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Macbeth as an individual
Macbeth analysis and interpretatiin
Macbeth as an individual
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William Shakespeare's Macbeth implies that if a person is influenced by blind ambition then this may cause their morals to be jeopardized. Macbeth's ambition causes him to be blinded in making the right choices. He strives for power but his blind ambition leads him to have conflicts with his morals. Macbeth is in his castle alone. He is starting to question his plans of killing King Duncan. Macbeth is starting to think his plans more thoroughly and realizing the consequences that will follow if he proceeds with his dark plan. Macbeth protected the Kings land and reputation, making Macbeth a very honorable person to the king. In fact he was titled as the thane of Cawdor by the king. From this, Macbeth acknowledges that the king trusts him emencly.
In the play of “Macbeth”, Shakespeare gradually and effectively deepens our understanding of the themes and most importantly the relationship between Macbeth and Lady Macbeth. The main theme of Macbeth is ambition, and how it compels the main characters to pursue it. The antagonists of the play are the three witches, who symbolise the theme appearance and reality. Macbeth and Lady Macbeth’s relation is an irony throughout the play, as most of their relation is based on greed and power. This is different from most of Shakespeare’s other plays, which are mostly based on romance and trust. There is also guilt that leads Macbeth and Lady Macbeth to the final consequences of the play. As the progresses, the constant changes in Macbeth and Lady Macbeth are exposed.
Arrogance and gullibility are two terrible traits to have. The best example of it in human form is Macbeth, from Shakespeare's play Macbeth. It´s a horrible tragedy about a power hungry, arrogant man who is easily gullible and let what other characters say about him get to him. Inside the play Macbeth is completely to blame for his downfall at the hands of Macduff.
Throughout the play, Macbeth, by William Shakespeare, Macbeth continuously makes bad choices and the consequences of these decisions catch up to Macbeth and result in his mental deterioration, however with Macbeth’s almost infant feel for ambition this makes him susceptible to manipulation, which then grows into an insatiable appetite for power. The acts of this, with the manipulation from outsiders, causes his blind ambition, his false sense of security and then finally his guilt, which all contribute to his derangement. Some will argue that all the choices made by Macbeth were continuously his own, that he had these opportunities as a man to put his foot down and say no, and be able to draw the line where things should come to an end, the fault of a mental deterioration was not there, that from the beginning Macbeth was an evil man who had a twisted way of achieving things. Macbeth’s ambition is to remain king for as long as possible, and he will kill anybody who stops this from happening. Macbeth feels as if he was given a childless rule, and that his legacy will not continue on in fear his rule will be taken away by someone outside his family.
Ideals in the life of Macbeth were instigated by various situations. He was exposed to a supernatural experience that promoted his ambition and pushed him to an uncertain path. The witches had predicted Macbeth would claim the title, Thane of Cawdor, which they prophesied right. Their next presumption was for Macbeth to become King, followed by their final prediction for Banquo's descendants to heir the throne. With the witches prediction holding true, Macbeth felt eager to establish a sense of control, knowing he is next for the throne. Macbeth shows underhanded ideals, as his choice in finishing off the present King Duncan, was sporadic and heavily influenced by Lady Macbeth. “False face must hide what false heart doth know” (I.vii.82). Spoken by Macbeth, he admits that his dishonest act is wrong, but is still willing to continue along with it. Macbeth must act as if he is innocent about the murder of Dun...
Where is there a page in William Shakespeare's tragic play Macbeth which does not present the selfish virtue of personal ambition. This paper addresses the problem of ambition in the drama.
Before the murder of King Duncan, Macbeth was a brave, noble warrior. “For brave Macbeth well he deserves that name… Till he unseamed him from the nave to th’ chop and fixed his head upon our battlements” (Act I, Scene 2, lines 2). He was one of the last people anyone would expect to kill King Duncan. Shakespeare chooses a noble character such as Macbeth, to emphasize how greed and power can alter a person’s good morals. In Act one we start to see Macbeth’s desire for more power rise. “Stars, hide your fires; Let no light see my black and deep desires. The eye wink at the hond yet let that be which the eye fears, when it is done to see” (Act I, Scene 4, lines 52- 55). His desire for power is at war with his good morals. He wants to become king but does not want to kill Duncan.
The character Macbeth in the story of Shakespeare’s Macbeth faces decisions that affect his morals. He begins as an innocent soul, dedicated to serve his kingdom and its king, Duncan. As time passes and opportunities present themselves combined with the deception of the evil witches, Macbeth begins his descent into madness. Macbeth’s innocence and loyalty are completely corrupted due to his over confidence, guilty conscience, and the inevitability of human nature. Macbeth looses sight of what is morally right to do in life because his logical choices are changed by these factors.
Shakespeare depicts the corruptive power of ambition to the audience as the protagonist, Macbeth is led by his unchecked ambition despite acknowledging it. Macbeth's private ambitions are made clear to the audience through his asides and soliloquies. Macbeth who was initially faithful to Duncan and was aware of his ambition, couldn't control it and thus, made him become a murderous tyrant, obsessed with power and full of fear and insecurities. From the beginning of the play, Macbeth had ambitions. This was shown once the witches told Banquo and him the prophecies. Macbeth is left confused but it sparked his ambition. Banquo ponders aloud, 'the instruments of darkness tell us truths, (to) win us with honest trifles,' to then 'betrays in deepest consequence.' Banquo tries to metaphorically explain to Macbeth that the witches only told them some truth so that they could make Macbeth believe them. Unknowingly, Banquo foreshadows Macbeth's decision to betray Duncan and kill him. After this, Macbeth's corruptive ambition and thirst for power thrives. However, prior to Duncan's death, Macbeth was aware of his ambition but his morals didn't fit them. Thus, his initial decision to not kill King Duncan. He had clearly stated that he 'have no spur to prick the sides of my intent,' but it is 'only vaulting ambition, which overleaps itself and falls on the other.' Macbeth metaphorically
In the play Macbeth, Macbeth's ambition was to become king. But the only that he saw fit to become king was to kill Duncan. Duncan and Macbeth were cousins, and Duncan was a kind person to Macbeth. But Macbeth was blinded by his ambition. Macbeth said, "I have no spur to prick the sides of my intent, but only vaulting ambition, which o'erleaps itself and falls on the other," (Act I Scene VII). By this quote, Macbeth meant that the only reason he sees to kill Duncan was because he wanted to become king. He didn't think about the future consequences or repercussions. At first Macbeth was loyal, but his ambition overcame his morals a kind-heartedness and made him evil.
Throughout Shakespeare’s Macbeth, the theme of blind ambition leading to the uncontrollable actions of violence occurs continuously. The major conflict in which the play reflects on is that when one uses violence to fulfill his ambitions for power, there is no turning back, and the violence cannot be stopped in any way. Therefore, the halt of violence acquired from the death of Macbeth restores Thebes in a positive way and it is the best solution for both Macbeth and for those around him. This project demonstrates the good versus evil reflected through the blind ambition and violence in Shakespeare’s Macbeth by music including both classical and modern melodies.
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs
Macbeth’s blind ambition leads him to surrender to his dark desires that taunt him throughout the play. Macbeth is frequently tempted to result to the wrongful methods that seem to roam inside of him. In the beginning however Macbeth tends to ignore these desires and depends on chance. He declares “if chance will have me king, why, chance may crown me, without my stir” (Shakespeare, act 1, scene 3, 143-144). This declaration by Macbeth shows his initial stand, which is reliant on fate and sin free. Yet as Macbeth’s character develops throughout the play, he moves farther from his dependence on chance and closer to his darker desires. Eventually his blind ambition to become king overp...
Macbeth, whom initially was a very reasonable and moral man, could not hold off the lure of ambition. This idea is stated in the following passage: "One of the most significant reasons for the enduring critical interest in Macbeth's character is that he represents humankind's universal propensity to temptation and sin. Macbeth's excessive ambition motivates him to murder Duncan, and once the evil act is accomplished, he sets into motion a series of sinister events that ultimately lead to his downfall." (Scott; 236). Macbeth is told by three witches, in a seemingly random and isolated area, that he will become Thank of Cawdor and eventually king. Only before his ambition overpowers his reasoning does he question their motives. One place this questioning takes place is in the following passage:
When the witches told him, he would one day become the King of Scotland, he decided to take the bloody path, his wife wanted, which progressively led him to more power. As his power grew, so did his corruption, and he got rid of any person that threatened his power by killing them. As Macbeth began to gain more power through his ruthless advancements, his morals and nobility were greatly corrupted. In the beginning of the play, Macbeth has done a great deed for Scotland and received praise for it, especially from King Duncan. In addition to this, Macbeth struggles from an internal moral conflict when he was deciding to kill Duncan. At this point, Macbeth had no significant power, but it was clear that he possessed basic morality. After killing Duncan, he emerged as king and did not look back on his former life without power. Although suffering from guilt, when he had to make a decision about ending someone’s life, he didn't think twice about it. It should also be noted that as he moved into a powerful position in Scotland, so he no longer need Lady Macbeth’s stern hand to make the poor choices for him. As his independence grew, his pride developed and he turned into a tyrant with overwhelming ambition. His coming into power corrupted him so much that he turned from a seemingly invincible warrior, to a prideful tyrant that was lusting for
The Corrupting Power of Unchecked Ambition The main theme of Macbeth - the destruction wrought when ambition goes unchecked by moral constraints - finds its most powerful expression in the play's two main characters. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia. Toward the end of the play, he descends into a kind of frantic, boastful madness.