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Greek mythology and free will or fate
Essay of Antigone by Sophocles drama
Essay of Antigone by Sophocles drama
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Recommended: Greek mythology and free will or fate
Antigone is a tragedy written by Sophocles with a general theme of fate versus free will. Within the play, there is a character named Creon who is the king of Thebes. Creon is Antigone’s uncle, and makes the decision to not allow the burial of Antigone’s brother, Polyneicês. This outrages Antigone, the female protagonist, and causes her to decide to bury Polyneicês herself. Antigone is then left to face her future that may be controlled by fate or free will. The concept of fate versus free will is contrasted throughout the play and is demonstrated through the characters of Antigone and Creon. Fate is essentially the will of the gods, and Antigone understands this concept. Although Antigone and Creon may believe they have acted on their own …show more content…
The constraint of fate was not a fear or problem for Antigone, and she acted with her own set guidelines and rules. Antigone is a character with incredible self-determination, which is greatly seen in her actions throughout the play. Antigone is able to recognize her fate when she decides to act upon her self-determination, and bury her brother. When Creon is informed that Antigone has gone against his orders and buried her brother, he is furious. Creon decides Antigone’s fate for her when he sends her to her death. However, Antigone bravely states to Creon, “I knew that I must die–how could I not? / even without your edict. If I die / before my time, I say it is a gain” (460-462). This statement truly exemplifies Antigone’s recognition of her fate due to her actions. Antigone is stating that she knew of her tragic fate of death, and accepts that this is her destiny. The will of the gods is more powerful than Antigone’s actions, and she knows that she cannot do anything to change this. Therefore, Antigone decides to act on her free will by burying her brother. She knows that this action will result in a penalty of death, but she also can recognize that she’s destined to death by fate. Antigone’s self-determination and recognition of fate drive her actions and ending of a tragic …show more content…
Creon had the opportunity to change his fate; although he was destined to ignore the warnings given to him. When Creon dismisses his son and Teiresias’ advisement to free Antigone and her sister, his fate is destined for him. The chorus sings to Creon, “Quick as you can. The gods move very fast/ when they bring ruin on misguided men” (1103-1104). The chorus is warning Creon that his fate will not end well for him if he does not free Antigone and Ismene. However, Creon’s fatal flaw is his stubbornness, which causes him to not live a god-fearing life. Because of this, Creon does not obey the gods and is destined to his tragic fate. It is made clear that fate is inevitable for both Antigone and Creon. However, it is how they chose to accept their fate that makes their characters different and unique. Antigone choses to act upon her free will and bury her brother, because she recognized her inevitable fate of death. In contrast, Creon was blinded by his own arrogance and therefore unable to foresee his tragic
The plot revolves around a story of Antigone’s struggle to give Polynices, her brother, his final rights by giving him a proper burial, despite the fact that Creon has forbid for anyone to do so as Polynices was a traitor to Thebes and its people. One major struggle throughout the play is the apparent conflict between Antigone and Creon. Creon and Antigone have temperaments that clash with each other. Antigone values passion while Creon values the state. Although they have very different values, Antigone and Creon have very similar personalities. They are both stubborn, independent people who are so similar that they can never see eye to eye on issues. Both Antigone and Creon are filled with pride and passion in their beliefs. These traits can be considered both very advantageous and moral as well as being a negative trait that represents the stubbornness in human beings. Antigone and Creon are incredibly proud, making it impossible for either one to concede defeat once they have taken a stand for what they believe in. As stated by Tiresias “stubbornness brand...
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
Not understanding or listening to the opinion of others can frequently have unfortunate consequences and even lead to tragedy. In the play, Antigone, written by Sophocles, the two main characters, Antigone and Creon, both failed to listen which led to the death of several people. It was exhibited how important it is to acknowledge the truth and this was the central theme of the play. The conflict between Antigone and Creon started because they had opposing viewpoints of whether or not Antigone’s brother, Polyneices, should have been buried after he died in battle. Antigone strongly believed that Polyneices should have because it was the law of the gods and they are eternal, while man’s laws are not. However, Creon, on the other hand,
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In the play Antigone, created by Sophocles Antigone is a foil to Creon because their personalities contrast. This makes Creon a Tragic Hero because he thinks that he is a god but in reality he is a mortal upsetting the god's and he will eventually meet his demise. At the start of the play the reader is introduced to a character named Creon, who is the king of Thebes, the previous king, Eteocles, was killed by his brother Polyneices. There is a law arranged by Creon, so nobody could bury the body of Polyneices but Antigone, the sister of both Eteocles and Polyneices, wants to bury her brother and is willing to risk her life to bury him. She eventually gets caught and is sentenced to death by Creon.
But Antigone isn't afraid of Creon or the consequences that face her if she goes against his ruling. Creon knows that Antigone would not back down, she shows him that she is not afraid of the consequences but yet still he wants to prove himself that his word is law even if the gods advised him that he would lose everything important to him. Creon is in a position of great power, influence, and responsibility. The extent of his power is quite clear when he sentenced Antigone to death for disobeying his order. Antigone's reasons for burying her brother were simply the fact that she was demonstrating her love, honor, and loyalty to her family.
In complete disregard to Creon’s threatening laws, Antigone knowingly risks capital punishment and seals her fate by choosing to bury Polynices out of respect for Theban tradition. Antigone declares her independence by stating that “[she] will bury him [herself]. And even if [she] die[s] in the act, that death will be a glory,” (85–86). She takes full responsibility for her own actions, and recognizes that her inevitable death may come sooner than planned due to this deed. Antigone’s self-governing demeanor and ability to make her own decisions allows her to establish the course of her future. She self-determines her destiny by not sitting idle and working hard to honor her family. Antigone’s bluntness towards Ismene while trying to convince
Wiz Khalifa once said, “Never make permanent decisions on temporary feelings.” Some students may believe that Antigone was the tragic hero in the story, but the real tragic hero is actually Creon for many reasons. Some describe a tragic hero by whether they are heroic or born into nobility, but in the story he is portrayed as the antagonist. In the novel, “Antigone” written by Sophocles, Creon becomes the tragic hero by forbidding the burial of Polyneices, imprisoning Antigone for his own good and believing that he is the only one that can control the law.
If Creon is not so narcissistic, he could escape his downfall by listening to Teiresias’s advice. Instead, Creon decides to ignore the warning signs because he feels that the “prophecy is for sale” (v 60) In disregarding Teiresias, Creon forces the Gods to act by punishing him for his wrongdoings. Creon’s punishment is one of much peril that forces him to rethink his views and the views of the Gods. “Fortunate is the man who has never tasted God’s vengeance! Where once the anger of the heavens has struck, the house is shaken forever” (Ode 2 1-3). This is foreshadowing to Creon’s situation and is giving insight that him and his family will be cursed. While he is always one to critique others, Creon can never seem to take his own advice. While talking to Antigone, he criticizes her by saying “and yet you dared defy the law” (ii 56). The irony is very prevalent in this statement because Creon defies the laws of the God’s, which are of much more importance than his own laws. Creon’s arrogance inability to take his own advice leads him to anger the Gods and set himself up for
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Creon a new king of Thebes, demanded that Antigone shall not bury her brother Polyneices and yet she buried him anyway. Creon thinks that Polyneices is a betrayer and he did not deserve to be buried and should be fed to the animals. Antigone follows orders from the gods, but she does not seem to listen to Creon's laws. This causes Antigone to hang herself and her husband after that, hangs himself too. The only one left of her family is her sister who escapes the curse, but she has to deal with the suffering of her family. After hearing about her son’s death, Eurydice(Creon’s wife) kills herself too. In the end the chorus learned that Creon made a mistake not letting Antigone bury her brother. On page 55 it says, “Future is in greater hands.” This is saying your fate can not be changed and your fate is chosen before you are even
We come to know of Antigone's plan to bury her brother in the prologue. She confides to Ismene that she knows of Creon's edict, but that she intends to defy it. At Ismene's protests of not defying the king's orders, Antigone states that there are higher obligations to the dead and the gods. She points out (lines 85 - 91): "I will bury him myself, and even if I die in the act the death will be a glory. I will lie with the one I love and loved by him - an outrage sacred to the gods! I have longer to please the dead than please the living here: in the kingdom down below I will lie forever. Do as you like, dishonor the laws the gods hold in honor." Antigone feels it is her duty to bury her brother and is in her view fulfilling a higher law. She believes that she is acting according to her religious duty and that she cannot dishonor the laws the gods have established. Here Antigone appears to be a selfless and compassionate individual, willin...
This play, Antigone, was titled after one of the play’s main characters; however, the title could have been “Creon”, due to Creon’s influence throughout the play. Creon was a major influence to the play’s plot as it involves Creon within a majority of the scenes, from beginning to end. Throughout the play Creon’s tragic countdown is expressed, beginning with him as king of Thebes to the death of his beloved family. Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow. Being titled “Antigone”, does not accurately express the play’s content as Creon’s tragic fate is actually being described and represented.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
In Sophocles’ Antigone, Creon and Antigone, through their free-willed actions establish their own unavoidable fate. By striving to rule in fairness of judgment, Creon defies the laws guiding the burial of the dead when he declares death to anyone who dared to bury Polynices (Lines 25-43). On the other hand, Antigone, with respect to the laws of the gods, and family honor, defies Creon’s orders and buries her brother Polynices (lines 451-492). In this context, we see that both characters are aware of the consequences of their actions: Creon, with knowledge of how the gods doomed Oedipus’ due to defiance, and Antigone Knowing the price that came with laying her brother to rest. Regardless of knowing these consequences, both characters exercised their desires of free-will, and for that, they paid the price of a tragic hero with Antigone’s death, and the death of Creon’s son. Again, just as in Oedipus Rex, we witness fate being the results of free will, but this time around we also see fate as an outcome generally accepted by the characters when they choose free will in opposition to abiding to the