Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The play macbeth and fate
The play macbeth and fate
How and why is macbeth a victim of fate
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The play macbeth and fate
In various works of fiction, prophecies often give characters insight into what will happen in their future. Generally, characters who receive prophecies always attempt to take advantage of the information given to them in order to avoid the negative consequences in their future. However, in many of the situations where characters attempt to manipulate prophecies, every attempt to alter their future proves to be futile and the prediction becomes reality. The character has no chance of avoiding what is coming to him, whether it be fame and riches, or humiliation and death. William Shakespeare illustrates this negative aspect towards the motif of prophecy in the play Macbeth. Shakespeare integrates the theme of prophecy leading people to their dooms in order to caution audiences of how free will is just a figment of individuals’ overactive minds, and how no matter what one does, one’s predetermined destiny is inevitable.
Throughout Macbeth, Shakespeare emphasizes his opinion that man lacks the ability to alter the future preordained by higher powers. Macbeth’s failure to prevent Banquo’s descendants from becoming rulers of Scotland, as foretold by the witches’ prophecies, reiterates Shakespeare’s perspective on how no matter what man does, man cannot change how the world will come to be. Macbeth laments about how he murdered Duncan, just to have Banquo’s descendants become the rulers of Scotland for centuries to come when he says,
Then, prophetlike,
They hailed him father to a line of kings.
Upon my head they placed a fruitless crown
And put a barren scepter in my grip,
Thence to be wrenched with an unlineal hand,
No son of mine succeeding. (Act III, Scene I 64-69)
Despite all of Macbeth’s best efforts, Banquo’s descendants in...
... middle of paper ...
... free thinker ahead of his time, Shakespeare challenged this notion to force people to think about their place in the world and what they are meant to do with their life. By increasing the self-awareness of the population, Shakespeare empowered individuals to become better people and improve their lives. The knowledge of where one is in life is important: If one thinks that they have achieved their own expectations and goals in life, there is no need to work or improve. However, as more often is the case, if one was not aware of their place in life and they had not yet accomplished their goals, Shakespeare’s writing would serve as a wake-up call and motivate the public to reform their standing in their community. When people know where they are relative to the world and the people around them, they are more able to do better and gain more perspective on their world.
There are many ideas about the way things are suppose to be, they guide people in the way humans approach life and how people go about achieving our goals. Unfortunately people do not always accomplish these ideas they have for ourselves but the truth often times is what we really need. In the Shakespearean drama, Macbeth, he writes of a once cherished leader, Macbeth who is approached by supernatural being and acts out erratically to fulfill what prophesies he desires which lead to his eventual demise. Macbeth has difficulty perceiving idealism from the truth, in other words what he thinks should happen and what actually happens. The prophecies are the catalyst for his irrational thinking and from then on Macbeth becomes addicted to knowing what his future could be and taking it to the extreme of needing to create it then and there. Down this path he also has his wife Lady Macbeth who pushes him further to act on these prophecies to achieve the ultimate goal of the crown. She too has an obsession with doing whatever it takes to be Queen and have that authority to her name. These two characters take to the extreme what it means to need truth but desire their idealism and how this leads to their eventual demise.
Both Banquo and Macbeth are introduced as loyal captains in the king`s army, but as the play progresses, Macbeth is overcome with the desire of power due to his reception of the prophecies. Upon hearing, Banquo does not become greedy for power, but, alternatively, he is suspect and cautious begins wondering if “we [Macbeth and Banquo] eaten on the insane root that takes the reason prisoner?” (1.3). Realizing the witches were simply trying to make him ambitious, Banquo remains loyal to his king and his country, despite knowing that he will have a dynasty to rule Scotland. Despite having the motivation, Banquo does not commit treason against his king but rather wants to “keep my [his] bosom franchis'd and allegiance clear” (2.1), meaning that he has no desire to betray the king for personal gain. Conversely, upon hearing the witches’ prophecies, Macbeth becomes ambitious for power and follows them blindly. He is curious about the witches’ prophecies and demands they “stay… [and] tell me [him] more” (1.3). When he hears that the prophecy that his heirs will rule Scotland he will be king, Macbeth`s ambition is born and his thoughts instantly turn to murder, even though the witches had not mentioned murdering King Duncan which shows that Macbeth has previously thought about murdering his king. As a result, Macbeth has no loyalty to neither his king nor his country and commits treason. While both Banquo and Macbeth hear the witches` prophecies that promised power, only Macbeth conceded to their prophecy and became overcame with ambition. Macbeth is a direct antithesis to the honorable, dependent Banquo. He transforms into a greedy man who is obsessed with his
History has been filled with evil people doing evil things for power whether that means killing or putting other people down. The truth is everyone wants power and once that power is gained they will do whatever to maintain it. In the play Macbeth written by Shakespeare the main character receives a prophecy from witches (wierd sisters) telling him he will become king. Acting in response Macbeth kills the king and soon becomes the new king. The play follows his story as he struggles to maintain his power and battles against those threaten his rule. In Act 3 scene 1, Macbeth's’ soliloquy about Banquo, his best friend, expresses the tones of fear, jealousy, and anger through the literary devices of metaphors, repetition, and foreshadowing, which
This essay earned a 89/100. it was a lot of work considering the lines from macbeth for textual support.
In Macbeth, Shakespeare examines the significance of time in the form of one’s present and future through the unfortunate character of Macbeth. Macbeth is an ordinary soldier, loyal to the king as the Thane of Glamis, prior to his meeting with the three witches. The three witches reveal to Macbeth his future “All, hail Macbeth! Hail to three, Thane of Cawdor! All, hail, Macbeth, that shalt be king hereafter!” (1.3. 49-50). For the most part one does not know his or her own future. Our futures are uncertain and predictions like these do not always come true, yet Shakespeare has set Macbeth up in a way that he knows these predictions will come true. Not long after the witches state their claims
n the play "Tragedy of Macbeth", William Shakespeare presents many examples of foreshadowing which pulls the reader in and displays an interesting and unique way of story telling. Right from the beginning in (Act 1, Scene 1) three witches appear who are the main sources of foreshadowing and start the entire story by agreeing with one another to meet up again "when the battle's lost and won". Further along in the play the actual prophecies given by the three witches occur when they meet Macbeth and Banquo then greet Macbeth with three titles "Thane of Glamis" "Thane of Cawdor" and "King hereafter". Following after, the witches don't meet Macbeth again until (Act 4) and during this meeting Macbeth learns three more prophecies that foreshadow his life to come. The three prophecies are an armed head, a bloody child, and a child crowned with a tree in his hand. The importance of the opening scenes and further along in the play start to bring truth of the prophecies in Act 4. In the beginning (Act 1, scene 1) of Macbeth the appearance of three witches shed light to what might happen. Everything starts to unravel when the three witches declare to meet up again with each other "when the battle's lost and won". Also a short time after that they yell out together "fair is foul, and foul is fair" this foreshadows that some sort of evil will be coming and that there will also be a victory of sorts to either the witches or the main character in the story, but the audience doesn't know specifically what is to happen. These also suggest a great battle will be fought against good and evil. However these events that are soon to follow will unfold at a rapid pace. This foreshadowing can be detected by the audience because they can feel the suspense...
“This tyrant whose sole name blisters our tongues, was once thought honest…” (77). This quote represents the change of Macbeth throughout the play. The use of blood imagery is used to represent the character development of Macbeth from a noble thane to a murdering tyrant. We first see blood imagery characterizing Macbeth when he is called noble for defeating Norway. Then, the idea of un-washable blood shows that Macbeth’s character will change. When Macbeth begins to experience the blood of others on his own hands, it leads him to ultimately become the “villain” or antagonist of the play. Finally, before the death of Macbeth, blood imagery has been used to characterize Macbeth so much that he is now over confident and seems to be fueled by the idea of it. By examining the use of blood imagery, one can determine that blood represents Macbeth’s character development from an honorable thane to a disrespected tyrant.
Shakespeare wrote timeless literature pieces, set in the Elizabethan era. His stories relate to conventional views of Renaissance culture while maintaining a realistic, morphable view concerning issues, such as gender roles. By questioning and challenging Elizabethan hierarchy, stories such as Macbeth posed a threat to stereotypes and ideology while respecting values. Shakespeare's tragedy, Macbeth, explores femininity, gender stereotypes, and allusions to Greek mythology to investigate relativity between cruel behavior and masculinity. (NEED ONE SENTENCE)
The Tragedy of Macbeth written by William Shakespeare is a tale of a man and his un-bridled ambition, set in ancient Scotland. Macbeth is a nobleman of the king of Scotland, Duncan, who is in mid-war with Norway. Macbeth and his fellow general Banquo encounter three witches. The witches tell the pair that Macbeth will be king, and Banquo’s children will also be kings. Any person in their right mind would question information given to them by strangers, let alone witches, but for some reason these statements intrigue Macbeth. They temp Macbeth to do evil things such as treason, and worse, to kill. Although un-bridled ambition is his main tragic flaw, there is one more that plays a big role in his decisions and the outcome of the story; Macbeth is far too impressionable.
Fate and free will, the beliefs that humans are either mere playthings to the universe or are in full control of their destinies. The tragic play Macbeth, by William Shakespeare, has the ideas of fate and free will present throughout. The play opens on eleventh century Scotland, where the main character, Macbeth, meets with three witches who tell him that he is fated to become king. Macbeth decides to leave out chance, take matters into his own hands, and kill King Duncan. He soon becomes paranoid and sends orders to kill those he believes are a threat to his power. Although Macbeth was fated to become king, his downfall was caused by his own free will on the account of his choices to put faith in the witches, kill King Duncan, and kill the family of Macduff.
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
When anything in life first begins to grow, it begins as a seed. The seed of a plant, or of a thought, or of an idea. Once created, the seed can do one of two things. It can grow, or it can die. Shakespeare’s play Macbeth tells the story of an innocent man who is turned evil from the seeds planted by those around him, allowing readers to explore the repetition of growth and how it is implied through characters. Throughout the play, growth is used to display Macbeth and Banquo as foil characters, show Banquo’s “goodness” through positive imagery, and to show Macbeth’s “evilness” through negative growth imagery. By analyzing Shakespeare’s use of growth imagery, critical readers recognize that growth enforces the idea that growth triumphs evil, embodied in the actions and consequences of Macbeth and Banquo as they make one of two crucial choices? Good, or evil?
In this soliloquy, Macbeth mentions how becoming the king is pointless if he cannot pass down the crown to his son (Shakespeare, Act 3, Scene 1, 65-67). The weird witches foretold that Macbeth would become King, which he now believes, but they also told them how Banquo descendents will become Kings as well. This stirs anger in his heart because he killed Duncan to become king, and if his descendents will not become kings there is no reason to take the helm (Shakespeare, Act 3, Scene 1, 68). Now Macbeth feels horrible, and his animosity towards Banquo worsens. Macbeth mentions how this, “put rancours in the vessel of my peace”, and immediate distress on the killing of his dear friend Duncan for the future descendents of Banquo (Shakespeare,
It has been said that one’s fate lies in one’s own hands; however, when one tries to use free will to rush this fate, the consequences are dire. In the tragedy, Macbeth, Shakespeare uses the character Banquo as a foil to Macbeth to highlight the differences in their personalities and actions. Banquo embodies the belief that fate should run its course; in this way, Banquo represents nature. On the other hand, Macbeth utilizes free will to try to rush time to reach his fate faster. These characteristics are displayed as Macbeth and Banquo hear their fates from the witches and act in response to those prophecies throughout the play. The distinct characteristics of the two demonstrate the clash between fate and free will throughout Macbeth.
Shakespeare clearly explores the themes ‘Fate and Free Will’, and ‘Ambition’ within this tragedy. Shakespeare weaves these themes around the character of Macbeth, showing us the depth of his insight into human society. Macbeth fell victim to his interpretation of supernatural prophecies and the influence from his wife. His impatience for the throne led to his crimes, subsequent guilt and acknowledgement of his sins. Shakespeare presents Macbeth’s life to his audience as a moral tale, warning them how men should be careful how they regard the ideas of fortune and fate and how in the end, evil intents and actions bring with them their own punishment.