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Dracula blood symbolism essays
Analysis of draculas character
Dracula literary analysis essay
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The Count and his Embodiment of Evil
The ominous demeanor of Dracula leads to visions of the devil defined as personification of whatever is perceived in society as evil. “By this the children of God and the children of the devil are obvious: anyone who does not practice righteousness is not of God, nor the one who does not love his brother” (I John 3:10) Evil according to a Christian worldview is any action, thought, or attitude that is contrary to the character or will of God. Therefore, Dracula is the embodiment of evil. Bram Stoker's novel and movie displays evil through the character, Dracula, with the use of supernatural abilities, dark settings and the sinister practices of vampires.
Dracula has abilities like no other. Shapeshifting
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is one of the many superhuman powers that Dracula possesses. He slips through cracks, takes over victims, intercepts the presence of someone without their acknowledgement, as well as transforms into many carnivores, mist or fog and occasionally a demon. While Mina is in the asylum, Dracula demonstrates his abilities when he kills Renfield and goes to Mina as mist while she was looking towards Carfax Abbey. Dracula is no stranger to strength and speed either, after he was given finesse by the devil. In chapter 2, Jonathan Harker writes about witnessing Count Dracula climb down the wall in a lizard fashion. (Stoker, 3, 26) Additionally, the movie, “Bram Stoker’s Dracula,”validates the skills when he pulls out a sword quick as a young fierce warrior, ready to kill Jonathan Harker and moreover, after Dracula stabbed the cross with a sword. Darkness sets the ambiance for an evil entity, Dracula, that is, where he feels the most power.
In the Bible, John 3:20-21, it says “For everyone that does evil hates the Light, and does not come to the Light for fear that his deeds will be exposed.” The reason Dracula does not come out in the light is because God is the light, and Dracula is the opposite of God, he follows devil and thrives on evil thoughts and actions. While humans are in their weakest state, the Count masquerades in anguish deeds in murky, unnerving environments. Harker finds Count Dracula to be a pale, gaunt, thin man, rather strange, and Harker is mortified when, after accidentally cutting himself shaving, the Count lunges at Harker's throat in "demoniac fury Harker is shaving, his host's voice startles him, and he cuts himself. Then two unexplainable, horrible things occur. Harker realizes that, first, there is no reflection of Count Dracula in the shaving mirror; and second, when the Count sees Harker's fresh blood trickling from his chin, his eyes blaze up "with a sudden demoniac fury," and he lunges for Harker's throat. Renfield fell victim to Dracula as he fed on him multiple times and turned him into a slave for himself. Then, amidst the howling wolves in the distance, Jonathan Harker was swept up onto a horse drawn carriage by a mysterious driver with a unforgettable, heart-gripping handshake, that thrusted Jonathan into spin-chilling ride. Without adjournment, the driver flies off the
carriage into a pack of running wolves and returns to the reigns of the carriage to continue the journey as he is later sequestered to the castle. Vampirism, the ability to turn people into vampires by feeding on their blood while keeping the them alive, is paramount, as illustrated when Lucy Westenra was a victim as she was subjugated at first bite. Dracula clutches his victims through hypnosis and in that intimate moment he feeds on them and wins their soul for Satan. Vampires are known to be callous, without a soul and has no reflection or shadow. This is why they are related to the devil and evil. In Chapter 2 Jonathan is shaving his face with a mirror that Dracula shatters because he cannot be seen in it, this leads to the infer that Dracula has no soul. With the Count having no soul, it shows why Dracula is so evil, because he does not know any right. Dracula doesn’t have regret because guilt comes from God through the Holy Spirit that enters the soul. The evil doings that Dracula did was drinking human blood, and giving that infant child to his wives for them to feed on. To the reader, knowing that Dracula is a vampire without Jonathan Harker is realizing or realizes it makes the whole book more intense.
Anyone who has ever seen one of the several adaptations of Dracula as a movie will know that it was intended to be a horror story. Stoker goes to great lengths in order to create an atmosphere of terror and villainy, while hinting at exciting things to come. Straight from the beginning of the book, foreshadowing is utilized to hint at horrifying future events. As Jonathan Harker was about to depart for Castle Dracula, an old lady accosted him and said, "It is the eve of St. George's Day. Do you not know that to-night when the clock strikes midnight, all the evil things in the world will have full sway?" (Stoker, 4). However Harker leaves anyway, despite the warning. Thus the reader is fully aware that something awful is going to happen to him. This quote makes one's mind think of possible future events, thus creating imagery. Every writer aspires to create good imagery, and Bram Stoker is particularly good at doing so.
Throughout many types of literature, violence exists to enhance the reader’s interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it were lacking violence. So to holds true to that of the movie. The movie bares different characteristics then that of the book. First off, the whole ordeal with the wolf escaping and jumping into Lucy’s, room and Lucy’s mom having a heart attacked is never even mention in the movie. Second, The night when the four men go to Lucy’s grave and find it empty is stated both in the book and in the movie however what unfolds after this is different. Finally, the end of the book differs severely from what Francis Ford Copolas rendition and that of the Bram Stoker see it to be. The differences are as follows…
A belief against religion was evil; therefore one who was not devout would be deemed bad or wicked. Dracula, was as evil as a creature gets and a nightmare for the pious; he was a symbol of an Anti-Christ and could even be called Satan. “I drew away, and his hand touched the string of beads which held the crucifix. It made an instant change in him, for the fury passed so quickly that I could hardly believe it was ever there.” (Stoker 24-25).
...l. After discovering this, Van Helsing, Dr. Seward, Quincey, and Arthur hunted her, and killed the evil soul that had taken over her body. She then truly dies and is left in her natural, humane state. Also, Jonathan facing Dracula is another example of good versus evil, as seen when Jonathan wrote that “when the Count saw [his] face, his eyes blazed with a sort of demoniac fury, and he suddenly made a grab at [his] throat. [Jonathan] drew away, and [the Count’s] hand touched the string of beads that held the crucifix.” (21). Jonathan unknowing put himself in danger by entering the Count’s castle, in which there was only evil. He could only protect himself by possessing religious objects, of which the Count, a demonic character, was afraid of. Good and evil was also demonstrated through the relationship between kind and purely good characters opposing evil characters.
Throughout the extract, there is an array of adjectives used to portray Count Dracula. Lines 39-42 is a long description of his hands, and his hands only. Harker describes them as “coarse and broad with squat fingers… The nails were long and fine and cut to a sharp point”. He uses 10 adjectives in the first 2 sentences, which is not commonplace for a sentence. The long description of his hands suggests that he finds his hands shocking or appalling. The words used seem to denote someone that is not human, or alien like. As he is overly describing the hands it is likely that Harker felt uneasy about the hands, as he painted a very detailed image
Throughout many types of literature, violence exists to enhance the readers interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it was lacking violence. Dracula's power and evilness led to the violent happenings which began with the conflict of Jonathan's inner struggle, as compared to the conflict which blossomed later on with good versus evil.
In the novel, Dracula, Bram Stoker puts together a variety of characters with several characteristics that are unique and somewhat alike in many ways. One way that some of the characters are similar is that they show signs of being a degenerate. A degenerate is a person who has sunk below a former or normal condition and lost normal or higher qualities. These people most likely have mentally and sometimes physically become deteriorated to the point where they no longer can think and function as a normal person would. Two characters in the novel that stand out as degenerates are Dracula and Renfield. Both are degenerates in their own ways and also have characteristics that are in some ways the same. They follow most of the traits that degenerates contain and portray it throughout the novel.
Stoker has rendered the reader to see the Count as physically strong and powerful, through Jonathan Harker and his confinement and Lucy Westenra and her failing health. Although the reader does not understand all the omniscient powers and control that Count Dracula possesses over people, they are brought to light through Dr Steward’s accounts of his patient R.M. Renfield. The ‘strange and sudden change’ (Stoker, 86), that has happened in Renfield evokes the reader to contemplate the Count’s influence over people. Dr Steward suggests it is as though a ‘religious mania has seized’ Renfield (Stoker, 87), and is controlling him. The reader is aware that Renfield can feel the Counts presence and that there is a connection between them. This eventually leads Van Helsing to recognize the bond between Mina Harker and the Count, which helps them to find Dracula and finally kill him. Dracula’s invasion over Renfield also reveals a weakness in the Counts power. Renfield, an obedient servant of Dracula, claims he is ‘here to do Your bidding, Master. I am Your slave’ (Stoker, 88). Renfield’s devotion is quickly reversed when he sees that the Count is taking life from Mina. It is his care for her that causes him to turn against Dracula and try to fight for her. Again Renfield’s actions mimic that of the other men as it becomes their goal to save Mina from the invasion running through her body. The key to this invasion is the blood.
“Are not two sparrows sold for a farthing? And one of them shall not fall on the ground without your Father. But the very hairs of your head are all numbered. Fear ye not therefore, ye are of more value than many sparrows.”--Matthew 10:29-31.
Contemporary history, in the case of England and Ireland, insinuates that conflict is a primary mediator between two countries. With this in mind, outlining the relationship between England and Ireland is simplified. The relationship between these two countries becomes more of struggle between dominance and submission. Hyper-exaggeration would make it appear that England had intentionally colonized Ireland with the intent of ruining their culture. Bram Stoker’s Dracula looks at these three events from the perspective of an entity that no one doubt’s is evil. Dracula is a representation of the kind of evil that likes to watch the world burn. Dracula instigates all of these events for the joy of watching what happens afterward. According to author Mathias Clasen a vampire “is a supercharged predator, a fierce beast reminiscent of ancestral predators to which we are hardwired to attend, the kind with sharp teeth and homicidal intent.” (2) There is no confusion on Dracula’s part, he knows what he is and relishes it. Without this pretense the world around him see’s him for what he...
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
Justice. According to Merriam-Websters dictionary Justice “the process or result of using laws to fairly judge and punish crimes and criminals” (Justice). In the two books, Dante’s Inferno and Stoker’s Dracula, different levels of fairness and morality. Dante’s Inferno tells the story of many souls who were condemned to the afterlife in Hell. In Stoker’s Dracula, Dracula is followed by a group who are trying to bring justice to the monster Dracula. This essay will analyze the two texts on how justice is portrayed on the author’s writing and character's actions.
Dracula is truly a masterpiece of gothic literature. It encompasses all aspects that are vital to Gothicism and executes all perfectly. Stoker adds the element of darkness which clearly intensifies the foreboding ambience and he reflects it on every aspect of the book. The theme of superstition and the supernatural that centres on the villain creates an air of ambiguity and uncertainty concerning Dracula. This uncertainty causes a fear in the reader which enhances the gothic genre of the novel. Finally, the same uncertainty that clouds the supernatural elements of the novel drift into the characters understanding of what is real and what is not. This doubt amplifies the gothic foundation of the novel. Though these themes and examples, it is clearly seen that the widely read and respected book, Dracula is an exemplary form of gothic literature.
‘Dracula’, by shake& stir is a gothic horror play that explores a story of a vampire and his quest to find true love. The play focuses on themes such as; love, violence, relationships and supernatural creates. Through these themes, the performance generates extreme contrasts on stage such as light vs dark, abandonment vs entrapment and good vs evil. These contrasts manipulated the elements of drama such as space, time, place and movement. All in all this generated meaning around the themes of the play and the hidden meaning in a formerly emotionless vampire’s search for true love. This created the contrasts on stage which created an effective impact on the audience.