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Literary Analysis of a Midsummer Night Dream
A midsummer night's dream characters analysis
Problems in A Midsummer Night's Dream
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Fool’s Essay First Draft A Midsummer Night’s Dream is a play that is chock full of comical fools. In this comedic play by William Shakespeare, there are three main groups of characters. These are the nobles, the fairies, and the mechanicals. The Nobles are powerful people from Athens. The Fairies are magical beings that roam the forest. And finally, the Mechanicals are low in power, foolish people that are also from Athens. Among these groups of characters there are many different types of fools. For the purposes of this essay, the word fool can be described as someone who does silly things to get people to laugh with him. Robin Goodfellow is extremely foolish in this play because he is the main jester to Oberon, and he performs pranks on people. The first reason as to why Robin is a fool …show more content…
in A Midsummer Night’s Dream is that he is a jester, or clown who works for Oberon. Robin admits he does this when he converses with a fairy in the magic forest. “I jest to Oberon and make him smile” (2.1.46). Here, Robin fully admits that he identifies as a jester and comedian to Oberon. Later in the story, Robin shows that he is not only a jester to Oberon, but also a servant. One example of Robin serving Oberon is when Oberon instructs Robin to fetch him the magical love flower. “Fetch me this herb” (2.1.179). Robin then replies that he could “Put a girdle round about the Earth/In forty minutes” (2.1.181), implying that he could run around the Earth to get the herb in no time. This is the first example of Oberon asking Robin to complete a task for him. Robin agrees with no hesitation saying that he would get the herb as fast as possible. Another example of Robin following Oberon’s instructions is when he is told by Oberon to anoint the eyes of an Athenian to help solve that man’s love conundrum. “Anoint [the Athenian’s] eyes” (2.1.269), Oberon says to Robin. Robin then follows this order. “He anoints Lysander’s eyelids with the nectar” (2.2.86-87 SD). Robin tries Oberon’s instructions here, but due to Oberon’s unclear instructions, Robin ends up anointing the eyelids of the wrong Athenian man. This causes a great deal of pandemonium to occur with the four lovers and also makes Robin look like even more of a fool. Robin’s jesting and serving to Oberon is one of the main reasons why Robin is classified as a fool in A Midsummer Night’s Dream. Another way Robin is foolish in A Midsummer Night’s Dream is when he pulls pranks on different people. Robin describes one of his pranks where he disguises as an apple in a drink. “And sometimes lurk I in a gossip's bowl.../And when she drinks, against her lips I bob/And on her withered dewlap pour the ale” (2.1.49-52). This is one of Robin’s many pranks in which Robin performs to both entertain himself and presumably Oberon. Robin describes another prank in where he pretends to be a stool. “Sometime for three-foot stool mistaketh me;/Then slip I from her bum, down topples she” (2.1.54-55). This is another playful prank that Robin pulls in order to gain laughs and attention from Oberon and others. Robin’s biggest prank he performs over the entire story is when he transforms Bottom’s head into that of a donkey’s. “Enter Robin, and Bottom as pyramus with the ass head” (3.1.103-104 SD). This is a trick that Robin does on Bottom, who he spots when he is walking around the forest. Bottom’s head being transformed causes all of Bottom’s friends to run away in fear of him. The viewing of this event probably gave Robin good pleasure. Robin performing these pranks on Bottom and other townspeople cements the claim that Robin is a fool. Robin is the biggest fool in A Midsummer Night’s Dream due to the fact that he is the main jester to Oberon and he pulls various pranks on different people.
Throughout the play Robin clearly demonstrates that he is a fool. Some examples of this is when he pretends to be a stool, turns Bottom’s head into a donkey or when he jests to Oberon. Also, Robin contributes two main points to the plot of the play. One of these is one of the large comedic aspects of the play when he turns Bottom’s head into a donkey. This, in turn, causes Bottom to fall in love with Titania which is a very funny part of the play. Robin also causes one of the main conflicts in the play. This is when he accidentally anoints the eyes of the wrong athenian man. This cause absolute craziness to occur in the forest where Demetrius and Lysander are in love with Helena. Both of these incidents are major plot points and are both caused by Robin. In conclusion, Robin is one of, if not the biggest fools in A Midsummer Night’s Dream and he is a major contributor to the plot of the play. Robin also teaches people that not all fools are people that nobody likes, but can infact be someone who people laugh with, and not
at.
“Love looks not with the eyes, but with the mind, and therefore is winged Cupid painted blind. ” (Pg. 18). By creating a comedy using both dramatic and situational irony, Shakespeare was able to get the true meaning of A Midsummer Night’s Dream across to his audience: “love is blind”. When using situational irony, the readers were often tricked into believing in different outcomes to certain events in the story. With dramatic irony, on the other hand, it was used mainly for a comedic effect, rather than creating a plot twist for the audience. By creating a comedy using these two types of irony, Shakespeare was able to deliver his message of the true meaning of love.
Exerting the type of power that is influenced by malicious intentions can cause one to make decisions that are not beneficial to others. A Midsummer Night’s Dream is written within a time period and setting that favors men instead of woman. In other words, men have all the authority to control the events that occur in their own lives as well as the lives of others whom are considered insignificant. The plot displays the catalysts that ignite many characters’ desire for control that is misused by higher status people. Shakespeare’s use of characterization demonstrates how the wanting of control causes the characters to act irrationally through the misuse of power. Shakespeare’s use of setting, plot and characterization causes the ordeals that the characters ultimately face. In turn, the deceitful choices of a few individuals with status impacts whether the lives of lower status people are enhanced.
There are “the lovers”: Lysander and Hermia, Demetrius and Helena (there are other lovers, but these lovers are the main focus of the story). This is a comedy, so in the end they all end up with who they belong and live happily ever after as do all archetypal lovers in comedys. Shakespeare dives even more in archetypal depth than that. There are the clowns, or what might be called “the fools”: Quince, Snug, Bottom, Flute, Snout, and Starveling. They are poor in wealth, they are poor actors, and lack a reasonable amount of common sense, which is shown when they feel the need to explain themselves in the play. Any rational person knows that it is just a play and that the actors are not actually experiencing the events they are acting out, but they are "the fools," who are never rational. They decide it is a good idea to make sure the audience knows that it is not real, which is clearly absurd. Even within their group there is the ruler or leader of the fools, Bottom. He even gets his chance at being a more powerful ruler when Titania falls in love with him. He orders around the fairies like servants and is an ass both literally and figuratively, the kind of foolish ass of a ruler that would abuse his servants and subjects. Oberon is “the magician”, who is pulling the strings and basically conducting the whole play from the background. He decides who loves who, and orders his servant, Robin Goodfellow/Puck to conduct business for him. Puck is slightly mischievous, and although he messes up on accident, he doesn’t hesitate to sit back and laugh at the trouble he has caused, which earns him the archetype of “the
In conclusion, in A Midsummer Night’s Dream, Shakespeare effectively uses the motifs of the seasons, the moon, and dreams to show that love, irrationality, and disobedience directly cause chaos. By calling to mind the seasons in unnatural order, describing the moon behaving strangely, and discussing the dualistic, irrational nature of dreams, Shakespeare effectively evokes a sense of chaos and disorder. Linking each of these motifs to the themes of love, irrationality, and disobedience allows Shakespeare to illustrate the disarray that is bound to result from any romance.
A Midsummer Night’s Dream is one of Shakespeare’s most popular and frequently performed comical plays (Berardinelli). The play transformed into a cinematic production by Michael Hoffman has not changed in its basic plot and dialogue, but the setting and some character traits have. The play setting has been gracefully moved from 16th century Greece to 19th century Tuscany (Berardinelli). The addition of bicycles to the play affects the characters in that they no longer have to chase each other around the woods, but can take chase in a more efficient fashion. As far as characters are concerned, Demetrius is no longer the smug and somewhat rude character we find in act 1, scene 1 (Shakespeare pg. 6, line 91), but rather a seemingly indifferent gentleman placed in an unfortunate circumstance set to delay his wedding to Hermia. Perhaps the most noticeable change in the character set from stage to film occurs in the characters of Puck and Nick Bottom.
Author of thirty-seven plays and 154 sonnets, William Shakespeare has been known to us as one of the most influential writers of English literature. Written in the mid-1590s, Shakespeare gave birth to A Midsummer Night’s Dream, which is still considered to have been his most strangest and delightful creation yet. The play reveals to us the magnitude of his imagination and originality. Contrary to many of his other plays, A Midsummer Night’s Dream doesn’t seem to have been stemmed from any particular source, though some believe it was written for and performed at a private aristocratic wedding with Queen Elizabeth I in attendance. Some critics have even speculated that it was Shakespeare’s light hearted and silly version of Romeo and Juliet. However, no evidence has ever been found to prove either theory.
In A Midsummer Night's Dream, one of the masterpieces of William Shakespeare, Shakespeare explores various aspects of love and friendship. With the help of the main characters such as Lysander, Demetrious Helena and Hermia, he endeavors that the path of love is full of obstacles, however, if one is committed and faithful, he/she can defy those obstacles leading him/her to success. As Lysander says “The course of true love never did run smooth”, the love stories presented in the play undergo difficult situations but eventually the genuine love is recognized by the triumph of the true loves.
Stereotypes are commonly held beliefs that most are all individuals sharing a given trait also should or do share other attributes to be associated with aspects such as race, religion, and physical qualities. In Shakespeare’s “Othello” and “A Midsummer Night’s Dream”, he uses stereotypes to embody the characteristics of the stereotypical female according to society’s liking. The women in both “Othello” and “A Midsummer NIght’s Dream” are loyal and faithful. Women are bound by respect and loyalty to the men they love. Shakespeare has drawn a line concerning gender roles and the consequences of violating these positions (Bevington, 2014). Women seem to be victimized by society’s influence as they yield to these stereotypes that shape the
Comedy in A Midsummer Night's Dream "why do they run away? This is a knavery of them to make me afeard. "(3.1.99) This is a quote from the Shakespearean play "A Midsummer Night's Dream. " In this quote, the speaker, Bottom, is wondering why everyone is afraid of him.
In Shakespeare’s masterpiece, A Midsummer Night’s Dream, he shows the audience his understanding of duality and how he blurs the two together. One example of duality that is very prominent in this play involves the relationships between the fairies and the mortals. Throughout the play, the audience can see the intervention of the fairies in the mortals’ lives, from Puck’s trickery on Bottom to the fairies meddling ways on the Athenians’ love lives, it is illustrated that the fairies in the play maintain a sense of omnipotence while the mortals lack control over their own lives.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
The Role Of Puck in A Midsummer Night's Dream & nbsp; The role and character of Puck, or Robin Goodfellow, in A Midsummer Night's Dream, is not only entertaining, but quite useful. & nbsp; William Shakespeare seems to have created the character of Puck from his own childhood. In Shakespeare's time it was believed that fairies and little people did exist. Whenever something went wrong around the farmyard or house or village, incidents such as buckets of milk ‘accidentally' spilling over, or tools suddenly disappearing, or doors opening for no reason, it was blamed on ‘ those damn little people are amazing! i.e. a sym & nbsp; The idea of Puck's character is a lovely one. One can't help but be attracted to him and his innocent, little pranks. He is also known by the name Robin Goodfellow. The audience can only see this ‘Robin Goodfellow' side of. Puck when he is trying to fix something he disrupted, hence the name Goodfellow. & nbsp; When compared to Oberon, King of the Fairies and Titania, Queen of the Fairies and the remaining fairies of the play, Puck does not seem to fit in as well. well. While Oberon and Titania belong to the forest and the world of dainty fairies, a small village setting seems more appropriate for Puck. He is the type of fairy that likes to be around mortals and cause them trouble, as opposed to the snare. to other fairies. This is why Puck's little job with a love potion and a young couple is perfect for him and perfect for the job. & nbsp; Puck is a likable character who tends to create mischief around himself.
The Role of the Fool in Twelfth Night by William Shakespeare In English Literature, a fool is a person professionally counterfeits. folly for the entertainment of others. They are always regarded as comic figures, which provide mediation under tensional circumstances. As Twelfth Night is an atypical romantic comedy, the jester is not the.
The Role of the Fairies in A Midsummer Nights Dream Introduction = == == == ==
What do you imagine when you think of a fool? You may think of clowns, or a court jester of ancient times. They only exist to entertain us by way of self-deprecation and slapstick humor. You may also assume that the mechanicals in “A Midsummer Night’s Dream” are fools as well. However, this is not the case. The Mechanicals help relieve tension, builds plot and elaborates on the main theme. All of these reasons helped contribute to their practicality, at least in Shakespeare’s eyes.