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Analysis of conflict management
Analysis of conflict management
Analysis of conflict management
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Eugenia Collier’s “Marigolds” ,a short story about an adolescent African American girl living during The Great Depression, deals with the struggles and pain that accompany a life of poverty. “Marigolds” includes many interesting ideas such as how children filled time their time during the day and fought off constant boredom by finding amusement in the pain of others. The short story also addresses conflict in the form of an internal man v. self conflict spurred on by an external man v. society conflict. In “Marigolds” a man v. society conflict develops throughout the text. The antagonist ,The Great Depression, fights against the protagonist, the narrators community and the narrator herself. The narrator describes how the depression has affected her and her community through the poverty it brings as “a cage in which we were all trapped.”(Collier 13). The Depression has prevented people from thriving and living a happy …show more content…
life because it has trapped them in a cage of poverty with no way to make money and escape from the cage. Even though poverty has trapped people they still have not given up the hope of escape and are trying to improve their lives. When the narrator's father goes off to try and find a job the narrator describes it as a “daily unsuccessful quest for work.”(123). Her father will never stop trying to fight the Depression and give his family a better life. The second conflict of man v.
self seen more obviously throughout the text than the previous conflict deals with the narrator fighting the urge to grow up and remain a child. The narrator illustrates the protagonist feelings, staying a child,“The child in me sulked, and said it was all in fun.”(Collier 127). The child within her is still a very vital part of her personality. Despite this the narrator still is growing up and must deal with this fact. After destroying Miss. Lottie's marigolds the antagonist, the change to womanhood, “flinched at the thought of malicious attack that I had led.”(127) The narrator addresses her more mature side and thus begins to question her innocence. It is also important to point out that the man v. society conflict accelerates the maturity of the narrator because “Everything was suddenly out of tune, like a broken accordion. Where did I fit into this crazy picture?”(128) By questioning herself because of the struggles that the Depression causes the narrator becomes forced to decide what path she takes, woman or
child. At the end of the story the conflicts come to a resolution. As the narrator looks deeper within herself in the defining moment of the story when she sees Miss Lottie after destroying the Marigolds she becomes more woman the child. The narrator grows up to face the darkness of the adult world and deal with the Depression and the poverty it brings. Even as the Depression continues the narrator discovers her true inner-self and resolves to plant her own marigolds and make the world a better place.
She sees her father old and suffering, his wife sent him out to get money through begging; and he rants on about how his daughters left him to basically rot and how they have not honored him nor do they show gratitude towards him for all that he has done for them (Chapter 21). She gives into her feelings of shame at leaving him to become the withered old man that he is and she takes him in believing that she must take care of him because no one else would; because it is his spirit and willpower burning inside of her. But soon she understands her mistake in letting her father back into he life. "[She] suddenly realized that [she] had come back to where [she] had started twenty years ago when [she] began [her] fight for freedom. But in [her] rebellious youth, [she] thought [she] could escape by running away. And now [she] realized that the shadow of the burden was always following [her], and [there she] stood face to face with it again (Chapter 21)." Though the many years apart had changed her, made her better, her father was still the same man. He still had the same thoughts and ways and that was not going to change even on his death bed; she had let herself back into contact with the tyrant that had ruled over her as a child, her life had made a complete
As people live to this day’s constant demands, they often mention how their lives are ‘horrible’, but no life can be more horrific than just one day in the groove of Wanda Bridgeforth’s life growing up during the 1930’s. Wanda Bridgeforth was a survivor of The Great Depression, and she has quite a story to tell. Surely, she can relate to someone like Scout from To Kill a Mockingbird, although her skin is a different shade. Wanda would had never known what it was like to grow up as an African American if she didn’t primarily reside in what was known as the ‘Black Metropolis’, if she didn’t have major money shortages in her family, if she didn’t live in a constantly cramped housing space, or if she wasn’t transported away to live with a whole different group of people.
Sandra Cisneros’ The House on Mango Street, written in 1984, and Anzia Yezierska’s Bread Givers, published in 1925, are both aimed at adolescent and adult audiences that deal with deep disturbing themes about serious social conditions and their effects on children as adults. Both books are told in the first person; both narrators are young girls living in destitute neighborhoods; and both young girls witness the harsh realities of life for those who are poor, abused, and hopeless. Although the narrators face these overwhelming obstacles, they manage to survive their tough environments with their wits and strength remaining intact.
The short story is set in the period of The Great Depression, and lower classes especially struggled in this hard time. The Great Depression attacked the nation by society class. The lower levels struggled even more than usual. Lizbeth lived in a small rural town with a few members of her family. Her father and mother worked all day and Lizbeth and her brother, Joey, would hang out with other teenagers in their community to waste the daylight. The community always helped each other out but there was this one woman, Miss Lottie who played an important role in young Lizbeth’s
Toni Cade Bambara’s "The Lesson" revolves around a young black girl’s struggle to come to terms with the role that economic injustice, and the larger social injustice that it constitutes, plays in her life. Sylvia, the story’s protagonist, initially is reluctant to acknowledge that she is a victim of poverty. Far from being oblivious of the disparity between the rich and the poor, however, one might say that on some subconscious level, she is in fact aware of the inequity that permeates society and which contributes to her inexorably disadvantaged economic situation. That she relates poverty to shame—"But I feel funny, shame. But what I got to be shamed about? Got as much right to go in as anybody" (Bambara 604)—offers an indication as to why she is so hard-pressed to concede her substandard socioeconomic standing in the larger scheme of things. Sylvia is forced to finally address the true state of her place in society, however, when she observes firsthand the stark contrast between the rich and the poor at a fancy toy store in Manhattan. Initially furious about the blinding disparity, her emotionally charged reaction ultimately culminates in her acceptance of the real state of things, and this acceptance in turn cultivates her resolve to take action against the socioeconomic inequality that verily afflicts her, ensuring that "ain’t nobody gonna beat me at nuthin" (606). "The Lesson" posits that far from being insurmountable, economic and social injustice can be risen above, but it is necessary that we first acknowledge the role that it plays in our lives, and then determine to take action against it; indifference, and the inaction that it breeds, can only serve to perpetuate such injustices.
Guy de Maupassant’s Mathilde Loisel and Eugenia Collier’s Lizabeth are two characters enduring what they perceive to be an abject state of existence. In Maupassant’s narrative, “The Necklace,” Loisel longs for material things she cannot have. In a similar way, Lizabeth, the protagonist of Eugenia Collier’s “Marigolds,” perceives her own life in the shantytowns of Maryland as dreary and dull. Despite their different character traits and backgrounds, Collier’s and Maupassant’s characters have similarly negative perspectives towards their own lives that greatly influence their actions and consequently, the outcome of the story.
It states that Lizabeth changed from a child to an adult in one instant, as she gazed on the sad, weary eyes of Miss. Lottie. Collier’s message is conveyed through the journey of Lizabeth. If Lizabeth undergoes the difficult journey to reach womanhood, Collier is trying to tell the reader that this is imperative for us to do so as well. One can only escape the blindness of ignorance that is accompanied by childhood best described as a “reality hidden to childhood.” on line 356, by undergoing the same journey that Lizabeth went through. Collier’s theme in “Marigolds” is that growing up is the only way in which to be able to comprehend someone other than yourself and feel compassion. Even though our situations are different the situation Lizabeth was placed in, we can still use what Lizabeth learned to help and improve our own lives.
Growing up as the young child of sharecroppers in Mississippi, Essie Mae Moody experienced and observed the social and economic deprivation of Southern Blacks. As a young girl Essie Mae and her family struggled to survive, often by the table scraps of the white families her mother worked for. Knowing little other than the squalor of their living conditions, she realizes this disparity while living in a two-room house off the Johnson’s property, whom her mother worked for, watching the white children play, “Here they were playing in a house that was nicer than any house I could have dreamed of”(p. 33). Additionally, the segregated school she attends was a “one room rotten wood building.” (p. 14), but Essie Mae manages to get straight A’s while caring for her younger sibli...
In the short story “Marigolds” by Eugenia Collier, the narrator Lizabeth realizes that she is no longer a child but a grown up woman who renounces her innocence and begins her adulthood by developing a sense of compassion. She learns that the world is more than just the dusty shantytown and a squad of kids she plays with; there are also the complex realities of depression, indifference and poverty. The reason behind this realization is that Lizabeth, at an age of 14, overhears her parents’ conversation about the harsh economic situation that their family is facing. She is filled with anger and detests the unfairness that is given to her family. All these feelings encourage her towards an explosive, malicious act of destruction. She is especially
I'll be honest; I picked this short story first because of the bright, blooming title, "Marigolds." But when I read the story, I felt torn, like the marigolds that were when destroyed by Lizabeth[ADM2]. Throughout this story I felt overwhelmed with reality;[ADM3] I was showered with confusion, contradictions, and it seems as though I read this story of harsh truth in a dream. Lizabeth's character is so close to myself, yet so far away, that I detest her, especially for her furious outrage taken out on a sliver of hope surrounded by despondency, yet I feel compassionate towards her.[ADM4]
In the short stories, Marigolds by Eugenia Collier, and The Bet by Anton Chekhov, both Lizabeth and the Lawyer, along with their understanding of life, are similar, as well as very different. While both Lizabeth and the Lawyer develop a deeper understanding and knowledge of their situations by the end of each story, the processes that lead them to these realizations are very different, as race, gender, and social class all play a role in how the two characters develop.
Toni Cade Bambara addresses how knowledge is the means by which one can escape out of poverty in her story The Lesson. In her story she identifies with race, economic inequality, and literary epiphany during the early 1970’s. In this story children of African American progeny come face to face with their own poverty and reality. This realism of society’s social standard was made known to them on a sunny afternoon field trip to a toy store on Fifth Avenue. Through the use of an African American protagonist Miss Moore and antagonist Sylvia who later becomes the sub protagonist and White society the antagonist “the lesson” was ironically taught. Sylvia belong to a lower economic class, which affects her views of herself within highlights the economic difference created by classism.
Eugenia Collier’s “Marigolds” is a memoir of a colored girl living in the Great Depression. The story does not focus on the troubles society presents to the narrator (Elizabeth), but rather is focused on the conflict within her. Collier uses marigolds to show that the changes from childhood to adulthood cause fear in Elizabeth, which is the enemy of compassion and hope.
In “The Flowers,” Myop is portrayed as an archetypal innocent blind to the harsh world around her. In the beginning stages of the story, the author explains, “The harvesting of the corn and cotton, peanuts and squash, made each day a golden surprise that caused excited little tremors to run up her jaws” (Walker 5). Although the new harvests excite Myop, exhibiting her child-like innocence, the cruel reality is that she is part of a sharecropper family, suggested when Myop is, “Turning her back on the rusty boards of her family’s sharecropper cabin” (Walker 5). Most sharecroppers could not make enough money to buy food or clothes. As a result, sharecroppers took to taking loans from landlords, causing an eternal debt. The author’s purpose behind this is to exhibit Myop’s blindness to her family’s harsh state of life.
In this Alice Walker story, the reader meets a girl named Celie. In this novel, Walker takes the reader on a journey through much of Celie’s life. While taking the reader through this tale, Walker draws attention to a number of social aspects during this time period. Through Cilie’s life, Walker brings to light the abuse and mistreatment of African American women from 1910 through the 1940’s. “Women were also regarded as less important than men – both Black and white Black women double disadvantage.