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123 essays on character analysis
Into the wild character analysis
Into the wild character analysis
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The Landlady is a jarring short story about a woman who owns a bed and breakfast. Throughout the narrative she shows an increasing amount of psychosis, which can be characterized by delusions, tendencies to manipulate and lie, and severe attachment and obsession with a person, thought or item and. For the purpose of this essay, I will be looking analyzing three characteristics being; obsession, delusion in the form of flirtation and, finally, manipulation. She uses these traits to lure a potential victim into her bed and breakfast, where it is foreshadowed that she practices taxidermy on her guests so they may never leave her. Throughout the duration of the tale, whether it be to convince Billy Weaver to enter her bed and breakfast, or to drink the assumed to be poisoned tea, the Landlady, who …show more content…
remains nameless only to add another unknown terror to the story, uses manipulation.
Simply the welcoming manner through the way the bed and breakfast is set up is the first case of manipulation, acting as a disguise, hiding the true terrors beyond a ‘homey’ exterior. “...the first thing he saw was a bright fire burning in the hearth. On the carpet in front of the fire, a pretty little dachshund was curled asleep with its nose tucked into it’s belly.” (page 107) Later do we find out that this “pretty little dachshund” is dead and has been preserved by the Landlady herself. The fire is welcoming during a cold night in a new place. “Animals were usually a good sign in a place like this, Billy told himself; all in all, it looked to him as though it would be a pretty decent house to stay in.” (page 108) This proves to be wrong, however the placement of the animals, the burning hearth, and the warm presence of the bed and breakfast is perfect for luring handsome young
boys to their presumed death. Once Billy enters the bed and breakfast, he is greeted by a fantastic price which he would be foolish to pass up, “ ‘Five and sixpence a night, including breakfast.’ It was fantastically cheap.” (page 109) Just as Billy says, it was fantastically cheap, and simply dumb to pass up considering he was a young man, in a new town. Finally the landlady uses verbal manipulation and distraction convincing Billy to drink the tea that, “tasted faintly of bitter almonds.” We can assume that his tea was poisoned as cyanide can be derived from bitter almonds and, when put in food, can have a bitter almond flavour. Despite Billy stating that he isn't really in the mood for tea, and that the Landlady “shouldn’t really bother”. (page 114) However, while he is distracted in thought, she offers Billy ‘milk and sugar’, by the time Billy is jutted back to reality, he can’t refuse the tea, as that would be rude. Billy begins drinking the tea, and as stated by the text “She did the same.” By the Landlady doing this, it is enough reassurance for Billy to disregard the funny taste of the tea, as the Landlady is drinking it as well. In all these instances, the Landlady uses manipulation to lure and poison Billy, despite her friendly and warm appearance. Coming hand and hand with the Landlady’s manipulation, the Landlady is clearly delusional, flirting and complimenting Billy, making him feel special, and flattered. She treats Billy like one of her ‘little pets’ and often makes remark of his physical attributes. At first, the Landlady “..seemed terribly nice.” (page 109) She tells Billy that she is always ready for “...an acceptable young gentleman to come along.” (page 109) Then she continues by saying, “And it is such a great pleasure, my dear, such a very great pleasure when now and again I open the door and I see someone standing there who is exactly right.” The Landlady is ridiculously choosey when it comes to her tenants, and often flirts with them, despite her age, being “...about forty-five or fifty years old” (page 108). The Landlady ‘checks’ Billy out, and because of the age difference Dahl adds a chilling ambiance and off putting foreshadowing, like the quote, “She was half-way up the stairs, and she paused with one hand on the stair-rail, turning her head and smiling down at him with pale lips. ‘Like you,’ she added, and her blue eyes travelled slowly all the way down the length of Billy’s body, to his feet, and then up again.” This was added into the story, and seems almost irrelevant at the moment, but by the end of the story, these simple cues only add onto the true insanity of the Landlady.
The narrator begins the story by recounting how she speculates there may be something wrong with the mansion they will be living in for three months. According to her the price of rent was way too cheap and she even goes on to describe it as “queer”. However she is quickly laughed at and dismissed by her husband who as she puts it “is practical in the extreme.” As the story continues the reader learns that the narrator is thought to be sick by her husband John yet she is not as convinced as him. According
...h and every chair and thing. Commenced to sing, commenced to sob to sigh, singing and sobbing. Then Tea Cake came prancing around her where she was and the song of the sigh flew out of the window and lit in the top of the pine trees. Tea Cake, with the sun for a shawl. Of course he wasn’t dead. He could never be dead until she herself had finished feeling and thinking. The kiss of his memory made pictures of love and light against the wall. Here was peace.” Janie lay in her bed reminiscing and is convinced that Tea will stay in her memory until the day she dies, after that day she will be together with him again – together with Tea Cake in heaven. The emptiness in Janie that was present in her before she left town with Tea Cake has subsided. Due to the love of Tea Cake let her know, Janie is now complete, the bee has nurtured the flower, and allowed it to grow.
In this book, Dr. Ernest Lash discovers he has a love for psychoanalysis after several years working as a psychopharmacologist. Justin, who has been a patient of Ernest for several years, tells him he left his wife, Carol, for another woman. While Ernest sees this as a good thing since the marriage between Justin and Carol as unhealthy, he is still slightly upset that Justin gives him no credit for his help in the situation. Justin then decided he no longer needs Ernest’s help.
When the author first introduces you to the women running the Bed and Breakfast place, she was very good at putting up a front and being very welcoming to Billy. This story is similar to what your parents might say, never go into a person’s house if you don’t know them. In this short story the author is the narrator of the story. In “The Landlady” there is a lot of foreshadowing, which is giving you a quick preview of what is coming next in the story.
In restless sleep and longing for contact with those outside of Bly-- particularly her employer-- the governess placed hope in chance meetings of random individuals. In her walk in the yard, the governess began to wish for the sight of her employer who she was still madly in love with. The governess's desire to see him and receive his reassuring approval conceived the ghost of what was later revealed to be Peter Quint she believed she had seen. Later in her climax of interaction with her ghosts, the governess is afraid that the master will come home, for she is fearful of what he will think of her.
After two failed marriages, Janie finally gets a sense of freedom. Soon enough she meets Tea Cake when he comes into the store and asks her to play a game of checkers with him. The narration of their first meeting lets readers know what Janie thinks about Tea Cake, while also showing Janie’s control in her storytelling to Phoeby. The contrast between Janie’s behavior toward Tea Cake and her behavior towards her ex-husbands foreshadows an equal relationship between the two, making her closer to her goal of finding her own voice. Tea Cake’s name evokes an image of sweetness, and Janie gives him a “little cut-eye look to get her meaning,” Because there were no images attributed to Joe and Logan, readers know that Tea Cake and his sweetness will help Janie’s goal. The last image of the moon rising with its “amber fluid drenching the earth and quenching the thirst of the day” signifies a new day in Janie’s life, as talking to Tea Cake quenches Janie’s thirst for a voice and individ...
The creation of a stressful psychological state of mind is prevalent in the story “The Yellow Wall-Paper” by Charlotte Perkins Gilman, as well as, Edgar Allen Poe’s “The Tell-Tale Heart”, Ophelia’s struggles in William Shakespeare’s “Hamlet”, and the self-inflicted sickness seen in William Blake’s “Mad Song”. All the characters, in these stories and poems, are subjected to external forces that plant the seed of irrationality into their minds; thus, creating an adverse intellectual reaction, that from an outsider’s point of view, could be misconstrued as being in an altered state due to the introduction of a drug, prescribed or otherwise, furthering the percep...
Delia Jones is a churchgoing, hardworking woman who spends her entire week, beginning Sunday nights, washing the townspeople’s clothing. For fifteen years, Delia’s hard work has provided for her home, which she plans to have “for her old days” (Hurston 293). She and her husband Sykes are locked in a struggle over the home, which is Delia’s prized possession. Her “sweat…paid for this home,” and she has created life here by planting trees around the home (293). However, Delia’s plan to keep her home is compromised by her husband. Sykes promises his current lover, Bertha, that she “ ‘kin have dat li’l ole house soon’s [he] git dat ‘oman outadere’ ” (296). Hurston creates sympathy for Delia through this struggle. Sykes is the evil within the marriage, and Delia is the good counterpart.
Restraints are set by parents on their children to aid with the developmental process and help with the maturity level. Restrictions and the ability to control exist in our society and our lives. We encounter restraints daily: job, doors, people, and the most frequently used and arduous become intangible. In the following stories tangible and intangible scenarios are presented. Autonomy, desires, and talents spurned by the husbands in John Steinbeck’s “The Chrysanthemums and Charlotte Gilman’s “The Yellow Wallpaper.” The authors share views regarding a similar theme of male domination and imprisonment. “The Yellow Wallpaper” involves the treatment of a depressed woman who is driven insane in a male imposed detention in her own room. On the other hand, Elisa Allen in the “The Chrysanthemums” struggles internally to find her place in a fully male dominated society with definite gender roles. The mirror-like situations bring upon a different reaction for both the women in different ways. The importance of symbolism, control from their husbands, and the lack of a healthy marriage will be discussed in this paper in two stories.
The coldness felt in the house as the sheriff and court attorney entered the house symbolized the same coldness brought about by Mr. Wright. For the house to be cold and gloomy and everything else outside the total opposite, was much more than just coincidence. It was as if when you entered the house a cadaver, cold and clammy, had embraced you in its arms. “ I don’t think a place’d be any cheerfuller for John Wright’s being in it”, Mrs. Hale told the court attorney (11). Mrs. Hale knew perfectly well what kind of personality Mr. Wright had, which is why she specified that she wished that she had gone to visit Mrs. Wright when only she was there. “There’s a great deal of work to be done on a farm”, says Mrs. Hale, yet they are seen as mere trifles because it is the women who take on these tasks.
The narrator in “The Yellow Wallpaper” and Elisa Allen of “The Crysanthemums” both have husbands who fancy the idea of knowing what their wives want and need. With such attitudes and beliefs, these men contribute to the feeling of confinement that ultimately leads to the loss of sanity of their wives. The narrator’s husband also assumes that he knows what is best for his wife. He thinks isolation and confinement will cure her “nervous depression.” Nevertheless, this “cure” makes her weak; it transforms her into a woman gone mad. On the way to dinner, Elisa asks her husband about the fights and his immediate reply is, “We can go if you want, but I don’t think you would like them much.” He cannot fathom the idea that she may actually enjoy this non-feminine event.
Many authors have different types of writing and different ways of telling the story regardless of whether it is a horror type of story, a romantic type of story or even a comedy type of story. However, in this story by Susan Glaspell, it is a fiction type story which is about Mrs. Wright who seems to have lost control of her emotions and snaps. She kills her abusive husband which is found dead with a rope around his neck while she was asleep, but nobody knows her motive of killing him. The inequality between Mrs. Wright and Mr. Wright, which is based in gender, affects Mrs. Wright’s sense of enjoyment of life, which explains Mrs. Wright’s motive for the murder. Factors like, loneliness, depression, and lack of freedom justifies how Mrs. Wright sense of enjoyment of life was negatively affected and they are the reason for Mrs. Wright to murder her husband.
“The Demon Lover” exhibits much support of the one critic’s claim that “The Demon Lover” is “a masterful dramatization of acute psychological delusion”. Elizabeth Bowen does this through her uses of literary elements, specifically characterization and occasion. But although she has many details that support a story of a woman with psychological delusion, her main intention may have been to create a ghost story to disguise the woman’s psychological issues. Ultimately, it was a story of a woman with a mental
The landlady is so obsessed with beauty, she lets Billy stay in the Bed and Breakfast for a cheap price of five and sixpence a night, including breakfast. She was terribly nice to him. Each thing was extremely cheap, so she could keep Billy there as long as she wanted to. One example of her manipulating him was ”The room itself, so far as he could see in the half-darkness, was filled with pleasant furniture. Animals were usually a good sign in a place like this.” What that factor is she's making the place look warm and welcoming. Therefore he stayed there because it felt like home. In the story, Billy says, “‘That parrot. You know something? It had me completely fooled when I first saw it. I could have sworn it was alive.’” Billy thought the stuffed parrot was alive because it looked so real, but it was real and stuffed. The landlady stuffed the parrot because of the beauty of it. The obsession of always having beautiful things caused her to kill the parrot and stuff it. One reason was that she lost her son, that made her lonely, which made her be obsessed with having beautiful things with her and never leave her side. She has already had killed and stuffed 2 other people, Christopher Mulholland and Gregory Temple. Christopher and Gregory resembled like Billy. Our beloved Billy was slaughtered and stuffed to be made into one of the Landlady's prized possessions of
Meanwhile, Mrs. Peters, the sheriff’s wife, and Mrs. Hale, the neighbor man’s wife, are able to relate in many ways to the loneliness and loss of self that Mrs. Wright felt while spending her days alone tending to her home and husband. The men in the play are so blinded by their sexist ideas about females, that they miss the evidence of a motive to convict Mrs. Wright of murder. The men, after hearing the women discuss how Mrs. Wright was worried about her jarred fruit freezing, make several comments regarding the fact that this is something trivial that a woman would worry about even while being held for the possibility of murder. Mr. Hale makes the comment, “-Well, women are used to worrying over trifles.” (pp. 945)