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History of photography and photojournalism
Birth Of Photojournalism
History of photography and photojournalism
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Jocelyn Powell Professor Cay Strickland ENG 252-W01 09 December 2017 Photojournalism & The Rising of America While researching sources pertaining to photojournalism, I came across many authors who published literary works regarding photojournalism; particularly novels, scholarly journals, newspapers, and articles. These authors often concluded that photojournalism changed how many Americans viewed society. Photojournalism originated during 1853 when a photojournalist by the name of Carol Szathmari documented the Crimean War. Throughout the years, photojournalism became a form of journalism depending on images to tell a story. Jacob Riis, a newspaper reporter and a social reformer, helped introduced modern photojournalism when he introduced …show more content…
Photojournalism pushed for social change by showing problems associated within the society. Many people attitude regarding society began to change through the widespread broadcast of journalism. Photojournalism influenced all aspects of society such as art, music, science, and politics. It created a new way for people to communicate during the Civil War. When Jacob Riis documented the slums of New York he showed exactly how important increasing populations in America were. He showed every aspect of the living conditions of these people. Photojournalism made it possible for people in today society to be able to understand such events that happened in American history such as the Civil War. “Even as of today most photographers continue to use photojournalism for social causes such as poverty and HIV & AIDS awareness” (Bogre …show more content…
Photojournalism is very distinct and unique. It has continued to serve as a huge impact in American society. Photography and photojournalism may sound alike but they are not the same thing. Works Cited Beall, Joe. Basudeb, Khasnobis. Kanbur, Ravi. Urbanization and Development: Multidisciplinary Perspectives. Oxford University Press, 2010. Bogre, Michelle. Photography as Activism. CRS Press,2012. Mougeot, Luc. Growing Better Cities: Urban Agriculture for Sustainable Development. International Development Research Centre, 2006. Portes, Alejandro. Immigrant America: A Portrait. University of California Press, 1990. Riis, Jacob. How the Other Half Lives: Studies among the Tenements of New York. Harvard, 2010. Riis, Jacob. Children of the Tenements. Create space Publishing,
The role of the news-making photographer in Gardner’s era was to document the history that was in the making, documenting the battlefield and anyone that would be considered a pioneer of the news. They also had a role to make large photographic prints. Today, photojournalist’s play the role of being a visual story teller. They have to photograph, edit and present the images they shot to tell a story that no one else can tell. They have to be knowledgeable about the trade and have to be able to use all the tools provided really well. The time from Gardner’s era and today technology has changed and the equipment has advanced so far that more advancement is continued to be used to the fullest. The only thing that I have really seen be the same is the way photojournalist photograph their subjects. Some photojournalist even still use the darkroom to produce their images and that has been around for ages.
For some, a picture is just a beautiful work of art, but for Lewis Hine photography was a way to communicate a message to the world. When Hine was taught the photographic process, it was still being established. This being said, photojournalism was also just evolving as a method to visually communicate information. In an effort to better his photography skills, Hine began to photograph the immigrants of Ellis Island. He was very adamant about social reform and reflected this in his work. Lewis Hine’s captivating photos inspired social change in America for the less fortunate.
William Eugene Smith was an American photographer who produced photographic projects that changed how photographs were portrayed. Rather than a photo being a photo, he told stories through his photographs, through a practice called photojournalism. His photographic projects depicted people in their everyday lives, but in different situations. The photographs he took did not hide anything that he saw from the audience no matter how graphic the scenery may appear to be. His photography methods differed from traditional methods, in that traditional photographs/photographic projects were a distortion of reality, so that it is more pleasing to the audience. Smith on the other showed what was actually going on in the world or wherever he was shooting photos. His photos basically showed his audience what is happening in various parts of the world and showing people as they are living their normal lives, no matter how depressing or graphic their true lives might be. Smith changed photography, and in my opinion, opened the new world of photojournalism by telling stories with his photographs.
In 1890, Riis’ book was an instant success and had an immediate impact since it contained major social criticism, proving to be an eye-opening experience for the reader by highlighting details and facts incorporated in its pages. In a coincidence of good time, flash photography had recently been invented, yet Riis managed to master this new invention and became a pioneer in its use, employing the new technique to capture stark perturbing scenes. “The images he brought to the public’s eye were full of crowded tenements, dangerous slums and poignant street-scene images of a downtrodden underclass that most readers had only previously read about, at best.” Theodore Roosevelt, moved by Riis’s usage of pathos had an intent on improving life in New York, and he famously said to Riis, “I have read your book, and I have come to help” and improvement followed as he ordered affairs in immigrant neighborhoods. Riis brought hidden worlds to light and he continued to write many other books relating to the same
The Civil War was the first major conflict to be documented by photography. At the time of the Civil War, it was vital to have public support on both the North and the South side of the dispute. It is also said that if war efforts do not have complete support of its’ citizens that it will not result to any benefits. Photography was one way that was almost guaranteeing support of citizens on the homefront. Photographers had power within their photographs, toying with the pathos of the civilians, and causing them to feel whatever the photographers wanted them to. This power was abused at time by manipulating people’s opinions towards the war. There were pictures coming back from the warfront one after the other which made it impossible for people to feel an emotional connection to the soldiers at war. These photographs allowed events happening miles away to feel like they were closer to home causing people to support the war efforts more heavily. Instead of people having their own opinions during the war, photographers used manipulative
First, let us define Photojournalism and Fine Art Photography. According to the Oxford dictionary, photojournalism is the art or practice of communicating news by photographs, especially in magazines. But according to Merriam-Webster, photojournalism’s full definition is journalism in which written copy is subordinate to pictorial usually photographic presentation of news stories or in which a high proportion of pictorial presentation is used. In other words, photojournalism is news photography. Photojournalism found itself invading photography from the late 1920’s and can be defined as a spontaneous and newsworthy photographic narrative of human events. Fine Art Photography is the new kid on the block. It is usually thought to refer to the visual creation for a specific expressive or aesthetic value. This is often distingui...
Riis, Jacob A. How the Other Half Lives; Studies among the Tenements of New York. New York: Dover, 1971. Print.
The rise of photography began in the early 1830’s in France, and wasn’t very popular as most artists preferred a paintbrush and canvas to a new contraption that wasn’t popular and wasn’t manufactured locally or globally yet and that was fairly expensive to try to produce, and since this time it has been debated if photography deserves its place in the art world. Through the late 1800’s and the early 1900’s it grew in popularity and throughout time photography went from being badly received to a new form of art though people around the world still debate if it is indeed “art”. Photography has a long history from the first camera obscura in the 18th century to the latest Nikon or Canon camera in the 21st century.
Wilson, W.J. (1996). From Instituional to Jobless Ghettos. In R.T. Legates, & F. Stout (Eds.). The City Reader (pp. 110-119). New York, NY: Routledge.
... the first photographers to be able to take photos at night and he showed the public of the interiors of homes and factories in order to show vividly the living and working conditions of New York’s poor. He would then publicize the pictures in order to show the world what was going on in these parts of the country. Until the end of his life he continued to write and lecture about the conditions of America’s poor.
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.
Photography is one of the most creative ways to express yourself. Photography was not only invented but created over and over again as time has passed and it has greatly transformed over time. Not only the processes of the image, but the way that cameras have developed, but also the way the film has been printed. You would not believe the things people can do with photography now.
Newton, Julianne H. The Burden of Visual Truth: The Role of Photojournalism in Mediating Reality. Mahwah, NJ: Lawrence Erlbaum Associates, 2001. Print.
Photography has created an outlet for the masses to story tell. It has a way of speaking without words like most art forms and is a manner of expression in itself. To eradicate photography from humans would be equivalent to taking away a limb from humankind. Our society has grown an immense amount of dependency on it. Photography has become almost a daily menial task such as brushing your teeth; where we must take pictures of the things we deem important or equally unimportant, even more so with the invention of social media outlets such as Instagram and Snapchat, where photography is the main source of communication between people who use them. Susan Sontag offers the basis of what taking pictures can undertake in both our daily lives and moments that are not part of our daily lives, such as travel. Traveling to places where one is not accustomed can flare pent up anxiety. A way to subdue that anxiety could be through taking pictures, since it’s the only factor that we have total control over in a space where we don’t have much, or, any control of our surrounding environment. On the other hand, taking photos can also be a tool of power in the same sense as it allows for it to be a defense against anxiety. With the camera in our hands, we have the power to decide who, what, where, when, and why we take a picture. This in turn also gives the person who took the picture power over those who later analyze the photos, letting them decide the meaning of the photo individually, despite the intended or true meaning.
As the camera developed, it became readily available to amateurs. This completely changed the way in which daily life was documented, allowing for photographs of families and special