Obsession in Frankenstein and Dr. Jekyll and Mr. Hyde
Webster defines obsession to be "Compulsive, often anxious preoccupation with a fixed idea or unwanted emotion." Or, "A compulsive, usually irrational idea or emotion." The strange thing about obsession is the absolute inability of the person, once obsessed, to understand their own actions in retrospect. Both Victor Frankenstien, of Marry Shelley’s Frankenstein, and Henry Jekyll, of Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde fit the criteria of one who is obsessed.
With Victor Frankenstien, obsession came in the form of a lust for fame. Victor’s own word reflect his inability to understand or control his own actions. "a groan burst from his heaving breast. … he spoke, in broken accents: Unhappy man! Do you share my madness? Have you drunk also of the intoxicating draught? Hear me; let me reveal my tale, and you will dash the cup from your lips!" Victor describes his actions as those of a man possessed by "madness," or one who is "intoxicated." In his refusal to take personal responsibility for his actions, he blames (four times ) destiny or fate. Victor’s actions are those of a man possessed by his own desires, turning a blind eye to the possible consequences of his actions until the completion of the event by which he was obsessed. Upon succeeding in reanimating a dead body, or more accurately the composition of parts from various dead bodies from both human and animal bodies, Victor recoils in horror. "How can I describe my emotions at ...
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...f for, are of no concern when compared to those of Victor and Henry. And yet, I think of them as being quite destructive in my own world.
I suppose that by reading these novels, I can learn from their mistakes. Or, perhaps more honestly, I am obsessed with the vicarious thrill and terror that I experience through them. I hope, for my sake, that the former is true. Perhaps the reason I enjoyed these readings so much is that I identify with both Victor and Henry to a small extent. I know from experience that I am capable of being captured by an idea or desire. Perhaps the reason I so vehemently abhor the actions of these two characters is that I secretly fear that I would be susceptible to the same weaknesses that they were. Indeed, perhaps we all are.
Clearing In The West and The Stream Runs Fast. All this served as a "pulpit"
The Lord saw that the wickedness of man was great in the earth, and that very imagination of the thoughts of his heart was only evil continually. And the Lord was sorry that he had made man on the earth, and it grieved him to his heart. So the Lord said, “I will blot out man whom I have created from the face of the ground, man and beast and creeping things and birds of the air, for I am sorry that I have made them.”
In The Strange Case of Dr. Jekyll and Mr. Hyde, repression appears to be a common theme. Stevenson chose to incorporate this because it was a common Victorian belief. So what is Stevenson trying to say about repression by making Dr. Jekyll secretly self indulgent? Many people believe that Jekyll assumes the role of Hyde in order to carry out these indulgences that he otherwise could not. Also Jekyll chose to repress his urges because Victorian society frowned upon them. This idea is further elaborated on by Masao Miyoshi, in “Dr. Jekyll and the Emergence of Mr. Hyde”:
One of the most significant connections in the story is that of Henry and Victor’s. They traveled across Europe together, and Henry always worried about Victor. “‘I had rather be with you,’ he said, ‘in your solitary rambles, than with these Scotch people, whom I do not know; hasten, then, my dear friend, to return, that I may again feel myself somewhat at home, which I cannot do in your absence,’” (198-199). This quote from Henry perfectly displays the bond between him and Victor.
Some of the simpler similarities are that the extent of the flood reaches every part of the earth, the flood is intended to destroy mankind, aside from the heros and their families, Utnapishtim and Noah are found righteous by their God or gods, and they build an ark to certain qualifications. An example of a less obvious similarity is the location of where the arks first touche land. In the general sense, they both landed on a mountain: Noah’s “ ark rested in the seventh month, on the seventh day of the month, upon the mountains of Ararat” (Genesis 75) and Utnapishtim's “boat stuck fast beside Mt. Nimush” (Gilgamesh 57). Taking this information a Step deeper reveals that Mt. Ararat and Mt. Nimush are about 300 miles apart. Both boats land in a relatively close proximity. Further proving the idea that the Sumerians and Hebrews experience the same event. Utnapishtim’s and Noah’s lives are dramatically changed by the flood. They sacrifice all that is familiar to them in order to receive the blessings of God or the gods. The heroes are both examples of a term I will call the archetypal path of blessing. Utnapishtim and Noah are both comfortable with what they have before the flood, but as Christopher Columbus States “One can never cross the ocean until one has the courage to leave the shore.” Utnapishtim and Noah give up what is ordinary to receive what is great. The blessings of both characters exceed
...and innocent people, and caused other innocent people (Justine) to suffer for nothing. Victor reasoned that if he had controlled his passion, his pursuit, none of the tragedies described in the book would have happened.
Essay 2 Psychoanalysis is the method of psychological therapy originated by Sigmund Freud in which free association, dream interpretation, and analysis of resistance and transference are used to explore repressed or unconscious impulses, anxieties, and internal conflicts (“Psychoanalysis”). This transfers to analyzing writing in order to obtain a meaning behind the text. There are two types of people who read stories and articles. The first type attempts to understand the plot or topic while the second type reads to understand the meaning behind the text. Baldick is the second type who analyzes everything.
Isolation is one of the major motifs that resonates throughout Frankenstein. Tying into the romantic style of the novel, Shelley uses this element all the way through the work to show a repetition of isolation, an aspect that is present in almost every character in the novel and expressed primarily in Victor and the monster. But even some other minor characters such as Justine, Caroline, and Walton deal with isolation in one way or another.
evil; while Victor acts out of greed. Victor’s self-centered behavior effects everyone in the novel; he hurts his family’s
transgression and his vulgar presumption that he can emulate its force. What drives Victor to do
In gothic novels tragic figures are symbols of pain to the characters. Victor Frankenstein brings misfortune to his loved ones, which concludes to his overall tragedy. Ironically the monster in this novel is Frankenstein the creator not the creature. He has seven victims including himself and his fall is due to his ambition to be superior.
A passion turns into an obsession when it starts to interfere with the living of your life. Obsessions can be overcome, though not easily. Victor had been the monster’s slave for months, doing what the creature asked, doing what was necessary to be free of
Many people know that Mary Shelley, the author of Frankenstein, was part of a family of famed Romantic era writers. Her mother, Mary Wollstonecraft, was one of the first leaders of the feminist movement, her father, William Godwin, was a famous social philosopher, and her husband, Percy Shelley, was one of the leading Romantic poets of the time ("Frankenstein: Mary Shelley Biography."). What most people do not know, however, is that Mary Shelley dealt with issues of abandonment her whole life and fear of giving birth (Duncan, Greg. "Frankenstein: The Historical Context."). When she wrote Frankenstein, she revealed her hidden fears and desires through the story of Victor Frankenstein’s creation, putting him symbolically in her place (Murfin, Ross. "Psychoanalytic Criticism and Frankenstein.”). Her purpose, though possibly unconsciously, in writing the novel was to resolve both her feelings of abandonment by her parents, and fears of her own childbirth.
From the onset of Victor’s youth, his earliest memories are those of “Curiosity, earnest research to learn the hidden laws of nature, gladness akin to rapture, as they were unfolded to me, are among the earliest sensations I can remember” (ch. 4) This is the first example of obsession that we see in the novel. This drive to learn the ‘hidden’ laws of nature is the original driving force that sets the plot in motion. Without this, Victor would have never embarked on his unholy quest to overcome mortality, thus leading to his creation of his monster.
The flood story that is told in The Epic of Gilgamesh has the same principle as the story of Noah told in the book of Genesis in the Bible, but there are some major differences. In the epic, Utnapishtim is immortal and, although Noah was extremely old when he died, he wasn’t immortal. Utnapishtim was a human, but because he saved mankind, Enlil said, “Hitherto Utnapishtim has been a human, now Utnapishtim and his wife shall become like us gods.” (Gilgamesh 11.206-207) In the Biblical story, God told Noah that he was going to send a flood and asked him specifically to make the ark in order to save mankind. In Genesis 6:13-22, God tells Noah why he’s flooding the earth and exact instructions to build the ark. “13 So God said to Noah, “I am going to put an end to all people, for the earth is filled with violence because of them. I am surely going to destroy both them and the earth. 14 So make yourself an ark of cypress[a] wood; make rooms in it and coat it with pitch inside and out. 15 This is how you are to build it: The ark is to be three hundred cubits long, fifty cubits wide and thirty cubits high.[b] 16 Make a roof for it, leaving below the roof an opening one cubit[c] high all arou...