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Revenge in literature throughout time
Revenge literature
Edgar Allan Poe works related to his life
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Your best friend insulted you. Do you seek revenge or let it go? Many of us would think no more of it and go on with life, yet Edgar Allen Poe’s “The Cask of Amontillado” is a gloomy short story where one character takes the common saying “taste of your own medicine” quite seriously and declares revenge. Set in the damp, dirty catacombs of Italy during the carnival season, the tale revolves around two characters, Montresor, a psychopath who “vowed revenge” against his ‘friend,’ Fortunato, a gullible and prideful man addicted to wine, after withstanding the thousands of injuries Fortunato has caused him. On the other hand, “The Cask of Amontillado” has numerous amounts of foreshadowing and irony throughout, that discreetly helps develop and move the story’s theme of revenge along: showing Montresor’s dark, yet humorous personality and Fortunato’s tragic, inhumane, and ironic end.
Foreshadowing is a key component pronounced heavily throughout the tale that gives the audience clues of the character’s
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futures. To commence, Montresor, the narrator, initially informs the readers on his quest at revenge on his friend Fortunato and affirms his lone weak point his pride “on his connoisseurship in wine.” In other words, this statement foreshadows that Fortunato’s one big flaw can possibly end up being the ultimate factors to his fatal destruction. Moreover, once Montresor persuaded Fortunato to visit his family’s old catacombs where he kept a rare, precious bottle of Amontillado he toys with him and pretends to care for his health and well-being pleading: “Come,” I said, with decision, “we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill. And I cannot be responsible Besides, there is Luchresi–” “Enough,” he said; “the cough’s a mere nothing; it will not kill me. I shall not die of a cough.” “True–true…” This conversation Montresor partakes with Fortunato foreshadows yet another ghastly turn in Fortunato’s life by the chilling reply Montresor voices, “True–true…” to Fortunato declaration that he will “not die of a cough.” To explain further, this certain conversation contains foreshadowing because Montresor knows exactly how he, Fortunato, will die, which unquestionably, is not caused by a cough.
Lastly, once Fortunato and Montresor are exceedingly lured deep inside the filthy catacombs, Fortunato initiates to brag of his Mason status and how Montresor is discernably not part of the clan. Whereas Montresor argues otherwise and produces “from beneath the folds of [his] roquelaire a trowel” a sign signifying that he is not at all a Mason but nevertheless, in fact, a mason, a builder in stone. Montresor dark humor in playing with Fortunato shows the exact way, Fortunato will shortly decease, by being bricked alive. To conclude, foreshadowing is another important
part. Irony plays another chief role in the development of the characters’ and their personalities’. Initially, the reader acquires the knowledge that Montresor, the narrator, has plotted retaliation against Fortunato, “when he [Fortunato] ventured upon insult,” however he is not informed of the fact that he will soon perish shortly. In other words, when the audience is aware of something, the character is not conscious of, it is identified as dramatic irony. Furthermore, Fortunato’s name is as ironic as the story line. To clarify further, Fortunato is the Italian or Spanish form of the word ‘fortunate,’ yet once can observe right away that he is not as lucky as his name proclaims by the conclusion of the story. Additionally, the foreplay or costume that Fortunato settles on sporting the evening of the carnival was ironic: “The man wore motely. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells.” Strictly speaking, this carnival Fortunato attended typically allowed people to dress up as the person they would like or aspire to be. Taking that into consideration, Fortunato deciding to dress up as the joker because he would like to fool people was ironic for he declared Luchresi a fool when it came to tasting wines affirming “Luchresi cannot tell Amontillado from Sherry.” Yet, by the end of the story Fortunato, himself was not able to notice he was being was fooled and tricked by Montresor causing his joker costume to become ironic. All in all, irony is a major part of the story. All in all, situations and choices we make in our present life will become ironic and will eventually foreshadows the obstacles and the long journey we will encounter in the future. Then again, perhaps, Fortunato’s fate could have been different if he was humble, not drunk on wine and initially accepted Montresor’s invitation to go back to the carnival. However, either way, both characters, Fortunato and Montresor, can consider the wise and true advice that Michael K. Williams once affirmed, “Revenge is not a positive state of mind or energy to indulge yourself in.”
Though Fortunato is an intelligent wine expert, his expertise leads him to his death. In Italian the word Fortunato means fortunate, something that he is not by the end of the story. In “The Cask of Amontillado” Edgar Allan Poe uses foreshadowing and dramatic irony and verbal irony to show Fortunato’s misfortunes which eventually lead to his death.
Foreshadowing appears multiple times in The Veldt with two prime examples leading the way. The first case of foreshadowing comes in the form of screams emanating from the nursery. Lydia Hadley, George´s wife, says that the screams seem awfully familiar. Although they don't realize it then, those screams are actually the screams of a dying George and Lydia Hadley. These shrieks are played over and over again in the nursery
In Edgar Allen Poe’s tale, the setting of Montresor’s catacombs provides Montresor with a place where he can kill Fortunato with almost no evidence on who killed him, helping his attempt at making the perfect crime. The catacombs in “The Cask of Amontillado” are old with spider webs as well as “long walls of piled skeletons, with casks and puncheons intermingling, into the inmost rec...
In Edgar Allen Poe’s story The Cask of Amontillado the main character Montresor tricks his friend Fortunato into his catacombs and buries him alive. Edgar Allen Poe’s character commits this deed out of a need for revenge because of some hurt that was committed against him. Poe conveys this need for revenge through his attention to the small details within his story.
First, the journey that Fortunato and Montresor take is from the light and joy of a carnival through an underground tunnel that becomes darker, colder and more poisonous as they continue walking. Poe describes their descent into a "deep crypt, in which the foulness of the air caused our flambeaux rather to glow than flame," and talks about the nitre in the air around them as they go deeper underground and Fortunato comes closer to death. This slow, dangerous descent helps build suspense as the reader becomes increasingly aware of Fortunato's murderous plan.
"The Cask of Amontillado" is one of Edgar Allan Poe's greatest stories. In this story Poe introduces two central characters and unfolds a tale of horror and perversion. Montresor, the narrator, and Fortunato, one of Montresor's friends, are doomed to the fate of their actions and will pay the price for their pride and jealousy. One pays the price with his life and the other pays the price with living with regret for the rest of his life. Poe uses mystery, irony, and imagery to create a horrifying, deceptive, and perverse story.
Through the acts, thoughts, and words of the protagonists Montresor, the reader is able to feel the psychological torment that Fortunato is about to endure. The first line in the story Montresor said “The thousand of injuries of Fortunato I had borne as best I could, but when he ventured upon insult, I vowed revenge” (553). Revenge remains a constant theme through the entire story. Montresor went to great lengths planning the revenge and murder of Fortunato. He knows that during the carnival everyone will be dressed in costume, mask, and drinking. No-one will be able to recognize them. Montresor himself put on a “mask of black silk” (554) and a “roquelaire” (554). He has also made certain that his attendants’ would not be at home, to be sure that there are no witnesses to his horrendous act.
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.
Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go to great lengths to fanatically defend their honor.
Edgar Allan Poe is a famous writer in writing detective stories and horror stories. One of his horror stories, “The Cask of Amontillado” was talking about how a man took his revenge to his friend. However, to look deeply in this story, I found that this story was not just simply a horror tale about how a man gets his revenge in the safest way. Instead, it also demonstrates much irony in several areas: the title, the event, the season, the costume, the environment, the characters’ personalities, a man’s dignity and cockiness and at the end, the public order. he are
Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.
In “The Cask of Amontillado,” Edgar Allan Poe uses irony to develop his theme of a man who seeks salvation through repression. The narrator begins by telling us that Fortunato has hurt him. Even worse, Fortunato has insulted him. Revenge is another reoccurring theme throughout the story. He meets Fortunato, who is all dressed in jester clothes for a carnival celebration and is already extremely drunk. The narrator mentions he has found a barrel of a rare brandy called Amontillado. Fortunato expresses a lot of interest in verifying the wine’s authenticity. The author, Edgar Allan Poe, writes of Fortunato and Montresor 's revenge. “Montresor is compliant with Fortunato, and they both are prideful, but they both downfall into a horrific ending. The use of language by Edgar Allan Poe supports the understanding of the relationship between the two men “(Poedecoder). Despite the two men sharing common characteristics, one desires
Montresor is planning on seeking revenge on a man who wronged him named Fortunato; however, in order to carry out his plans he “gives explicit orders [to his attendants] not to stir from the house” (118). Through telling his attendants not to leave the home he knew with certainty they would vacate in the blink of an eye. With the usage of irony in his story, Poe displays Montresor’s mastery of manipulating his attendants showing to the reader the more atrocious side of the human mind. Carrying on with the “The Cask of Amontillado”, Montresor’s manipulative and wicked characteristics come to full front when Fortunato ironically comments about the stupidity of his rival. As they are walking about the catacombs, Montresor comments,“herein is the Amontillado.
Revealed from the murderous view of Montresor, Poe’s “The Cask of Amontillado” tells a story of thoroughly operated revenge against his friendly rival Fortunato fulfilled by manipulation, and verbal irony throughout the story.
“The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge”(77). The short stories main character, Montresor, gave this quote to an unknown person about his adversary, Fortunato. Montresor swears to himself that he will take revenge on Fortunato. The Cask of Amontillado, written by Edgar Allen Poe, tells the story how Montresor lures Fortunato to the catacombs to implement his plan. Montresor’s revenge is premeditated, in hopes of successfully murdering Fortunato.