Is it possible for one thing to have such a negative impact on a person? Because of his creation, Victor Frankenstein was a recluse who did not tell anyone of his creation because he regretted creating it. Although this may be true, Victor only wanted to do good and help humanity by bringing loved ones back to life. In order to create life, he isolated himself from his family to work on his experiment. After the monster committed homicide several times, Victor could not tell any sane person the truth. And he felt guilt because his loved ones died too early and at the hands of his scientific advancement. To conclude, isolation, secrecy, and guiltiness are prevalent in the book Frankenstein by Mary Shelley.
To begin with, Victor did spend
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a great deal of time alone to detach himself from everyone and hide with his feelings. To show, after his mother’s death, Victor traveled to Germany and began to attend Ingolstadt University. As a result, there he became isolated from his friends and family to work on his creation for two years. “Winter, spring, and summer passed away during my labors; but I did not watch the blossom or the expanding leaves.” (Ch 4) Again, Victor did live reclusively while fabricating life. Afterward, the death of William, Victor’s younger brother, and Justine, a good friend, he left to Chamonix because his sadness became unbearable. “I suddenly left my home, and bending my steps towards the near Alpine valleys, sought in the magnificence, the eternity of such scenes, to forget myself and my ephemeral, because human, sorrows.” (Ch.9) In one example, the period of time when Frankenstein began the creation of the second creature he did inhabit an inaccessible location in Scotland. “Having parted from my friend, I determined to visit some remote spot of Scotland.” (Ch.19) To summarize, Frankenstein did live in isolation for the majority of the book. Another key point, Victor’s secrecy made a big impact in how the story did unfold. A case in point, whilst constructing the dæmon, Victor did not contact his family. “Two years passed in this manner, during which I paid no visit to Geneva, but was engaged, heart and soul, in the pursuit of some discoveries, which I hoped to make.” (Ch. 4) Along the same lines, when his creation took the lives of two people he held dearly in his heart, William and Justine. Victor did not utter a word to anyone his creation’s responsibility for their deaths. “My tale was not one to announce publicly; its astounding horror would be looked upon as madness by the vulgar.” (Ch.7) Later, Frankenstein and his friend Clerval took a roadtrip through many countries and after remembering of what his creature said. Victor retired to a desolate part of Northern Scotland to begin the work of the second creature. “I determined to visit some remote spot of Scotland, and finish my work.” (Ch.19) In short, there are a few instances where Victor’s secrecy can be found. Commencing with, every life the creature took, Victor feels regretful and responsibility for their untimely deaths and for creating the monster who ended their lives.
For example, when meeting with Justine and seeing her in despair, Victor could not help but feel responsible for her emotions and her execution. “But I, the true murderer, felt the never-dying worm alive in my bosom, which allowed of no hope or consolation.” (Ch.8) In the same manner, after her execution for the murder of William, Frankenstein felt accountable for both of their departures. “I beheld those I loved spend vain sorrow upon the graves of William and Justine, the first hapless victims to my unhallowed arts.” (Ch. 8) For instance, Henry’s demise gave way to Victor’s illness and him feeling guilty. “I called myself the murderer of William, Justine, and of Clerval… Why did I not die? More miserable than man ever was before, why did I not sink into forgetfulness and rest?” (Ch. 21) Victor realized after the partings of William, Justine, Clerval, Elizabeth, and his father the cause of them all was not him but his creation. “I began to reflect on their cause--the monster whom I had created, the miserable dæmon.” (Ch. 23) In addition, Victor resented the creature and wished for it’s demise. “I was possessed by a maddening rage when I thought of him, and desired and ardently prayed that I might have have him within my grasp to wreak a great and signal revenge on his cursed head.” (Ch. 23) In brief, many
situations Victo demonstrates his regret and guilt. Correspondingly, Victor isolated himself, became secretive, and felt guilty numerous times in the book. From hiding out in his apartment to create the monster, to not telling anyone of his creation, and to the feelings of regret and guiltiness because of his new life. Identically, Frankenstein spent much time to himself in order to create such a being and to hide from it. Not to mention, he never told anyone of his creation who took himself seriously. By the same token, Victor’s feelings for his loved ones were overshadowed by his guilt. In the end, Victor Frankenstein developed into a hermit who felt guilty because of the atrocities the demon he created made and did not inform anyone of its wrongdoing.
When Victor Frankenstein breaks his promise to the monster, it threatens him by saying that he’ll return on Victors wedding. Victor assumes that it’s his life that’s being threatened but the night of the marriage, Victor finds his Elizabeth. “She was there, lifeless and inanimate, thrown across the bed, her head hanging down, and… running with the swiftness of lightning, plunged into the lake.” (Chapter 23) This quote conveys that the monster didn’t feel bad for killing Victor’s bride, he believed that it was a justified murder because he was repaying the heartache that he felt for his lost mate. This act of cruelty helped develop the monsters sense of right and wrong. The monster was born innocent but after being treated so cruelly for so long, his moral compass was corrupted. He felt as if it was his right to do this to this to Victor.
In Volume 1 and 3 of Frankenstein, Victor’s reason for creating the “monster” changes drastically; however, ultimately leading to the same consequence of suffering and depression. Through this change in Victor, Shelley argues that all humans have an instinctive notation of right from wrong and learn from their mistakes. Victor left his friends and family to go to college; when there, he had no friends and social life. His top and only priority was his schoolwork; he read all he can about the sciences, especially chemistry and anatomy. When finished with his studies, Victor is ready to start his creation when he confirms his proceedings aloud, “Winter, spring, and summer, passed away during my labours; but I did not watch the blossom or the expanding leaves-sights which before always yielded me supreme delight, so deeply was I engrossed in my occupation. The leaves of that year had withered before my work drew near to a close; and now every day shewed me more plainly how well I had succeeded.
In Frankenstein, everyone treats Victor’s creation like a monster, including Frankenstein himself. This leads to the creation accepting that title and going on a murder spree. His creation says “When I reflect on his crimes and malice, my hatred and revenge burst all bounds of moderation” (69). Victor’s creation shows that he did not ask to be created, and his existence is miserable.
Critic Northrop Frye says, “Tragic heroes tower as the highest points in their human landscape that they seem the inevitable conductors of the power about them, the great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divine lightning”. Mary Shelley’s Frankenstein greatly exhibits the theme of the consequence of knowledge and irresponsibility among others through its tragic hero, Victor Frankenstein. Northrop Frye’s quote is certainly true when looking at Frankenstein’s situation. Victor is a victim of his divine lightning, and ultimately causes much trouble for himself; however, Victor also serves as the tragic hero in the lives of the monster, his family, and his friends.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
“But when I discovered that he, the author at once of my existence and of its unspeakable torments, dared to hope for happiness, that while he accumulated wretchedness and despair upon me he sought his own enjoyment in feelings and passions from the indulgence of which I was forever barred, then impotent envy and bitter indignation filled me with an insatiable thirst for vengeance” (Shelley 212). It makes sense that the monster would not be happy in this world, he never even asked to be here. He holds Frankenstein responsible for his sorrow as he is the one who created him. To only be seen as a monster despite your attempts at compassion and thoughtfulness can get to someone. Once again, the insight into what the monster is feeling here, envy and rage, makes him more and more human to the reader. The murder the monster partakes in becomes his inclination, “Evil thenceforth became my good. Urged thus far, I had no choice but to adapt my nature to an element which I had willingly chosen. The completion of my demoniacal design became an insatiable passion. And now it is ended; there is my last victim!” (Shelley 212). With his creator also dead, he finds his vengeance at an end. The monster does not murder Victor however. He wants him to suffer as much as he has since his creation. The isolation and abandonment inflicted from Victor is the catalyst for the Monster to murder members of his family. Despite this hatred for this man, the monster still views him as a father figure. This is why he weeps and pleas to Walton, the regretful words of a son who has lost his father. Walton is witness to the creature’s deep depression, he wishes he could take back all the pain and suffering caused by both parties. His sense of longing and remorse in his words are
Victor Frankenstein is a complex character that we have come to learn more about while reading Mary Shelley’s Frankenstein. He is a man that seems to have this fervent desire to do what suits him best without regard to what others may think. Victor’s brother William has been murdered and a childhood friend is to pay the price of his death. After sighting what is assumed as the creature created by Victor, Victor is panged with guilt that these events are his fault. If he is correct, then he would be justified in feeling this way because Victor is selfish, stubborn, and lacks compassion for others around him. Victors actions all lead up to the demise of William and Justine.
In the novel Frankenstein, by Mary Shelley, the main theme revolves around the internal and external consequences of being isolated from others. Being isolated from the world could result in a character losing his/her mental state and eventually causing harm to themselves or others. Because both Victor Frankenstein and the creature are isolated from family and society, they experienced depression, prejudice, and revenge.
As time goes on, many things tend to change, and then they begin to inherit completely different images. Over the years, the character, created by Dr. Victor Frankenstein in Mary Shelley’s famous novel, has changed dramatically. The monster, regularly called “Frankenstein,” has been featured in numerous films, such as Frankenweenie and Edward Scissorhands. Although, the characters in today’s pop culture and the monster in the well-known 1800’s novel have similarities, they are actually very different. The many similarities and differences range from the character’s physical traits and psychological traits, the character’s persona, and the character’s place in the Gothic style.
The theme in a piece of literature is the main idea or insight on characters. Most pieces of literature do not limit itself to one but many other themes all collected into one. This is just like in Frankenstein by Mary Shelley. This horrifying story was produced in 1818 and has several themes that she portrays throughout. The theme of dangerous knowledge is unmistakably seen theme in Frankenstein. In Frankenstein we see this theme through three of the main characters, Victor Frankenstein, Robert Walton and the creature. We can see how their desire for knowledge can take them places and show them eventually what they are looking for. Sooner or later it will take them to dangerous and unwanted places. The desire for knowledge can eventually lead one to its grave. Victor Frankenstein’s scientific endeavor, Robert Walton’s search for the North Pole, and the creature’s kind heart but scary features creates this theme of dangerous knowledge.
As a response to the Enlightenment movement in 18th century Europe, Romanticism gradually began to undermine the way people thought about human consciousness and nature itself. Appreciation of the natural beauty of the world and pure, human emotion bloomed in Europe as Romanticism’s influence grew ("Topic Page: Romanticism”). Romantics valued Individualism and thought that being close to nature would make them closer to God (Morner and Rausch). People also searched for solace in nature to overcome the adversities and cynicisms that followed the French Revolution ("French Revolution."). Romanticism and Romantic ideals influenced Mary Shelley, and that influence can be seen throughout her novel Frankenstein. The two main characters, Victor Frankenstein
Many people know that Mary Shelley, the author of Frankenstein, was part of a family of famed Romantic era writers. Her mother, Mary Wollstonecraft, was one of the first leaders of the feminist movement, her father, William Godwin, was a famous social philosopher, and her husband, Percy Shelley, was one of the leading Romantic poets of the time ("Frankenstein: Mary Shelley Biography."). What most people do not know, however, is that Mary Shelley dealt with issues of abandonment her whole life and fear of giving birth (Duncan, Greg. "Frankenstein: The Historical Context."). When she wrote Frankenstein, she revealed her hidden fears and desires through the story of Victor Frankenstein’s creation, putting him symbolically in her place (Murfin, Ross. "Psychoanalytic Criticism and Frankenstein.”). Her purpose, though possibly unconsciously, in writing the novel was to resolve both her feelings of abandonment by her parents, and fears of her own childbirth.
The monster was mistreated by almost everyone he has come into contact with. So thus he has turned to revenge, which is understandable because he was hurt by the rejection and prejudice that was thrown his way. His final straw seemed to be when after Felix stopped beating him, "...feelings of revenge and hatred filled my bosom...[and] I bent my mind towards injury and death."(Shelley 148). But by raking up the act of revenge the monster ensured that he would never be accepted into society, like he had always wanted. So therefore without that possibility revenge comes to be all he has. Then VIctor too comes to want revenge on the monster and thus both main characters become corrupted in there ways to destroy each other. Though that may be true, it is caused by all isolation stems from all the prejudice taking place. All the murder, and despair occur because of a lack of connection to family and society. Put another way, the true evil in Frankenstein is not Victor or his monster, but isolation. When Victor becomes lost in his studies he removes himself from society, and loses sight of all his responsibilities and consequences that could stem from his actions. The monster turns to vengeance not because it's evil, but because its isolation fills it with overwhelming hate and anger. And his vengeance is to make Victor as isolated as it. Add it all up, and it is clear that isolation is the villain/culprit of this whole story. But that isolation that the monster felt came from all the prejudice and hate he has received through his life. And the monster would not have been created and gotten so isolated if Victor wasn't so isolated in his studies in the first place. It's all cause and effect a this
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).
Stem cell research has been a highly debatable topic that incites great emotion among people. Stem cells are cells that are able to convert to any cell in the human body. They may greatly help with people that cannot or have difficulty reproducing. Additionally, they might also be the key to safer prescription drug use. Stem cells could also help ease the worries of patients needing organs for surgery. Recreating organs is now possible due to the research. Stem cell research, to which an extension is Frankenstein, will be beneficial to society and especially the medical world.