The people of today greatly envy the ancient times. They study, idolize, and imitate its culinary, fashion, and social aspects due to believing these had been exemplary. As with any given time period, however, inherent flaws indeed existed, particularly concerning the society of Ancient Greece. Euripides, the renowned Ancient Greek playwright who lived in this period himself, recognized the existence of various social flaws and in suit wrote the allegorical play Medea in 431 B.C.E., a popular work studied by many in its current translation today. In the play, Euripides employs the protagonist, Medea, to provide transparency into the social flaws of Ancient Greek society and culture. He executes this by placing Medea into situations of discord …show more content…
Power necessitates responsibility; yet with the greatest power bestowed upon them, Ancient Greek rulers would not show the slightest hint of meeting this expectation. Euripides showcases this social flaw through conflicts between Medea and Corinthian ruler King Creon. King Creon orders Medea “out of Corinth [and] into exile” (Medea 316) on the basis that she is “a clever woman / […] experienced in evil ways / […] grieving the loss of [her] husband’s bed” (330-333), and he is simply “taking […] precautions” (337). This occurs out of the public eye, conceding Creon to make such ignorant remarks to she who is innocent. He abuses his power in such a way that he does not fulfill his responsibilities to protect and benefit his own people; on the contrary, he hurts them in order to secure personal comfort. Moreover, he continues to say “it’s better that [she hates him], than for [him] / to grow soft now” (338-339). Despite being the ruler of such bountiful land as Corinth, King Creon feels that it is necessary to maintain a prideful demeanour even towards his own people. The play’s Nurse observes that “the pride of rulers is something to fear / they often order […] but seldom listen” (144-145).
One of Creon’s many failures as a statesman is his prideful attitude. For example, Creon believes that gods chose him to lead the kingdom: “But see, the king comes here, /Creon, the son of Menoeceus, /Whom the gods have appointed for us/In our recent change of fortune.” (Par. 122—125).This quote explains how authoritative Creon was when he first became king. Also, Sophocles explains how Creon’s divine rights made him feel superior to everyone else, which made him more insolent. In addition, Creon believes that he is the sole leader of the kingdom: “We’ll have no woman’s law here, while I live.” (Sc 2.444). Sophocles illustrates the dangers of pride in kingship. He emphasizes more on how kings should be reasonable to the citiz...
*Although Medea is arguably the most intelligent character in Euripides’s piece, shown in her dialogue with Creon, she has become ridiculed, and viewed as barbarous and less desirable following her separation from Jason. She is no longer a wife to a Greek man. She is simply an outsider, and a burden on a prosperous
In the story “Antigone”, Sophocles shows that Creon’s attitude is very angry, making everyone sees him as a tyrant more than as a king. His regard for the laws of the town causes him to abandon most viewpoints, like the laws of the gods, or the rights of the people. He believes that his subjects should obey the laws he has set in place, even if moral or religious beliefs contradict his laws and beliefs. Creon’s idea of a good leader is one who maintains order through violence and fear. More over his arrogant, power-seeking personality prevented him from seeking out advice or listening to his own people.
With no husband, no country to turn to, and no one she can really depend on for rescue, Medea is trapped by her circumstances. Instead of becoming crushed, however, Medea turns it against those she hate. She attacks the weaknesses in her enemies’ character. Knowing Jason would feel guilty about his abandonment, Medea sent her own children to deliver the poisoned gifts, despite the certain death her children would face being involved in such a plot. Knowing the princess would not resist flashy gifts, she cursed the dress and crown. Knowing the king’s love for his daughter would cause him to rush to her aid, Medea formulated the curse to spread to those who touched the daughter as well. As each facet of her plan had to be executed perfectly to succeed, Medea demonstrated the full potential of her capabilities. She proves that when a society completely scorns and devalues women, everyone will pay as women are incredibly strong.
Power- something so potent, yet so easy to misuse. Not everyone can obtain power, however those who possess it often acquire arrogance. Louis XIV held total control of France, abusing his dominance. Louis called himself ‘the Sun King’, believing that everything revolved around him. His pompousness led him to making foolish decisions, as he considered himself to be superior. If you don’t use your brain, you will ultimately lose it, as Louis was beheaded by the determined citizens of France. Likewise, in Antigone, King Creon is the ruler of Thebes. Creon makes an arbitrary ruling, swearing the ‘disloyal’ Polyneices should never be buried. When Antigone goes against this, Creon is infuriated. Creon lets his arrogance take over, and continuously makes unwise decisions. Power simply creates narcissism, as Creon’s pride causes him to commit foolish actions.
Despite the contrast in the characters of Euripedes' Medea and Aristophanes' Lysistrata, the two playwrights depicted how gender inequality can start a fire. As with Medea and Jason, the battle between the two lead to former's madness, leading to the death of the enemies she considered, and, unfortunately, leading as well to the death of her own children. Medea felt betrayed and left behind by her husband Jason, as well as continuously aggravated by Creon despite the fact that i...
He does this to keep the King calm and hide his intentions. We see Creon’s true self at the end of the story when he does not allow Oedipus to fully say his goodbyes to his children. He insists that Oedipus leaves as soon as possible; he shows very little mercy to Oedipus. However, the difference between Medea and Creon is that Creon never directly intervenes in the downfall of Oedipus and Jocasta. Instead he hides from direct conflict and like a coward he waits till there is no one to oppose him. Medea, on the other hand was always involved in her scheme and could hide her intentions in plain sight. Since Medea could manipulate both men and women, and Creon tried to manipulate Oedipus, but he never actually changed Oedipus’ views, she possessed a greater ability to be
Williamson, Margaret. "A Woman's Place in Euripides' Medea." in Powell, Anton, ed. Euripides, Women, and Sexuality. London: Routledge, 1990. 16-31.
The two contemporary productions of Medea were selected for this essay in an effort to contrast the ancient Greek version of the play with two modernized versions, which would demonstrate a wide distinction between the styles of production. Furthermore, both modernized versions of the play add their own innovation to the production, making for an even broader dissimilarity among the plays. Moreover, both recent productions are fashioned within cultures which have borrowed their political, social, and moral ways of life from Ancient Greek society, specifically, South Africa¹ (British Colonies), and The United States².
Sophocles, following the Greek standard of tragedy, casts Creon as the tragic hero plagued by his own pride, inflexibility and power. Creon believes his authority to be twofold, both as the king and as the head of his family. He claims that the throne is the source of all power, saying ?whoever is chosen to govern should be obeyed ? must be obeyed, in all things, great and small, just and unjust? (Sophocles 217), and he demands the utmost allegiance from his son, bidding him to ?subordinate everything else?to [his] father?s will? (Sophocles 216). Creon is filled with hubris, and he rejects any solution that might compromise his image. For instance, when the guards escort Antigone to the palace, he demands of the Choragos, ?Who is the man...
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.
Aristotle, a philosopher, scientist, spiritualist and passionate critic of the arts, spent many years studying human nature and its relevance to the stage. His rules of tragedy in fact made a deep imprint on the writing of tragic works, while he influenced the structure of theatre, with his analysis of human nature. Euripides 'Medea', a Greek tragedy written with partial adherence to the Aristotelian rules, explores the continuation of the ancient Greek tales surrounding the mythology of Medea, Princess of Colchis, and granddaughter of Helios, the sun god, with heartlessness to rival the infamous Circe. While the structure of this play undoubtedly perpetuates many of the Aristotelian rules, there are some dramatic structures which challenge its standing with relevance to Aristotle's guidelines, and the judgment of Medea as a dramatic success within the tragic genre.
Ironically, Medea’s actions are similar to a man when she takes charge of her marriage, living situation, and family life when she devices a plan to engulf her husband with grief. With this in mind, Medea had accepts her place in a man’s world unti...
The Greek play Medea, created by playwright Euripides, explores the journey and struggles of a passionate and poignant wife Medea, alongside her cold, logical husband and Greek hero Jason, the