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Power struggle with macbeth
Power struggle with macbeth
Power struggle with macbeth
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Macbeth’s Downfall
Joko Beck, an American author once said, “We have self-centered minds which get us into plenty of trouble. If we do not come to understand the error in the way we think, our self-awareness, is our downfall.” In other words, we get ourselves into trouble because of our characteristics and eventually if we do not get control of ourselves it will lead to a downfall. Macbeth is a tragedy written by Shakespeare, throughout the play, the main character Macbeth negates his responsibilities to maintain his power and become even more powerful. Macbeth meets three witches who tell him prophecies, one of which says he will become king. After hearing this, Macbeth has a great desire to become king, and to do so he kills the current king, Duncan and anyone who gets in his way. He puts his faith in the prophesies that the three witches have told him. Shakespeare
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suggests that Macbeth's character flaws lead to his downfall. His flaws include his guilty conscience, his ambition for power and the ability to be easily convinced. When you have a guilty conscience, whatever was done is the only thing on your mind. Once Macbeth murdered King Duncan he could not keep his mind off of it. He could not think correctly and had many different thoughts running through his head, he wanted to go back and fix what he had just done. Macbeth could barely speak when he says Still it cried, “Sleep no more!” to all the house. ‘Glamis hath murdered sleep, and therefore Cawdor. Shall sleep no more. Macbeth shall sleep no more.’”(210). Now that he has murdered Duncan, he is hearing voices warning others not to sleep in the house anymore because they could be murdered too. He was constantly going back to what he had done, feeling regretful. After Macbeth murdered Duncan he said “to know my deed, ‘twere best not myself. Wake Duncan with thy knocking! I would thou couldst” (212). Macbeth wishes that the knocking sound he hears would wake up Duncan. He is feeling regret after committing the murder. Macbeth begins to think that Banquo knows he killed Duncan, he then plans to kill him. Macbeth's guilt has gotten to the point where he is envisioning objects and people. Once he has killed Banquo, his conscience begins to eat him alive more and more. Banquo's ghost appears in a chair next to him and he tells him “thou canst not say I did it; never shake thy gory locks at me”(227). Macbeth does not want anyone to know that he has done this so he tells Banquo that he can not point fingers because he has no proof he did it. Macbeth’s guilty conscience is leading towards his downfall. Chris Johnson says that the play “Macbeth.' [features an] ambitious, guilt-ridden protagonist” (1). Sometimes people want things so much that it is the only thing that matters to them and it is their main focus; giving up on all other important issues. Macbeth considers his ambition the greatest thing in his life. He believes that his ambition is the only thing that influenced him to kill Duncan. Macbeth says, “I have no spur to prick the sides of my intent, but only vaulting ambition, which o’erleaps itself” (204). Macbeth believes that his ambition is the only thing that is forcing him to kill Duncan after going back and forth on whether he really wanted to do it. Macbeth no longer cares about anyone but himself and maintaining power. He feels there is no turning back when he says, “for my own good All causes shall give way. I am in blood stepped in so far that, should I wade no more, returning were as tedious as go o’er” (229). Macbeth feels that he is too far in and it is too late to start caring about anyone or anything else. His ambition to be the most powerful has taken him too far. If Macbeth feels in anyway that someone may have a chance to be more powerful than him he lets the greatest thing in his life take over. He is talking to himself and makes a plan, “from this moment the very firstlings of my heart shall be the firstlings of my hand... The castle of Macduff I will surprise; give to the edge o’ the sword his wife, his babes, and all unfortunate souls that trace him in his line”(239). Literary critic Edward E. Foster states that Macbeth “is an ambition man overpowered by his high aspirations”(1). Macbeth’s ambition plays a very big role in his major downfall. Another flaw of Macbeth is that he can very easily be persuaded to do things.
Lady Macbeth says and does many things to get Macbeth to do as she says which in the end lead to his downfall. Lady Macbeth seems to want Macbeth to have power more than he wants it himself. She says to her husband, “yet I do fear thy nature; it is too full o’ the milk of human kindness”(200). Lady Macbeth is telling Macbeth that he is too feminine because he is not sure if he wants to kill Duncan in the beginning. Lady Macbeth knows how easily Macbeth can be persuaded so she knows what to say. She says “hie thee hither, that I may pour my spirits in thine ear” (200). Lady Macbeth says she will do whatever she has to do to make Macbeth kill Duncan. Literary critic Stephanie Chamberlin says “Scholars have traditionally read this as well as her earlier "unsex me here" (1.5.39) invocation as evidence of Lady Macbeth's attempt to seize a masculine power to further Macbeth's political goals” (72). Lady Macbeth persuades Macbeth to do what she won’t do and Macbeth’s flaw of being easily persuaded leads to his
downfall. Shakespeare suggests that Macbeth’s traits lead to his major downfall. Works Cited Chamberlain, Stephanie. "Fantasizing Infanticide: Lady Macbeth And The Murdering Mother In Early Modern England." College Literature 32.3 (2005): 72-91. Academic Search Elite. Web. 1 May 2016. Foster, Edward E. "Macbeth." Masterplots, Fourth Edition (2010): 1-3. Literary Reference Center. Web. 1 May 2016. McDonnell, Helen M. Macbeth. England in Literature. Glenview, IL: Scott, Foresman, 1982. N. Print. "Opening Canadian Opera Season." Maclean's 99.42 (1986): 58. Academic Search Elite. Web. 1 May 2016.
Lady Macbeth has a greater control on Macbeth’s actions than any other character in Macbeth apart from the Weïrd Sisters. She is well known for her persuading speeches to her husband, convincing him to fulfill the murder of King Duncan. Lady Macbeth challenges Macbeth’s manly qualities, and informs him that only when he follows through with the murder that
Shakespeare created a character in Macbeth who is strongly influenced in his decision making throughout the drama of The Tragedy of Macbeth. This drama is a Tragedy, hence the title, and has a hero, in Macbeth, who has a downfall. Readers become aware of the aspects that lead up to this predicament. Macbeth’s downfall was contributed equally from Lady Macbeth, the three weird sisters, and Macbeth’s ambition.
This is my account of Macbeth’s downfall from a popular, successful soldier, quote “What he hath lost, noble Macbeth hath won”, who has received great honours for his loyalty, his courage, his bravery and his nobility. At the end of the play the only respect he has is because of the fear that his subjects have of him.
Macbeth is about a Lord whose life is disturbed by three witches, whose prophesies results in Macbeth to commit actions that lead to his downfall. Macbeth demonstrates many mental abnormalities during the course of the play, such as delusions, hallucinations, paranoia and warped personality. Which are all symptoms of schizophrenia, which I argue Macbeth has, and the events that unfold lead his condition to worsen and his mental health deteriorate, causing his twisted actions. Macbeth may very will be a high functioning schizophrenic.
This essay earned a 89/100. it was a lot of work considering the lines from macbeth for textual support.
After Lady Macbeth reads his letter and Macbeth arrives home, she is excited about becoming queen. She asks Macbeth when King Duncan is to be arriving and tells Macbeth to leave the plan up to her, his only job being that he has to look innocent and hide their true intentions. Macbeth seems to be stunned and nervous, telling his wife that they will talk later when she begins to tell him of her plan. In the seventh scene, at the castle, Macbeth speaks of the intense guilt he is feeling even before he is to kill Duncan; “… this even-handed justice/ Commends the ingredients of our poisoned/ Chalice to our own lips…” (1. 7. 10-12) (Shakespeare), “… He’s here in double trust…” (1. 7. 12) (Shakespeare), “… Besides, this Duncan/ Hath borne his faculties so meek, hath been/ So clear in his great office…” (1. 7. 17-19)(Shakespeare) all express Macbeth’s discomfort with murdering Duncan to steal the throne. Not only does he convey these emotions during this monologue, but he does so when Lady Macbeth enters the room, saying “We will proceed no further in this business./ He hath honored me of late, and I have bought/ Golden opinions from all sorts of people…” (1. 7. 32-34) (Shakespeare). To respond to this, Lady Macbeth does what she does best: emasculating her husband. She first articulates her questioning of his manhood after she reads Macbeth’s letter in the first act when she says “Yet do I fear thy nature;/ It is too full o’ th’ milk of human kindness…” (1. 5. 2-3) (Shakespeare), which contrasts with the heroic description the dying Captain gives of Macbeth in the opening scene. After Macbeth tells his wife that he is calling off the plan to kill King Duncan, she
In Macbeth, Shakespeare examines the significance of time in the form of one’s present and future through the unfortunate character of Macbeth. Macbeth is an ordinary soldier, loyal to the king as the Thane of Glamis, prior to his meeting with the three witches. The three witches reveal to Macbeth his future “All, hail Macbeth! Hail to three, Thane of Cawdor! All, hail, Macbeth, that shalt be king hereafter!” (1.3. 49-50). For the most part one does not know his or her own future. Our futures are uncertain and predictions like these do not always come true, yet Shakespeare has set Macbeth up in a way that he knows these predictions will come true. Not long after the witches state their claims
serious if his wife was not more anxious than he was. She, more than her
Macbeth's desire to become king is strongly supported by his wife, Lady Macbeth. Lady Macbeth is a highly ambitious woman who, like her husband, is willing to do anything to obtain power. Shakespeare uses a series of imagery to vividly portray the desire for power in Lady Macbeth's soliloquy: “Come, you spirits/That tend on mortal thoughts, unsex me here,/And fill me from the crown to the toe top-full/Of direst cruelty!” To achieve her ambition, Lady Macbeth urges Macbeth “to catch the nearest way.” This means she wants him to kill Duncan so that he can become king. However, she fears that Macbeth is “too full o' th' milk of human kindness” to “catch the nearest way.” When Macbeth is reluctant to kill Duncan, Lady Macbeth starts attacking his masculinity. “Then you were a man,” she said. Lady Macbeth also uses the power of emotional blackmail to manipulate Macbeth into killing Duncan.
In the play “Macbeth”, Shakespeare shows how people can change quickly by wanting to have something. Throughout, the play we see how Macbeth changes from a strong, confident solider to a weak, scared person. We see how he reacts to the different problems which occur. After when he is king, his emotions change from being indecisive to being confident whilst planning killing Banquo. I am going to go over two key scenes and explain how Macbeth’s behaviour and emotion changes.
Shakespeare wrote timeless literature pieces, set in the Elizabethan era. His stories relate to conventional views of Renaissance culture while maintaining a realistic, morphable view concerning issues, such as gender roles. By questioning and challenging Elizabethan hierarchy, stories such as Macbeth posed a threat to stereotypes and ideology while respecting values. Shakespeare's tragedy, Macbeth, explores femininity, gender stereotypes, and allusions to Greek mythology to investigate relativity between cruel behavior and masculinity. (NEED ONE SENTENCE)
Macbeth is not a victim of fate, but he is a victim of his own choices and the power of suggestion. Macbeth on multiple occasions chooses evil over good, and these decisions lead to his circumstances. Macbeth is not a victim of fate, but an ambitious man who makes poor decisions that have terrible results for him.
Macbeth, one of the darkest and most powerful plays written by Shakespeare, dramatizes the disastrous psychological effects that occur when evil is chosen to fulfill the ambition for power. Throughout the play, Macbeth’s character loses mental stability and becomes enthralled with the idea of being king. Empowered by the three witches, this situation consumes Macbeth’s consciousness until his mental state becomes deranged. This mental deterioration is evident in what he says and does as he evolves into a tyrannical ruler attempting to protect himself from enmity and suspicion. In an attempt to fulfill his ambition for power, Macbeth displays mental deterioration and becomes increasingly bloodthirsty.
When anything in life first begins to grow, it begins as a seed. The seed of a plant, or of a thought, or of an idea. Once created, the seed can do one of two things. It can grow, or it can die. Shakespeare’s play Macbeth tells the story of an innocent man who is turned evil from the seeds planted by those around him, allowing readers to explore the repetition of growth and how it is implied through characters. Throughout the play, growth is used to display Macbeth and Banquo as foil characters, show Banquo’s “goodness” through positive imagery, and to show Macbeth’s “evilness” through negative growth imagery. By analyzing Shakespeare’s use of growth imagery, critical readers recognize that growth enforces the idea that growth triumphs evil, embodied in the actions and consequences of Macbeth and Banquo as they make one of two crucial choices? Good, or evil?
Throughout the play and leading up to her eventual suicide, Lady Macbeth slowly weakens. Yet, in the beginning of the play, she acts as if she is unstoppable. When Macbeth has his doubts and fears about murdering the loyal Duncan, Lady Macbeth chastises him, calling him everything from a coward to a helpless baby (I. vii. 39-49, 53-67). She even offers to do it herself, possibly to make Macbeth feel that he's even more cowardly because a woman is offering to do "his" job. This pushes Macbeth to kill, though these are the actions that will eventually lead to both of their demises later in the play. Macbeth tries to convince Lady Macbeth, as well as himself, that she is wrong: 3 Prithee, peace. I dare do all that may become a man. Who dares more is none. (I. vii. 50-52) However, Macbeth does not seem to fully convince her, because he is still mocked by his wife. Whether he failed to convince himself or to convince his Lady is irrelevant; he went through with the murder anyhow.