout his home. The creature completes his act of vengeance and kills Elizabeth, patronizing the significance of her life to merely being a bystander and a tool for revenge. Therefore, proving that women are only powerful to the extent that men allow them to be. Throughout the novel, the absence of femininity and the limitations set on women leads to the destruction of the characters. Since the main influencers and doers in the novel are men and women are kept submissive the story goes awry. The men’s pragmatic attitudes were clouded by their pride and lust for control. The men limited the women by forcing women to only exceed in situations where an individual was to be cared for or if they were needed to be used as tools as a contribution to fulfill the men’s goals. Shelley is attempting to explain how silencing or limiting the voices or capabilities of women leads to destruction. In addition, she is implying that through following a tradition set of social norms, a society is doomed to destruction since there is no balance of power between gender. Most, if not all of the power lied in the men in the novel, while the women stood beside them offering themselves as a stepping stone towards their success. Consequently, Shelley novel is using an exaggerated example to shed light on the consequences of the marginalization of femininity by offering a limited amount of female characters, who are either ignored or used throughout the novel. By limiting a society to only be exposed and dominated by males, it leads to their destruction. In keeping women in a category and limiting their capabilities, it leads to an imbalance between genders forcing feminism to appear insignificant. Through the use of Justine’s court trial, Justine acted in a traditional manner by remaining calm. She also felt powerless and not in control of the trial leading to her confessing over the crime she did not commit and dying. Also, the denial of the creation exemplified the fear Victor had of a female achieving independence and having the will to make decisions for herself or spreading the wretchedness of the creatures. Lastly, through Elizabeth character, Victor ignored her wishes and safety until it became a pressing issue that involved his goal of destroying the creature. Proving again, that women are used as tools, whether it is for vengeance, nurturers or as objects. By diminishing the line between men and women, and allowing women to have control or power the destruction of Victor’s loved ones, Victor, and the creature could have been avoided. However, through upkeeping with traditional, societal norms that marginalize or objectify a female into act as a nurturer or an aid a society, the road to ultimate destruction is slowing being paved.
‘[The] characters and plot of Frankenstein reflect . . . Shelley’s conflicted feelings about the masculine circle which surrounded her.’
Mary Shelley depicts the Romantic ideal of inferiority of women in Frankenstein. These ethics can be compared and contrasted with values of today’s society. Shelley had all male narrators to accentuate the belief of male superiority. The female orphans of the story portray the assumption that women are helpless and the lack of letters from Margaret emphasizes the essential worthlessness of a woman’s opinions. Finally, the female presence in the workforce contradicts Romantic ideals, however housewives and male proposals parallel the ideals Shelley uses in Frankenstein. The Romantic ideals that women are secondary to men are expressed throughout Frankenstein as well as in Romantic times and today.
In Mary Shelley’s Frankenstein, Shelley characterizes the female characters as passive, disposable and serving an utilitarian function. Women such as Safie, Elizabeth, Justine, Margaret and Agatha provide nothing more but a channel of action for the male characters throughout the novel. Meaning, the events and actions acted by them or happen to them are usually for the sake of the male character gaining new knowledge or sparking an emotion. Each of Shelley’s women serves an important role by way of plot progression are otherwise marginal characters. Yet, this almost absence of women is exactly the reason why they are important. This use of the female character introduces a concept of feminism; here, female politics exists due to the vacancy of a “role model.” Women such as Justine, Agatha, Elizabeth and Margaret in Mary Shelley’s Frankenstein play a key role, whether it’s for mere plot progression or by their absence.
The idea for the novel of Mary Shelley’s Frankenstein came to her one night when she was staying in the company of what has been called ‘her male coterie’, including Lord Byron and her husband, Percy Shelley. Mary Shelley’s whole life seems to have been heavily influenced by men. She idolised her father, William Godwyn, and appears to have spent a good part of her life trying very hard to impress both him and her husband. There seems to have been a distinct lack of female influence, her mother, Mary Wollstonecraft, having died weeks after her birth, being replaced by a neglectful step-mother. These aspects of her life are perhaps evident in her novel. The characters and plot of Frankenstein were perhaps influenced by Shelley’s conflicting feelings about the predominately masculine circle which surrounded her, and perhaps the many masculine traits that we see in novel were based upon those of the male figures in Shelley’s own life. In this essay I will attempt to show some of these traits.
Frankenstein “supports a patriarchal denial of the value of women and of female sexuality” (Mellor, 356). Mellor’s point is significant here because a woman was devalued if she was not able to produce children or if she showed signs of independence. Mary Shelley’s own mother, Mary Wollstonecraft, defied gender roles and strongly advocated for the freedoms of women. This influence shines through Shelley’s novel as the deaths of the women
...nd the images of Robert Walton, Victor Frankenstein, and the fiend supplement each other. If we take one of them away, Frankenstein's plot will be different. Mary Wollstonecraft Shelley uses the same methods to create the male and female characters, and makes women even more positive, selfless, and purer, than men. The presence of women adds romanticism to the novel, without which Frankenstein loses its spirit. Mrs. Margaret Saville, Elizabeth Lavenza, and Justin Moritz act independently, and in the most difficult moments of their lives they encourage the men, and take care of them forgetting about themselves. So, both the female and the male characters in Frankenstein are important, and we cannot manage without them. The only question about the position of women in the novel remains open: if the author of Frankenstein were a man, would the fiend become a woman?
The Strange Case of Dr. Jekyll and Mr. Hyde could be compared to Mary Shelley’s Frankenstein because they both characterize their women characters as passive, disposable and useless. Although Frankenstein was written many years earlier, both texts deal with many of the s...
In “Frankenstein” penned by Mary Shelley, one cannot help but notice the role of women in the novel compared to men. Even though Mary Shelley is the daughter of Mary Wollstonecraft, a mother advocating for women’s rights in society, she displays the roles of Caroline, Elizabeth, and Justine as passive women. This may be the time period when women were considered inferior to men. Caroline, Elizabeth, and Justine are depicted as possessions by men, admired for their superficial beauty, and do not take action without the permission of men. On the other hand, Shelley illustrates Safie as a woman who speaks up for her own rights when her father forbids her to find Felix. The three points that contribute greatly to the passive role of women are the lower of rank women in society compared to men, women being seen as possessions for men to protect, and women admired for their superficial beauty.
When reading Frankenstein by Mary Shelley, one cannot help but notice that the women characters seem to have little substance compared to the male characters. This may have been caused by the time period in which she wrote: one in which females were considered inferior to males. This difference between the sexes can be looked at using a variety of different perspectives. Johanna M. Smith, a professor at the University of Texas at Arlington, discusses this issue using feminist eyes in her essay entitled "'Cooped up': Feminine Domesticity in Frankenstein." The main points in Professor Smith's essay are that the female characters are there only to reflect the male characters, and that the Frankenstein family has a weird style of living, which she describes as a "bookkeeping mentality" (Smith 279).
From the beginning of time in history, women have always been portrayed as and seen as the submissive sex. Women especially during the time period of the 1800s were characterized as passive, disposable, and serving an utilitarian function. Mary Shelley’s Frankenstein is a prime example displaying the depiction of women. The women in Frankenstein represent the treatment of women in the early 1800’s. Shelley’s incorporation of suffering and death of her female characters portrays that in the 1800’s it was acceptable. The women in the novel are treated as property and have minimal rights in comparison to the male characters. The feminist critic would find that in Frankenstein the women characters are treated like second class citizens. The three brutal murders of the innocent women are gothic elements which illustrates that women are inferior in the novel. Mary Shelley, through her novel Frankenstein, was able to give the reader a good sense of women’s role as the submissive sex, through the characters experiences of horrific events including but not limited to brutal murder and degradation, which is illuminated by her personal life experiences and time period of romanticism.
In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that are set for them by society. In this novel, many female characters are considered to be possessions. In fact, they are considered to be the servants of men. “I have a pretty present for my Victor—tomorrow he shall have it.” (Mary Shelly, Pg. 70)
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
Mary Shelley’s magnificent minor character Justine endures a horrendous death and maintains courage and grace when faced with a daunting trial. The powerful description of this strong young woman magnifies the gross wrongdoings of Victor Frankenstein and belittles his masculinity as he is seen as weak in comparison. Frankenstein is incapable of possessing the qualities inherent to Justine thus supporting the idea of womanly might as a formidable force.Through the representation of Justine’s intense, unwavering courage during her trial and Frankenstein’s absence of masculine bravery and justice, one can see that Shelley’s minor character is an affirmation of the undeniable strength of women.
Gender inequality will always affect the way women are portrayed in society, the weaker, unnecessary, and other sex. It is not just a subject of the past, but still holds a name in society, however in the olden eras the way women were treated and are looked at, in a much more harsh condition. In Shakespeare’s Othello and Shelley’s Frankenstein women’s roles in the books are solely based on the way they are treated in their time period. The way women are portrayed in these books, demonstrate that they can never be in the same standing as men, considered the second option, and therefore will never have the same respect as men. In both Othello and Frankenstein women are treated as property, used to better men’s social standards, and lack a voice,
Victor works to escalate the dehumanization of women by executing an experiment that leads to a creature of the male gender, and none of the female gender (361). While the possibility that Victor consciously attempts to see everything through a strictly masculine lens has no proof anywhere in the novel, Mellor’s point that Victor’s refusal to create a woman creature escalates the dehumanization of women has some validity. When Victor starts to create a female creature, he reconsiders the possibility that “she might become ten thousand times more malignant than her mate, and delight, for its own sake, in murder and wretchedness” (Shelly 118). Victor reconsiders his decision to create a female being. He worries that a female creature would be more vicious and evil than the original creature. She may murder more people and do more harm. This demonstrates how Victor, and more people of the time think that women inherently have evil and murderous characteristics. Victor does not give a female creature a chance, similar to how the justice system didn’t give Justine a chance because of her femininity and lack of power. Victor and the juries should keep a more open mind when considering the characteristics of