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Recommended: Aristotle on ethics
Evaluation of Telémakhos’ Actions
Authors and poets in ancient and modern literature laud the actions of heroes and condemn the actions of villains—judging which is laudable action comes from understanding the virtues. Our greatest stories are nothing if not conflict between antagonist and protagonist, a battle against that esteemed as good and that which is evil. In ancient literature, our understanding of virtuous action comes principally from Aristotle. The path of virtue is the middle ground, such that it “is an intermediate between excess and defect” (Aristotle 1220). Just as Aristotle gives a framework with which to judge virtuous action, so Dante presents a framework with which to punish actions deemed outside of virtue. In Dante’s Inferno we meet non-Christians, those not baptized, whom God punishes according to the severity of their sin. At the entrance to Hell, Dante reads an inscription above the gate that says, “Abandon every hope, you who enter here” (Dante 1416). Hell is a place of stasis—the dead found there can never leave. Drawing from Homer’s Odyssey, this essay explores the actions of Odysseus’ son Telémakhos. By applying Aristotle’s Nichomacean Ethics and incorporating Dante’s system of punishment, this essay evaluates Telémakhos’ actions and places him in his proper place in hell: submerged in a hot river of blood forever.
In order to know what virtuous action is, one must carefully choose between too much and too little. Aristotle says, “It is possible to fail in many ways, while to succeed is possible only in one way” (Aristotle 1221). This teaching is the premise of Nichomacean Ethics; Aristotle teaches what modern readers know as “The Golden Mean”—the understanding that moral virtue “is a mean bet...
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... audience just as Virgil warns Dante of his own fate. In the opening lines of the Inferno Dante says, “In the middle of the journey of our life I came to my senses in a dark forest, for I had lost the straight path” (1408). This straight path is the way of virtue. The relevance of virtue is as applicable today as it was in the time of Homer, Aristotle, and Dante—and in a Dantean understanding of the world, failure to follow the mean carries with it the punishment of an eternity in Hell.
Works Cited
Aristotle. Nichomacean Ethics. Trans. W. D. Ross. Wilkie and Hurt 1220-1225.
Dante, Alighieri. The Divine Comedy. Trans. H. R. Huse. Wilkie and Hurt 1398-1571.
Homer. The Odyssey. Trans. Robert Fitzgerald. Wilkie and Hurt 273-594.
Wilkie, Brian, and James Hurt, ed. Literature of the Western World Volume 1. 5th Ed. New Jersey: Prentice Hall. 2001.
The purpose of this essay is to tell the story of Minos and give a brief depiction of his duties from Dante’s Inferno. Being one of three main judges in Hades, Minos stood before the second circle blocking the way until he judged all that went through. “There Minos sits, grinning, grotesque, and hale. He examines each lost soul as it arrives and delivers his verdict with his coiling tail” (Ciardi 35). Upon entering the circle each sinner was to confess their sin to Minos and he would then give their assignment. Minos’s tail being wrapped around the sinners was equal to the number of the circle that they were assigned to.
Racine, Jean. Phaedra. Literature of the Western World. Eds. Brian Wilkie and James Hurt. Upper Saddle River, NJ: Prentice Hall, 2001. 187-227. Print.
Bishop, Morris, trans. Tartuffe. In Great Books of the Western World. Vol. 31. Ed. Mortimer Adler. Chicago: Encyclopedia Brittanica, Inc., 1990. 61-106.
Lawall, Sarah,et al. The Norton Anthology of World Literature. 2nd ed. Volume A (slipcased). Norton, 2001. W.W. Norton and Company Inc. New York, NY.
Bierhorst, John, et al. The Norton Anthology: World Literature. Vol I. New York: W.W. Norton & Co.,
Literature of the Western World. Hurt, James and Wilkie, Brian. Prentice Hall, New Jersey. 2001.
Literature of the Western World, Volume 2. 4th edition by Brian Wilkie and James Hurt. Upper Saddle River, NJ: Prentice-Hall, Inc., 1997.
Anthology of World Literature. Ed. Peter Simon. 3rd. ed. Vol. B. New York and London:
Carrier, Warren, ed. Guide to World Literature. Illinois: National Council of Teachers of English, 1980.
When we consider the questions of how we ought to live our lives, we often seek for some schematic that we can employ to help us categorize actions or qualities as good, bad, or indifferent. Such a means of organization would indeed make it easier to determine what the right thing to do is. Aristotle once attempted to formulate a similar plan. His ethics used a scheme by which characteristics could be measured and the right amount attained. Such an account is known as the doctrine of the mean. Aristotle’s doctrine is meant to illuminate the nature of eudaimonia, which can be briefly defined as succeeding or flourishing, the key to which is arête.
Damrosch, David and David L. Pike. The Longman Anthology of World Literature Second Edition. Pearson Education, Inc., 2009.
Wilkie, Brian, and James Hurt. Literature of the Western World: Volume II. New Jersey: Prentice-Hall, 1997. 1134-86.
Domrosch, David. Longman Anthology of World Literature, The, Compact Edition. 1st Edition. Pearson College Div: Longman, 2007. Print.
The Inferno was written by Dante Alighieri around 1314 and depicts the poet’s imaginary journey through Hell. Dante spent his life traveling from court to court both lecturing and writing down his experiences. His Divine Comedy – the three-part epic poem consisting of Inferno, Purgatorio, and Paradiso (Hell, Purgatory and Heaven)– is generally regarded as one of the greatest poetic feats ever accomplished. All three parts are incredible literary feats with symbolism so complex and beautiful that scholars are still unraveling all the details today. However, this essay will focus on the first part of Dante’s work, Inferno, which consists of 34 cantos. Dante’s Inferno is a masterpiece of allegorical imagery where Virgil represents human reason, Beatrice love and hope, and Dante mankind on the journey of the human soul through life to reach salvation.
Lawall, Sarah. (Ed.). (2002). The Norton Anthology of World Literature (Vol. A). New York: W.W. Norton & Company.