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The Cask of Amontillado by Edgar Allen Poe use of irony
The Cask of Amontillado by Edgar Allen Poe use of irony
The Cask of Amontillado by Edgar Allen Poe use of irony
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Edgar Allan Poe’s short story, “The Cask of Amontillado,” is a thrilling and a suspenseful tragedy filled with irony. At the beginning of the story, the protagonist, Montresor explains how he desires for revenge. “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge.” (233). He warns the reader something unfortunate will happen to the antagonist, Fortunato. The story follows two wine connoisseurs throughout the night as they walk through the dark catacombs. “The Cask of Amontillado,” includes verbal, situational, and dramatic irony, which causes the reader to experience suspense, confusion, and horror.
Poe’s use of verbal irony emphasizes Montresor’s plan to kill Fortunato. For example, Montresor says, “My dear Fortunato, you are luckily met!” (234). Montresor is lucky to meet Fortunato because he plans is to kill him. However, it is obvious that Fortunato is unlucky to
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have run into Montresor. Also, as Fortunato begins coughing, Montresor states, “Come, we will go back; your health is precious.” (235). Montresor neither cares for Fortunato’s health nor has intentions of turning back. He is luring Fortunato to see a cask of wine that does not exist; it is a subterfuge to execute Fortunato’s immolation. Finally, Fortunato throws his bottle upward in a gesticulation that Montresor does not comprehend. Since he does not understand, Fortunato says,“‘You are not of the Masons.’ ‘Yes, yes,’ Montresor replies, ‘yes, yes.’ ‘You? Impossible! A Mason?’ ‘A mason.’” (237). Here, Montresor alludes to the fact that he is a type of mason; ironically, he will be entombing Fortunato within the catacombs. Though the suspense of verbal irony is the most obvious; situational irony brings more mystery to this tragedy. “The Cask of Amontillado” is filled with suspenseful situational irony, which focuses on how Montresor performs the unexpected.
While Montresor leads Fortunato into the vaults to see the non-existent cask of wine, Fortunato does not realize he is about to his “cask.” Ironically, the word “cask” is derived from the same word used to form “casket.” This idea was hidden within Poe’s writing as Montresor plans revenge against Fortunato. Secondly, Montresor then describes how he plans to kill Fortunato; however, the reader assumes a sudden death. To the audience’s surprise, Montresor plans an unpleasant death by burying him alive in the catacombs. Lastly, Montresor states, “My heart is sick, it must be from the air.” (238). This quote is ironic, because putting Fortunato’s life to an end does not sicken him as much as the air does. He is a corrupt and evil man, who does not regret any actions he has made. While situational irony takes the reader by surprise, dramatic irony brings thrill and curiosity to the thoughts in Montresor’s
mind. Dramatic irony reveals Montresor’s thoughts about Fortunato. At the beginning of the story, Montresor states, “I must not only punish, but punish with impunity.” (233). Montresor says he is retaliating against Fortunato because of an insult. Since, Montresor never explains what Fortunato said, virtually Fortunato dies without ever knowing why. “I drink,” Montresor said, “to the buried that repose around us.” “And I to your long life.” (235). Montresor’s toast to Fortunato’s “long life” informs the audience that Fortunato will die, though Fortunato is completely unaware. Lastly, Montresor shows concern about Fortunato’s health and requests him to return to the carnival. From the tone of the speech, the audience can see that Montresor is not fretful about Fortunato’s health and instead is carrying a friendly act. Throughout the story, Poe's use of dramatic irony allows the readers to be a part of Montresor's thoughts. Edgar Allan Poe’s use of irony adds excitement and fear to the story. This literary technique keeps the reader involved throughout the suspense and excitement. “The Cask of Amontillado” ends when Montresor tricks Fortunato by burying him alive, while he is chained to the wall. This surprising ending is to catch the reader off guard, and make them wonder what may happen to Montresor after his cruel revenge. The resolution is extremely suspenseful because this inhumane event is hard to image.
In the story “The Cask of Amontillado”, the author uses lots of verbal irony to emphasize the evil intentions of Montresor.One of the examples of verbal irony in the story that he uses is “The cough’s a mere nothing; it will not kill me. I shall not die of a cough.” and “true--true, I replied.” The effect of this irony is it that Montresor already knows how Fortunato will die.Another example of verbal irony used in the story was when they did a toast to each other. “I drink”, he said, to the buried that repose around us.”
Another example of verbal irony lies in Montresor's conversation with Fortunato. Montresor tells him, "My dear Fortunato, you are luckily met." "(Baym) Fortunato seems to interpret these words to mean that Montresor likes him and is glad to have run into him. On the other hand, Montresor, is happy to see Fortunato but for his own despicable reason: that of murder.
Verbal irony occurs when speakers or writers say the opposite of what they mean. One example of verbal irony in The Cask is when Montresor first sees Fortunato at the carnival. This is ironic because Montresor acts like he is pleased to meet Fortunato but he really is not. For example, Poe writes, “My dear Fortunato you are luckily met. How remarkably well you are looking today” (237) Moreover, what Montresor really means is that the meeting is lucky because it presents a good time to murder Fortunato. Another reason that Montresor acting like he is pleased to meet Fortunato is ironic is that Montresor wants to murder Fortunato. Montresor is mad because of Fortunato’s unknown insults toward him but is acting nice. Montresor is acting nice so that he can disguise his motives to kill Montresor.
With a premeditated motive to commit such an act, the culprit, Montressor, thinks, constructs and orchestrates a presumed murder against his insulter, Fortunado. “Poe begins by describing, in characteristically precise and logical detail, Montresor’s (and Poe’s) idea of perfect revenge. At the same time, he needed to end his story by telling how his revenge had affected him. When Fortunatosays, “For the love of god, Montresor!” and Montresor repeats, “Yes, for the love of God,” Poe is indicating that Montresor is already experiencing the closure he sought”(Delaney 39) Unbeknownst why he wants retribution, or what it is that his victim has done to compel Montressor to kill him. What is given is a recount of the night under discussion.
Irony is also used throughout this tale. The use of revenge in this story shows irony. Montressor avenges himself by fooling Fortunato into literally walking into his own grave. Fortunato pursues the "cask" which ends up being his own casket. Montressor even asks Fortunato repeatedly whether he would like to turn back.
Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go to great lengths to fanatically defend their honor.
Poe uses irony in his story to engage the reader throughout his text, build suspense and create tension. Poe’s story uses information that readers already know and consequently uses irony in order to sustain the readers interest. He uses dramatic irony, since Fortunato is unaware that Montresor attempts to kill him, but the readers know that he will. Montresor reveals early that he is seeking revenge on Fortunato, therefore, when Montresor expresses concern about Fortunato’s health in line 36, "Come," I said, with decision, "we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. (36), the reader already knows his plan. He is just trying to trick him into believing him that he cares about him to gain his trust. He also uses verbal irony, "Enough," he said; "the cough's a mere nothing; it will not kill me. I shall not die of a cough.” (Poe37), but Fortunato already knows how he will die later on. This example illustrates how vague Fortunato is and has no clue of Montresor’s evil intentions. The situational irony Poe uses in the story is when Montresor kills Fortunato and walks out of the catacombs. Montresor says, “my heart grew sick; it was the
Edgar Allan Poe is a famous writer in writing detective stories and horror stories. One of his horror stories, “The Cask of Amontillado” was talking about how a man took his revenge to his friend. However, to look deeply in this story, I found that this story was not just simply a horror tale about how a man gets his revenge in the safest way. Instead, it also demonstrates much irony in several areas: the title, the event, the season, the costume, the environment, the characters’ personalities, a man’s dignity and cockiness and at the end, the public order. he are
The first irony is verbal irony. Verbal irony is a figure of speech in which what is said is the opposite of what is meant. There are many examples of this kind of irony through this story. The first irony is the name “Fortunato.” Fortunato’s name suggests good fortune, or of being fortunate, but he is exactly the opposite, he is killed. Another irony is when Fortunato follows Montresor go to the vault, Montresor acts like he cares about Fortunato’s health, “we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible.” (1202) But readers know from the beginning of the story, Montresor only wants to kill Fortunato. “And I to your long life,” (1202) Fortunato has lived out his life already, it is about to be over. Going deeper into the vaults, Fortunato gets more and more coughing, and Montresor shows his concern to Fortunato’s health “Come, we will go back ere it is too late. Your cough—“It is nothing.”(1202) But Montresor knows that the more he acts as he cares Fortunato, the more Fortunato wants to reach Amontillado-his dark fate. Fortunato is a man who is being blindly led to his death by someone who he feels as an admiring friend, but this friend is actually a person in searching for his own revenge.
The Cask of Amontillado is a short story written by Edgar Allen Poe in 1846. An analysis of how Poe reveals the theme “true freedom can only be obtained when one sheds one’s own confinements” through this story. The main character Montresor tells the tale of how he enacted his revenge upon Fortunato during carnival season in Italy. Poe successfully utilizes irony, foreshadowing, and symbolism to exemplify the referenced theme in The Cask of Amontillado.
In the dark and creepy short story, The Cask of Amontillado, the reader learns the value of choosing their words wisely around others in the revenge story about Montresor getting his vengeance on Fortunato who disgraced his family name. Montresor, who was once friends with Fortunato, develops and plan to destroy Fortunato but be able to get away without any harm in legal terms. In the short story, The Cask of Amontillado, the author, Edgar Allan Poe, uses setting, irony, and imagery to create an eerie mood for the reader.
Many different types of irony are used in The Cask of Amontillado by Edgar Allan Poe and they add many different elements to the story. Verbal irony is when the word means something different that what they actually mean.Situational irony is when the exact opposite happens then what is meant to happen. And finally dramatic irony is when the reader knows more than the character and in this case it is Fortunato.
In this short story a man named Montresor takes revenge on his enemy Fortunato for insulting him. He uses Fortunato’s soft spot for alcohol to manipulate Fortunato into trusting him. Montresor leads Fortunato into the deep catacombs of his home, getting him more and more drunk the deeper they travel. Once the two men reach a chamber in the home of Montresor’s home, Montresor ties Fortunato to a wall and buries him alive. “ The thousand injuries of Fortunato [Montresor] had borne” were no match for the hate he had for Fortunato (The cask of Amontillado, 1). Edgar Allan Poe uses Irony as a literary device to show the theme of revenge. The irony of forgiveness and compassion shown by Montresor not only gives him more character, but emphasize how true the hatred is toward
Fortunato insults Montresor to the point of desperation. Montresor says “THE thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge” (Poe, 286). Even right before his death he insults Montresor’s family code of arms. If not for his insults he would have not been murdered.
The major characteristics of the narrator and main character, Montresor, are anger, hatred, and revenge. In the story, he is angry with Fortunato because he believes that Fortunato has wronged and insulted him many times by saying, “thousand injuries of Fortunato I had borne as best I could…he ventured upon insult…” (Poe). In addition, Montresor’s hatred for Fortunato goes so far that he believes he must kill Fortunato. He mentions this in the story as, “[y]ou, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat” (Poe). He seems to say that his soul is made of hatred and goes on to say he must give Fortunato the utmost punishment: death. Montresor even shows traits of revenge when he says, “…but when [Fortunato] ventured upon insult, I vowed revenge.” and “...I would be avenged…” (Poe). He is saying that he will get revenge on Fortunato, whom he is angry with and hates for being insulted by.