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Shakespeare contribution to english language pdf
Shakespeare's use of language
Shakespeare contribution to english language pdf
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Thaisa Pereira
COR 101
Professor Andreu
890 words
At play’s end, how are we supposed to feel toward Caliban?
After years of writing plays of history, tragedy, comedy and dramatic romance, William Shakespeare changed from his darker writing of the past into the lighter, more peaceful style of his play "The Tempest." This play is considered the last work of Shakespeare and is divided in five delightful acts.
William Shakespeare wrote about a new land discovered. He wrote “The Tempest”, an Allegory about the New World. The allegory is most reflected in two characters. First character is Prospero, one of the main characters of the play. He is the Duke of Milan, who is banished and sent to other lands. He decides to take possession of a new land and takes absolute control, even using violence, forcing the local people to become slaves. In my opinion Prospero shows the desires the humanity is always looking for. He is a symbol of civilization; an idealized example of human being, more spiritual than material that came to a new place and for thinking that he is “superior” takes control over the natives. He takes control over the island and makes Caliban his slave.
The second character is Caliban, the only creature that lives in the island. We can think of him as a creature because during “The Tempest”, Caliban receives the name of “monster”, “wild”, “beast” and also “a mix of fish and human”. As an inhabitant of this new land, he is related to the Natives of the New World. His name is an anagram of the word cannibal. He was described as a monster and it was far from being consider the hero of the play.But it is not his appearance that makes Caliban monstrous in Prospero's eyes, nor was Caliban treated as a slave, at least not initial...
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...to take advantage of him by making him perform slave duties.
During the whole play there was never a monster or bad people, there was only ignorance and lack of knowledge in the matter of cultures. A huge cultural shock happened with the meet of the Old and New World, which not only on the play, but in real life, affected the lives of innumerous people. The perspectives and visions change the ways that true fact are seeing and interpreted. The will of wanting to relate to something close to common worlds and usual thoughts interfere in making things harder to connect. In an environment that new things are seeing and experienced, calling one monster without knowing the real truth could became a terrible way to start to deal with the people and place. Researching and communicating a little more would help much more when meeting new standards and meeting new worlds.
William Shakespeare, one of the most inspirational authors, playwrights, and Englishman’s to ever walk the earth. During his time during the 1600's he wrote two great plays. “Shakespeare was prolific, with records of his first plays beginning to appear in 1594, from which time he produced roughly two a year until around 1611” (McDorment”) They share things that are similar but they also disagree with each other quite a bit. What we can really talk about is the two main characters from the two stories. These two stories are Macbeth and Tempest. The two main characters are Macbeth and Prospero. Three things can be compared with these two; they are both the protagonist, they have to do with betrayal, and the tragic loss of something.
The Tempest presents the appropriation of the island and it’s inhabitants by Prospero’s imperial patriarchal regime as entirely natural and inevitable, based upon the inherent inferiority of the original population. In doing so, the play is a precise repetition of imperialist rhetoric, which legitimizes European annexation of ‘other’ lands and peoples over which they have no legitimate claim.
The Tempest reflects Shakespeare's society through the relationship between characters, especially between Prospero and Caliban. Caliban, who was the previous king of the island, is taught how to be "civilized" by Prospero and his daughter Miranda. Then he is forced to be their servant. Caliban explains "Thou strok'st me and make much of me; wo...
Through The Tempest play, William Shakespeare weaves together a tale that is characterized by anti-colonialist sentiments. Prospero - the deposed Milan Duke - adopts a colonialist mentality by treating his colleagues as slaves who have no rights. Characters who suffer mistreatment under Prospero include: Ariel - the spirit creature; Ferdinand - the Naples Prince; and Caliban - Sycorax’s son. Prospero possesses much magical power which he uses to oppress his compatriots. Consequently, Prospero is portrayed as a colonial tyrant who abuses his immense power. Anti-colonialism feelings are especially evident through the actions, utterances and disposition and of Caliban, Miranda, Ferdinand and Ariel. To illustrate, Caliban berates Prospero for the former’s forced labor. Likewise, Ariel protests Prospero’s reluctance to release the former as earlier agreed. Miranda also expresses her dissatisfaction with Prospero’s unfair imprisonment of Ferdinand. Similarly, Ferdinand appears to challenge Prospero’s authority by briefly stopping dragging timber so as to flirt and chat with Miranda. The foregoing four characters exhibit conduct that highlights their displeasure with Prospero’s colonial-style authority over them. From the preceding expose, it can thus be concluded that Shakespeare’s The Tempest play is about anti-colonialism based on its depiction of Caliban, Miranda, Ferdinand and Ariel’s opposition to Prospero’s oppressive authority.
In this whimsical play, Prospero, the former Duke of Milan, after being supplanted of his dukedom by his brother, arrives on an island. He frees a spirit named Ariel from a spell and in turn makes the spirit his slave. He also enslaves a native monster named Caliban. These two slaves, Caliban and Ariel, symbolize the theme of nature versus nurture. Caliban is regarded as the representation of the wild; the side that is usually looked down upon. Although from his repulsive behavior, Caliban can be viewed as a detestable beast of nature, it can be reasonably inferred that Shakespeare’s intent was to make Caliban a sympathetic character.
The first and most obvious slave is ariel. Ariel is an airy spirit who is promised his freedom by Prospero if his job is done well. His job was to entrance the visitors to the island under Prospero's control. "What Ariel! My industrious servant, Ariel!" That is what Prospero said in act 4, scene 1, line 33. He was talking to his slave, Ariel, who entranced the visitors to the island.
In all of Shakespeare's plays, there is a definitive style present, a style he perfected. From his very first play (The Comedy of Errors) to his very last (The Tempest), he uses unique symbolism and descriptive poetry to express and explain the actions and events he writes about. Twelfth Night, The Tempest and A Midsummer Night's Dream are all tragicomedies that epitomise the best use of the themes and ideology that Shakespeare puts forth.
The Shakespearean play, The Tempest, is one of the most controversial in terms of relationships in the play. The play was written in 1611 soon after the English arrived in America in 1607, launching the colonial period. This was the beginning of colonization to America, which lead to the evolution of indentured servants into slaves. Many critics have stated that the relationship between Prospero and Caliban was that of a slave and master and a representation of how the English colonized foreign lands that belonged to the indigenous Americans. Each situation could be argued and validated according to the portion of the play being analyzed. Both roles are applicable and I will provide evidence of both to prove that they are synonymous in a sense.
The study of Shakespeare’s The Tempest raises many questions as to its interpretation. Many believe that this play shows Shakespeare’s views on the colonization of the new world whereas others believe that this is a play about the ever elusive “Utopian Society”. I believe that this is a play about the European views of society and savagery at that time. I also believe that, if this is true, the play doesn’t portray a “conventional” view of native peoples. Shakespeare shows this by having Prospero, the rightful duke of Milan and Usurping ruler of the island, call Caliban,
The Tempest, like any text, is a product of its context. It is constructed in relation to moral or ethical concerns of 17th century European Jacobean society. The resolution of conflict appears 'natural' or an inevitable consequence if regarded in relation to the concerns of its context. The resolution of conflict in this play incorporates Prospero being returned to his 'rightful' or natural position as Duke of Milan, his daughter Miranda getting married to Ferdinand, and the party returning to Milan leaving the island to the 'monster', Caliban. The resolution is a consequence of the concerns of the time, including the idea of the divine right of kings, courtly love, and colonisation.
In William Shakespeare’s play “The Tempest,” the major themes in these play is good versus evil. There are good characters, which do good, help others and try their best to stay out of trouble and there are other characters are the exact opposite. All the characters do is tried to get even with those who hurt them, hoping that ravage would solve the problem. Good and Evil just like the theme of the book also applies to the world that we live in today because there are good people and there are bad people. Good will
The Tempest, by Shakespeare, offers the reader a variety of themes. The one theme that stands out the most is that of colonialism. During the time of Shakespeare, many European countries such as Spain, France, and England, were expanding their borders by taking over less developed countries, referred to as colonies. During this time of exploitation, there was skepticism concerning the possible success of the colonies. While some scholars believe that the play is about the Americas, I argue that the play reflects on colonialism in general and how it is destined for failure which is shown through the character’s relationships throughout the play.
In the play, The Tempest, there are characters that are that represent the colonization of the new world. Ariel and Caliban are characters that depict how Native Americans were viewed and treated during colonization. Europeans thought of them as savages that would not be able to adopt their culture. However, this was not true, and Europeans were able to introduce their culture to them. The Native Americans were a great help to them. They taught the Europeans how to survive on the land and build a colony. The characters Ariel and Caliban are similar because they represent the Native American people as they both have their uses, and this causes Prospero to treat them differently.
The Tempest was written when masques were becoming exceedingly popular in England, and were often performed at weddings to honor marriages. The Tempest is heavily influenced by elements of the masque, and can be performed with the same purposes as one, although it is far too rich to be classified simply into that genre of plays.
The illusions of justice and freedom, and what they truly are, has been a reoccurring theme throughout the works. The definitions of justice and freedom have become so construed throughout the times. In William Shakespeare’s The Tempest, Prospero tries to enthrall his audience in his narrative of social justice. The idea of justice the play portrays represents one individual who controls the fate of all others. Their freedom is controlled by the interference of those around them. Although he spends most of the play righting the wrongs done to him, he is misdirecting so to hide his true motive. Prospero misconstrues the definitions of justice and freedom by enslaving Ariel and Caliban, using magic for his own good, and creating a false happy