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More handpicked essays just for you.
The influence of Constantine's conversion to Christianity
The influence of Constantine's conversion to Christianity
The influence of Constantine's conversion to Christianity
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It’s obvious that Eusebius loves Constantine more than Maximin. On pages 291, Eusebius states that “Constantine, an emperor and son of an emperor, a religious man and son of a most religious man, most prudent in every way”. On the other hand when he talks about Maximin he describes as, “more to the wiles of a trickster than to the goodwill of his subjects and could not pluck up courage to go an inch beyond the city gates” (Eusebius 292). Based on Eusebius’ diction, it’s clearly to state that even in his diction, anyone can see the basis towards Constantine. Historical wise, Constantine was more of the people than Maximin. Constantine was the first emperor that stop the persecution of the Christians, and to set liberty to all Christians everywhere.
The most interesting fact that shows the different of leadership comes from the letter that they wrote. Eusebius states that Maximin put the order in writing for each other’s information. For example, the man they had honored with the title of His Excellency the Prefect, Sabinus, informed the provincial governors of the emperor’s wishes in a letter written in Latin. (Eusebius 282) This quote demonstrates that Maximin had people to write his letter from him. This can be interpreted as a leader that does not care about the people. The letter was not written by him, so anything in the letter he can defense himself by saying, “I did not write this or that letter”. On the other hand, Constantine wrote his letter personally to many bishops during his era. There you can see the difference of rulers when it comes to their writing. To conclude, Eusebius’ hero is no doubt Constantine because he was a ruler that was for the people. One thing that a ruler can be tested is by their writing. Eusebius demonstrates the differences between this two leaders by showing the letters that each ruler have done. Constantine can be proven as a ruler of the people based on his honesty in his writing.
In this essay I will examine the war-of the-sexes taking place in The Eumenides, the final play of The Oresteia. The plot of The Eumenides pits Orestes and Apollo (representing the male gods and, to a certain extent, male values in general) against the ghost of Clytemnestra and the Furies (equally representative of female values.) Of more vital importance, however, is whether Athene sides with the males or females throughout the play.
Aristotle argues that friendship is a vital part of life. It serves not only as a means to bond individuals together, but also a necessity in achieving overall happiness. Aristotle comments on the various types of friendships that exist, and the role they each play in society. He explains three overarching types; utility, pleasure, and complete friendship. Yet, with family, friendship is different than it is with companionship. As Aristotle states in his piece, Nicomachean Ethics on friendship in families, “they all seem to depend on paternal friendship” (Aristotle, 1161b18). In The Aeneid, Aeneas and Anchises’ relationship, perfectly embodies this. The father son bond does not distinctly resemble one of the three types, rather it is a friendship in of itself; a paternal friendship.
When the play Oedipus The King is mentioned, what do you think of? I think of a very ignorant man that tries to escape his fate-- a man that had so much confidence in himself that he would put false accusations on people and defy his gods just because he thinks he is right. During the play, Oedipus realizes his own flaws while he investigates who the "true killer" of Laius is.
Medea's first public statement, a sort of "protest speech," is one of the best parts of the play and demonstrates a complex, at times even contradictory, representation of gender. Medea's calm and reasoning tone, especially after her following out bursts of despair and hatred, provides the first display of her ability to gather herself together in the middle of crisis and pursue her hidden agenda with a great determination. This split in her personality is to a certain degree gender bias. The lack of emotional restraint is "typical" of women, and the strong attention to moral action is a common trait of heroes. Medea actually uses both of these traits so that her wild emotions fuel her ideals, thus producing a character that fails to fit into a clear mold.
Oedipus the King The Greek period, in the fourth and fifth centuries of B.C., evolved from a small city called Athens, Europe. In this era, a sweep of talent and creativity placed a historical advance on theater, that will dominate for years to come. This spirit most likely emerged from the defeat of the Persian Empire, along with the sense of freedom and expression from the Athenian democracy. Four great writers derived from this ancient astonishment. Aeschylus, Sophocles, and Euripides were three writers of tragedy, whereas Aristophanes was a famous comic dramatist. From these original works came the play festivals using masks and boots to accommodate for the size of the Greek theater. These tragedies the Athenians went to see consisted of five episodes, and one in particular, Oedipus the King, is made up of five choral odes, featuring the mystery behind the riddle of the sphinx. The dithyrambs were a beginning stage or rough draft of what the plays would soon come to be. Dionysis is the name of a theater where people like Thespis and other Greek actors performed, using the three unities to keep the audiences attention alarmed and suspense building.
Oedipus the King: Reason and Passion In the play, Oedipus the King, there are dual parts of reason and passion. Oedipus primarily acts with both reason and passion at different stages in the play. There are several points in the play where Oedipus acts with reason. The first such point occurs when he is asked by his followers to help save Thebes. He acts with reason when he immediately decides to heed to their demands and find help for them.
In Sophocles’ tragic drama Oedipus the King, Oedipus, the king of Thebes, suddenly realizes that he killed his father and marries his mother. Oedipus shows great concern for his kingdom and his people, calling to “drive the corruption from the land” by bringing Laius’s murderer to justice (109). He summons Tiresias to find Laius’ murderer, but Oedipus becomes enraged when Tiresias accuses Oedipus of being the murderer. Oedipus, thinking that Creon is involved in this so-called conspiacy as well makes false accusations against Creon. Much to his surprise, however, Oedipus learns that the man he killed long ago is Laius, his father, and that Oedipus’ wife, Jocasta, is his mother, all in accordance with the prophecy that he had heard long before. After coming to this realization as well, Jocasta commits suicide. Oedipus gouges out his eyes after this episode and laments his birth. Although Oedipus strives to be a fair and just king by seeking Laius’ murderer, he is often not fair to his people. Also, by lamenting his birth, Oedipus blames whoever saved him for the pain he experiences. The play demonstrates the theme of injustice through Oedipus’ lament of his birth and Oedipus’ denial of justice to others—namely, Tiresias and Creon.
Constantine, throughout his rise to power and rule in the early 300s, completely transformed the Roman Empire. The emperor accomplished this change primarily by means of bringing the Christian faith to the citizens of the empire. Constantine gave off the impression of having accepted the Christian faith, but it has often been debated whether or not he only used the religion to gain power. However, with a close analysis of his life, one can determine that while Constantine did certainly convert to Christianity, he also undeniably used the religion for political gain.
Laius and Jocasta were told that their son would kill Laius and sleep with Jocasta. They decided to avoid this by piercing the child’s feet and leaving him on the side of a hill to die. The child was found by a shepherd who gave it to another man who later presented the child as a gift for the king and queen of Corinth and was named Oedipus. When he grew into a young man, Oedipus was told by an oracle that he would kill his father and sleep with his mother, so he left his home to avoid ever hurting his parents. At a crossroads, he was confronted with a group of men, and killed all but one in conflict. He was unaware, that Laius was king of Thebes and his biological father. Oedipus defeated the Sphinx, a creature that had terrorized Thebes, and took the throne of the city as well the hand of the queen Jocasta as rewards for his victory, thus unknowingly fulfilling the prophecy he was told when he was younger. Years later, when the city of Thebes was suffering greatly under a curse, Oedipus was desperate to end it. He was told that the murderer of Laius the previous king of Thebes was still in the city, and to rid Thebes of the plague, the killer had to be exiled. Oedipus was told that he was in fact the murderer of Laius, he was ignorant, angry and dismissive at the idea.
Jocasta and Emilia, important minor characters in their plays, both showcase the power of love as well as how destructive it can be. Emilia and Jocasta both unknowingly end their own lives, as well as others, and spread tragedy throughout the towns in which they lived. It is believed that in 425 B.C., Sophocles first produced Oedipus the King (Theater of Sophocles). In the play, Oedipus the King, Jocasta is the main character, Oedipus’, mother and wife. Jocasta’s love for Oedipus ultimately destroys him and results in her death. Sophocles helped shape the heroic ideal that is later embodied in medieval romance, which Shakespeare traditionally uses in Othello (Zerba). William Shakespeare wrote Othello in about 1604 (The Theater of Shakespeare). In the play, Othello, Emilia is a companion to the main character, Othello’s wife Desdemona. Emilia’s love for her husband, Iago, ultimately destroys Othello and results in her own death.
Long ago, when the world was new, there lived a king that ruled over a vast, magnificent kingdom. The outskirts were full of vegetation that had as many colors as the rainbow. The king of these lands was named Tychon Irx, but sadly he was selfish. Tychon had all the food, and riches for himself. He enslaved many of his citizens to tend to his precious plants, and he only payed them when he wanted to. He even made them pay to eat the fruit that grew on the trees. And leaving the kingdom wasn’t an option for these poor souls, Tychon had an army 10,000 men strong.
Plutus was the god of wealth. It was not always like that though. Plutus started as one who was only concerned with agricultural bounty (Theoi). He is later known to represent wealth. Here is Aristophanes interpretation.
The Hellenistic Era boomed with new discoveries, kingdoms and war. Greek was the language mostly spoken in the Hellenistic world. This was established once the Greeks took over and made it more predominant. During this time, more people were becoming scholarly. There were schools for students to attend where new discoveries were made. Some of these discoveries included science, math and different inventions. Aristarchus discovered just how large our universe was by studying the stars and the earth's atmosphere. Besides discovering the universe mathematics such as trigonometry were originated by Hipparchus during this time.
Here is a story where Oedipus the King, who has accomplished great things in his life, discovers that the gods were only playing with him. He has everything a man of that time could want; he is king of Thebes, he has a wonderful wife and children, and great fame through out the lands. He has lived a good life, but in the end everything is taken from him.
Sophocles’ tragic drama, Oedipus Rex, presents to the reader a full range of conflicts and their resolution after a climax.