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Ap art history medieval
Ap art history medieval
Medieval europe clothing vocab
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Most of the art in the medieval times was based off of the Christian religion and made for churches, cathedrals and monasteries. As an artist in the middle ages there was many different kinds of art you could make. There were ceramics, which is handmade pottery, sculptures of gothic people and stained glass windows. Also, there was mosaics, little pieces of colored glass. Some artists designed and recorded coats of arms called heraldry. The tools that they used were different depending on which kind of art that they were doing and it took more than just a couple of tools. Some paintings even used eggs to make the pigments such as the Egg Tempera. The Egg Tempera used wood to create a permanent bond between the wood and the gesso. The used …show more content…
at that time, were considered a lower class so they did not live the luxury life. They ate a lot of things that were made out of rye grain. A popular food at that time that people ate was pottage made of peas, beans, onions and other food from their gardens. The only sweet food that they would eat was nuts, honey and fruit. Some of the lower class people owned a pig but they did not have enough money to kill it. Others would hunt a rabbit or hare but they could get in trouble by their king or lord. Homes in the medieval ages were typically cold, damp and dark. At times the house could be even colder inside than it was outside. The windows were very small so that the person could see out of it but nobody could see in. They had a thatched roof and could easily be destroyed. Only the very wealthy lived for a while because there houses were made out of stone opposed to the lower classed people whose houses were made out of straw, sticks and mud. Clothing in the middle ages was similar to the food and houses, the higher the person is on the social pyramid the better food, houses and clothing you get. The lower class artist who were men would wear stockings and tunics. Women would wear sleeveless tunics and wimples to cover their hair. In the winter they would wear sheepskin cloaks, woolen hats and woolen mittens. Outer clothes were never really washed but the underwear was washed quite frequently. All of the clothing was homemade and the women spun wool in order to make the thread for the
The compositions that each piece displays is different and prestige in its own right. Flemish panel painters were largely influential and created extraordinary developments in composition. The artwork tends to be very detailed and filled with symbolic meanings from surrounding objects or even coloring. Jan van Eyck was especially credited for paying exceptional attention to detail that creates such a realistic form, the figures seem lifelike. Much of this realistic appearance is due to the medium that was widely used in the North. The use of oil paints and techniques, such as finer detail with smaller brush strokes and layering of oil paints to create a glaze, were used and developed giving the Northern art distinct characteristics and composition. Italian painters created frescos by applying pigments to wet plaster. The result is a dull, flatter color and they were unable to achieve intricate detail. The com...
Many different classes of people existed in the Middle Ages. Each class had a certain and very different way of life than the other. Peasants in the Middle Ages had extremely difficult lives. Domestic life for the peasants during the Middle Ages was endured with many hardships and sacrifices, but in the end they were just everyday citizens doing what they had to in order to survive.
Crooked Beak of Heaven Mask is a big bird-figure mask from late nineteenth century made by Kwakwaka’wakw tribe. Black is a broad color over the entire mask. Red and white are used partially around its eyes, mouth, nose, and beak. Its beak and mouth are made to be opened, and this leads us to the important fact in both formal analysis and historical or cultural understanding: Transformation theme. Keeping that in mind, I would like to state formal analysis that I concluded from the artwork itself without connecting to cultural background. Then I would go further analysis relating artistic features to social, historical, and cultural background and figure out what this art meant to those people.
Though the Renaissance era included all of Europe, Italy was the cradle of the movement. The cities of Florence, Rome and Venice were of great importance to this period. Major artists created art mainly in these three. As the center of Italy, Rome held the residence of the Pope and many other important factors. Throughout history, the Roman Catholic Church was very insistent on promoting their ideas. During this time, they used artists and their creativity to promote the Bible and other aspects of their beliefs. Artists were paid, or commissioned by patrons (often the Pope) to create art they wanted. One of the most ambitious patrons was Pope Julius II, who realized the impact visual images had on people’s ideas (Kleiner, 599). Pope Julius II was called the warring Pope, because he often went and involved himself in wars. He also held very humanistic ideas. Because of this, Michelangelo’s relationship to Pope Julius II was very different from his relationship with Pope Leo X, who succeeded Julius II. Julius, because of his adaptions to humanistic thoughts, he let Michelangelo express himself to the fullest, even when forcing him to paint the Sistine Chapel. Leo X, however, was very critical of everything Michelangelo set out upon. This resulted a strained relationship, and eventually abandonment of projects that were supposed to be completed. It is clear that Pope Julius II had a liking for Michelangelo, while the Medici’s looked on him as a type of lowly artist subject to their will.
Many icons and symbols could be found and related with the Medieval Art because have
Medieval peasants would usually wear a tunic, short breeches or sometimes long trousers depending on the severity of the weather. The longer trousers that were worn by medieval peasants were usually tied with thongs. The shoes worn by medieval peasants also differed in the North and South of Europe, with Northern medieval peasants wearing more substantial footwear.
In David Mackenzie's film "Hell or High Water," we follow the story of two brothers named Tanner and Toby who commence robbing banks in order to pay off the debt associated with their mother's ranch. In a standard western movie, this behavior would be seen as criminal in the conventional sense. However, rather than portraying our two major protagonists as criminals outright, the film gives us a more nuanced picture of them as individuals and the reasons behind their actions. This film examines criminality in particular, concentrating on three main areas: how the rich rob the poor, the subjective nature of the law, and criminal stereotypes. Throughout the entire film, there is a recurring theme about how the wealthy take advantage of the poor.
In the Medieval Period, life was either very great or very bad, according to your class. Only 2 classes existed during this time: the nobles, such as kings and knights who lived inside the castle, or the peasants, such as working-class people who lived in often unspeakable conditions. The peasants treated the nobles with the utmost respect, for if they didn’t, then the nobles could have them beheaded. (Sanders, p 34). The nobles were almost always the ones who owned land, and the peasants worked on this land in exchange for a small portion of it, in a sense, rented out in exchange for the labor. Peasants often worked 16-hour days as long as they could see into the nighttime and got very bad nourishment. The noble was not interested in the health of the peasants working on his land, as there was a significant supply of others who were very willing to take his or her place.
Early Christian and Byzantine art started after Jesusí death in the first century ranging and ending to the fourth century AD. The art produced during this period was secretive because Christianity was not a formal religion but as a cult; the Romans and rest of Europe persecuted Christians so the artist disguised their work with symbols and hints of Christian aspects. Christianity was the first cult to not involve rituals of sacrifice of animals and refused to worship an Emperor causing the Roman Empire to make Christianity illegal. Byzantine art excelled in the Justinian period in the east during 520-540 AD. The art was produced in Ravenna, Byzantine, Venice, Sicily, Greece, and Russia. The difference between Christian and Byzantine is that Christian was earth beyond realism and Byzantine was more spiritual than worldly style. This art period was sectioned off into three different periods. The first was persecution from the first to the third century. The second was due to Constantine making Christianity legal in the fourth century. The last period is known as New Christian style starting in the fifth century. Most of the art from this period was frescoes, mosaics, and architecture.
in the warm climate the men wore long shirts and legging to protect their legs. They also wore breech clothes is a long rectangular piece. The women wore long dresses. In the winter both men and women wore long robes to keep them worm. they also wore a shoe called moccasin which made of animals
Previous to the Renaissance, artists were using their best intuitive judgment of how to depict objects at various distances within a space. Although these pre-renaissance artists might not have been all too concerned with constructing a super-accurate depiction of our visual reality, renaissance artists were. A renaissance man, Brunelleschi, discovered what is commonly called “linear perspective.” This is a method which enables an artist to accurately depict a depth of space, and all of the objects within that space, proportionately. Essentially, linear perspective enables the artist to transfer a 3D image onto a 2D surface. If you compare the work of a 13th century artist, like Duccio, to a renaissance artist, like Leonardo da Vinci,
The most influential theme in art for centuries was that of religion. There have been many things that have influenced art over the generations. Nothing has had the impact on the art world that religions has. Many of the ancient art works were dedicated to the gods or other religious figures. The statues of the Ancient Egyptians were not just for beauty. Instead, they were representations of the gods and were meant to have significant meaning to the people who saw them. The people of the time knew the meaning of every reed, flower, bird, or animal that was depicted in the art. The same is true of the Greeks and Romans. Most of the art was inspired by the gods and the mythology of the region. Art as a way of imparting a message dominates the art world. For most of history, art had a meaning that was often connected to the religion of the region. This is fitting since art has a sense of permanence that most other mediums do not possess.
The paintings of the Celto-Germanic period, similar the metal work, involve many intricate spiral designs, interlaced with different shapes and animal figures. “They were colored with gum, glue or gelatin binders that were used on parchment” (Cleaver151). Used to illuminate scriptures, the paintings often depicted religious themes. Celto-Germanic architecture made extensive use of wood. Between 750 and 987 A.D. the Celto-Germanic style went through some changes and new styles evolved in different geographic locations. It was during this time the second period of medieval art began.
Chrost’s hied end e mendurle andir hom on thi epsi museoc. It shuws thi Chrost es
The collection of European painting and sculpture comprises works of art from the twelfth through the early twentieth century. Ranging from paintings in oil on panel, canvas, or onyx through sculptures in alabaster, bronze, terra-cotta, marble, wax, silver, and painted wood, these works of art come primarily from Italy, France, Spain, the Low Countries (Holland and modern Belgium), Germany, Austria, England, and Switzerland.