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For One’s Own Individuality “Conformity is the jailer of freedom and the enemy of growth.” -John F. Kennedy. Kennedy believes that to conform means to trap oneself in a prison made by society, never to grow free from the shackles that hold one’s person. To be an individual and to embrace individuality is one of the most important aspects of society. Different examples from various pieces of literature portray ideas which pertain to my view on individuality. In the play “The Elephant Man”, written by Bernard Pomerance, Joseph Merrick (AKA the Elephant Man) is taken in by Dr. Treves and is being brainwashed by Treves to conform to society’s rules and standards. I am not in agreement with this, for Joseph should be accepted for the way he actually …show more content…
In my own life, I have been forced to obey rules that keep from being an individual and prevent me from growing. Along with the struggles of the Elephant Man to be an individual Scout from To Kill A Mockingbird, by Harper Lee, also faces struggles of individuality in their own way. In To Kill A Mockingbird Scout is forced by her Aunt Alexandra to act in certain ways such as wearing a dress and use tea sets, however Scout retaliates against her Aunt and would rather wear overalls and play with her brother Jem and their friend Dill. Scout’s retaliation is a prime example of the importance of being an individual. Her wanting to wear overalls and act more like a tomboy specifically appeals to me. Many times I would rather do certain feminine things such as wear makeup or dance femininely, but my father would think otherwise and lash out against me saying that men shouldn’t do those sorts of things. Despite that however, I still choose to do these things on my own without my father’s knowing. Esperanza, from The House on Mango Street by Sandra Cisneros, also tries her best to be an individual and break free from the cycle that her mother says. She wants to be her own person. She wants to “not… grow up
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
In the story the house on mango street there are both young girls, Sally and Esperanza. Both girls desire adventure, love, and beauty. However, Sally is more outgoing and confident than Esperanza. She has confidence that she is beautiful. She play the role of a strong female that never get hurt by any boys. Esperanza admires and looks up to Sally. Esperanza does not want to be a "weak woman" and she sees Sally as her role model. Their home lives contrast also Ironically. Sally is physically abused by her father each time he catches her with a boy. On the other side Esperanza and her family communicates well. Sally sees her self as a women and not the type of women a person that isn't confident of herself and that's what Esperanza likes.
In an earlier chapter, Esperanza meets with a witch, whom she hopes will tell her future only to be told, “Come back again on a Thursday when the stars are stronger” (72). However, when speaking to The Three Sisters toward the end of the story, they tell her to make a wish and say “You will always be Esperanza. You will always be Mango Street” (113). Rather than seek out her fate, the Fates (three sisters from Greek Mythology) have come seeking Esperanza. It has been confirmed that her wish to leave will come true, but remind her to remember her experiences as they have shaped who she is. In the article, “Interview with Sandra Cisneros”, Cisneros will tell her students to “make a list of the things that make you different from anyone in this room...in your community...your family...your gender (1). Cisneros uses this very idea in her writings of Esperanza: Her individuality is key- Esperanza’s identity as a writer and her background give her a unique voice that will allow her to speak up for those who have no
Modern society believes in the difficult yet essential nature of coming of age. Adolescents must face difficult obstacles in life, whether it be familial, academic, or fiscal obstacles. In the House on Mango Street, Esperanza longs for a life where she will no longer be chained to Mango Street and aspires to escape. As Esperanza grows up on Mango Street, she witnesses the effect of poverty, violence, and loss of dreams on her friends and family, leading her to feel confused and broken, clinging to the dream of leaving Mango Street. Cisneros uses a reflective tone to argue that a change in one’s identity is inevitable, but ultimately for the worst.
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
Many are confined in a marriage in which they are unhappy with, and are reductant to make a change. Some are committed to make a change for themselves. Esperanza ponders each one of these women's lives. Through each role model Esperanza gains crucial life lessons on how to overcome different life hardships. Through some women like her great-grandmother and Ruthie, Esperanza learns she must take control her fate, to avoid marrying young, and not let a male figure dictate her future. Other women like Alicia, Esperanza learns to keep pursuing goals in life and to take control of her destiny no matter what obstruction may lay ahead. From Esperanza’s role models, the moral lesson that can be taken away is to be proactive about your life and to shape your own future. Everyone is a role model to somebody in their life. Strive to leave a positive message behind for the ones shadowing in your
...ifferently in both. In American culture, Esperanza was a foreign, not a true American. Similarly, In Mexican culture but also defined to still being a woman whose roles are predefined by a male privilege driven community. Secondly, there is no female solidarity or female authority who rescues Esperanza or her friends from adoption erroneous ideas about her identity and value as a woman. Because she is alone, she has no choice but to accept what the perverted and male chauvinist ideas she is presented. Esperanza’s story is unfortunately a representation of many female minorities. Esperanza’s character however, offers hope. Esperanza suggests she will find her way out through writing as well as female solidarity. A space of one’s own is essential; a place where one can reflect and peacefully identify oneself without the loud incorrect expectations of one’s oppressor.
Esperanza ponders how she inherited her grandmother’s name, but does not wish to inherit her experiences with marriage. When speaking of how her grandmother was married, Esperanza remarks, “my great-grandfather threw a sack over her head and carried her off. Just like that, as if she were a fancy chandelier” (Cisneros, 11). Through a simile, Cisneros exemplifies that women allow themselves to be objectified and trapped, which removes their freedom and hinders their progress towards their dreams. This is also identified when Alicia’s father finds her studying late at night and speaks with her about her duties as the woman of the house. Alicia’s father alludes to her that, “a woman’s place is sleeping so she can wake up early with the tortilla star” (31). Through this metaphor, Cisneros indicates that in Hispanic culture, women let themselves be pressured into putting duties at home
Women’s Escape into Misery Women’s need for male support and their husband’s constant degradation of them was a recurring theme in the book House on Mango Street. Many of Esperanza’s stories were about women’s dreams of marrying, the perfect husband and having the perfect family and home. Sally, Rafaela, and Minerva are women who gave me the impression of [damsel’s in distress].CLICHÉ, it’s ok though. It’s relevant They wished for a man to sweep them of their feet and rescue them from their present misery. These characters are inspiring and strong but they are unable to escape the repression of the surrounding environment. *Cisneros presents a rigid world in which they lived in, and left them no other hope but to get married. Esperanza, however, is a very tough girl who knows what she wants. She will keep dreaming and striving until she gets it. She says, "I am too strong for her [Mango Street] to keep me here" (110). Esperanza learned from all of these women that she was not going to be tied down. She said, "I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain" (88). **Especially after seeing that Sally was suffering so much. Sally’s father is making her want to leave home by beating her. Sally "said her mother rubs lard on the places were it hurts" (93). There is not enough lard in the world to be able to cure the pain within Sally’s heart. Sally, "met a marshmallow salesman at a school bazaar" (101). Pretty soon " sally got married, she has her house now, her pillowcases and her plates" (101). Her marriage seems to free her from her father, but in reality she has now stepped into a world of misery. This was supposed to help her heal; " she says she is in love, but I think she did it to escape." (101). Unlike the other women Sally has no escape, no poetry, not even papaya coconut juice, not to mention, " he does not let her look out the window" (102). That is why "she sits at home because she is afraid to go outside without his permission."(102). Rafaela’s situation also involves imprisonment in her own home. Cisneros introduced us to Rafaela, a young beautiful girl whose expectations from marriage were to obtain a sweet home to live in. Instead...
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.
In conclusion, Esperanza makes the ultimate change of becoming independent. As Sandra Cisneros wrote The House on Mango Street, she too further realized her role as an influential woman of her heritage; this realization mirrors Esperanza’s journey to womanhood. Esperanza is “alienated from the rest of society in many ways (Hannon 1).” But she uses this alienation to become “strong and inspirational (Hannon 1).” Esperanza is a very strong woman in herself. Her goals are “to not forget her reason for being . . . so as to achieve a freedom that’s not separate from togetherness
In the vignette titled Beautiful and Cruel Esperanza declares that she has “decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain” (88). She also remarks that “her power is her own. She will not give it away . . . I am one who leaves the table like a man, without putting back the chair or picking up the plate” (89). Esperanza is demonstrating that she does not want to become tied down in the traditional sense of marriage when she refers to it as a ball and chain. As she has been growing up within Mango Street she has been witness to relationship in which the women become objects of their husbands and loss the identity of themselves. Esperanza is aware of the power imbalance between the men and women in her Latino community and openly states that she wants to be powerful. When she writes that she will not give her power away she is demonstrating again that she will not hand over her power to the men in her life as Earl’s wife and Rafaela have done. In growing up on Mango Street Esperanza’s notions about the relationship between women and have begun to shape her outlook on life. In her last quotes she is clearly decided that she fight back against the stereotype of what is expected from a young girl or female. In stating that she
This novel is about the shame cycle and whether Esperanza will chose to grow from it or to let it ruin her. Esperanza didn’t know this, but she had to go through the most shaming experience possible in order to be forced to make a choice about how to use that shame. Other major themes of the novel include Hoping versus Waiting, Finding Freedom through Marriage or Education, and the Anchors of Race, Poverty, and Gender. Cisneros ties these themes together using the theme of The Shame Cycle, making it the most important. Esperanza hopes for a better life and chooses not to let her anchors stop her. To earn a better life, Esperanza decides to find freedom through education. She decides not to get married young as an escape. She decides to keep hoping and dreaming by not letting shame ruin her.The resolution and escape from the shame cycle helps Esperanza chose education,the rel path to freedom. Additionally, the plot of the novel only comes to a resolution when Esperanza finally overcomes her shame and escapes the
Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a mature young lady through her difficult life experiences and the people she comes across. It is through personal encounters and experiences that Esperanza begins to become sexually aware and acceptance her place and self-definition in her community.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.