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Literal analysis of heart of darkness
Literal analysis of heart of darkness
Literal analysis of heart of darkness
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In addition, Heart of Darkness also suggests that Mr. Kurtz could never live in England because it would be absurd. First, before Mr. Kurtz in Marlow board the steamboat to leave the back for England, Mr. Kurtz tries to escape crawling on all fours into the bushes. Luckily, Marlow found him and brought him back to the boat (Conrad 108). This scene is significant because it shows that Mr. Kurtz wanted to stay in the Congo, in spite his health conditions. Furthermore, this scene shows that Mr. Kurtz was obsessed or possessed by the power and mission of collecting Ivory. In addition, the erosion of Mr. Kurtz's character with his time working in the Congo, also suggests that he would not successfully thrive in England if he were taken back. Marlow describes the erosion of Mr. Kurtz’s behavior as, "the wilderness had found him out early and then had taken on him a terrible vengeance for the fantastic invasion [...] he was hollow at the core," "whatever he was, he was not common. He had the power to charm or frightened rudimentary souls into an aggravated witch- dance in his honour” (97, 83). These quotes addresses how Mr. Kurts was susceptible to the immorality and savagery that came along with ivory extraction, but he was also “hollow” meaning that he no longer possessed English sensibilities. Mr. Kurtz’s hollowness suggests that he had become immoral. He also recounts Mr. Kurtz’s immoral decision to put The bearing, which was simply the bearing of commonplace individuals going about their business in the assurance of perfect safety, was offensive to me like the outrageous flauntings of folly in the face of danger it was unable to comprehend. I had no longer had a particular desire to enlighten them, but I had some difficulty in restraining myself from laughing in their faces so full of stupid importance.
When reading each page, a sort of investigation begins in trying to figure out how Kurtz became insane. However, that investigation was not fully closed because in the end no one knew what had happened to him. In a way his character presented the idea that perhaps the darkness, his darkness was his own and was all along in him waiting to come out. Because there were other men living and working in the Congo who had not become insane as he did, such as the Russian trader or the ivory company’s accountant.
In the novel, Heart of Darkness, Kurtz’s greed and maliciousness consume his actions and take over his body. Since Kurtz gains authority from his copious amounts of Ivory, he becomes arrogant and abuses his power. He murders groups of natives and hangs their heads on stakes to show his control which instills a sense of self validation. Sarcastically, Marlow states, “evidently the appetite for more ivory had got the better of the-what shall I say?-less material aspirations”(Conrad 86). He displays his cruelty by placing material wealth like Ivory above human lives. This obsession eats him alive, and slowly, he becomes his treasure. His body deteriorates, and Marlow “saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror. . .”(105). He becomes a reflection of his greed which leaves him “hollow at the core” with no moral compass(87). In the beginning, the setting takes place in an ironic town called Brussels. Conrad alludes to a book in the Bible and states, “I arrived in a city that always makes me think of a whited sepulchre. Prejudice no doubt”( 13). In the Bible, a whited sepulchre represents the burial site for the deceased and also represents a hypocrite. As the bodies rot underground and the bones take their place, the sepulchre serves as a comparison to the hidden impurity and sinfulness throughout Western civilization. The inside holds the truth while the outside
Kurtz is one of many men sent into the jungle to rape the land and its people of its natural resources. Many men have journeyed into the jungle also refereed as the heart of darkness never to return. Kurtz goes into the jungle and becomes obsessed with the people and the land. Though Kurtz has an obsession with ivory this is not the sole reason for him to overstay his welcome in the jungle.
In Heart of Darkness, all of Joseph Conrad’s characters seem to have morally ambiguous tendencies. The most prominently morally ambiguous character is Kurtz, whose distance from society changes his principles, and leads him to lose all sense of decorum. Conrad takes a cynical tone when describing Marlow's journey. Marlow's voyage through the Congo gives him insight to the horrific, dehumanizing acts that his company and Kurtz conduct. Conrad creates a parallel with the tone of his writing and the misanthropic feelings that the main character experiences. Furthermore, Conrad creates a frame story between Kurtz and Marlow, adding to the symbolism and contrast between contextual themes of light and dark, moral and immoral, and civilization and wilderness. After being sent on a horrific journey into the Congo of Africa, as an agent for the Company to collect ivory, Marlow finds the infamous and mysterious Kurtz. Kurtz, who has totally withdrawn from society, and has withdrawn
"Heart of Darkness , which follows closely the actual events of Conrad's Congo journey, tells of the narrator's fascination by a mysterious white man, Kurtz, who, by his eloquence and hypnotic personality, dominates the brutal tribesmen around him. Full of contempt for the greedy traders who exploit the natives, the narrator cannot deny the power of this figure of evil who calls forth from him something approaching reluctant loyalty."[1]
In German “kurtz” means short. What Kurtz actually says is plain and terse, but appalling. It is not hidden behind words, but revealed within Kurtz’s own voice and scribbled in margins. However, it is the voiceless words, the written words, the lies, and not the note scribbled by his own voice that Kurtz asks Marlow to preserve. By wanting to preserve his report, Kurtz acknowledges the power of written words. He knows that besides Marlow’s memory, writing is the only thing that can begin to immortalize him. But, perhaps, Kurtz’s knowledge is meant to die along with his voice.
Heart of Darkness is Joseph Conrad's tale of one man's journey, both mental and physical, into the depths of the wild African jungle and the human soul. The seaman, Marlow, tells his crew a startling tale of a man named Kurtz and his expedition that culminates in his encounter with the "voice" of Kurtz and ultimately, Kurtz's demise. The passage from Part I of the novel consists of Marlow's initial encounter with the natives of this place of immense darkness, directly relating to Conrad's use of imagery and metaphor to illustrate to the reader the contrast between light and dark. The passage, although occurring earlier on in the novel, is interspersed with Marlow's two opposing points of view: one of naïveté, which comes before Marlow's eventual epiphany after having met Kurtz, and the matured perspective he takes on after all of the events leading up to his and Kurtz's encounter.
In Joseph Conrad’s short story, “Heart of Darkness,” the narrator has mixed emotions about the man Kurtz. The narrator spends a large portion of the story trying to find Kurtz. During this time the narrator builds a sense of respect and admiration for Kurtz; however when he finally finds Kurtz, he discovers that he is somewhat disgusted by Kurtz’s behavior. The narrators somewhat obsessive behavior regarding Kurtz is quickly changed into disappointment. The narrator sees that the man who Kurtz is, and the man he created Kurtz to be in his mind are two very different people. He finds that Kurtz is not a reasonable man of justice and reason, but an unstable man whose cruelty and deception is awful. In Joseph Conrad’s short story, “Heart of Darkness,”
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
Kurtz once was considered an honorable man, but living in the Congo separated from his own culture he changed greatly. In the jungle he discovers his evil side, secluded from the rest of his own society he becomes corrupted by power. "My Ivory. My people, my ivory, my station, my river," everything was under Kurtz's reign. While at Kurtz's camp Marlow encounters the broken roof on Kurtz's house, the "black hole," this is a sign of the uncivilized. The black hole represents the unknown and unconquered, and therefore represents the uncivilized. Also, Marlow notices the "black heads" on Kurt...
Throughout Heart of Darkness, Joseph Conrad points to the hypocrisy and horrors associated with colonialism. The half-English, half-French Kurtz is the main vehicle used to convey his theme of European colonialism, as “all [of] Europe contributed to the making of Kurtz” (Conrad 164). It was Kurtz who goes to Africa for the "sake of loot, and thus becomes a great literary symbol for the decadence of colonialism" (Zins 63). With his help, Marlow dissects the reasoning behind colonialism, eventually seeing its evil nature.
As expressed through the novel Heart of Darkness, humanity’s surroundings constantly dictate one’s behavior, both physically and emotionally, depicting mankind’s overall weakness. Such as with living in an area abundant with crime or in a quiet peaceful neighborhood, man’s actions become a result of what they perceive as being completely normal and rational. Not knowing any different, humans constantly adapt to their surroundings, as their focus becomes shifted to what they see and experience each and every day. In Heart of Darkness, the power of the dark jungle of the Congo and forest becomes quite apparent with the actions of both Marlow and Kurtz, as both turn to savage means in order to survive. While his environment allows him to have control over the native population, the African jungle also becomes an apparent influence upon him, as he is seen “crawling on all fours" (80). As Kurtz had completely surrounded himself with the natives, his actions involuntarily come t...
...arkness is coming to an end, Kurtz and Marlow are heading back to civilization in England from the Congo. Kurtz is in rough shape. He is mentally and physically exhausted, slowly dying on the boat. Once it is understood that he is going to die, he cries out “The horror! The horror!” The horror that Kurtz is referring to is everything that he has witnessed and done with his life while he was in the Congo. These two words repeated sum up his experiences that we see from Marlow’s perspective. Kurtz’s demise was a product of everything that he had done in the Congo with the company. In the end, all of his hard work was not even worth it. He died and left all of his fortune in the Congo, where he had no one to leave it all to. Kurtz’s reflections on the way he lived his life are essentially all being brought back to him in his final moments as he yells out “the horror!”
The Significance of the Congo River For Marlow, the journey on the Congo River is one of the most difficult and ominous journeys he will ever take. The fact that it takes him around and not completely into the jungle is significant of Marlow's psychological journey as well. He never really goes on land but watches the shore from the outside. The only time he goes on shore he finds a wasteland. For Marlow the jungle of the Congo is representative of evil that man is capable of. In Heart of Darkness, it seems that the further Marlow travels into the jungle, the deeper he looks into himself. All this time is spent on the Congo River as he looks from the outside. This is symbolic as he is looking at his soul from the outside but never really sees himself until he goes on land to get Kurtz. When he arrives on land is symbolic of when he looks the deepest into himself. He goes to find Kurtz on his deathbed and is given he choice to take over for him as a god among an African tribe. Marlow is faced with the ultimate choice between good and evil. For a moment it is uncertain what choice Marlow will make. But, unlike Kurtz, Marlow picks the good over evil, as he rescues Kurtz back to the steamer. The fact that Marlow sailed along the Congo River, around the jungle, and not actually into the jungle is an important symbol also. Marlow never walks the path that Kurtz did to self-destruction. He went around the jungle to avoid getting captured by evil. Kurtz was a decent Englishman until he gave into the desires of his heart of darkness. Kurtz spent all his time in the jungle and eventually forgot all of his self-control, manners, and upbringing. He truly looked in the deepest part of himself and found that his evil desires would reign. This is symbolic because he was deep inside the jungle. In this respect Conrad uses to men to show the reader both the good and bad of humankind. He shows the true evil and good that man is capable of If proper restraints had been there would Kurtz have done things differently?
The main character in Conrad's novel, Heart of Darkness, isKurtz. Kurtz no longer obeys the authority of his superiors who believe that he has become too extreme and has come to employ "unsound methods" (Coppola, 1979; Longman, 2000). Marlow is sent to retrieve Kurtz from the evil influences in the Congo, and a wild journey on a tainted river ensues. Along the way, Marlow learns about the real Kurtz and finds himself identifying with and becoming dangerously fond of the man.