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Gladiator facts and fictions
Gladiator facts and fictions
Essays on the roman gladiators
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The Roman Gladius was one of the main weapons used during the early Roman empire. “Gladius is the Latin word meaning sword” (Rayment), so any kind of sword could be called a Gladius, but the Roman short sword was mostly referred to as the Roman Gladius. The main parts of a Roman Gladius (As shown in the picture to the right from Rayment) are the Pommel, Hilt Wasp waist and the 50-cm blade. The Roman Gladius was very popular because of Its double bladed edge and its point. It was very popular for light infantry because it was small and good for close quarter combat. The disadvantage in length was made up with its light and maneuverability design. The Roman Gladius was used mostly in organized formations so they didn’t suffer a lot of casualties when charging in with a short-sword. The Roman Gladius could also be used in …show more content…
close-combat and self defense (Rayment) but it was made mostly for big army formations. There is more than one way to make a sword, one way is to make it all in one piece with a wasp waist as in the picture above.
The Roman Gladius is an example of this, the iron for the Gladius came from mines in Rome. Then the iron is put through a process called smelting, smelting is used to remove the rock and other impurities in the iron ore. After that is done the iron is put into a mold for the sword. The mold is usually made from a mixture of hard clay. Another way to make a sword is to have it in five different pieces, like some “Gladii (plural for Gladius) were made from five pieces with higher carbon content in the center with the outer pieces having a lower carbon content” (Rayment). The one with five pieces are about 10 centimeters longer than the swords made with only one piece of metal. This is because it is harder to keep the steel in the one long piece of metal strong enough to land blows and not bend if it is longer than if it was a bit shorter and lighter. The Gladius with five different parts is easier to keep stronger, but it is very bent at the edges because of the low carbon content of the outside
pieces. The blade of the Gladius when it is made from one solid slab of iron is then placed in a charcoal fire and heated until it is so hot that it is red. After it turns red hot it is then taken out and hammered on an anvil to make some fine adjustments and to get the rest of the impurities out of the iron. This process is then repeated until the entire blade has had this done to it. “This process is called work-hardened” (Gonzalez). This simply means that instead of heating the iron up really hot, then dipping it in water (quench-hardening) to make the iron hard, it is heated up really hot then slowly cools as the blacksmith hammers out the metal to make the blade smooth and remove impurities from the blade. After this is done “the tang is then work-hardened” (Making a Gladius) so it won’t bend or break in battle under the hilt because then the blade would slide right out. The tang is usually a small rod protrudes out of the blade and is thin enough to have the hilt fit on it but thick enough so it won’t break in battle. I think this is very important because after you put on the hilt you don’t want to have it so lose it slides around a lot or have it too big so when you put the hilt on the wood breaks and splinters because the tang didn’t fit right. The hilt is at the end of the blade. it is usually made of wood. It consists of a guard, grip, and a pommel. The pommel of the Gladius keeps the hilt from sliding off the end of the tang. The first item that is made is the guard, it protects the individual from having the opponent's sword slide down the blade and cut his hand. It is usually made of a piece of wood that is a bit wider and thicker than the blade. It is has a hole cut into the wood so it can slide on the tang smoothly. The next piece that is constructed is the grip, it is made of wood also. Most of the time it comes from a block of wood that is then grooved to fit the fingers of the fighter. Then a hole is put right through the middle to slide on the tang after the guard is placed on the tang. The last part that will be made is the pommel, its job is to keep everything from sliding off the tang. It is a piece of wood that can be secured to the tang so it won’t slither off. After the hilt has been put on it is then covered with a polish to keep the wood from rotting, also it keeps the person's hand from getting splinters. Even though the Roman Gladius was a good sword it, like everything else in the world, got replaced by a better model. The Roman Gladius got replaced by the Spatha because the infantrymen needed a longer reach for their weapons so they adopted the Spatha
Iliana Roman was a self-made woman. She wrote the essay “First Job”. She was a young single mother when she started working. She tells us how she valued hard work, of how she used work experience as a way of education. She then went to cosmetology school to learn fashion. Afterwards she used past experiences -from both work and school- to open her own hair salon. She now is planning on going back to school for real-estate, and she sees herself as a role model to her sons and the young girls living around her.
When it comes to being a tragic hero the character has to have the qualities of being a tragic hero. A tragic hero is where the main character of a tragedy whose fatal flaw leads to his or her destruction. Either the character was born into society as a great man or a slave, they may have carry
The author of Gladiator uses sequence to organize his ideas and tells about events in the order they happened, which helps readers understand what brought about the beginning and end of the gladiator tradition in Rome. Usually, history is best written with events in the order they occurred. Imagine reading about a handful of events with dates ranging from 264 b.c. to a.d. 404 out of order.
The ancient Romans are known for placing value in a virtue called gravitas. To possess this virtue, a Roman must be disciplined and obedient, be physically strong, and be loyal to Rome. The Romans also valued empirical reasoning and logic over decisions based on emotions. In addition to these moral and physical standards for men, the Romans also stressed the importance of social standing. Money and power, especially political power, were coveted by all Romans. In the eyes of the Romans, a model man would possess great wealth, hold a significant position in the government or military, and have a strong mind and body. The great Roman poet Catullus defied these expectations for a Roman man in almost every sense, challenging the values and mindset
In Shakespeare's play Julius Caesar, Brutus and Cassius are both considered honorable men by the public. But, like all traits, honor is in the eye of the beholder. Honor is defined as evidence or symbols of distinction. Those who are placed in power are often chosen because of their traits, which include being honorable. If those in power have any faults, it could diminish their position in the eyes of the public.
In Titus Livius’, The Early History of Rome, Livy takes on the task of documenting Rome’s early history and some of the famous individuals who help contribute to the ‘greatness’ of Rome. Livy dedicates an entire portion of his writing to describe the reigns of the first seven kings of Rome; all who influence the formation and governance of Rome in some way. However, of the seven kings in early Roman history, King Romulus and King Numa Pompilius achieved godlike worship and high esteem from their fellow Romans. While both highly important and respected figures in Rome’s history, the personalities and achievements of King Romulus and King Numa Pompilius are complete opposites of one another. Despite the differences found in each king and of their rule over Rome, both Romulus and Numa Pompilius have a tremendous influence in the prosperity and expansion of Rome in its early days.
a chariot racing or gladiatorial event in Rome . It was “imperial policy to occupy the populace as much as possible with games, that their minds be kept off their lost political liberties” . The games kept the minds of the citizens occupied and it served to keep the gossip in the streets of the Roman Empire from turning to politics. In the streets of the Roman Empire, the populace stuck to talking of the Roman games, as talk of politics could result in a punishment as harsh as death. The Emperors in Rome employed spies, and informers that would turn any citizen in for talking of politics. They even went so far as to employ individuals who would intentionally break the law in order to induce others into breaking the law so that they could be
The Roman Empire and today's world, very different worlds, but did you know effects from the Romans are still around today? Three of the impacts can be small things to things we take for granted, like building safety, or building limits, or the laws we follow everyday, or lastly water systems, to blueprints and public squares.
After its debut in America on May 5th of 2000, the movie Gladiator has been a nationwide symbol of heroism(Imdb). The film was directed by Ridley Scott and the lead roles of the film were carried out by Russell Crowe as Maximus and Joaquin Phoenix as Commodus(Imdb). The movie takes place during the reign of the Holy Roman Empire in the year 180 A.D. The Emperor, Marcus Aurelius, is dying and wishes to leave the Roman Empire under the control of Roman General Maximus Meridius. The Emperor’s son Commodus betrays Maximus, kills his father, and takes control of Rome. In betraying Maximus, Commodus has his family killed. Maximus knowing this returns to Rome as a gladiator under the alias “Spaniard” in search of revenge(Imdb). According to Aristotle, “Tragedy is an imitation of an action that is serious, complete, and of a certain magnitude”(Kwheeler). In order for someone to be considered a tragic hero, the person must meet the criteria of high social status, suffer from a hamartia, face a catastrophe, invoke catharsis, and experience anagnorisis and peripeteia(Kwheeler).
Tacitus tells us in the introduction to his Annales that his intent is to “relate a little about Augustus, Tiberius, et cetera” and to in fact do so “sine ira et studio” -- without bitterness or bias.1 Experience, however, tells us that this aim is rarely executed, and that we must be all the more suspicious when it is stated outright. Throughout the Annales, Tacitus rather gives the impression that his lack of bias is evidenced by his evenhanded application of bitterness to all his subjects. But is this really the case? While Tacitus tends to apply his sarcastic wit universally – to barbarian and Roman alike – this is not necessarily evidence of lack of bias. Taking the destruction of Mona and Boudicca's revolt (roughly 14.28-37) as a case study, it is evident that through epic allusion, deliberate diction, and careful choice of episodes related, Tacitus reveals his opinion that the Roman war machine first makes rebels by unjust governance, and then punishes them.
During their time, the strategy the Roman’s employed was second to none. The success of their strategy started with the Roman’s separating their armies into smaller, more specific types. They used many different types of infantry throughout the years, but the main types they used were the velites, hastati, principes, triarii, and later the famous Legionaries were introduced (Roman Empire Wars). These infantry worked together on the battlefield to effectively eliminate the enemy and win the battle.
Gladiators were combatants equipped for arena battles. These battles were against other soldiers, conquered enemies, slaves, and criminals. Even wild beasts were added to be part of the bloody spectacle. Gladiators were a source of entertainment for Roman crowds, politicians and nobility at the Coliseum. It was the Roman equivalent to a Packer game at Lambeau field. A few gladiators were volunteers, but most were detested as slaves. Regardless of where they came from, gladiators allowed spectators to see an example of Rome 's military principles and, how to die an honorable death. The origin of gladiator combat is unclear, evidence supports that it became an important attribute of politics
In Plato’s Theaetetus, Socrates examines the first definition of knowledge that theaetetus gives that knowledge is perception. Socrates gives us many example that both supports and refutes that knowledge is perception. The basic claim from Protagoras is that truth is based on the perception of every man. This means that things are to any person as they seem to that person. Socrates explains to us Protagoras’s view with the cold wind example. He say that through Protagoras theory, the wind is cold to the person that feels cold, and the wind is warm to the person that feels warm. Both “the wind is cold” and “the wind is war” is true according to Protagoras and it is based on the perception of the person. Then we learn from Socrates that if knowledge and truth is based on perception then everything that has perception has his own set of knowledge and truth. Also sense Protagoras not considering himself to be a god, and is on the same level of us then wouldn’t the truth and knowledge he definite in his doctrine only be his own set truth and knowledge for he only knows his own perspective.
The sword was very important. It was light and short (no more than 50 cm) so soldiers can use it for stabbing quickly.The legionary wore his sword high. The roman army was strong and smart.
There are many similarities and differences between Classical Roman and Early Christian Art. What particularly stands out to me is how much these two cultures have in common when it comes to their art and architecture. Romans were geniuses when it came to engineering and we can see that in the monuments they left behind. Many early Christian architectural styles and ideas were adopted straight from the Romans. Their communities became organized geographically much like those of the Roman provincial governments. Christian cultural styles derived straight from Roman visual traditions. Early Christian art features the adoption of Roman art forms for Christian purposes. Their art also featured recycling of images and sculpture to be used as early representations of Christ.