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Character development introduction
An essay on character development
Tennessee williams women and
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Every great character in history has layers. Every great villain has human characteristics that inspires empathy from the audience, and every great hero has his fatal flaw that kindles doubt in every reader. However, this character depth is not restricted to only comic books and superhero movies, but it can also be seen in plays and novels throughout history. American playwright, Tennessee Williams, is no stranger to this method. Williams had an uncanny ability to create characters that are both equally admirable and flawed, and this can be seen in two of his characters Stella Kowalski from A Streetcar Named Desire and Maggie from Cat on a Hot Tin Roof.
Stella is admired as a character for her love towards her sister and down
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Her excessive loyalty to her husband. Loyalty is not necessarily a bad trait, but too much of it is. At the end of everything Stella takes Stanley’s side and this leads to some flawed decisions. When Stanley attacks Stella and goes on a drunken rage, Stella forgives him and takes him back at his first attempt at sympathy, “He was as good as a lamb when I came back, and he’s really very, very ashamed of himself” (A Streetcar Named Desire 72). This is not the first time Stanley has abused Stella, and she has forgiven almost immediately. This excessive loyalty clouds her judgment and contributes to her making decisions that cause her avoidable harm. Her excessive loyalty also leads to her most immoral decision of the play. After Stanley rapes Blanche, Stella knows the truth of what happens, but chooses to ignore it and “believe” that Stanley is innocent, “I couldn’t believe her story and go on living with Stanley” (A Streetcar Named Desire 165). Stella is so blinded by her loyalty that she is willing to send her sister to a mental hospital and spend the rest of her life with the man that raped her sister. This shows that even though Stella has some very admirable traits she is also very
With Streetcar, Stella Kowalski tries to gain some more with from her husband Stanley. After Blanche arrived Stella started defending herself more and telling Stanley what to do. For example, in the poker night scene, Stella says “Drunk- drunk-animal think, you! All of you- please go home! If any of you have one spark of decency in you-” (Williams
He makes no motion to stop, runs up the stairs and explains to his wife what’s going on, similar to what would occur in an equal relationship. Instead, he continues down the street like a boy with no responsibilities. Stella yells, “Where are you going,” and then asks if she could come to watch, he agrees but doesn’t stop waiting for her. This scene demonstrates how Stella follows Stanley along, and serves him according to what he wishes to do and when he wants to do it. In scene three, Stanley is having his poker party (pg. 57).
Stanley oftenly abuses Stella whenever he is drunk. One night, Stanley brings his friends over for a poker night. Mitch leaves the table in order to talk to Blanche. Stanley begins to get furious since Mitch is no longer playing. As more and more interruptions keep occurring, Stanley is furious and breaks the radio Blanche and Mitch were using. Stella then calls Stanley an animal. “He advances and disappears. There is a sound of a blow. Stella cries out.”(57) Stanley is usually abusive when he's either drunk or frustrated. After Stanley strikes her, Stella leaves the house and goes to her neighbors house. Blanche follows her sister upstairs to support Stella so she does not feel alone. Stanley then calms down and calls for Stella to come back. She returns and falls into Stanley's arms. Stella is very loyal to Stanley, she stays with him because he is her husband and does not want to change that. This is why she ignores her sister's pleas. Stanleys actions prove to the reader that he is an abusive husband to Stella and that Stella tolerates
Stanley Kowalski is the epitome of the traditional man, he portrays his superior nature in various scenes in the Tennessee William’s play A Streetcar Named Desire. In scene two of the play, Stanley displays his demanding nature while Stella
In Williams’ Streetcar Named Desire the characters represent two opposing themes. These themes are of illusion and reality. The two characters that demonstrate these themes are Blanche, and Stanley. Blanche represents the theme of Illusion, with her lies, and excuses. Stanley demonstrates the theme of reality with his straightforward vulgar ness. Tennessee Williams uses these characters effectively to demonstrate these themes, while also using music and background characters to reinforce one another.
Lastly, Southern culture inspired Tennessee Williams to write one of his most famous plays, A Streetcar Named Desire, as he based his major characters on people he knew or encountered. The character of Stanley Kowalski was based on a good friend of his whom he worked with at the International Shoe Company in the 1930's. He was also inspired by the image of a young woman who had just been stood up by the man she was planning to marry.
Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town. It is a crowded area of the city, causing close relations with neighbors, and the whole town knowing your business. Their section of the split house consists of two rooms, a bathroom, and a porch. This small house is not fit for three people. The main characters of the story are Stella and Stanley Kowalski, the home owners, Blanche DuBois, Stella’s sister, Harold Mitchell (Mitch), Stanley’s friend, and Eunice and Steve Hubbell, the couple that lives upstairs. Blanche is the protagonist in the story because all of the conflicts involve her. She struggles with Stanley’s ideals and with shielding her past.
When Stanley gets drunk, smashes the radio and window, and hits Stella, Stella must apologize to Blanche for. Stanley's behavior: "He's half-drunk!" He didn't know what he was. doing. He was as good as a lamb when I came back
Stanley’s treatment of Blanche leaves her alone once again, with what little dreams of returning to her previous status destroyed like the paper lampshade that once gave her the shield from the real her she desperately craved. Stella, the one person Blanche believed she could rely on, sides against her husband after Blanche’s ordeal, leading Blanche to be taken away, relying on the “kindness of strangers”. This final image that Williams leaves us with fully demonstrates that Blanche has been cruelly and finally forced away from her “chosen image of what and who” she is, leaving an empty woman, once full of hope for her future.
Written in 1947, by playwright Tennessee Williams, the play A Streetcar Named Desire opens in the 1940s in the well-known city of New Orleans. Readers are presented with the young couple Stan and Stella Kowalski who live below another young couple, Eunice and Steve. While Stan and Stella manage to maintain a relationship, it is abusive. Stella reunites with her alcoholic sister Blanche, after learning that the family plantation had been lost due to bankruptcy. Blanche, a widow often finds herself in difficult and unforeseen circumstances. Blanche’s poor choices and vulnerability leads to an affair with Stan’s poker buddy Mitch. Coinciding with his abusive nature, Stanley rapes Blanche. No one believes her until the very end, causing her to get sent away to a mental institution. While the play and film were smashing, each had their similarities overall, in regards to setting, plot, and characters while differences concerned narrative technique.
Tennessee Williams wrote a play named A Streetcar Named Desire which eventually became Pulitzer Prize winner for drama in 1948. This play was first staged on December 3rd 1947 in New York. A Streetcar Named Desire which was second play produced by Williams went on to become a huge success just like his first play named The Glass Menagerie. Streetcar helped Williams in cementing his position as one of the most proficient and respected playwrights existing in contemporary theater (Kolin 1993). For Tennessee Williams this play proved to be his first work which was translated and produced as a movie by Elia Kazan. Owing to high intensity emotional plot and subtle yet powerful acting by its lead cast ensured that the movie became a blockbuster.
Her rendezvous just added to her problems and dirtied her reputation.... ... middle of paper ... ... Stanley was angry when Blanche told Stella that she did not like him, but he never gave her a chance. Stanley despised her from the beginning.
Stella Kowalski’s character, parallels to Stanley’s and represents the ego in the play. herself from her hometown and start a life in this vigorous world made by Stanley. she stands for the ego who wants to create a balance between desires and ideas, between body and soul, heart and mind to have a normal life. Blanche is the only one who wants to warn her of what she does. Loving Blanche, she also dislikes her and at the same time fears her. She hopes Blanche marry Mitch for her sister’s sake and for herself too. Actually she wants to get rid of
The conflict between Stanley and Stella climaxes in scene ten. In this scene Stanley openly takes Blanche apart piece by piece he begins with unenthusiastic comments such as "Swine huh?
Stella and Stanley’s relationship is one based purely on, as Blanche describes it, “brutal desire – just – Desire!” (81). They treat one another without respect, with Stella calling her husband offensive slurs like Pollack and him beating her. However, because of their deep desire for each other, Stella quickly forgives Stanley for his wrong doings, growing his power over her. When his desire for power builds and he is sure that Stella is dependent on him, he rapes Blanche. When Stella hears her sisters story she calls for Blanche to be institutionalized. While it is clear to the reader through her hesitation in sending Blanche away that Stella knows Stanley really did rape her sister, she cannot bring herself give up Stanley and acknowledge the truth. In this action, she has ruined any trust that Blanche had in her and forever destroyed their relationship because of her selfish desire for Stanley.