Inclusive Spirituality in Song of Solomon
When slaves were brought to America they were taken from all they had known and forced to live in a land of dark irony that, while promising life, liberty, and the pursuit of happiness, provided them with only misery. In a situation such as the one in which the slaves found themselves, many people would rely on their religion to help them survive. But would slaves be able to find spiritual comfort within the parameters of a religion that had been passed on to them from the slaveholders? In Toni Morrison's Song of Solomon, African-Americans struggle to find a spirituality that is responsive to their needs and that encompasses their experiences in a way that the religion of the dominant culture does not.
Song of Solomon deals with the African-American struggle to find a spirituality not defined by a religion of the dominant culture. From the beginning of the novel, Morrison alludes to Christianity with the names she chooses-Hagar, First Corinthians, Magdalene, and Ruth for example. However, the two main allusions Morrison draws on are the name "Pilate" and the name of the biblical book Song of Solomon.
In the narrative in which Pilate is named, Pilate's father, who can't read, lets the Bible fall open and points to a set of lines that look agreeable to him. It just so happens that the word spelled out by those lines is "Pilate," the name of the Roman who turns Jesus over to be crucified. The midwife attending at Pilate's birth asks the father if he really wants to name the child after the person who killed Jesus, and the father replies, "I asked Jesus to save me my wife," and he continues, "I asked him all night long" (19). Yet his wife wasn't saved, and Pilate's father feels...
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...sition of meanings shows both majority and minority readers that African-American spiritual experience, while touched by majority experience, does not have to be formed by it.
Song of Solomon deals with the struggle of African-Americans to find a spiritual avenue that is responsive to their needs and reflective of their experience. The text helps people to examine differing ideas, learn about different experiences, and become sensitive to various needs. If we are able to learn something from Song of Solomon, really learn something, perhaps life, liberty and happiness will finally find us.
Works Cited
Bloom, Harold, ed. Modern Critical Views: Toni Morrison. New York: Chelsea House Publishing, 1990.
Middleton, David. Toni Morrison's Fiction: Contemporary Criticism. New York: Garland, 1997.
Morrison, Toni. Song of Solomon. New York: Plume, 1987.
The book called Song of Solomon, by Toni Morrison, deals with many real life issues, most of which are illustrated by the relationships between different family members.
Solomon, a slave, had been a leader when he worked in the cotton fields in the South. One day he decided to fly back to Africa with his youngest son, Jake, leaving behind his wife Ryna and their twenty other children.
In Song of Solomon by Toni Morrison, men discover themselves through flight. While the motif of flight is liberating for men, it has negative consequences for women. Commonly, the women of Song of Solomon are abandoned by men, both physically and emotionally. Many times they suffer as a result as an abandonment, but there are exceptions in which women can pick themselves up or are undisturbed. Morrison explores in Song of Solomon the abandonment of women by men.
In Song of Solomon, Toni Morrison gives us a list of characters whose lives all revolve around the basic principle that completes us all, love. Morrison's most grounded character is Pilate Dead. Although Pilate may not say much, she is one of the most important and beloved characters in the story. She is loved not only by Milkman but also by the readers. As Morrison says “[Pilate is very large] because she is like something we wish existed. She represents some hope in all of us,” (“An Interview with Toni Morrison” 419). Pilate Dead is many things to many different people. She is a mother, a savior, a role model, a woman of great strength, and a woman filled with mystery.
Freedom is heavily sought after and symbolized by flight with prominent themes of materialism, classism, and racism throughout Toni Morrison’s novel Song of Solomon. The characters Milkman and Macon Dead represent these themes as Macon raises Milkman based on his own belief that ownership of people and wealth will give an individual freedom. Milkman grows up taking this idea as a way to personally obtain freedom while also coming to difficult terms with the racism and privilege that comes with these ideas and how they affect family and African Americans, and a way to use it as a search for an individual 's true self. Through the novel, Morrison shows that both set themselves in a state of mental imprisonment to these materials
In Song of Solomon Toni Morrison tells a story of one black man's journey toward an understanding of his own identity and his African American roots. This black man, Macon "Milkman" Dead III, transforms throughout the novel from a naïve, egocentric, young man to a self-assured adult with an understanding of the importance of morals and family values. Milkman is born into the burdens of the materialistic values of his father and the weight of a racist society. Over the course of his journey into his family's past he discovers his family's values and ancestry, rids himself of the weight of his father's expectations and society's limitations, and literally learns to fly.
The leading roles in each of the stories had a corresponding role in the other. The corresponding characters shared a number of similarities, but it was the ways in which they were different that determined their fate and that of the kingdom. In Hamlet, the prince is Hamlet. He is in deep grieving of his father’s death. He is angry because he believes that everyone has already forgotten how great of a king his father was. Hamlet does not know for sure who is responsible for his father’s death, but he suspects Claudius who is his uncle and the new king. Hamlet decides that if he can convince everyone that he is insane, then maybe he will be able to get someone to tell him more about his father’s murder. In The Lion King, Simba is the prince. Simba’s father, Mufasa, is killed after he falls from a cliff into a herd of hyenas. Simba falls into a deep depression after his uncle Scar twists things around and convinces Simba that he is the one responsible for the Mufasa’s death. Simba can not deal with what has happened and he runs away from the kingdom.
For centuries religion has played a huge role in the black community. From slavery to freedom, religion has help black folk deal with their anger, pain, oppression, sadness, fear, and dread. Recognizing the said importance of religion in the black community, Black poets and writers like Phillis Wheatley and Richard Wright, use religion as an important motif in their literature. Wheatley uses religion as a way to convince her mostly white audience of how religious conversion validates the humanity of herself and others. Wright on the other hand, uses religion in order to demonstrate how religion, as uplifting as it is can fail the black community. Thinking through, both Wheatley and Wright’s writings it becomes apparent that religion is so complex,
Roosevelt himself and his family responded to the disability in different stages. At first, his children were heartbroken seeing their father in such a vulnerable state, struggling to move. Eventually they became comfortable around his condition and were proactive in helping him and involving themselves with his rehabilitation process
In an interview with the American Academy of Achievement, Jonas Salk stated “Risks, I like to say, always pay off. You learn what to do, or what not to do.” As a man of science, Salk truly believes and lives these words every day. In his career he has surely taken many risks, chasing down new theories and ideas, only to lead to a dead end road. But one day, he stumbled upon an idea, and took a risk that left an impact on humanity forever. Not only has Jonas Salk left his stamp on the medical world with the development of the Polio vaccine, but his team continues to conduct groundbreaking research on some of today’s most deadly diseases.
When one is confronted with a problem, we find a solution easily, but when a society is confronted with a problem, the solution tends to prolong itself. One major issue that is often discussed in today’s society that has been here for as long as we’ve known it, is racism. Racism is also a very repetitive theme in Toni Morrison’s Song of Solomon. Almost every character has experienced racism whether it be towards them or they are the ones giving the racism in this novel. Racism is a very controversial topic as many have different perspectives of it. In Toni’s novel, three characters that have very distinct perspectives on racism are Macon Dead, Guitar, and Dr. Foster. These characters play vital roles throughout the novel.
“You 're saying that the weapons we 're depending on may not even fire? And they can 't test them here?” She nodded at my question.
...rs and prodigalities of their rulers, I have cherished their opposites: peace, economy, and riddance of public debt, believing that these were the high road to public as well as private prosperity and happiness.” (The Declaration of Independence)
Toni Morrison’s novel, Beloved, explores the physical, emotional, and spiritual suffering that was brought on by slavery. Several critical works recognize that Morrison incorporates aspects of traditional African religions and to Christianity to depict the anguish slavery placed not only on her characters, but other enslaved African Americans. This review of literature will explore three different scholarly articles that exemplifies how Morrison successfully uses African religions and Christianity to depict the story of how slavery affected the characters’ lives in the novel, even after their emancipation from slavery.
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