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Macbeth (character)
Technique and strategies in macbeth
Macbeth (character)
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Lyla Thompson
World Literature
Mr. Federico
Feb. 15, 2018
Macbeth: The Conscious Puppet
In William Shakespeare's play ‘‘Macbeth’’, the author shows Macbeth as a very rugged, masculine character, although he can be easily persuaded. Because of examples demonstrating destiny, manipulation, and megalomania, Macbeth sways away from a righteous life as the play develops.
For instance, examples of destiny show how Macbeth transforms into a merciless character as the play continues. “Thou shalt get kings, though thou be none. So all hail, Macbeth and Banquo!” (1,3,19), prophecies the third witch to Macbeth. The witch’s words claim to have no effect on Macbeth, but he covertly cares greatly for the future. He does not want to share his title, contributing to the crumbling of his practicality. A sample of destiny transforming Macbeth is when he is going to murder Duncan, giving into his fate, “A dagger of the mind, a false creation proceeding from the heat-oppressed brain?... As
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this which I draw.”(2,1,53). Another example of destiny is when the first witch predicts Macbeth’s fate regarding Macduff by saying “He knows thy thought. Hear his speech but say thou naught.” (4,1,125). This statement frightens Macbeth, for he does not want it to be true. This slowly, but surely, breaks Macbeth apart, contributing to his transformation from having little morality, to none. Secondly, instances of manipulation from Lady Macbeth have caused Macbeth to change throughout the play.
Macbeth’s wife constantly questions Macbeth’s masculinity, ensuing horrible decisions on Macbeth's part. “Wouldst thou have that which thou esteem’st the ornament of life and live a coward in thine own esteem,” (1,7,41), Lady Macbeth says to her husband remarking the plan to kill Duncan which eggs on Macbeth; losing pieces of his humanity as a result. Another instance of persuasion is when Lady Macbeth reassures Macbeth after the killing of Duncan by saying “Consider it not so deeply.”(2,2,57). This disregard for human life manipulates how Macbeth perceives death. Lady Macbeth provokes Macbeth and his manhood once again during his vision of Banquo’s ghost by questioning “Are you a man?”(3,4,103). It is as if Macbeth can not have feelings besides wanting to kill, just to keep up a good image for him and his wife. Lady Macbeth uses manipulation to her advantage, and plays Macbeth like a
puppet. Lastly, Macbeth’s desire for power also helps mold his facade during the play. One example of power transforming Macbeth is at the very beginning when he becomes Thane of Cawdor, “No more that Thane of Cawdor shall deceive our bosom interest. Go, pronounce his present death, and with his former title greet Macbeth.”(1,3,13). Macbeth will do anything to gain more power, even stealing people's titles by killing them. Expressing another instance of his yearning for authority, Macbeth says “The castle of Macduff I will surprise, seize upon Fife, give to th’ edge o’ sword his wife, his babes, and all unfortunate souls that trace him in his line.”(4,1,131). At this point, Macbeth has turned almost sadistic, and will wipe out anyone in his way without hesitation. Macbeth’s hunger for power causes him to target the innocent, which drives him insane. In conclusion, Macbeth is expressed as a very tough, manly character who is easily manipulated by the author. Because of instances displaying fate, persuasion, and desire for power, Macbeth pushes away from a wholesome life during the play.
... his kinsman and his subject"(act.1 scene.7). Macbeth also explains that he is Duncan's current host, as well as the fact that Duncan is a good king. There are several more reasons not to kill him. However, upon hearing this, Lady Macbeth appeals to pathos, ridiculing Macbeth's masculinity: "When you durst do it, then you were a man; / And to be more than what you were, you would/ Be so much more the man"(P.2, act1, scene7). Pathos is effective because Macbeth feels emasculated after his wife tells him this. Macbeth further defines his ethos, stating that he is not afraid to die: "I will not be afraid of death and bane"(P.3, Act.5, scene3).
When we first hear about Macbeth from the sergeant’s report, we are led to believe that he is very much a person who does only what he believes is right. Furthermore, when he first appears in the play, his fellow nobleman, Banquo, accompanies him. Given this, we would think that he does what is right, and makes all his own decisions. However this belief is proven wrong. Although Macbeth starts off as a loyal subject of Duncan, he is ambitious and this is a weakness, which allows him to be manipulated by a few factors in the play.
Macbeth tells himself to act like a man in the following lines: “Prithee, peace! / I dare do all that may become a man; / Who dares do more is none” (I, vii, 45-47). This quote by Macbeth shows how he wants to be a man by killing King Duncan, but he does not think this would be an act of righteousness. Macbeth is in a controversy with himself in this situation. If he does not kill the king then his wife, Lady Macbeth, will not think he is a man, but if he does kill the king then he will betray his leader’s trust in him. Betrayal would not be seen as an act of manliness. Jarold Ramsey explains the situation in the following sentence: “And, striking more ruthlessly at him, she scornfully implies that his very sexuality will be called into question in her eyes if he refuses the regicide” (288). This quote by Jarold Ramsey explains how Macbeth’s manliness will be determined in the eyes of Lady Macbeth when he makes his decision on whether or not he will kill the king. Lady Macbeth shows her desire of being queen in the following lines: “What beast was’t then / That made you break this enterprise to me? /When you durst do it, then you were a man” (I, vii, 47-49). This quote shows how she wants Macbeth to kill the king. In this situation Macbeth tells himself to be a man and kill the king to please Lady Macbeth. Maria Howell exp...
William Shakespeare’s Macbeth is a tragedy in which the main characters are obsessed by the desire for power. Macbeth’s aspiration for power blinds him to the ethical implications of his dreadful acts. The more that Shakespeare’s Macbeth represses his murderous feelings, the more he is haunted by them. By analyzing his hallucinations it is possible to trace his deteriorating mental state and the trajectory of his ultimate fall. Throughout the play Macbeth is never satisfied with himself. He feels the need to keep committing crime in order to keep what he wants most: his kingship. The harder Macbeth tries to change his fate the more he tends to run into his fate. His ambition and struggle for power was Macbeth’s tragic flaw in the play. Macbeth’s rise to the throne was brought about by the same external forces that ensure his downfall.
After Lady Macbeth reads his letter and Macbeth arrives home, she is excited about becoming queen. She asks Macbeth when King Duncan is to be arriving and tells Macbeth to leave the plan up to her, his only job being that he has to look innocent and hide their true intentions. Macbeth seems to be stunned and nervous, telling his wife that they will talk later when she begins to tell him of her plan. In the seventh scene, at the castle, Macbeth speaks of the intense guilt he is feeling even before he is to kill Duncan; “… this even-handed justice/ Commends the ingredients of our poisoned/ Chalice to our own lips…” (1. 7. 10-12) (Shakespeare), “… He’s here in double trust…” (1. 7. 12) (Shakespeare), “… Besides, this Duncan/ Hath borne his faculties so meek, hath been/ So clear in his great office…” (1. 7. 17-19)(Shakespeare) all express Macbeth’s discomfort with murdering Duncan to steal the throne. Not only does he convey these emotions during this monologue, but he does so when Lady Macbeth enters the room, saying “We will proceed no further in this business./ He hath honored me of late, and I have bought/ Golden opinions from all sorts of people…” (1. 7. 32-34) (Shakespeare). To respond to this, Lady Macbeth does what she does best: emasculating her husband. She first articulates her questioning of his manhood after she reads Macbeth’s letter in the first act when she says “Yet do I fear thy nature;/ It is too full o’ th’ milk of human kindness…” (1. 5. 2-3) (Shakespeare), which contrasts with the heroic description the dying Captain gives of Macbeth in the opening scene. After Macbeth tells his wife that he is calling off the plan to kill King Duncan, she
Written by William Shakespeare in 1611, Macbeth is a tragic tale that dramatizes the acquisition of power by Macbeth, a Scottish Lord who becomes King, and documents the effects newfound power has on morality and values. A recurring theme that is demonstrated throughout the play is the idea that a change in status, a gain or loss of power, can have substantial effects on a personals moral standing. This ideology is see in the transition of Macbeth from a subservient lord to a ruthless king that abuses his limitless power. For instance, in the beginning of the play, Macbeth states: “ “We will proceed no further in this business.””(1.7.32), referring to carrying out the plot to murder King Duncan. While, at the the climax of the play, Macbeth’s exercise and power know no limits, as scene in Act 3, “ “For mine own good/ All causes shall give way. I am in blood/ Stepped in so far, that I wade no more,/ Returning were as tedious as go o'er.””(3.4.167-170). During this scene, Macbeth has proclaimed that he has come too far to fall back and will continue to abuse his power. Regarding the citations, Macbeth’s shift in morality can be lucidly seen through his transformation from a subordinate lord to a power hungry tyrant with limitless power. Previous to his coronation, Macbeth was an obedient servant to the King, by way of contrast, after Macbeth
William Shakespeare's play Macbeth is a five-act drama that shows a clear example of how pride, greed, and power can alter a man's actions and personality. The taste of power blinds the story's main character, Macbeth. Sparked by Lady Macbeth, he becomes heartless and cruel as he kills anyone who is a threat to his power due to his paranoia of losing the throne. This fear ironically leads to his downfall and loss of the throne. The theme of the story is deceit and evil and how they affect a man's decisions.
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
As with all great works of literature, William Shakespeare’s Macbeth has spawned countless essays concerning its interpretation. Two such essays, “Shakespearean Tragedy” and “General Macbeth,” produced by two eminent literary critics, A.C. Bradley and Mary McCarthy, find themselves in conflict. The essays’ respective authors diverge on subjective points such as interpretation of character, original intent, and meaning. Bradley’s Macbeth is courageous and encumbered by the dregs of guilt, while McCarthy’s version takes a less orthodox path. A.C. Bradley’s interpretation of Macbeth finds him human, conflicted, and comparable to his wife, Lady Macbeth, in many respects.
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
When the three witches had met with Macbeth, and then he had told his wife, he did not feel sure that murdering the King was right, although he was the King’s savior. When Lady Macbeth hears about the news, she awakens, starts to plot Duncan’s murder and backstabbs Macbeth to kill him. She tells him to ‘be a man and go get what he wants’. At this point, Macbeth doesn’t have a choice. When she thinks that she can kill the King, she cries, “Come, you spirits that tend on mortal thoughts, unsex
The Author of Macbeth, William Shakespeare writer of 51 plays and Stories. Teacher of many he showed everyone in the Tragedy of Macbeth how manipulation takes place on an everyday basis. Manipulation took place in almost every scene in Act 1 and it took place, for example Act1 Scene 2, Lady Macbeth convinced Macbeth to kill King Duncan. During the theme of good versus evil, with all the trials and tribulations that came about such as the numerous encounters Macbeth ran into (Example) king Duncan’s son Malcolm goes into Battle with Macbeth to proclaim what was once his fathers . Good versus occurred several times with more than just Macbeth throughout the story.
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
Macbeth is a very complex character whom reflects man's thirst for power through the drastic changes of his personality; thus being one of the slightest reasons in which make this intriguing character, greatest of all Shakespearean’s well-known works.