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Frankenstein's impact on pop culture
Frankenstein and the modern world
Frankenstein and the modern world
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After attending the Dallas Theater Center's production of Frankenstein
written by Nick Dear, I noticed many differences between the production and the novel it was based on. The biggest, and easily the most noticeable difference between the play and the novel for me was that there was no backstory in the play. The production began with the creation of the creature. There was no story of how Victor grew up, and nothing about how he became so educated. Though I am not criticizing the production for its lack of context, because I understand that if they added these scenes the already two-hour production would have easily become a four to five hour one. This may have also been the reason that the character in the novel, Robert Walton, was nowhere to be found in during the
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production. In fact, the play was almost as if we were watching the scenes that Victor shared with Walton in the novel in real time as they were occurring.
As I said before, the play began with the creation of the creature, so there were no letters from Walton, and no exploration to the north pole. Since Walton was not a part of the play, Victor and the creature never actually died. In the last scene of the play, Victor was struggling to follow the creature through the snow and ice and he eventually became unconscious, everyone in the audience thought he died. The creature was holding Victor in his arms telling him that all he wanted was for Victor to love him. Then all of a sudden, almost like the creature brought Victor back to life, Victor responded, and the creature got up and started on the journey once more with hopes that Victor would follow. Another difference that I noticed was the creature's interactions with De Lacey. The creature approached De Lacey right when he found the house in the woods before he could speak at all. De Lacey acted as a mentor for the creature, De Lacey taught him how to speak, how to read, and how to write. The creature first words were, "Piss off! Bugger off!", he was repeating what two men yelled at him. We found out later on in the play that the
creature and De Lacey's relationship had been going on for a whole year. This is completely different from the novel where the creature actually learned how to talk and read prior to his encounter with De Lacey which in the book was only for a few minutes before Felix walked in and attacked the creature. When Felix saw the creature in the play, De Lacey tried to stop him, but it didn't stop him from attacking the creature. This prompted the creature to kill all three family members with an ax I believe and then he continued to burn the house down. The appearance of the creature in the play was not too different from the one described in the novel. Both had long black hair, yellow skin, black lips, and scars. One difference was that the creature in the play didn't seem to be tremendously muscular, nevertheless he did show that he was abnormally strong in multiple scenes. When the creature meets William, he asked to be brought to him, the creature then takes William off to be killed. Once William is found dead by Victor, Victor runs off to find the creature. Nobody expects Justine to have killed William and she is never executed for it like she is in the novel. I know a lot of some scenes were left out and at times it felt like we were skipping so much information, the production was still really good. I watched a video before going to see it and the director said he didn't want it to be exactly like the play and that the writer wanted to put his own twists in the plot. I think Dear did a good job with the addition his own twists like the creature's dreams about a girl, Victors dreams about William, and a few others throughout the production. Overall, I am glad I went and got to witness a great production of Frankenstein with lots of fear and even a little humor as well.
Comparing and Analysing The Gift and Frankenstein We watched a video called “The Gift”. This was a story of a girl called Annie, aged 16. She was a keen sportswoman and played football. regularly. I will be there.
Do not judge a book by its cover. Those are the words of a famous American proverb that says a person’s character cannot be judged based on their appearance. This proverb is very fitting in regards to the monster from Frankenstein. On the outside, he has a terrible appearance, and as a result is victimized and made to suffer by those who cannot see past his looks. Yet he has a kind soul and is simply looking for happiness and a little compassion from others. Both the book and the play present him as a sufferer in a cruel world but ultimately the book does a better job portraying his pain and eliciting empathy from the reader. The monster in the book details his suffering in greater detail, is more eloquent and persuasive and also experiences a more tragic ending, and as a result the reader feels more sympathy towards him than an audience member would feel towards the monster in the play.
1. He came like a protecting spirit to the poor girl who committed herself to his care.
The repercussions of treating sentient life as monsters or miscreation’s is disastrous. When non-human conscious life is created it is easier to treat these creations as outsiders rather than accepting them. There are two stories that show this clearly. The novel Frankenstein or, The Modern Prometheus by Mary Shelly and the film Ex Machina by Alex Garland. When self-conscious life is created it must be treated as such.
Frankenstein is a horror movie that tells the story of Dr. Henry Frankenstein’s experiment. In search for the fame and glory of playing to be god, he reaches a point where he is able to revive dead people. In this version of Frankenstein’s monster we see a selfish and careless scientist that created a creature with his intelligence. The way the character is shown reflects how ambitious someone can be to reach to be known in the world. This movie makes the people who are watching to feel empathy on the poor creature. This poor creature that did not want to live in a life where everyone is going to hate him for having a horrible aspect and not following rules that he has no idea about.
Frankenstein is a fictional story written by Mary Shelly. It was later adapted into a movie version directed by James Whales. There are more differences than similarities between the book and the movie. This is because, the movie is mainly based on the 1920’s play, other than the original Mary Shelly’s book Frankenstein. A text has to be altered in one way or the other while making a movie due to a number of obvious factors. A lot of details from the book were missing in the movie, but the changes made by Whales were effective as they made the movie interesting, and successful.
After killing his younger brother, Elizabeth , and his best friend, Victor after having no family left wanted to put an end to it all so he ended up chasing his creation and dying before catching it. After bringing the creature into this world and leaving it behind to fend for itself the creature endured lots of agony and pain from society which drove its rage to Victor and his family and he ended up kill this younger brother and soon to be wife. Both were isolated from society, Victor brought isolation upon himself through locking himself up to create the creature and ignoring everything around him as stated in the article, “The summer months passed while I was thus engaged, heart and soul, in one pursuit. It was a most beautiful season; never did the fields bestow a more plentiful harvest, or the vines yield a more luxuriant vintage: but my eyes were insensible to the charms of nature. And the same feelings which made me neglect the scenes around me caused me also to forget those friends who were so many miles absent, and whom I had not seen for so long a time. I knew my silence disquieted them; and I well-remembered the words of my father: "I know that while you are pleased with yourself, you will think of us with affection, and we shall hear regularly from you. You must pardon me if I regard any interruption in your correspondence as a proof that your other duties are equally neglected.” As
Most Americans have some idea of who Frankenstein is, as a result of the many Frankenstein movies. Contrary to popular belief Mary Shelley’s Frankenstein is a scientist, not a monster. The "monster" is not the inarticulate, rage-driven criminal depicted in the 1994 film version of the novel. Shelley’s original Frankenstein was misrepresented by this Kenneth branagh film, most likely to send a different message to the movie audience than Shelley’s novel shows to its readers. The conflicting messages of technologies deserve being dependent on its creator (address by Shelley) and poetic justice, or triumph over evil (showed by the movie) is best represented by the scene immediately preceding Frankenstein’s monster’s death.
Is it possible for one thing to have such a negative impact on a person? Because of his creation, Victor Frankenstein was a recluse who did not tell anyone of his creation because he regretted creating it. Although this may be true, Victor only wanted to do good and help humanity by bringing loved ones back to life. In order to create life, he isolated himself from his family to work on his experiment. After the monster committed homicide several times, Victor could not tell any sane person the truth. And he felt guilt because his loved ones died too early and at the hands of his scientific advancement. To conclude, isolation, secrecy, and guiltiness are prevalent in the book Frankenstein by Mary Shelley.
Since its publication in 1818, Mary Shelley's Frankenstein has grown to become a name associated with horror and science fiction. To fully understand the importance and origin of this novel, we must look at both the tragedies of Mary Shelley's background and her own origins. Only then can we begin to examine what the icon "Frankenstein" has become in today's society.
As time goes on, many things tend to change, and then they begin to inherit completely different images. Over the years, the character, created by Dr. Victor Frankenstein in Mary Shelley’s famous novel, has changed dramatically. The monster, regularly called “Frankenstein,” has been featured in numerous films, such as Frankenweenie and Edward Scissorhands. Although, the characters in today’s pop culture and the monster in the well-known 1800’s novel have similarities, they are actually very different. The many similarities and differences range from the character’s physical traits and psychological traits, the character’s persona, and the character’s place in the Gothic style.
In gothic novels tragic figures are symbols of pain to the characters. Victor Frankenstein brings misfortune to his loved ones, which concludes to his overall tragedy. Ironically the monster in this novel is Frankenstein the creator not the creature. He has seven victims including himself and his fall is due to his ambition to be superior.
The characterization of Victor’s creature, the monster, in the movie although somewhat dramatically different from Mary Shelley’s portrayal in the novel Frankenstein also had its similarities. Shelley’s views of the monster were to make him seem like a human being, while the movie made the monster out to be a hideous creation. The creature’s appearance and personality are two aspects that differ between the novel and movie while his intellectual and tender sides were portrayed the same.
Many people know that Mary Shelley, the author of Frankenstein, was part of a family of famed Romantic era writers. Her mother, Mary Wollstonecraft, was one of the first leaders of the feminist movement, her father, William Godwin, was a famous social philosopher, and her husband, Percy Shelley, was one of the leading Romantic poets of the time ("Frankenstein: Mary Shelley Biography."). What most people do not know, however, is that Mary Shelley dealt with issues of abandonment her whole life and fear of giving birth (Duncan, Greg. "Frankenstein: The Historical Context."). When she wrote Frankenstein, she revealed her hidden fears and desires through the story of Victor Frankenstein’s creation, putting him symbolically in her place (Murfin, Ross. "Psychoanalytic Criticism and Frankenstein.”). Her purpose, though possibly unconsciously, in writing the novel was to resolve both her feelings of abandonment by her parents, and fears of her own childbirth.
Gender inequality will always affect the way women are portrayed in society, the weaker, unnecessary, and other sex. It is not just a subject of the past, but still holds a name in society, however in the olden eras the way women were treated and are looked at, in a much more harsh condition. In Shakespeare’s Othello and Shelley’s Frankenstein women’s roles in the books are solely based on the way they are treated in their time period. The way women are portrayed in these books, demonstrate that they can never be in the same standing as men, considered the second option, and therefore will never have the same respect as men. In both Othello and Frankenstein women are treated as property, used to better men’s social standards, and lack a voice,