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Art and literature in the middle ages
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“I am Death, who no man dreadeth; For every man I arrest, and no man spare, For it is God’s commandment that all to me should be obedient.”
Medieval theatre started in the 550’s. The people of the Byzantine Empire kept Greek and Roman plays alive until the collapse of the empire in 1453. In western Europe, however, Christians abolished theater since they didn’t approve of it. In the 550’s, they were faced with the challenge of explaining biblical events to a largely illiterate audience, since during the time all masses were held in Latin. As a result, Medieval plays started out as liturgical dramas. These were short plays performed in churches, and also, the lines were sung responsively by two groups. There were no actors. The first known liturgical drama was called “Quem Quaeritis”, “Whom do you seek?”. After people, especially members of trade guilds, started to perform plays outside of church in the 1200’s, they were usually performed in the common language. Also, there were no specific buildings for theatre. Therefore, people used whatever available spaces they could find.
Plays in the Middle Ages were emblematic, meaning that all costumes and props were symbolic. For example, an animal mouth symbolized hell and a revolving globe heaven. There were three kinds of plays: mystery plays, miracle plays and morality plays. Mystery plays were about Christ or the Old Testament. Morality plays, also called didactic allegories,told the story of good versus evil, and were usually about a common man’s struggle for salvation. Miracle plays were historical, dramatized lives of Roman Catholic saints. The dramatic techniques of the time included high seriousness...
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...ession, Beauty, Strength, Discretion and Five wits. The play addresses very clearly, how not all things matter in life. What really matters is what’s inside and how you lives your life. “Everything in our lives is fleeting, with the exception of our acts of kindness and charity.”(Wade Bradford)
Altogether, Everyman is a play with a high moral. It is a play that can still teach people something valuable with its themes, ever to this day. The overall message of the play is that relatives and friends (as reliable as they may seem) pale in comparison to the steady companionship of God.
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Works Cited
Cummings, Michael. Everyman: A Morality Play. cummingsstudyguides.com 2005
Bradford, Wade. Everyman - Part Two of Study Guide for "Everyman". plays.about.com. web 20 Dec 2013
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Jokinen, Anniina. “Everyman: An Introduction.” Luminarium. 21 January 2010
Open in London in 1599, William Shakespeare’s Globe theatre grew to be recognized as the most popular playhouse in the region and home to some of the greatest players in England. The King’s Men, previously the Lord Chamberlain’s Men, were a playing company for whom Shakespeare was a member of for most of his career. They frequently performed in the Globe and staged many of Shakespeare’s works. Nevertheless, the lack of stagecraft information provided from these XVI century texts has made it hard to interpret how Shakespeare originally intended his plays to be performed in the Globe. In particular, the famous tragedy of Romeo and Juliet suggests that there are many alternative staging options for each scene. However, from a close reading of the play-text as a manual for performance, it is possible to describe how the play may have been staged, specifically in Act 2, Scene 1, by analysing elements such as the acting measures, the costume design and the stage setting.
...onnects his audience to the characters and although the play is written for the Elizabethan era, it remains pertinent by invoking the notion of human nature. He implements themes of love, anger, and impulsiveness and demonstrates the influence these emotions have on human behavior. It is evident that because human nature is constant, people have and will continue to be affected by these emotions.
To conclude, reading the plays of Shakespeare is not only about an entertainment, there is more about learning manhood and the importance of the role that morality plays in everyday life. That is the reason of Shakespeare’s plays are so popular because through his work, he illustrates that: life is a play, which is performed on the earth stage, and his world stage will continue influences the past, modern and further.
Tragedies in the Greek and Renaissance theater were very effective in portraying the social and religious constraints that tainted society. Both playwrights, through the use of their ingenuity and vast literary knowledge were able to perfect and display such flawless spectacles. The differences and similarities between Greek tragedy and Renaissance tragedy, although vast, can be narrowed down to the audience. Greek and Renaissance theater targeted very different audiences that demanded a certain type of play in order to be entertained.
theater in the Medieval Era. During this time is when plays started involving violence into the play.
Rosenberg J.C. Parallels: The Morality Play Everyman And Selected Tales. UMI DISSERTATION PUBLISHING. 2011. Print.
During the time of Shakespeare the theatre was much different than it is today. There was much stricter rules and guidelines, as well as limitations that were placed on the actors. Throughout Shakespeare’s own life the theatre had changed a lot, which it still continues to do even today. Many of the actors in Shakespeare’s time were restricted to practicing the art of acting on the city’s streets (Rosmanitz). Both the Church and the police limited these practices as they thought it would promote bad behavior and keep the people out of the Church. Before some of the theatres were constructed the actors would perform in the courtyards of inns or sometimes even the homes of noblemen (Britannica). Some influential people such as Queen Elizabeth, truly enjoyed going to the theatre and watching the actors perform, to which she helped promote these practices (Rosmanitz). New reigning popularity of the theatre caused the construction of theatres to be built outside the city’s limits.
In this play Everyman makes a point and big emphasis that death is inevitable to every human being. This play is simply in its morality and in its story. You shouldn’t be so keen on all the material things in life and forget the purpose of your life. Your personal pleasures are merely transitory, but the eternal truth of life is that death is imminent and is eternal. It is the bitter truth that everyone has to accept it. If you are born you will die one day. Science does not believe in religion. But one day Science will also end in Religion. Everyone should live their life fearful of God and accept Christ as their Savior.
This is how Shakespeare’s plays are a product of the Elizabethan theatrical context in which they were first performed.
Throughout the play Everyman asks the characters to accompany him on his journey to death. He starts with Fellowship, his friends, who promises to go with him until they are informed of the destination. They desert Everyman at that point. He calls upon people who are closer to him, Kindred and Cousin, his kinsmen. They also promise to “live and die together,” but, when asked to accompany Everyman, they remind of the things he never did for them and desert him. Everyman then calls upon Goods, his material possessions. Goods explains to him that they cannot go on the journey with him, so he is once again deserted. Good Deeds then gets called upon. They say that even though they want to go on the journey, they are unable to at the moment. They advise Everyman to speak to Knowledge. Knowledge is the one that brings Everyman on the journey to cleanse himself. They first go to Confession, which gives him a penance. Once he does his penance, Good Deeds is able to rise from the ground. They then call upon Discretion, Strength, Five Wits, and Beauty. At first they follow him on his journey, but when they approach his grave they race away as fast as they can. When he finally sinks into his grave, the only one that accompanies him is Good Deeds.
Since there was a limited number of actors allowed on-stage, few non-speaking roles were allowed to perform on-stage. The chorus quickly evolved into a very active part of Greek theater. Theatrical culture began to flourish throughout Greece during the year 700 BC. Tragedy, comedy, and satyr plays were the theatrical forms that were performed in the theaters. During this time tragedy and comedy were viewed as completely separate genres. While the Satyr plays dealt with the mythological subject in comic manner. Every Greek theater consisted of three main elements, the orchestra, the skene and the audience.
of interest to the play making it a great play to read and also act
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
Theater in the Elizabethan Era changed the way people lived, and vice versa. Without theater back in the 16th century, life today could, and would, be very different. The Theatre in the Elizabethan Era was greatly impacted on the different historical events that were in the Era and they were mirrored in many plays, specifically Shakespeare’s play, The Tempest. Other people could argue that theater was merely another extracurricular activity people could partake in. However, facts collected over the years have shown that theater was very important to the people whether it was back in the 1500’s or now in the 21st century, theater is still a huge impact on daily life.
The heroic play was the special product of the Restorations drama. The Puritan rule closed the theatre in England in 1642. But the drama retained its hold under the Cromwell government. The playwright William Davenant obtained permission to stage a play called ¡§The Siege of Rhodes¡¨ an opera* in 1656. To this opera pattern, Dryden contributed the heroic play, ¡§The Conquest of Granada¡¨. In it he cited examples of the ancient Greek writer Ariosto, with his story of love and valour (great bravery) as to his conception of the heroic play. Thus the heroic play combined some of the features of an Epic poem with some features of drama but was utterly unlike Elizabethan tragedy. This kind of the play was, generally, written in Heroic Couplets. Dryden's major heroic plays like ¡¥Indian Emperor¡¦, 'Tyranic Love', ¡¥The Conquest of Granada¡¦, ¡¥Aureng Zebe' are more than heroic plays. After 1675 Dryden gave up writing heroic plays. (Opera: Drama in which all or part of the dialogue is sung, and which contains instrumental overtures (proposition), interludes, and accompaniments. Types of musical theatre closely related to opera include musical comedy and operetta.)