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Character analysis of Emily
Scholarly article about charlotte perkins gilman
Character analysis of Emily
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Untreated
For ages mental illness has been a problem across the world. It plagues everyone from kids to adults, poor to rich, and weak to strong. For many it is an unimaginable burden to carry, but for others they find light in being able to perceive illness through their writings. That’s what can be said about Nobel Peace Prize winner William Faulkner’s “A Rose for Emily” and feminist Charlotte Perkins Gillman’s “The Yellow Wallpaper.” Both were early 20th century writers. While both may be comparable based on their dark roots and bouts with mental illness, both can be contrasted just as easily based on their storytelling, writing styles, and character personalities.
Both stories seem to indulge in darkness. Keeping you on edge and forcing you to question what is going on, the two almost follow a pattern. For starters, the main characters in each story are struggling with mental illness in their own way. Emily, the main character in A Rose for Emily, appears to be distraught over the death of her father and the leaving of her once thought love. The events cause her to cut herself off from the average person where she lives and conform to a life unaccompanied by anyone but her servant. The unnamed narrator in The Yellow Wallpaper is diagnosed by
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her husband as having temporary nervous depression and slight hysterical disorder. Which could have easily been a misdiagnosis based on the time period the story was held in and the knowledge her husband had about mental illness. The narrator quickly becomes sheltered by her overprotective husband which causes her to be put into solitary conditions against her will. The two characters quickly find that their worlds change when they continue to live under the conditions. Conditions like self loathing which causes one character to push away any help that the people of her community tries to give her, and conditions that causes the other to not be able to sleep at night. Conditions that will not help their mental health without seeking professional guidance Emily soon plots to kill her new found companion, Homer Barron, while the narrator of The Yellow Wallpaper obsesses over someone that she believes is trapped within her room’s wallpaper. Ultimately the two both go insane giving their circumstances. While these two may share multiple qualities they differ just as much, A Rose for Emily starts off rather depressing. Addressing the death of Emily in the beginning only to continue to build onto the mood from that point on. On top of that the story is told by someone in the town. She refer to herself and the people at we and judges Emily Grierson throughout the entire story. The narrator feels as though Emily sees herself above the working class and thinks she should go through the things she does. She believes it would bring her off of her high horse and down to earth with everyone else. In The Yellow Wallpaper they break into the stories by helping paint a peaceful picture. A working class family with a newborn moving into a beautiful house. It then moves forward by pressing an unsurety on the reader. The narrator reveals she is ill, but soon after follows up with erratic behavior pertaining to her wallpaper. Since the narrator does not know the extent of her illness she goes throught the story believing that the wall is in fact holding someone prisoner. Few other things could be accounted for, Like how in the first story the house is old and not aesthetically pleasing while the home in the latter is portrayed as nice and beautiful, though having terrible wallpaper in that one room. As you can see from the text above both stories are highly comparative and give good reasons to pick apart the differences between the two.
Showing the pros and cons between the reads is important to help understand what the author is trying is trying to get across. Having a deeper understand of things you read will always be important. Although a tale of a woman gone mad over a wallpaper may appear to be as is, there could always be more to it. Just because a story of woman turned psycho killer may seem exactly as that I’d have to say there was more. The message I grasped from the two after breaking them down is that mental illness gone untreated can be detrimental to the positive progress of yourself and your
life.
The author, William Faulkner, has a collection of books, short stories, and poems under his name. Through his vast collection of works, Faulkner attempts to discuss and bring awareness to numerous aspects of life. More often than not, his works were created to reflect aspects of life found within the south. Family dynamics, race, gender, social class, war, incest, racism, suicide, necrophilia, and mental illness are just some of the aspects that Faulkner explored. In “A Rose for Emily” the aspects of necrophilia and mental illness along with the societal biases that were observed in a small-town setting are seen to be a part of this captivating story. These aspects ultimately intertwine with the idea of insanity that characterizes “A Rose for Emily.
“To jump out of the window would be admirable exercise, but the bars are too strong even to try,” (Gilman). There are an extraordinary amount of stories written about women that go insane for certain reasons. Two of those stories are, The Yellow Wallpaper by Charlotte Perkins Gilman and A Rose for Emily by William Faulkner. Both stories are about women who are driven insane by situations that are happening in their lives; both women turn to isolation for different reasonings. Both A Rose for Emily by Charlotte Perkins Gilman and A Rose for Emily by William Faulkner show similarities and differences with dysfunctional lives.
The protagonist in “The Yellow Wallpaper” suffers from mental illness, which can be read as postpartum depression. In “An Story of an Hour” Louise Mallard suffers from heart problems.
Charlotte Perkins Gilman’s "The Yellow Wall-Paper," does more than just tell the story of a woman who suffers at the hands of 19th century quack medicine. Gilman created a protagonist with real emotions and a real psych that can be examined and analyzed in the context of modern psychology. In fact, to understand the psychology of the unnamed protagonist is to be well on the way to understanding the story itself. "The Yellow Wall-Paper," written in first-person narrative, charts the psychological state of the protagonist as she slowly deteriorates into schizophrenia (a disintegration of the personality).
Both of the short stories are told from a 3rd person perspective—an outsider or townsperson looking into the lives of the protagonists. Rather than allowing the reader to experience the character’s thoughts and feelings, the authors let the stories unfold solely based on their plot development. This allows the reader to be a “fly on the wall,” and join the community in their gossip. Despite what an outsider may see externally, often times if one looks more closely, they will discover the truth. In A Rose for Emily, the townspeople thought that Miss Emily was hiding from society, but after looking more closely, they discover she was hiding the secret death of
Narration is one literary element of a story that controls the meaning and themes perceived by the reader. The author uses this as a way of putting themselves in their writing; they portray a personal reflection through the narrator. We see this in pieces of literature, such as Charlotte Gilman’s, “The Yellow Wallpaper”, an intense short story that critics believe to be an autobiography. Charlotte Gilman wrote this piece in 1892, around the time of her own personal mental depression, after the birth of her child. This story invites the readers into the mind of a well-educated writer who is mentally ill, and takes you through the recordings of her journal, as her mental health deteriorates so does the credibility of her writing. The author uses the element of the narrators’ mental health to create a story with different meanings and themes to her audience. Gilman uses the role of an unreliable narrator to persuade the audience’s perception of protagonists’ husband John and create a theme of entrapment.
Emily and the narrator both face issues pertaining to their identity in the short stories. Both take place in different settings although both women are essentially imprisoned in their houses. The two women are at very different places in life. In “A Rose for Emily,” she is young in the beginning and it ends with her being an old woman. “The Yellow Wallpaper,” focuses on the narrator when she is middle aged woman, it takes place over the course of just a few months. Both stories give different outlooks on the women as “The Yellow Wallpaper” is written in first person while “A Rose for Emily” is written in third person. Nonetheless, it is seen that the lives of both women are similar in certain ways yet different in other aspects.
Academic essayists such as Susan M. Gilbert, Susan Gubar, and Elaine Showalter have a feminist reading of the story, however, this is not the most important reading. The author experienced the turmoil of the rest of the cure personally, which means that the story is most likely a comment on the great mistreatment of depression, hysteria and mental disorders in general. Despite the claims of Gilbert, Gubar, and Showalter that “The Yellow Wallpaper” is solely feminist propaganda, their analysis is often unnecessarily deep and their claims are often unwarranted, resulting in an inaccurate description of a story that is most importantly about the general mistreatment of psychosis and the descent into insanity regardless of gender. When things are stretched too thin, they become less sturdy and less reliable; the same is true for arguments in writing.... ... middle of paper ...
...Also in, "The Yellow Wallpaper", the narrator gets so loneley and so freaked out about what is happening in the wallpaper in her room that she actually goes insane. She tears everything down and she even bites it. She thinks that there are other people that have smudged the wallpaper when in reality it was her and now she is actually the trapped woman. This is how these two stories relate by the characteization of the authors by them both making their stories disturbing in different ways.
These two authors are very similar. Both use dark, surrealistic language. Both men show different aspects of the descent into madness. Also both men use a descriptive, intelligent writing style. Instead of appealing to your emotions, or telling you what you should be feeling, they describe what is happening. Their descriptions may induce certain emotions, such as disgust, fear, or sadness, but they appeal first to the mind. They appeal first to the mind, and when the mind dictates to the heart that this is wrong, or strange, then the heart stirs and provides the appropriate emotion. Their writing styles may have their differences, but on the whole they are more alike than they are different.
In the late 1800s, a lot was not known about mental illnesses and due to this the unnamed narrator of The Yellow Wallpaper suffers from this ignorance. The Yellow Wallpaper was written by Charlotte Perkins Stetson in 1891 for the New England Magazine as the author had suffer from a similar situation as the story’s narrator. In the short story, we are introduced to an unnamed woman who seems to be suffering from some sort of mental illness. The narrator's husband, who is a physician, forces her to do nothing to try and help her condition, but ironically this has the opposite effect on the narrator's condition. The narrator is driven slowly mad by a yellow wallpaper in her room which instead of helping her condition it makes things worse. The
...r” and “A Rose for Emily”. The differences today allow women to have careers and hold positions of great power. There are more options for women to find help and assistance. Modern medicine gives people the ability to overcome many psychological issues that were nearly untreatable only a few decades ago. These modern advances have changed the way we look at mental illness and allows for greater treatment options that in the past. Situations that occurred in “The Yellow Wallpaper” and “A Rose for Emily” would not be as likely to happen today, thanks to the advancements in science and medicine. Mental health issues not diagnosed or treated can still result in terrible results for both men and women, which is evident by watching the news today. Continued education can help increase awareness needed to identify and treat mental illnesses that affect women today.
This wave includes works from the late 1700’s to the early 1900’s. It focused on the inequalities between women and men as well as contributions made during the suffrage movement. When the author of The Yellow Wallpaper, Charlotte Perkins Gilman, wrote this story, she brought out the feminism, individuality, and the symbolism that allowed the readers to see and experience what it was like to go through a mental breakdown and how the rest of the world reacts to the person going through it. The story is told as a first-person narrative, the protagonist being an upper-middle-class female, whose husband was a well-respected doctor, as well as her own doctor.
Both stories show feminism of the woman trying to become free of the male dominance. Unfortunately, the woman are not successful at becoming free. In the end, the two women’s lives are drastically
The novel was written to help fight the stigmatisms and prejudices held against mental illness. In the late 1960s, reactions to mental illness generally fell between two polarized attitudes. One, popular with the counterculture generation, romanticized mental illness as an altered state of consciousness that was rich in artistic, creative inspiration. The protagonist of this myth was the tortured artist who poured out his or her soul in writing or art between periods of mental breakdown; Sylvia Plath, Vincent Van Gogh, and Virginia Woolf are only a few such individuals whose artistry is practically inseparable from the idealized myths of their mental instability. Often their periods of mental breakdown were a source of inspiration, but before one romanticizes their mental illnesses, it necessary to remember that all three committed suicide.