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The role of justice for society
What is arthur miller comparing the salem witch trials to
The history of witch trials arthur miller
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A Successful or Crumbling Community Infrastructure?
Written in 1791, the Bill of Rights was adopted into American law with 10 key commandments that served as the framework for America’s future government. The First Amendment covers freedom of speech, and in the face of an injustice, one could utilize this right to either speak up or plead the 5th and not say anything if their statement would affect them or others in a negative way. Ultimately, this weighs in how responsible a person feels towards the situation. In Arthur Miller’s play, The Crucible, he highlights the injustice faced by those accused of conspiring with the devil and practicing magic in the Salem Witch Trials in the late 17th century, through unfair trials and biased court decisions. Using the example of a close-knit town, Miller emphasizes the obligation each citizen has to stand up against an injustice being suffered by the town and
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how some choose to uphold their obligation while others choose to neglect it. He introduces two conflicting characters that have differing perspectives on their duty towards their community in the face of an injustice.
An individual's inclement to uphold his or her responsibility to his or her community depends greatly on society’s treatment towards their own self, changing them to become selfish or selfless towards their peers. Abigail Williams, who has been neglected by someone she loves, can feels an insatiable hunger for vengeance towards her community, whereas John Proctor, who live a respected lifestyle, is encouraged to consider the value of the loss of innocent lives compared to the loss of his own.
Through Miller’s depiction of Abigail Williams, readers can view an example of how someone who has been cast away by society believes that she owes no responsibility towards the rest of her community. Abigail is a character who has suffered many unfortunate losses throughout her life in Salem. As a young child, her parents were killed by Native Americans, and she was forced to reside with her uncle, Reverend Parris. She is cast out by the man she loves, John Proctor, and is driven by vengeance to accuse innocents of witchcraft
to ruin the community and earn back his love. Abigail maintains the control of a group of girls in the town using violent threats when the girls threaten to come clean with Abigail’s attempts of witchcraft and murder. She terrorizes them by saying, “Let either of you break a word...and I will come to you in the black of some terrible night, and I will bring a pointy reckoning that will shudder [them]...I saw Indians smash my dear parents’ heads on the pillow next to mine, and...I can make you wish you had never seen the sun go down!” (Miller 26). From the beginning of the novel, readers can sense Abigail’s ravenous hunger for revenge. If betrayed by the girls, she promises to “bring a pointy reckoning that will shudder you” and makes it so they wish that they never seen the sun go down, since she promises to come hidden in the black of night with forms of seemingly horrendous torture. Abby backs up her claim with the suffering that she learned through enduring the murder of her parents. Her knowledge on the brutality of the world is clearly portrayed in her death threats, and her awareness forces Abigail to overlook her obligation towards her community in order to fulfill her overwhelming desire to inflict pain on others. Using her false accusations of witchcraft towards the innocent and her startling ability to act faint, Abigail manages to control the whole court with just her words. John Proctor sees through her act and cries out that “vengeance is walking Salem. We are what we always were in Salem, but now the crazy children are jangling the keys of the kingdom, and common vengeance writes the law!” (82). “Crazy children” refers to Abby and her band of girl followers who are “jangling the keys of the kingdom” just by crying out witch. Miller uses a metaphor of jangling the keys of the kingdom to show how like something as important like the kingdom, where royalty lives, is now in the hands of a group of common servant girls. All of the terror is fueled by Abigail’s thirst for vengeance against seemingly the whole town, as she pretends to accuse nearly everyone for practicing witchcraft and sentencing many of those accused to death or long-term imprisonment. Due to her embodiment of evil and attempts to eradicate all who are in the way of the man she loves, Abigail’s craving for vengeance brings only chaos and destruction on others in her community. On the other hand, Miller demonstrates through John Proctor how someone who has been smiled upon in the community feels a moral obligation to repay their respect. He owns a sustainable amount of property and has a loving family to keep him company. Through John Proctor’s internal conflict of whether or not he should sign the confession of witchcraft, the value of his life is revealed. His main argument against signing it is that his confession may cost the lives of many others. He refuses to sign even if it means sacrificing his own life for the lives of other townsfolk. He demands that the corrupt judges “will not use me! It is no part of salvation that you should use me!...Beguile me not! I blacken all of [the accused] when [my confession] is nailed to the church the very day they hang for silence!” (144). He realizes that his confession would not be used for his own salvation, but rather to “blacken all of the accused” and endorse the fact that the innocent civilians accused are considered guilty in the eyes of the community. Upholding his moral responsibility towards his fellow townsfolk, he refuses to sign his confession in order to prevent him from confirming their status as a follower of Satan. In turn, he manages to forgive himself of all the sins he committed in the past. Relieved, he states that “there’s your first marvel, that I can [hang]...for now I do think I see some shred of goodness in John Proctor. Not enough to weave a banner with, but white enough to keep it from such dogs” (145). He refers to the fraudulent court as dogs and believes that by hanging himself, he is protecting his fellow accused from the sharp accusations of the dogs. His eyes are opened to the goodness inside himself and is proud of himself for sacrificing his life for such a noble cause. John Proctor can die in peace, for he has repaid his debt and upheld his responsibility towards his community by standing up to an injustice he experiences. To conclude, as shown through Miller’s characters in The Crucible, a person's responsibility towards the community depends on the mutual treatment between the two entities, changing the members of society to become selfish or selfless towards their peers. John Proctor, who manages to live a privileged lifestyle, is obligated to consider what is best for the rest of the community, and he manages to die a peaceful and satisfied death. However, Abigail, who has been neglected by those she loves in society, feels an unquenchable thirst for vengeance that ultimately ends in destruction of her home environment. Miller emphasizes through his character development of John Proctor how important it is within a community to uphold one’s duty towards the rest of their peers by standing up against injustices. Whether they choose to plead the fifth or use their voice for something better, as a person in a functioning and collaborative society, it is important to keep the wellness of others in mind and not have vengeance drive their decision making process, in order to avoid the dismembering of a community.
Abigail Williams forms a continuous string of deceitful lies about the presence of witchcraft in Salem and her involvement with it, triggering the beginning of the trials and causing mayhem to permeate the town. Playwright Arthur Miller characterizes Abigail as "a strikingly beautiful girl, an orphan, with an endless capacity for dissembling"(8). Her fabrications induce calamity in Salem, and entangles many innocent people in her slanderous web of stories. In most cases, Abigail lies to evade discomfort or punishment. This pattern is first displayed when Reverend Hale interrogates Abigail:
In every family, there is one child that is always very misleading and evil, and besides that, they get away with everything that they do that is unsound. The certain person in the family may break on of you mom’s favorite plate, and then end up placing the blame on you, and then persuades your parents that he or she is telling the true. Abigail Williams is the poor duplicate of that sibling or relative. She influences everyone that she is an innocent teenage girl, but that is not the case throughout the play. In the play, The Crucible, by Arthur Miller, Abigail is the bona fide misleading and evil teenage girl.
Likewise, even though the book was not as solemn as the current events in today’s society, discrimination is still brought upon between characters. As the characters were put the blame on, hatred was brought to them causing an arousal of fear. Many characters were innocent; although, that did not stop other people in the book to make the innocent look guilty. An example being, the author composed, “I never kept no poppets, not since I were a girl” (Miller 69). This statement was spoken by Elizabeth Procter as she discovered the allegation. There was a young character in the book, Abigail Williams, and she blamed Elizabeth Proctor for playing with poppets. Poppets are dolls that individuals in the late ages had used to cast a spell on a certain
"Power tends to corrupts and absolute power corrupts absolutely" - Lord Action. In "The Crucible" composed by Arthur Miller control, power, fear and greed were the main factors that began the Salem witch trails. Power brings out the true nature of a person and we see that happening to Abigail throughout the play. That brings me to my next point fear, Abigail used the fear of accusing people of being witches to gain power and control. It all started with Abigail misunderstanding lust for love. John Proctor thought softly of her and she began dreaming of replacing his wife willing to go to any needs necessary.
Proctor exemplifies an ordinary second class Puritan of Miller’s adaptation of the bloodthirsty town of Salem, Massachusetts. Miller fabricates the character of Proctor to appear wholesome and scrupulous, however, acts of sacrilege in the form of adultery tarnish the character’s reputation, thus bringing to light the scepticism of an exclusively Puritan society. Proctor embodies the qualities revered by the Puritans; diligence, integrity, and frugality. Proctor’s wife, Elizabeth Proctor, is an advocate of John’s morality, describing her husband as “a good and righteous man. He is never as drunk as some are, nor wastin’ his time at the shovelboard but always at his work” pg. 100. Miller skilfully constructs a well-rounded character epitomising the ideal Puritanical figure, however, man’s tendency to be fallible resulted in a fatal flaw in the character of John Proctor. This flaw, also being a sin, is his lust and infidelity. Miller demonstrates the influence of cultural relativism through Proctor’s incapacity to absolve his own sins, despite his wife’s forgiveness, “I do not judge you. The magistrate that lives in your heart judges you.” pg. 55. This ‘magistrate’ is denoted by Miller to symbolise Proctor’s conscious, which was moulded and cultivated by the Puritans of Salem. The
In Arthur Miller's The Crucible, the main character Abigail Williams is to blame for the 1692 witch trials in Salem, Massachusetts. Abigail is a mean and vindictive person who always wants her way, no matter who she hurts. Through out the play her accusations and lies cause many people pain and suffering, but she seemed to never care for any of them except John Proctor, whom she had an affair with seven months prior to the beginning of the play. John Proctor and his wife Elizabeth used to employ Abigail, until Elizabeth found out the affair and threw Abigail out. Although John told Abigail that the affair was over and he would never touch her again, she tried desperately to rekindle their romance. "Abby, I may think of you softly from time to time. But I will cut off my hand before I'll ever reach for you again." (Page 23) She claimed that she loved John and that he loved her. Before the play began, Abigail tried to kill Elizabeth with a curse. She thought that if Elizabeth were dead John would marry her. Further into the play, Abigail accused Elizabeth of witchcraft. She saw Marry Warren, the Proctor's servant, making a poppet. Mary put a needle into the doll, and Abigail used that for her accusation. She stabbed herself with a needle and claimed that Elizabeth's soul had done it. Although Abigail claimed she loved John, she may have just loved the care and attention he gave her. John cared for her like no one else had. In a way he could be described as somewhat of a father figure to her. When Abigail was just a child, she witnessed her parents' brutal murders. "I saw Indians smash my dear parent's heads on the pillow next to mine..." (page 20) After her traumatic experience, she was raised by her uncle, Reverend Parris, who is somewhat of a villain. In the play it was written, "He (Parris) was a widower with no interest in children, or talent with them." (Page 3) Parris regarded children as young adults who should be "thankful for being permitted to walk straight, eyes slightly lowered, arms at the sides, and mouths shut until bidden to speak." (Page 4) Therefore, it is obvious to see that Abigail grew up without any love or nurturing.
To begin, teenager Abigail Williams exhibits the sinister side of human’s natural tendencies towards desire and deceit through her role in the play, identified Jungian archetype, and Kohlberg moral stage. First, as a female and an orphan, Abigail expresses the desperate sentiments of powerless women in the hierarchy of Salem society. Evident in Miller’s stage direction description, seventeen-year old Abigail depicts “a strikingly beautiful girl, an orphan, with an endless capacity for dissembling” (Miller I.8). Abigail’s dissembling or “hiding under a false appearance” (Webster Dictionary), reveals women’s inability to express genuine feelings, often out of fear of societal judgment or intolerance. As a female teen and orphan, Abigail represents a character with no authority in the Salem community, forced to act with malice and spite to get attention (as any female with a desire for influence would in this time). Second, identified with the Jungian archetype of the rebel, Abigail Williams acts with rage in an attempt to reveal and upend the immoral expectations present in Salem. Evidence of Abigail’s
In The Crucible, by Arthur Miller, justice and injustice is portrayed through the characters of John Proctor, Elizabeth Proctor and Abigail Williams. It is also shown through the minor characters of Mary Warren and Mercy Lewis, followers of Abigail Williams, and through Danforth and various townspeople.
The Crucible: Hysteria and Injustice Thesis Statement: The purpose is to educate and display to the reader the hysteria and injustice that can come from a group of people that thinks it's doing the "right" thing for society in relation to The Crucible by Arthur Miller. I. Introduction: The play is based on the real life witch hunts that occurred in the late 1600's in Salem, Massachusetts. It shows the people's fear of what they felt was the Devil's work and shows how a small group of powerful people wrongly accused and killed many people out of this fear and ignorance.
Abigail Williams is the troubled niece of Reverend Parris of Salem. She is an orphan; made so by brutal natives who killed her parents before her very eyes. The witch-hunt begins when Abigail is at the age of seventeen. She has a large role in this novel, especially on these dark events and also her relationship with John Proctor.
The play “The Crucible” is an allegory for the McCarthyism hysteria that occurred in the late 1940’s to the late 1950’s. Arthur Miller’s play “the crucible” and the McCarthyism era demonstrates how fear can begin conflict. The term McCarthyism has come to mean “the practice of making accusations of disloyalty”, which is the basis of the Salem witch trials presented in Arthur Miller’s play. The fear that the trials generate leads to the internal and external conflicts that some of the characters are faced with, in the play. The town’s people fear the consequences of admitting their displeasure of the trials and the character of John Proctor faces the same external conflict, but also his own internal conflict. The trials begin due to Abigail and her friends fearing the consequences of their defiance of Salem’s puritan society.
Oppression; an extended treatment of cruelty or injustice towards an individual or a group of people. If looked for, it can be found in every society expressed in a number of different ways. Arthur Miller, the author of The Crucible, puts it in a way that is easy to understand. "It is still impossible for man to organize his social life without repressions." This is evident in his play, The Crucible, demonstrating that within a society, oppression will always be present due to personal motives, disputes and misuses of power, as well as distorted religious beliefs.
Discrimination is defined as ¨the unjust or prejudicial treatment of different categories of people or things, especially on the grounds of race, age, or sex.¨ 1863 was the year the slaves were finally freed, but that doesn't mean they weren't discriminated for more than a 100 year after that and even to this day there is still discrimination toward African Americans. Women of any race didn't even get the right to vote until August 18, 1920. Which was not quickly won, women had to fight for nearly 100 years previous to acquire a right that all should have. To this day women have reported making less than men for doing the same exact job. Discrimination is such a powerful thing that affects so many that it is written about a lot, the Crucible
Explore Miller’s dramatic presentation and development of the theme of power and authority. Even though The Crucible is not historically correct, nor is it a perfect allegory for anti-Communism, or as a faithful account of the Salem trials, it still stands out as a powerful and timeless depiction of how intolerance, hysteria, power and authority is able to tear a community apart. The most important of these is the nature of power, authority and its costly, and overwhelming results. “But you must understand, sir, that a person is either with this court or against it,” says Danforth conceitedly. With this antithesis, Miller sums up the attitude of the authorities towards the witch trials that if one goes against the judgement of the court
I believe that Abigail Williams is to blame for turning the town of Salem against many people, and I think it is her fault that several people were killed. Abigail Williams sends the town into a state of hysteria by accusing men and women of practicing the satanic art of witchcraft. Abigail’s flaws - her lustful desire for John Proctor, her deceptive habit of lying in order to retain her good name in the town, and her selfishness and obsessive aspiration for power – led her to be ultimately responsible for the catastrophe of the witch hunt in Salem.