Evil Women Women are not always the affectionate, compassionate, and nurturing people that humanly instincts make them out to be. On the contrary, they are sometimes more ruthless and savage than their male counterparts. A good example of this idea is in William Shakespeare’s Macbeth. Through the use of various feminine roles throughout the play, Shakespeare manages to portray how dramatically important the witches are, along with how imminent greed and power can eventually grasp hold of Lady Macbeth’s morals, and thrust her into a state of emotional stupor. Shakespeare begins the play with the witches for several reasons. First, the fact that they are witches portrays many evil themes since witches are a universal symbol for …show more content…
This is contrary to the familiar understanding of women, who, instinctively, are nurturing and caring creatures. Because of this, Shakespeare performs a magnificent job of letting the reader know of their masculinity, and how whenever he hints at their masculinity, a malign event is forthcoming. When Macbeth and Banquo first set eyes on the witches, they are aghast at the sinister sight of the ugly women. Banquo states that they “should be women, / and yet [their] beards forbid [him] to interpret/ that [they] are so”. They are so hideous to Banquo that he believes that he could actually mistake them for being men. Interestingly enough, after this line, the witches make their prophecy about Macbeth becoming the king of Scotland. In the fifth scene of Act I, Lady Macbeth wishes that she were male so she could take the matter of dealing with King Duncan into her own hands, without having to cope with Macbeth. When she learns that Macbeth has invited King Duncan to his castle for dinner, she becomes thrilled, for she believes that her opportunity is at hand. In her soliloquy, her desire to be male is portrayed when she commands the “spirits/ that tend on mortal thoughts, [to] unsex [her] here, / make thick [her] blood/ come to [her] women’s breasts, / and take [her] milk for gall”(I, V, 39-46). She wishes that the deadly and evil spirits would turn her into a male, thereby unsexing her. In a way, she is wishing for a spell to be cast, which is exactly what witches do. She wants thick blood; men were thought to have thicker blood than women. Her nurturing characteristics as a mother collapse when she begs to have her breast feed gall, a bitter substance, rather than nutritious milk. Her motherly character is further abandoned when she states that she, while her baby was feeding from her, would “have plucked [her] nipple from his boneless gums, / and [dash] the brains out”(I, VII,
Lady Macbeth is an extremely ambitious woman and wants more than anything for her husband, Macbeth, to be the next King of Scotland. When King Duncan announces that his son, Malcolm, is to be the next King, Duncan’s murder is planned. Lady Macbeth’s crucial role in the play is to persuade Macbeth to carry out the murder of Duncan. In the beginning she is ambitious, controlling and strong. However as the plot concludes there is an extreme change in her character and personality which surprises the audience. Lady Macbeth’s guilt eventually becomes too much for her to handle which leads to her death.
Throughout Macbeth, Shakespeare dramatically shows what can happen when our common gender roles are broken. He shows the power that people can have over others when they aren’t acting the way they’re expected to.
Lady Macbeth is one of William Shakespeare’s most famous and frightening female characters. As she is Macbeth’s wife, her role is significant in his rise and fall from royalty. She is Macbeth’s other half. During Shakespearean times, women were regarded as weak insignificant beings that were there to give birth and look beautiful. They were not thought to be as intelligent or equal to men. Though in Shakespeare's play, Macbeth, Lady Macbeth is the highest influence in Macbeth’s life. Her role was so large; in fact, that she uses her position to gain power, stay strong enough to support her unstable Lord, and fails miserably while their relationship falls apart. Everything about Lady Macbeth is enough to create the perfect villain because of her ability to manipulate everyone around her. It appears that even she can’t resist the perfect crime.
One permeating aspect of Shakespeare’s depiction of masculinity is its dominance over femininity. Lady Macbeth is a vital contributor to this mindset throughout the plot. As a means of obtaining power, Lady Macbeth sees her femininity as an obstacle and obtaining masculine attributes as a step toward the throne. We see this when she says, “Come, you spirits that tend on mortal thoughts, unsex me here, and full me from the crown to the toe top-full of direst cruelty” (33). In this quote she is literally asking to replace her feminine attributes with masculine ones, which she perceives as cruelty and aggression. She continues to emphasize this ideal when she states “Come to my woman’s breasts, and take my milk for gall” (33). This line is a blatant reference ...
The concept and perception of gender has changed radically from Shakespeare’s time to now, yet the perceptions of women and the limitations placed on them remain shockingly similar. William Shakespeare’s shortest tragedy, Macbeth, addresses gender concerns and the role of women in power positions. The play was written for King James VI of Scotland and I of England as he took the throne during a transitional period in the country’s history. The succession of King James marked the long-desired transition from a matriarchy to a patriarchy. Considering the historical context and Shakespeare’s affinity for King James, some Shakespearean critics hold Lady Macbeth responsible for the political, moral, and personal destruction in the play, as well
Women have always been the backbone of human civilization, whether it be in ancient times or even in the modern era. However, they are oppressed and not given the same fundamental, human rights as men, like access to education, leaving this discrimination and sexism to span over prolonged periods of time. Specifically, sexism is seen during the Elizabethan Era of history when William Shakespeare writes his prominent dramatic piece, Macbeth. In Shakespeare’s tragedy, the prevalent theme of sexism is depicted in the play when Lady Macbeth, a character of strength and ambition, is shown as manipulative and inevitably weak when Shakespeare portrays her eventual downfall and suicide. Throughout the world today, the many different forms of sexism
Lady Macbeth is one of the most compelling characters who challenges the concept of gender roles. Her relationship with Macbeth is atypical, particularly due to the standards of its time. Lady Macbeth becomes the psychologically controlling force over her husband, essentially assuming a masculine role, in order to inspire the aggression needed to fulfil his ambitions. Through her powerful taunts and persuasion, Lady Macbeth convinces her husband to murder the king and to take his throne. She emasculates over her husband repeatedly, knowing that in his desperation to prove his manhood, he will perform the acts she wishes. In Act 1, Scene 5
Throughout history women have fought for the same rights of men. In the time of William Shakespeare they were seen in society as weak and vulnerable. They were seen to be good, caring and not as powerful as men. Men were the superior and ruled the land. Shakespeare has taken the stereotypical image of the women of the time and turned it on its head in ‘Macbeth’. Lady Macbeth is shown as a very powerful, strong woman. She has an evil about her that Shakespeare has used to make ‘Macbeth’ a supernatural play. Women were seen to be good and not as powerful as men, in ‘Macbeth’ Lady Macbeth is the dominate character and commands and persuades Macbeth to commit the murders and crimes that he does.
William Shakespeare’s Macbeth tells the story of a general who commits regicide in order to become king. Early in the play, Macbeth is conflicted as to weather or not he wants to kill his kinsman the king. In the first two acts Macbeth is not portrayed as a ruthless killer; he is a sympathetic character who succumbs to the provocation of his wife and a prophecy foretold by three mysterious witches. In contrast, Lady Macbeth is a manipulative, immoral woman. Her ambition is so strong that she is willing to do anything to see her husband succeed. However, in the third act things begin to change. The death of the king and lord and lady Macbeth’s rise to power catalyze profound transformation in their personalities.
“When you first do it, then you were a man, And to be more than what you were, you would, be so much more the man” (I. VII, 54-56). After struggling with the thought of killing Duncan, Macbeth is reprimanded by Lady Macbeth for his lack of courage. She informs him that killing the king will make him a man, insinuating that he isn’t a man if he doesn’t go through with the murder. This develops Lady Macbeth as a merciless, nasty, and selfish woman. She will say, or do anything to get what she desires, even if it means harming others.
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
The witches play a very important role in "Macbeth", as they initiate the evil plot. Even from the prologue we can see the witches are evil. "Fair is foul, and foul is fair:" (Act 1 scene 1 line 11). They uphold their evil status throughout the play although their power is not fully demonstrated until the prophecies come true and also later where they conjure up the three apparitions. The witches are truly evil and love evil for its own self unlike Macbeth. "Spiteful and wrathful; who. as others do,/Loves for his own ends, not for you." (Act 3 scene 5 line 12-13). Throughout the play they provide the strongest impression of evil. They are continually committing mischievous deeds, such as, "Killing swine" (Act 1 scene 3 line 2), tormenting sailors and casting spells.
Lady Macbeth is the first to strategize a way to kill Duncan. As a character foil to Macbeth she juxtaposes their possession of guilt and ruthlessness, which creates irony and excitement to the play. Originally, she is very power hungry and wants to utilize her husband’s position in status to become queen. Macbeth objects to the plan to kill Duncan because he believes Duncan is Macbeth’s kinsman, host, and an overall virtuous ruler (Act. 1 Scene. 7) and thus feels very guilty for taking advantage of Duncan’s trusting quality towards the Macbeth family. She refers to Macbeth as weak and rebukes his manhood (Act 1. Scene 7.) . As the play progresses, Lady Macbeth and Macbeth have a character role reversal of their possession of guilt and ruthlessness. The character foil is extant, however Macbeth’s ruthlessness overcomes his guilt, and Lady Macbeth’s guilt vanquishes her drive for power. In addition to an alteration in character foils, Shakespeare introduces situational irony because now Lady Macbeth succumbs to the weakness Macbeth once possessed and Macbeth is the one who is formidable and ambitious. Macbeth’s ability to transcend his guilt exemplifies his struggle for power and reinforces the theme of evil ambition because Macbeth is able to secure the throne and power only by mass
In Macbeth, several characters act with cruelty. However, it is mainly the women in the play who are seen as evil. They are seen as equal, allowed to be just as cruel and ambitious as the men in the play. In this time period, women were expected to be lovely and chaste, and how the women in Macbeth act goes entirely against that. The women in the play are the sources of evil, violence, and ambition, making it a misogynistic and yet empowering tale for women.
The main theme of Macbeth-the destruction wrought when ambition goes unchecked by moral constraints-finds its most powerful expression in the play's two main characters. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia. Toward the end of the play he descends into a kind of frantic, boastful madness. Lady Macbeth, on the other hand, pursues her goals with greater determination, yet she is less capable of withstanding the repercussions of her immoral acts. One of Shakespeare's most forcefully drawn female characters, she spurs her husband mercilessly to kill Duncan and urges him to be strong in the murder's aftermath, but she is eventually driven to distraction by the effect of Macbeth's repeated bloodshed on her conscience. In each case, ambition helped, of course, by the malign prophecies of the witches is what drives the couple to ever more terrible atrocities. The problem, the play suggests, is that once one decides to use violence to further one?s quest for power, it is difficult to stop. There are always potential threats to the throne?Banquo, Fleance, Macduff?and it is always tempting to use violent means to dispose of them.